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Topic ClosedVocal "control" and expressiveness

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11 [15.28%]
16 [22.22%]
27 [37.50%]
14 [19.44%]
4 [5.56%]
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Dick Heath View Drop Down
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Direct Link To This Post Posted: March 04 2005 at 06:21

Originally posted by JrKASperov JrKASperov wrote:

Peter Hammill does with his voice that Gabriel cannot: control.

Gabriel often jumps with his voice, which is a clear sign of NO control. However, Hammill never does this, and he knows how to form his voice to more emotions and expressions.

 

Interesting, (I agree btw) but Hammill also does punk vocals well (Johnnie Rotten of the Sex Pistol, reportedly had Van Der Graaf down as one of his favourite bands.......), check out his live cover of the Strangler's Tank (backed by the Stranglers and Robert Fripp)

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Direct Link To This Post Posted: March 04 2005 at 06:58

"Nadir's Big Chance" is a great expression of Hammill's "punk personality" - pre punk rock (1975), and is rumoured to be one of Mr Rotten's fave albums. It's not easy listening, that's for sure...

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Direct Link To This Post Posted: March 04 2005 at 07:32
Anderson, he makes his flute sing...
Please forgive me for my crappy english!
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Direct Link To This Post Posted: March 04 2005 at 07:39
Originally posted by Rob The Good Rob The Good wrote:

I can't decide!   


Me neither, all these guys have been known to go on 'bum note' safari at one time or another, it's only human I guess.





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Direct Link To This Post Posted: March 04 2005 at 08:19

Voted Gabriel.

In rock or pop music of any kind I think its unrealistic to expect singers to be in tune all the time. Lets not get too prog snobby about this. Peter Gabriel and the like are rock singers, they are not opera singers. It doesn't matter if there's a few bum notes in there. I would much rather listern to PG than Jon Anderson, for example, who I would say is technically better than PG. Its not just that I prefer Genesis songs, its that I think Anderson sounds like a big girls blouse  Thats his style, I happen to prefer Gabriels.

 

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Direct Link To This Post Posted: March 04 2005 at 08:48

  Ozzy Osbourne

 

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Music Is The Soul Bird That Flies In The Immense Heart Of The Listener . . .
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Direct Link To This Post Posted: March 04 2005 at 09:31

Originally posted by Dick Heath Dick Heath wrote:

Sorry, as ever I'm going to be different. Francis Dunnery is my man., both when in It Bites (when at times, he could be the best Peter Gabriel sounding vocalist around ), and then his solo career. Sure he has taken his references from Gabriel and to a far lesser extent  Fish, but he has then extended the expressiveness of those guys  into a much broader range. Take a listen to his cover of Cat Stevens's Father & Son (ex. Long Tall Helicopter - in fact listen to whole album) for an excellent example of his power - makes that recent hit (which had to bring in Yoshif Mohammed in to save it) sound desperately poor. 

 Dick. I also think Francis is the most original Pete Gab sounding vocalist, he developed indeed a unique style that distinguishes him from other Gab-clones (Peter Nichols, Fish, the guy who sings in Citizen Cain). Moreover, he is also one of the best Holdsworth-influenced guitarist.

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Direct Link To This Post Posted: March 04 2005 at 10:15
Well since you haven`t listed Mariah I will have to declare a tie between Ian Anderson and Greg Lake. They both maintain amazing intonation while at the same time playing chalenging guitar parts. I think I`ll throw Heavy Heavy Horses on the turntable. Yeah, I think I`ll do that and no one can stop me.
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Direct Link To This Post Posted: March 04 2005 at 10:19
I understand Threefates has not joining the forum yet.
Please forgive me for my crappy english!
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Direct Link To This Post Posted: March 04 2005 at 10:28
GRRRR!  Where's Daniel Gildenlow!?
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Direct Link To This Post Posted: March 04 2005 at 10:39

All:

Thanks for your responses.  All very well thought out and reasoned.  Good cases are being made for all the singers.

After a great deal of angst - to say nothing of repeated listenings to numerous albums - I found myself voting for Anderson, with Gabriel a very close second (Fish third, Hammill fourth, Lake fifth - for which threefates is gonna hand my head to me! ).

Anderson's vocal control is almost frightening.  Setting aside "expressiveness" for a moment, he can do things with his voice that are truly amazing - almost "operatic" - in the sense of breath control, trills, rolls, etc.  I have rarely heard the "bum note" from him, even when he is doing difficult "dips and turns" with his voice.  And even with his occasionally strange, and often nasal, voice, he enunciates better than anyone else in the field (with the possible exception of Lake): I never have trouble making out the lyrics, even if I am not following along with them.  This is not true of Gabriel, Fish or Hammill, who all mumble or elide occasionally (and not just for effect).

Re "expressiveness," here I was torn between Anderson and Gabriel.  In fact, I think Gabriel may have a slight edge, but that his edge is increased by the overall expressiveness of Genesis' music vis-a-vis Tull's; i.e., Anderson and Gabriel may be equally expressive, but since Genesis' music is, on the whole, more expressive than JT's, Gabriel comes out ahead by a hair.  Still, Anderson is equal to the task, if "expressiveness" includes not only vocal inflection and emotion, but the voice - timbre, range, etc. - being most appropriate for the music itself.  In this regard, I think Anderson's voice is just a tad more suited for Tull than Gabriel's is for Genesis.  (After all, Genesis went on to record with Collins on vocals, and did very well, even if Collins is no Gabriel.  Can you imagine anyone being able to handle JT's vocals properly with Anderson gone?...)

So, in the words of the "caller": It's Anderson in the lead, with Gabriel back by a nose.  Fish is coming up fast from behind, with Hammill and Lake neck and neck along the rail.  Photo finish?

Peace.

P.S.  Emperor: I only caught the error (Hamill) after I posted, and one cannot edit the poll itself.  I also realized I had forgotten to include the question!

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Direct Link To This Post Posted: March 04 2005 at 10:45
Of these, Peter Gabriel.

However, I would've put Russell Allen of Symphony X on here, too. He manages to be both technical AND emotional, and we know how hard that is!
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Direct Link To This Post Posted: March 04 2005 at 11:15
Originally posted by maani maani wrote:

So, in the words of the "caller": It's Anderson in the lead, with Gabriel back by a nose.  Fish is coming up fast from behind, with Hammill and Lake neck and neck along the rail.  Photo finish?

 

Missed opportunity there Maani for a few piscotorial puns - which one of the five is now hard of herring, but has come in in first plaice........................ etc. A sort of codded message but I won't carp (he said with a breaming smile).

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Direct Link To This Post Posted: March 04 2005 at 12:00

Unless I failed to read all of the posts accurately, let's not ignore those great Italian vocalists ?
Yea OK...I know they're not in the poll list.
HOWEVER...
The Italian prog musicians have had a unique ability to maintain a high level of vocal quality even with the "newer" groups like Deus Ex Machina.
I guess this effort to sustain quality singing goes back to the rich tradition of Italian musicians throughout history.
Their correct usage of vibrato is a case in point.

So far, I've been impressed with these guys:

Alberto Piras - Deus Ex Machina
Francesco Di Giacomo - Banco
Leonardo Sasso - Locanda della Fate
PFM - (all of 'em)
Aldo Tagliapietra - Le Orme
Graziano Zippo - Corte Dei Miracoli


Have a Great Weekend

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Direct Link To This Post Posted: March 04 2005 at 12:09
Originally posted by maani maani wrote:

Anderson's vocal control is almost frightening.  Setting aside "expressiveness" for a moment, he can do things with his voice that are truly amazing - almost "operatic" - in the sense of breath control, trills, rolls, etc.  I have rarely heard the "bum note" from him, even when he is doing difficult "dips and turns" with his voice.


I know this poll is in respect of studio recordings, oh wise one, but you'd retract that remark had you seen Tull live the last few times I have.....

Unfortunately (I love Tull, by the way), he can no longer cut it live; missing more notes than he hits - age hits us all in the end, I guess....

Jon Lord 1941 - 2012
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Direct Link To This Post Posted: March 04 2005 at 12:30
I voted for Fish, I don't think anyone can beat him, even though Ian and Tull are my favourites. The reason for Ian's failing lately is this:

Towards the end of the Under Wraps tour, Ian Anderson developed a serious throat problem which forced the band to cancel some later tour dates. The ailment affected Ian's voice permanently, and the band entered a three-year period of rest, punctuated only by the releases of the "greatest hits" album Original Masters and David Palmer's A Classic Case, a symphonic interpretation of Tull's music with Ian and Martin playing on some tracks.

I also remember reading something about throat cancer or something somewhere too, and that was more recent.

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Direct Link To This Post Posted: March 04 2005 at 12:41
I think as a singer i have to say peter hammil is (this is my opinion) the best singer in almost all respects to ever be in rock and roll. My favourite is gabriel but hammil is better as far as im concerned. I dont know why people are voting for fish that much, i mean fish is great (really great) but ive always found him to be gabriel lite... hmm maybe i should check out moreo f his solo material.
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Direct Link To This Post Posted: March 04 2005 at 13:21
Either Peter qould seem to be equall to me, but becasue of the amazing amount of character voices, etc in Genesis, "Which Phil Collins couldn't do) I voted Gabriel. Suppers Ready live. Wow.
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Direct Link To This Post Posted: March 04 2005 at 13:53
I'd vote for PG, too. Unfortunately I don't know enough songs from the others to confrim this decision 
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Direct Link To This Post Posted: March 04 2005 at 14:41

Jim:

You are correct: I should have made it clear that we were discussing studio vocals only.  That said, all of the five have had their "off" concerts; I'm not sure Anderson is alone in this regard.

utah man:

I agree with you re Italian prog vocalists, particularly Alberto Piras, who may be the single most amazing vocalist in prog (though many have a hard time with his crazy, screaming operatic voice - in Latin, no less...one either loves him or hates him...).  However, why stop there?  There are Scandinavian, Eastern European, South American, even Japanese prog vocalists who have exceptional voices.  As noted, I kept the field "close" deliberately.

Thanks again to all and sundry, both present and future.

Peace.

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