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Topic ClosedVocal "control" and expressiveness

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Poll Question: ...
Poll Choice Votes Poll Statistics
11 [15.28%]
16 [22.22%]
27 [37.50%]
14 [19.44%]
4 [5.56%]
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Direct Link To This Post Posted: March 04 2005 at 15:02

Originally posted by Hangedman Hangedman wrote:

I think as a singer i have to say peter hammil is (this is my opinion) the best singer in almost all respects to ever be in rock and roll. My favourite is gabriel but hammil is better as far as im concerned. I dont know why people are voting for fish that much, i mean fish is great (really great) but ive always found him to be gabriel lite... hmm maybe i should check out moreo f his solo material.

I would think Hammill-lite rather than Gabriel-lite - Fish's style is so much more evocative of PH than PG. This is totally apparent on the "Fish-era" Marillion albums

There's nothing about Fish's voice that makes me think PG - or lite, come to think of it!

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Direct Link To This Post Posted: March 04 2005 at 15:38

Originally posted by Man Erg Man Erg wrote:

Hammill
Soothing and scary often in the same line of verse.

Yes, that demands the largest amount of control from a vocalist. Hammill does it better than any other one in this poll... and in a bolder manner, too.

Regards. 

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Direct Link To This Post Posted: March 04 2005 at 15:42

I don't know if this is correct in musical terms, but voice control IMO is about using the strong aspects of the voice and learning how to deal with the weak ones and has almost nothing to do with having a a great or an average voice.

That's the reason why I voted for Peter Gabriel, I really don't believe he has a great voice, he sounds raspy and has serious problems with the high ranges, but he learned how to deal with the problem, as I mentioned before the semi yodeling at the end of a word is a great way to cover his weak spot without avoiding high rages, but adding more dramatism and emotion instead.

Phil Collins is a good singer (Not vocalist), has a nice voice for the soft stuff  but has a lot of troubles when trying to do the harder parts or change the voice,  there are Gabriel songs that he never (Or at the most one time) dared to do on stage, like Battle for the Epping Forest (Because too many different modulations of voice are required) or Dancing with the Moonlit Knight, because that acapella section is too hard for a guy that sings in one and only range.

When Gabriel had to give emotion he changed the voice to adapt to the circumstances, Collins only shouted, listen the difference between the two endings of The Musical Box, Gabriel transmits desperation and or some form of lust and Collins only rises his voice, the best example is Mama, the noises he makes are frustrating for me.

In the cases when Collins tried to sing Gabriel tracks like Willows Farm on Supper's Ready (Seconds Out) it was really disappointing, he noticed he couldn't impersonate more than one character and tried to replace the different modulations with funny voices (Which are not funny), in his version of The Lamb in the same album he has to repeat words to avoid reaching parts where he can't get, like singing And the lamb lies down (down down down) instead of making the only "Down" last longer, what simply annoys me.

That’s why I voted for him as the vocalist with best voice control, even when there are guys like Lake or Wetton with much better natural voice.

Iván

            
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Direct Link To This Post Posted: March 04 2005 at 16:05
yeah, I hate it when phil keeps repeating words. it drives me nuts. he does it alot in the 3 sides live version of in the cage too.
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Direct Link To This Post Posted: March 04 2005 at 16:46
Who here can actually sing or understand how the larynx stretches or at what point notes come from? As a poll it doesn't contain Jon Anderson whose voice for me contains everything a great singer has.Note I didn't say rock singer,and I will therefore have to choose one from it.As such it still has two of my other favourites, Peter Hammill and Peter Gabriel.This is extremely difficult and both have great merits.Hammill's voice so powerful,and yet so gentle.It rips emotions up from within and fires them out in all directions.As a vocal exercise simply listen to the man's vocal dexterity on 'Still Life'; I can sing it and know how having a range of 3 octaves he can soar with ease to reach stentorian galvanic vocal bliss.His voice has almost everything.It possibly does!As for Gabriel, another master vocalist who can sing in so many different ways.Neither are trained singers I think, and are naturally gifted as most great vocalist outwith the operatic sphere are.The voice can be nurtured and breathing techniques can be used but the voice is a gift from God and these two certainly have that gift.On an emotional choice it has to be Hammill.Fish also has great merits but not quite as good as these two.

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Direct Link To This Post Posted: March 04 2005 at 16:57

Peter Hammill has both the greatest range and the greatest control of any of the vocalists mentioned in the poll, and if anything his voice seems to improve with age.

Peter Gabriel's attempts at working class accents on Genesis songs like 'The Battle of Epping Forest' or 'Get 'em out by Friday' sound extremely unconvincing to me - rather like Sting's embarassing attempts to sound 'black' in the early days of The Police. However, he's more than made up for it since (Gabriel, not Sting).

 

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Direct Link To This Post Posted: March 04 2005 at 17:30

Quote Peter Gabriel's attempts at working class accents on Genesis songs like 'The Battle of Epping Forest' or 'Get 'em out by Friday' sound extremely unconvincing to me

I partially agree about the accent in Get' em Out by Friday, not his best song for sure, but remember what a job he did in The Lamb Lies Down on Broadway, hesounded very convincing as a Puerto Rican/New Yorker. I read he had to work very hard to get rid of his British accent to sing in that album. 

Iván



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Direct Link To This Post Posted: March 04 2005 at 18:17

Originally posted by utah_man utah_man wrote:



The Italian prog musicians have had a unique ability to maintain a high level of vocal quality even with the "newer" groups like Deus Ex Machina.

Their correct usage of vibrato is a case in point

Alberto Piras - Deus Ex Machina

Without a doubt this guy is the absolute best.

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Direct Link To This Post Posted: March 05 2005 at 05:29

Ivan makes a strong an convincing case for Gabriel, but I surprised myself and went for Fish.

Fish to me is not a great singer. His solo album "Songs from the mirror" shows just how poor he is when he covers other people's songs. When he's performing his own material (solo or Marillion) though, his control and expresiveness is unique. He disguises the shortcomings in his singing ability by relying entirely on those qualities.

He lacks the ability to impose those qualities on other people songs, as they are not personal to him. I suspect when Fish writes his lyrics, he is already considering how he will perform them, and searching for words which will complement the emotion he wishes to convey. Sometimes, this can lead to the lyrics becoming trite but more often than not, it works well.

There are many better singers than Fish, but that is not the question here, is it?

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Direct Link To This Post Posted: March 05 2005 at 13:06
To me, Fish does sound like he can convey emotion decently well when he appears on Ayreon's Into the Electric Castle. I wouldn't vote him the best singer on this poll, though, but he is decent.

So...no one here thinks well of Russell Allen?
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Direct Link To This Post Posted: March 05 2005 at 13:41

I've noticed that there's some sort of syncronicity to this poll

a Fish lives in a Lake and is farmed by Fish farmer Anderson! Sorry.

Do 'The Stanley' otherwise I'll thrash you with some rhubarb.
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Direct Link To This Post Posted: March 05 2005 at 15:13

Originally posted by Fragile Fragile wrote:

Who here can actually sing or understand how the larynx stretches or at what point notes come from?

I do. I studied singing in great depth - right down to the physical anatomical bits and pieces, and can hear how most vocalists produce the sounds they do. But I don't think it's entirely relevant when considering rock vocalists - as different techniques are required to produce the different singing styles. So I limited myself to considering how the voices were controlled within the context of the music - hence Hammill, who tends to over-dramatise, loses out to Fish, who tempers the drama perfectly, IMO.

Considering Maani's points, I'm very tempted to re-assess Ian Anderson's control, as his voice is not only sensitive to, but leads and colours the music overall. I'll have to re-listen to my Tull albums, as I'm not convinced by all of the technical points Manni raises...



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Direct Link To This Post Posted: March 05 2005 at 15:49
 I vote Greg Lake surely, cause his voice is wonderful. I like his voice is a grave voice. Is beautiful for balads and songs with the ELP stile.
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Direct Link To This Post Posted: March 05 2005 at 15:56
As far as expressiveness goes, no-one (IMO) comes close to Daniel Gildenlow, what a guy.

From these ones, Peter Gabriel


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Direct Link To This Post Posted: March 05 2005 at 17:27

Originally posted by Certif1ed Certif1ed wrote:

Considering Maani's points, I'm very tempted to re-assess Ian Anderson's control, as his voice is not only sensitive to, but leads and colours the music overall. I'll have to re-listen to my Tull albums, as I'm not convinced by all of the technical points Manni raises...

I'm not certain that Ian's control was formally taught...he is so un-forced in his delivery that I suspect his vocal prowess is raw natural gift plus years of 'on the job training'. Although I wouldn't be surprised to find out he served time in a church choir...any Tull biography folks out there to confirm?

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Direct Link To This Post Posted: March 05 2005 at 17:40
Originally posted by James Lee James Lee wrote:

 Although I wouldn't be surprised to find out he served time in a church choir...

 My God you could be on to him. Hymn 43 indeed!

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Direct Link To This Post Posted: March 05 2005 at 18:24
Originally posted by Man Erg Man Erg wrote:


I've noticed that there's some sort of syncronicity to this poll

a Fish lives in a Lake and is farmed by Fish farmer Anderson! Sorry.


I thought Roger Daltrey was the fish farmer
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Direct Link To This Post Posted: March 05 2005 at 19:31
"control" and "expressiveness" In my opinion, the two
are not mutually exclusive. Sometimes the lack of control
makes for the greatest expression.
I wanted to vote for Lake, excellent control. Great
natural voice. Somewhat limited in range.That put me off
a little. Ian anderson emotes very well. Another great
voice. A little limited in the control department.
I always thought Fish sounded a little "thin". Although
I haven't heard the live stuff, so I could be wrong.
I must confess I am not familiar with Peter Hamill. So I
eliminated him as a canidate. maybe I shouldn't vote
then? what do you think?
Anyway, out of the four (Pete Hamill excluded) I would
choose Gabriel. Not the greatest control (which
sometimes works in your favor). Great emotional range,
though. Well, really he's my favorite singer. I'm not
competent to judge, other than that
Wearing feelings on our faces when our faces took a rest...
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Direct Link To This Post Posted: March 05 2005 at 22:02
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Direct Link To This Post Posted: March 06 2005 at 00:22
Come to think of it I see what Ivan means. Hearing Duke and Abacab (when Phil seriously changed his vocal style) I notice he seams to scream a lot for emotion, making a very lame "soul: singing style, which sounds forced and fake. I think it's because of Gabriel's natural gift of voice control, which only improves with age. His developement is apparent in his solo works, though lacking the amount of character voices, he has an incredible range of vocals throughout a song.
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