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Sasquamo View Drop Down
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Direct Link To This Post Posted: March 30 2007 at 20:34
Originally posted by Trademark Trademark wrote:

They are seldom used anymore as a basis for composiing. I certainly don't say to myself, "I think I'll use form "x" or form "y" for this piece.

Originally posted by Trademark Trademark wrote:

The ABA stuff does run through the heads of writers of music (or at least it had better). Stucture doesn't happen by accident or intuition, or just because you want it to. You have to work it out. here's an example:

Confused


Originally posted by Tradmark Tradmark wrote:

Music in which individual musicianship and attention to instrumental tone are given preference over a balance of structure AND musicianship is not pleasing music to very many people.


What I meant by "how the music sounds" was not instrumental tone.  I meant that if the song sounds cool I like it, no amount of refined classical form can change that.  And about individual musicianship not being pleasing, jazz is a lot about individual skill.  But that's not what I meant anyway, I meant that no amount of amazing compositions can make up for an incompetent player.
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Direct Link To This Post Posted: March 30 2007 at 21:38
Read the whole post Sasquatch, and if you ever write a complete sentence or use a two-syllable word I'll be sure to take that completely out of context just to return the favor.
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Direct Link To This Post Posted: March 30 2007 at 23:45
the problem with prog metal is that as soon as you bring it up, people's minds jump to dream theater, one of the most polarizing bands in history. prog metal is so far beyond just your typical Dream Theater, symphony x and other power metal / power prog sounds. its depth is almost bottomless, its width staggering. the genre has become almost like the catch all that prog-related is. its the place where bands that play somewhat heavy music are dropped, the place where bands go if they play fast and technical. most modern prog bands are playing in this style and the truely unique and genuinely different bands are lost in the pile leaving the mess of cliche bads for people to see and bash as a good example of prog metal. 

"music expresses that which cannot be put into words, and that which cannot remain silent"
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Direct Link To This Post Posted: March 30 2007 at 23:55
You may have a point. But don't blmae Dream Theater or Symphony X for having thousand of clones... Blame the clones....
 
Or better yet, blame the clones while realizing that the bands they emulate must have done something good to have so many clones trying to copy/paste their music.
 
 


Edited by The T - March 30 2007 at 23:55
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Direct Link To This Post Posted: March 30 2007 at 23:57
I doubt we've really done anything more in this than clarify the line in the sand that divides proggers and prog-metallers.
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Direct Link To This Post Posted: April 01 2007 at 04:31
I think the point that has been brought up about dream theatre and symphony X type bands is probably the key to this issue.

Power metal is an extremely polarising genre, the majority of people will hate it because it's ireffutably cheesy and for many extremely hard to take seriously both musically and image wise. But as with most things that polarise people the people who love it are very vocal and passionate about that love.

When you combine all that knowledge and compare that with the fact that a lot of popular prog metal bands are power metal influenced (It is my opinion that DT are) or prog/power combos then it's not hard to see why it generates so much derision. Indeed it's not that much different to the derision that heavy metal itself recieves.

Make no mistakes I'm not a prog metal basher, I'm a metal head and a prog nerd so of course I'm going to enjoy a combination of both.
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Direct Link To This Post Posted: April 01 2007 at 04:35
Originally posted by stonebeard stonebeard wrote:

I doubt we've really done anything more in this than clarify the line in the sand that divides proggers and prog-metallers.


Perhaps, but at least you can cross between both sides of that line if you choose.


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Direct Link To This Post Posted: April 01 2007 at 04:42
^ I'm at home on both sides ... and beyond these two camps.Big%20smile
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Direct Link To This Post Posted: April 01 2007 at 16:20
Originally posted by Peter Rideout Peter Rideout wrote:

Re the whole "progressive" thing  (as the dictionary would have it) you guys are arguing about, lots of neo prog is not truly "progressive" because it is actually regressive -- it follows the established patterns and cliches of classic prog.
 
Does it really?
 
How?
 
Examples?
 
I don't hear that at all in the Neo Prog I've listened to.
Originally posted by Peter Rideout Peter Rideout wrote:

 sounding like prog," goes, obviously hearkening back to the old sound is good enough for inclusion (see Misplaced Childhood, and countless other neo albums).
 
I know that album well, and can identify maybe two or three places where Marillion pay an oblique tribute - but none of this "hearkening back to the old sound" - could you be more specific, as I really don't hear it. 
 
 
Originally posted by Peter Rideout Peter Rideout wrote:

Now, doesn't PM often incorporate "sounds like" elements from classic prog (fast, flashy synth solos, etc.)? Isn't that really why it is here?
 
If that's the reason, then there are swathes of other musical styles in the wings that use one or two things that are in common with Prog. Not all Prog had those particular elements (Pink Floyd, for example).
 
When will ABBA make an appearance? (Check out Benny's "Intermezzo" on their second album).
 
Originally posted by Peter Rideout Peter Rideout wrote:

 If not, then when will the modern, "updated" "progressive" forms of other music genres be added? Where's the alt-country? Where's my Wilco? Fairport Convention are here (a mistake, IMO), but where is the rest of the Celtic stuff that's played on electric instruments, and incorporates synths? Are the Pogues a "progression" on old-style Irish traditional? (And no, I don't really think they fit here -- because they sound nothing like prog!)
 
Here's wisdom.
Originally posted by Peter Rideout Peter Rideout wrote:

If we rigidly demand "progression" as per the dictionary, don't we have to remove most of the stuff that's listed here, including many albums by classic prog acts, where the overall sound changed little, if at all, from one album to the next? (while still sounding like prog -- see A Trick of the Tail to Wind & Wuthering, to And Then There Were Three -- was there truly "progression" there?Confused
No - "Progressive" is a bit more than that, in terms of music.
 
Originally posted by Peter Rideout Peter Rideout wrote:

 
Stern%20SmileYou're working with too rigid and "linguistic/mathematical" a definition of "progressive," folks, IMHO! a dangerous route to take, and one which most of us will never relate to.
 
No, the trouble is that most people have their own inflexible definitions rather than looking at the bigger picture.
 
Originally posted by Peter Rideout Peter Rideout wrote:

 
Such an exacting criteria is never going to happen, and not really what it's all about, anyway. Don't get hung up on the word "progressive," and counting notes & chord changes, is my advice -- step back from the microscope, Poindexter, and listen to your heart.
More wisdom.
 
Originally posted by Peter Rideout Peter Rideout wrote:

Because if that's really how you want it played out, then Sting is a "progression" from the Police, maybe ska is a "progression" from reggae, PIL is a "progression" from the Sex Pistols, John Lee Hooker from Robert Johnson, and Shania Twain might even be a "progression" from Hank Williams.
 
Stop trying to quantify, categorize and pin down art via your "math" and "weights and measures," guys! It misses the whole point of art as an emotional, subjective, fluid thing. You'll never "apprehend" it that way, or achieve concensus! Stern%20Smile
 
On the one side, that is correct.
 
The multiplicity of vague genres only leads to confusion and misunderstanding, and sub-genrising confused genres leads to more...
 
But examining established and provable elements of music leads to greater understanding.
 
Just like learning more about what happened after the big bang leads to our understanding of the universe - even though we'll never know what happened before it, or what happened at point zero in time. 
 
Originally posted by Peter Rideout Peter Rideout wrote:

Just my three cents worth -- make of it what you will. No big deal. Smile
 
I think I extracted 2 cents...
 
There was a bad penny in your analysis of Neo-Prog
 
Tongue
 
 
/edit - I really don't know why the flippin' forum software insists on decreasing my font size... oh well, size isn't important...


Edited by Certif1ed - April 01 2007 at 16:21
The important thing is not to stop questioning.
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Direct Link To This Post Posted: April 01 2007 at 23:36
Originally posted by Certif1ed Certif1ed wrote:

Originally posted by Peter Rideout Peter Rideout wrote:

Re the whole "progressive" thing  (as the dictionary would have it) you guys are arguing about, lots of neo prog is not truly "progressive" because it is actually regressive -- it follows the established patterns and cliches of classic prog.
 
Does it really?
 
How?
 
Examples?
 
I don't hear that at all in the Neo Prog I've listened to.
Originally posted by Peter Rideout Peter Rideout wrote:

 sounding like prog," goes, obviously hearkening back to the old sound is good enough for inclusion (see Misplaced Childhood, and countless other neo albums).
 
I know that album well, and can identify maybe two or three places where Marillion pay an oblique tribute - but none of this "hearkening back to the old sound" - could you be more specific, as I really don't hear it. 
 
 
Originally posted by Peter Rideout Peter Rideout wrote:

Now, doesn't PM often incorporate "sounds like" elements from classic prog (fast, flashy synth solos, etc.)? Isn't that really why it is here?
 
If that's the reason, then there are swathes of other musical styles in the wings that use one or two things that are in common with Prog. Not all Prog had those particular elements (Pink Floyd, for example).
 
When will ABBA make an appearance? (Check out Benny's "Intermezzo" on their second album).
 
Originally posted by Peter Rideout Peter Rideout wrote:

 If not, then when will the modern, "updated" "progressive" forms of other music genres be added? Where's the alt-country? Where's my Wilco? Fairport Convention are here (a mistake, IMO), but where is the rest of the Celtic stuff that's played on electric instruments, and incorporates synths? Are the Pogues a "progression" on old-style Irish traditional? (And no, I don't really think they fit here -- because they sound nothing like prog!)
 
Here's wisdom.
Originally posted by Peter Rideout Peter Rideout wrote:

If we rigidly demand "progression" as per the dictionary, don't we have to remove most of the stuff that's listed here, including many albums by classic prog acts, where the overall sound changed little, if at all, from one album to the next? (while still sounding like prog -- see A Trick of the Tail to Wind & Wuthering, to And Then There Were Three -- was there truly "progression" there?Confused
No - "Progressive" is a bit more than that, in terms of music.
 
Originally posted by Peter Rideout Peter Rideout wrote:

 
Stern%20SmileYou're working with too rigid and "linguistic/mathematical" a definition of "progressive," folks, IMHO! a dangerous route to take, and one which most of us will never relate to.
 
No, the trouble is that most people have their own inflexible definitions rather than looking at the bigger picture.
 
Originally posted by Peter Rideout Peter Rideout wrote:

 
Such an exacting criteria is never going to happen, and not really what it's all about, anyway. Don't get hung up on the word "progressive," and counting notes & chord changes, is my advice -- step back from the microscope, Poindexter, and listen to your heart.
More wisdom.
 
Originally posted by Peter Rideout Peter Rideout wrote:

Because if that's really how you want it played out, then Sting is a "progression" from the Police, maybe ska is a "progression" from reggae, PIL is a "progression" from the Sex Pistols, John Lee Hooker from Robert Johnson, and Shania Twain might even be a "progression" from Hank Williams.
 
Stop trying to quantify, categorize and pin down art via your "math" and "weights and measures," guys! It misses the whole point of art as an emotional, subjective, fluid thing. You'll never "apprehend" it that way, or achieve concensus! Stern%20Smile
 
On the one side, that is correct.
 
The multiplicity of vague genres only leads to confusion and misunderstanding, and sub-genrising confused genres leads to more...
 
But examining established and provable elements of music leads to greater understanding.
 
Just like learning more about what happened after the big bang leads to our understanding of the universe - even though we'll never know what happened before it, or what happened at point zero in time. 
 
Originally posted by Peter Rideout Peter Rideout wrote:

Just my three cents worth -- make of it what you will. No big deal. Smile
 
I think I extracted 2 cents...
 
There was a bad penny in your analysis of Neo-Prog
 
Tongue
 
 
/edit - I really don't know why the flippin' forum software insists on decreasing my font size... oh well, size isn't important...

Sorry Cert -- no offense and all, but I really can't be bothered any more.

I like lots of neo, but to me, the overall sound definitely hearkens back to that of old prog. (That does not mean I don't like it, I just think bands like IQ, Echolyn and yes, Fish's Marillion, generally tread the path "laid long before."

As a non-musician, I don't understand a lot of your technical/intellectual arguments, and I don't relate to art like that anyway.

In any case, I would hazard to guess (based simply on the increasing success/popularity of metal threads), that the current majority of PA members are metal fans, so PM is here to stay. Whether it's truly prog or more "prog, as far as metal goes'" (as Mike implied when he suggested that PM is not a subgenre of prog, but a sub genre of metal) does not seem to matter. The "prog umbrella" has de-facto been expanded to include metal. I may not like the music, but as I say, ever-increasing numbers apparently do like it,. so my pointing out my personal "problems" with this popular music will (as I've found) achieve nothing but  to offend lots of people, and make them dislike me. (And most of them, Ive found, also like the classic prog I enjoy best anyway.)

So I just don't want to talk about it any more, and I should have avoided this thread in the first place. If I'm to remain on this forum, and actually enjoy my time here, without pointless fights and stress, I have to stop trying to resist the prevailing tide. In my house "prog" means one thing -- here, it means that, and a lot more as well.

The old stuff is still there, there's still new stuff that sounds a lot like the old, there's some unique (truly "progressive") new stuff I enjoy (GYBE, Deus Ex Machina, etc), but a very large part of what "prog" is now, is metal. It's not 1974 -- or even 2004 -- any more! Time marches on, the prog "torch" has effectively been passed, and a new generation of its fans have incorporated metal to the ever-expanding "prog" pantheon. Words acquire new, additional meanings over time, and "prog" has not been an exception to that irresistible phenomenon.

So whether I (and a few other doddering ancients, plus scattered young eccentrics) like PM or not (and of course we don't all like everything), or consider it to be truly a valid form of the music which I know  as  "prog" or not, I have to accept 2007's  reality.

So, no offense please, old friend and "comrade," but I'm respectfully bowing out of the discussion. Smile

BTW, thanks for finding "wisdom" in some of my observations -- I am flattered. Embarrassed


Edited by Peter Rideout - April 01 2007 at 23:51
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
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Direct Link To This Post Posted: April 02 2007 at 01:38
I really don't think that Prog Metal is any more (or less) popular today than it was ten years ago ... it's not like Prog Metal is "taking over" all the Prog Rock fans.Wink
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Direct Link To This Post Posted: April 02 2007 at 02:56
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

I really don't think that Prog Metal is any more (or less) popular today than it was ten years ago ... it's not like Prog Metal is "taking over" all the Prog Rock fans.Wink
Well, having been here since the start, I think metal (and threads about it) is more popular overall HERE than it was in 2004. I think as the new generation of prog fans grows in numbers and influence, PM will only grow in popularity.
 
This is getting rather tiresome for me. Can any other longterm members from my generation back me on that perception? Dick? Bob? Dan? Jim? Tony? Vibe? Has metal grown in popularity here or not , and is the younger generation of prog fans more likely to embrace it than the generation weaned on the old stuff, or not? (Am I really imagining all of this? If there really is no broad connection between modern metal and listener age, then I'd love to hear someone other than Mike, or an offended young metal fan, say as much.)
 
No offense to Mike -- I just want someone else to explain to me how everything I ever write about metal is wrong, and disrespectful of its many fans. Oops! Should I not say it has "many" fans?
 
ConfusedThen you can perhaps go on to prove to me that Justin Timberlake's fans are every bit as likely to be middle-aged (straight) men, as they are teen aged girls like my daughter. Wink
 
Through my work, I encounter plenty of teen-twenties metal fans, but I honestly don't know of EVEN ONE death or black metal fan from my peer group, or from among my friends/acquaintances who are my approximate age.
 
(And when I was young, my parents and their friends weren't into Zeppelin, Sabbath or Deep Purple, either! Overall, the different generations listened to different music (which was written and marketed specifically to appeal to them). Has that really all changed, now? Confused Are teen-twenty-something music purchasing patterns really just the same as those of old farts my age?) Wink
 
 
(Mike, I know you really resent it whenever I dare mention metal, age and listening patterns in the same breath, but as the average member age here fell, metal simply became more prevalent in the topics and reviews. (I'm honestly okay with that. The metal fans tend to like the old stuff, too, and I still have a place here. No one is forcing me to buy and review  DT albums, and Jon Anderson is yet to start growling. (I wonder what that would sound like!LOL)
 
Is it totally unreasonable -- or somehow hostile -- of me to think that modern metal fans are more likely to be younger than the original generation of prog fans? (You will never convince me that, for example, black or death metal fans are just as likely to be in their mid forties, like me, as they are to be in their teens and twenties. I know there are always exceptions, Mike, but do you really think that age has nothing measurable to do with overall listening patterns, and genre preferences? Are advertisers/music industry/magazines totally off base when they inquire about respondent ages in their polls and studies? Does the "average" middle aged man really listen to the same music, and exhibit the same tastes & spending patterns, as the teen skateboarder?  
 
Will I always be in the wrong, and run afoul of you, whenever I make any observations, no mater how carefully and respectfully worded about metal? Am I simply not allowed to ever mention metal, as I will always be assumed to be attacking its place here, and/or its fans, if I do mention it?
 
And no, I don't think its "taking over" the prog fans, either (did I say that?) -- I just think that as time marches on, more and more prog fans are also metal fans. Overall, young prog fans seem to like metal too -- is that such a controversial, completely unfounded observation?
 
Time is on the newer form's side.
 
Anyway, it's here, it's here to stay, and its very popular here -- can we agree on that much, at least?
 
Or should I -- in particular -- simply never mention metal, just to be on the safe side?Confused


Edited by Peter Rideout - April 02 2007 at 03:28
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
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Direct Link To This Post Posted: April 02 2007 at 03:00

 ^ The average age of a member of the Prog-Metal Team is around 30, Peter. The majority of people such age may not listen to this kind of music, but many still do.

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Direct Link To This Post Posted: April 02 2007 at 03:01
Anyway, I said I was bowing out (and perhaps we can see why -- all I get is grief from such discussions ), but I'd still like to hear from some of those older, respected longterm members whom I've listed, on this.
 
Now I need some sleep -- I did it again! Unhappy
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Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 02 2007 at 03:24
Originally posted by Trickster F. Trickster F. wrote:

 ^ The average age of a member of the Prog-Metal Team is around 30, Peter. The majority of people such age may not listen to this kind of music, but many still do.

 
Thank you. Smile
 
Now what about the rank and file fans, overall? Ermm
 
 
What would you guess as the average age, of say, a DT, Opeth, Burzum or extreme/death metal fan?
 
Is such music more popular, in the main, among younger listeners or not? If the average member age falls (as I have certainly seen it do -- we had polls to prove as much: just ask Maani) significantly over time, as membership rises, won't the metal side of prog grow in popularity and influence, as a matter of course?
 
At the very least (if you think age is a non-issue, or a dead end criteria) with the scope of "prog" now extended to include metal, won't more and more metal fans  (of any age -- head-banging old-age pensioners too) join the site, and make their growing influence felt? (Has this not happened already, and is it not ongoing?)
 
 In threads like this, time and again, we see posts along ther lines of "what's with all of these snobby old prog fans always attacking PM?" To me, it's no big mystery: overall, humans are "creatures of habit." People tend not to like change, and like it or not, the "rules" and parameters of the "prog" game have changed. Metal now looms quite large in the so-called "prog" multi-verse, and while I think I've come to terms with that reality, I know many have not. Change always ruffles feathers.
 
 


Edited by Peter Rideout - April 02 2007 at 03:30
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O frabjous day! Callooh! Callay!'
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Direct Link To This Post Posted: April 02 2007 at 03:32
i can't see why people argued over prog metal like it's a matter of life and death. can't you just leave something when you are dead sure you won't like it ? it's not like it's going to kill you either
The devil we blame our atrocities on is really just each one of us.
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Direct Link To This Post Posted: April 02 2007 at 03:35
Originally posted by Peter Rideout Peter Rideout wrote:


Sorry Cert -- no offense and all, but I really can't be bothered any more.

I like lots of neo, but to me, the overall sound definitely hearkens back to that of old prog. (That does not mean I don't like it, I just think bands like IQ, Echolyn and yes, Fish's Marillion, generally tread the path "laid long before."

As a non-musician, I don't understand a lot of your technical/intellectual arguments, and I don't relate to art like that anyway.
 
No offence taken - I'm only saying that I don't think that the sound does hearken back at all to the old sound, in the specific cases of Marillion, Twelfth Night and the Neo-Prog bands that I enjoy.
 
I have heard many Neo-Prog bands who have emulated a significant part of the sound - IQ's first offerings, for example (which is to their credit, and not meant derisorily).
 
On a completely non-technical level, I cannot hear any similarities between Marillion's Misplaced Childhood and Genesis, except maybe in a few isolated superficial places.

Originally posted by Peter Rideout Peter Rideout wrote:


In any case, I would hazard to guess (based simply on the increasing success/popularity of metal threads), that the current majority of PA members are metal fans, so PM is here to stay.
 
Is someone trying to remove it?
 
Originally posted by Peter Rideout Peter Rideout wrote:

Whether it's truly prog or more "prog, as far as metal goes'" (as Mike implied when he suggested that PM is not a subgenre of prog, but a sub genre of metal) does not seem to matter. The "prog umbrella" has de-facto been expanded to include metal. I may not like the music, but as I say, ever-increasing numbers apparently do like it,. so my pointing out my personal "problems" with this popular music will (as I've found) achieve nothing but  to offend lots of people, and make them dislike me. (And most of them, Ive found, also like the classic prog I enjoy best anyway.)

So whether I (and a few other doddering ancients, plus scattered young eccentrics) like PM or not (and of course we don't all like everything), or consider it to be truly a valid form of the music which I know  as  "prog" or not, I have to accept 2007's  reality.

I have my own set of filters through which I see the musical world, and am keen, as I have been throughout my entire life, to make an impact on the world of music - and will never stop trying.

I don't think I'm right all the time - I question everything that does not concur with my own views - and also my own views, from time to time. I can never simply accept the Status Quo... they're not Prog, are they? LOL

 
Originally posted by Peter Rideout Peter Rideout wrote:


So, no offense please, old friend and "comrade," but I'm respectfully bowing out of the discussion. Smile

BTW, thanks for finding "wisdom" in some of my observations -- I am flattered. Embarrassed
 
As ever, no offence taken - I only question your views on Neo-Prog (wrong thread, I know...) in the hope that you'll be able to articulate where you hear the "regressive tendencies" - to talk more about it, so that I can understand what you mean, since it is so diametrically opposed to the way I hear it.
 
Even a know-all like me knows when he's digesting the words of a teacher... Wink
 


Edited by Certif1ed - April 02 2007 at 03:43
The important thing is not to stop questioning.
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Direct Link To This Post Posted: April 02 2007 at 05:53
Originally posted by Peter Rideout Peter Rideout wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

I really don't think that Prog Metal is any more (or less) popular today than it was ten years ago ... it's not like Prog Metal is "taking over" all the Prog Rock fans.Wink
Well, having been here since the start, I think metal (and threads about it) is more popular overall HERE than it was in 2004. I think as the new generation of prog fans grows in numbers and influence, PM will only grow in popularity.

I've been here for quite some time now ... not since 2004, but almost. I didn't notice any particular increase in the popularity of prog metal here ... as a matter of fact, I see an increase in the popularity of post rock/metal (and many put post metal closer to post rock than to prog metal) and what magazines call "new art rock" - The Mars Volta, Porcupine Tree (newer albums), Pure Reason Revolution etc..
 
This is getting rather tiresome for me. Can any other longterm members from my generation back me on that perception? Dick? Bob? Dan? Jim? Tony? Vibe? Has metal grown in popularity here or not , and is the younger generation of prog fans more likely to embrace it than the generation weaned on the old stuff, or not? (Am I really imagining all of this? If there really is no broad connection between modern metal and listener age, then I'd love to hear someone other than Mike, or an offended young metal fan, say as much.)

I'm sure they will (or already did), I'm just adding my 2 7/8 cents.Wink
 
No offense to Mike -- I just want someone else to explain to me how everything I ever write about metal is wrong, and disrespectful of its many fans. Oops! Should I not say it has "many" fans?

I think that only 60% of all you've written about metal is wrong.LOLWink
 
ConfusedThen you can perhaps go on to prove to me that Justin Timberlake's fans are every bit as likely to be middle-aged (straight) men, as they are teen aged girls like my daughter. Wink

Why should I try to prove that - it's wrong and I never said that. For the record: Prog Metal has been around for more than twenty years ... Dream Theater celebrated their 20th anniversary last year. The band as well as their fans are typically in their 30s or 40s ... which doesn't mean that there aren't any younger fans or that indeed prog metal may be more popular among younger people, but for current teenagers prog metal is about as trendy as prog rock (meaning: not at all).Wink
 
Through my work, I encounter plenty of teen-twenties metal fans, but I honestly don't know of EVEN ONE death or black metal fan from my peer group, or from among my friends/acquaintances who are my approximate age.

Meet Certif1ed. Even though he may prefer Kreator to Death ... those genres are also more than 20 years old in origin ... "true" Black Metal came a bit later, but was already "initialized" through 80s bands like Celtic Frost. Wink
 
(And when I was young, my parents and their friends weren't into Zeppelin, Sabbath or Deep Purple, either! Overall, the different generations listened to different music (which was written and marketed specifically to appeal to them). Has that really all changed, now? Confused Are teen-twenty-something music purchasing patterns really just the same as those of old farts my age?) Wink

Is it so bad that prog metal, just like prog rock, is more than a short trend? It peaked in the mid 90s and since then it lives on in a small group of devoted fans, and this group is aging slowly but steadily.
 
(Mike, I know you really resent it whenever I dare mention metal, age and listening patterns in the same breath, but as the average member age here fell, metal simply became more prevalent in the topics and reviews. (I'm honestly okay with that. The metal fans tend to like the old stuff, too, and I still have a place here. No one is forcing me to buy and review  DT albums, and Jon Anderson is yet to start growling. (I wonder what that would sound like!LOL)

Well, you're always around when the topic is metal ... and why not?Smile
 
Is it totally unreasonable -- or somehow hostile -- of me to think that modern metal fans are more likely to be younger than the original generation of prog fans? (You will never convince me that, for example, black or death metal fans are just as likely to be in their mid forties, like me, as they are to be in their teens and twenties. I know there are always exceptions, Mike, but do you really think that age has nothing measurable to do with overall listening patterns, and genre preferences? Are advertisers/music industry/magazines totally off base when they inquire about respondent ages in their polls and studies? Does the "average" middle aged man really listen to the same music, and exhibit the same tastes & spending patterns, as the teen skateboarder?

I know what you're getting at. I'd say that as a general rule of thumb young people are more likely to be attracted to aggressive or "rebel" music ... which - among other non-metal styles as punk, goth/wave, "gangster"-rap etc. - includes most styles of metal. But I am sure that this is not a thing of youth which automatically "wears off" as people grow older.

The main point is: Prog Metal is not childish. People like Certif1ed look down upon the genre, saying that true Prog, Jazz and Classical music are much more advanced in many aspects. But still most Prog Metal is many, many levels above simple popular music. I love Prog Metal for what it is ... and I'm sure that the essence of what it represents is not compatible with adolescence. In fact, I think that Prog Metal is the "grown-up" version of simple metal ... which doesn't mean that it's not for young people ... growing up is not necessarily related to age.Wink
 
Will I always be in the wrong, and run afoul of you, whenever I make any observations, no mater how carefully and respectfully worded about metal? Am I simply not allowed to ever mention metal, as I will always be assumed to be attacking its place here, and/or its fans, if I do mention it?

Please, by all means do criticise metal ... I love a good argument. I'll try to keep my comments civil, which I didn't always manage to do in the past ... but the mere fact that I'm responding to your posts does *not* mean that I want you to shut up ... rather the reverse.
 
And no, I don't think its "taking over" the prog fans, either (did I say that?) -- I just think that as time marches on, more and more prog fans are also metal fans. Overall, young prog fans seem to like metal too -- is that such a controversial, completely unfounded observation?

No, but I also observed that there are many young members here who hate metal with a passion. There are always two sides of a story (make that three if lawyers are presentWink).
 
Time is on the newer form's side.

New is always more interesting than old ... but all that is new eventually grows old. In 100 years from now Prog Rock will be 135 years old, Prog Metal 120 years ...
 
Anyway, it's here, it's here to stay, and its very popular here -- can we agree on that much, at least?

Of course!

Or should I -- in particular -- simply never mention metal, just to be on the safe side?Confused

No. What I would recommend to you though is not to try to get into prog metal at all cost ... I think that it contains some elements which you simply don't like. Smile

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Peter View Drop Down
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Direct Link To This Post Posted: April 02 2007 at 08:22
Okay, thanks for the nice, civil response, Mike.
 
I hope you'd noticed that at no point lately have I put down metal or its fans (I am determined not to do that).
 
For the record, if you look at my current words (and not at the tone of I things I may have said before my recent time away) you'll see that I didn't say that metal's fans will or should "grow out" of the music as they age (though I know I and others may have said as much, in the past). Why should they? Some of the music I liked as a kid no longer works for me, true, but the vast majority of the stuff I enjoyed as a teen (including prog) is stuff i still listen to today. (My tastes expanded beyond just the forms I enjoyed then, though, of course.)
 
Anyway, I respectfully really, really want to be done with this topic, and with arguing about music in general -- it keeps me up nights (can't type for sh*t)! Ouch 


Edited by Peter Rideout - April 02 2007 at 08:24
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 02 2007 at 08:34
^ then simply don't take it to heart. I don't take any of these discussions to heart anymore ... music is not an exact science and taking it too seriously *will* inevitably ruin it for you as a thing to simply enjoy and appreciate.
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