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martinprog77 View Drop Down
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Direct Link To This Post Posted: May 17 2008 at 04:55

Nothing can last
there are no second chances.
Never give a day away.
Always live for today.


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martinprog77 View Drop Down
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Direct Link To This Post Posted: May 17 2008 at 04:56
Nothing can last
there are no second chances.
Never give a day away.
Always live for today.


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Kotro View Drop Down
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Direct Link To This Post Posted: May 17 2008 at 05:34
Steve Hackett's Clocks/The Angel of Mons, from Carl Orff's Fortuna Imperatrix Mundi.
Bigger on the inside.
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Direct Link To This Post Posted: May 17 2008 at 06:17
I'm surprised no one mentioned Renaissance's Scheherazade, which is an adaptation of Rimskij-Korsakov's symphonic poem of the same title - incidentally, one of my favourite pieces of classical music ever. Of course, there is a lot of original input by the band as well, so we can't really speak of a 'cover'.

Other favourites of mine are ELP's "The Barbarian" and "Toccata", though I've never been a fan of their Pictures of an Exhibition (while I love the original, especially in the Ravel arrangement).
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Direct Link To This Post Posted: May 17 2008 at 11:38
Originally posted by darqDean darqDean wrote:

PFM - William Tell Overture (Rossini)

Ekseption - Air On A G String (Bach)

Therion - O Fortuna (Orff)

 

Prog Related:

David Gilmour - Je Crois Entendre Encore (Bizet)

Andy Mackay - Ride of The Valkyries (Wagner) and An Die Musik (Schubert)



Ha ha, I can't believe someone else has that Mackay album, what a great blend of exotic 60s instrumentals with some progressive rock influences. His glitter-rock take on Wagner is probably the only Wagner I would listen to.

Edited by Easy Money - May 17 2008 at 11:38
Help the victims of the russian invasion:
http://www.jazzmusicarchives.com/forum/forum_posts.asp?TID=28523&PID=130446&title=various-ways-you-can-help-ukraine#130446
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ghost_of_morphy View Drop Down
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Direct Link To This Post Posted: May 17 2008 at 16:31
Originally posted by martinprog77 martinprog77 wrote:

 
Great album, but it's not really a classical adaption, unless you count stealing words from Shakespeare.
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Direct Link To This Post Posted: May 18 2008 at 05:25
Originally posted by darqDean darqDean wrote:

Therion - O Fortuna (Orff)


I find the pronunciation of Latin on that a bit off, but yes! Good cover!
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Philip View Drop Down
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Direct Link To This Post Posted: May 18 2008 at 09:07
The whole "Pictures at an Exhiibition" by ELP and "Bouree" by Jethro Tull
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Direct Link To This Post Posted: May 21 2008 at 03:51
Ha! I was going to do a poll along these lines; with "Bouree" and "Pictures" and that Doors thing and all that. Totally forgotten about "Difficult to Cure" though, thanks.
 
Might I add the "Air on a G String" sendup known as "Whiter Shade of Pale?" And doesn't "Elegy" DESERVE to be classical music at this point? Well, maybe not...but if you really wanna reach, there's that King Henry bit that's been covered by Tull and Gryphon at various points.
 
(And, as much as a love "Hoedown," does that really count?)
"There seem to be quite a large percentage of young American boys out there tonight. A long way from home, eh? Well so are we... Gotta stick together." -I. Anderson
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Direct Link To This Post Posted: May 21 2008 at 05:19
well, "A White Shade of Pale" only resembles "Air on a G-String" because of the beginning, but it is not really an adaptation of it. the harmonic progressions of those 2 pieces are totally different.
and why should "Hoedown" not count? it was composed by Aaron Copland and is a part of his "Rodeo" ballet


Edited by BaldJean - May 21 2008 at 05:22


A shot of me as High Priestess of Gaia during our fall festival. Ceterum censeo principiis obsta
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Direct Link To This Post Posted: May 21 2008 at 07:34
 
Deodato. And what a rhythm section he had:
 
Billy Cobham on drums, Airto on percussion
and the not so shabby Stanley Clarke and Ron Carter on bass
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Direct Link To This Post Posted: May 22 2008 at 03:03
Originally posted by BaldJean BaldJean wrote:

well, "A White Shade of Pale" only resembles "Air on a G-String" because of the beginning, but it is not really an adaptation of it. the harmonic progressions of those 2 pieces are totally different.
and why should "Hoedown" not count? it was composed by Aaron Copland and is a part of his "Rodeo" ballet
 
Because it's got friggin' "Turkey in the Straw" in it!
"There seem to be quite a large percentage of young American boys out there tonight. A long way from home, eh? Well so are we... Gotta stick together." -I. Anderson
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