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Dick Heath View Drop Down
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Direct Link To This Post Topic: Punk v Prog: Ambiguities
    Posted: April 23 2004 at 09:16

In Britain, punk rock in the mid 70's was said to have hammered a number of nails into the coffin of progressive rock. (Worse it generated writers who subsequently  dominated the media for over 20 years, to spout what music was politically correct and what wasn't). A recent documentary on BBC 4 on the Clash, found one of their musicians stating: "My older brother kept playing Yes albums to me, but I couldn't see what that ******* music had to do with me". I'll agree  in some respects the music world was long due for a change in the mid 70's - as it is at the moment. These sorts of stories engendering the idea that punk hated prog (but what is too often forgotten, they also hated Led Zep, Rod Stewart and Cliff Richard).

Now I'm forever being amused when I hear stories about punk and progressive rock collaborating - what I call 'ambiguities'. Two to relate

1. Check out the album Stranglers & Friends: "Live In Concert". (Remember the Stranglers were originally an aggressive punk band). In 1981 leader Hugh Cornwall  got put away for drug offences for a short spell and this is the recording of a concert held in his support. Amongst a huge cast of musicians you'll find Robert Fripp on three tracks (who doesn't compromise to the advantage of the music - but alas his wife Toyah also sings elsewhere), Steve Hillage and Peter Hammill (who can sound a very punky vocalist).

2. That knowledge base of Krautrock and owner of Leicester's Ultima Thule shop, Alan Freeman, told me the former Sex Pistol Johnnie "Rotten" Lyden was a great Can fan and when the lead singer of Can left, he applied for the vacant position???!!! Freeman suggests (Lyden next band) PIL's album "Flowers Of Romance" is their Can album. Personally I prefer PIL's album, variously called "CD", "Cassette" or "Vinyl" depending on the format you wanted. Here enfant terrible Bill Laswell was allowed to produce, and ended with a punk, shread rock, gamelin hydrid - with Steve Vai, Ginger Baker and perhaps even Tony Williams on board.  Lyden has disowned this album. (In passing I'm sure I've read Lyden was a Van Der Graaf Generator fan too, but can't find that source?)

 

Any other stories?



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Direct Link To This Post Posted: April 23 2004 at 11:46

Didn't Nick Mason produce an album of The Damned?

They originally wanted Syd Barrett, but ofcourse he was mentally collapsed already a few years. And not all Punk-bands were bad. The Damned were pretty good.

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Direct Link To This Post Posted: April 23 2004 at 17:55

One of Lydon's favourite songs is "The Institute of Mental Health, Burning", from Nadir's big chance - you can hear the inspiration that Hammill had on Lydon - especially the PIL stuff. The Sex Pistols were, of course, just a art school band with an image manufactured by the wayward genius that is/was Malcolm McClaren.

That image was really cunning - pretend to be ordinary kids from council estates that couldn't play, tell everyone that what you're selling them is s***, that they're being ripped off, and swear and spit at them, and you have a magic shock-value formula that's good for at least 3 years of milking. Genius! - and very progressive thinking!

Steve Jones, Paul Cook and Glenn Matlock were fairly talented players, as rock bands go - as were the Damned, arguably the first punk band, as Damned, Damned, Damned predated Never Mind the B****** by quite a long time. Another milestone was the Vibrators first album, and, naturally, the Ramones predated the lot! And how talented were the Ramones?

The Damned did an awesome cover of "Alone Again Or" - the old Love track. Get "Light at the End of the Tunnel" - it's a really great Damned compilation that'll open your eyes to what a great band they were, that played an enormous range of styles.

Yes the irony of the punk/prog crossover is not lost!

(pours another scotch...)

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Direct Link To This Post Posted: April 23 2004 at 22:04
Quote The Damned did an awesome cover of "Alone Again Or" - the old Love track

Their cover of the Ryan Brothers' "Eloise" was the first CD single I bought. And they were the first punk band to chart in Britain - "Brand New Rose"? On that trail of thought , the Tubes did a cover of the Beatles' "I Saw Her Standing There" to the riff of "Brand New Rose" - it works!


Talking Love . Arthur Lee & Love toured the UK several time during 2002/2003 with a 2 and hour show that did the whole of "Forever Changes", with strings and trumpets, (in a way I image near impossible when the album was first released), plus many other Love favourites and few tunes from "Vindicator" - discovered I was singing along wihtout realising it. The Leicester gig in Novemebr 2002, is possibly the best pop/rock gig I have  ever seen (I'm 50 plus....).

Did Alice Cooper's cover of "7+7" ever get onto CD?
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Direct Link To This Post Posted: April 24 2004 at 03:23

I'm not sure whether Lydon was a Van Der Graaf Generator fan but I know he was a Van Halen fan!

I remember the Damned doing 'Alone Again Or'.I even bought the album it came from.You gotta love a band with a drummer called Rat Scabies! BTW The video they did for it was nice homage to spaghetti westerns such as 'A Fistful Of Dollars' if I remember correctly. 

On the subject of Prog and Punk ,the drummer in The Police- Stewart Copeland was earlier in the band Curved Air (and married their lead singer Sonja Kristina).They had to keep this quiet as The Police were 'new wave' and didn't want any prog connections harming their 'punk cred'!

 

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Direct Link To This Post Posted: April 24 2004 at 03:26
I think Gong were among the first to spread the "punk" attitude. Just listen to "Camembert électrique" and you will understand what I am talking about. Of course the following releases were much more ambitious and headed away from their "punk" state of mind, but their first could easily be placed in the "punk" category.
"Magma was the very first gothic rock band" (Didier Lockwood)
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Direct Link To This Post Posted: April 24 2004 at 05:01

The puzzling thing about punk is that it for so long has been hailed as the most glorious moment in music history. In the latest Q, Sex Pistol is listed as the most influentioal band ever, with Beatles as #2.

Which proves that the editor is born in 1964, and has risen to his position through a track record of political correctness

Be that as it may, yesterday I saw one program in (I think) that recent BBC series on popular music. In the program on the 80's Trevor Horn was interviewed several times, and he and Downes shown in "Video killed the Radio Star" (Downes in typical Emo position), without Yes or Asia even mentioned.

While I imagine previous programs slammed prog (as it is the only musical form consistently mind numbing terrible beyond measure, ELP even had THREE trailers and a PERSIAN rug!! Shiver.), this program didn't even condescend to mention prog as an inspiration for some of the most successfull people and producers in the 80's. 

 

 

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Direct Link To This Post Posted: April 25 2004 at 11:52

Sadly it seems to be fashionable to consider Genesis, King Crimson, Camel, Supertramp, Yes, Marillion, et al to be very dull and boring dinosaurs.

To say that "punk" is more influential than the Bealtes is a) comletely wrong, b) a compliment to the Beatles, as they were but one group - when you put them 2nd to an entire genre, which is not properly defined, then that speaks volumes about the Beatles.

Punk is not properly defined, as it is an attitude, not a style of music.

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Direct Link To This Post Posted: April 25 2004 at 17:56

I don't care really. Time will prove (or has proven) that most progbands are timeless. Most punk is outdated and completely 'of it's time', lyrically and musically and also in terms of attitude.

 

 

 

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Direct Link To This Post Posted: April 26 2004 at 04:34
Originally posted by The Analog Kid The Analog Kid wrote:

I don't care really. Time will prove (or has proven) that most progbands are timeless. Most punk is outdated and completely 'of it's time', lyrically and musically and also in terms of attitude.

I (respectfully) disagree - punk, as an attitude is very much alive and well - and long may it continue to be so. It's too underground for my liking - I think it needs to wake up again to get us out of the grip of "Apathy in the U.K.".

As regards "punk" music, however you want to define it, "Never Mind..." is just as strong and fresh as it was in 1977 - although the power to shock (which was transient anyway) has long gone. The Damned's albums also stand up very well musically, much of the later stuff particularly sounding timeless. The Clash are another example, the Buzzcocks and Siouxsie and the Banshees just two more. Honourary mention must go to the awesome Stranglers, and a quick shout to Sham 69 and the Ruts (Babylon's Burning is still amazing!).

Lyrically - "We're so pretty, oh so pretty, YEAH!!!" - Timeless genius from such an obviously ugly and digusting looking band.

Who could forget; "Walking on the beaches, looking at the peaches", "God save the Queen - it's a fascist regime, they've made you a moron - potential H-bomb", "No more heroes anymore", "There's no point in asking - you'll get no reply" and, of course, the surreal "Who killed Bambi?" and "Friggin' in the Riggin..."

Timeless!!!

America wasn't slow to catch on either, with the excellent Dead Kennedys and Black Flag. The lyrics on the surface are pure shock schlock, but it doesn't take many braincells to get past them and see the authentic socio-political commentary.

And ever since, the attitude has lived on and spread into other music. Without the basic attitude (f*** you and what you think), prog might never have survived (Oh the irony!). However, the essentials of punk (music, lyrics, etc) have been kept alive by the likes of The Subhumanz, Culture Shock and Citizen Fish (OK, same band really - there's prolly others, but I don't follow it closely). Their lyrics and music are frankly staggering in their brilliance - prog punk? Possibly!

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Direct Link To This Post Posted: April 26 2004 at 06:13

Just a clarifaction - it was Sex Pistols that #1, not punk in general.  So SP is more influential than Beatles, well, well.

To me the point with punk is the law of "new revolutions" or "new blood" which any stale scene needs, even if there is rarerly nothing really new about it.

Or as Chesteron puts it, " If you leave a white post alone it will soon be a black post. If you particularly want it to be white you must be always painting it again; that is, you must be always having a revolution. Briefly, if you want the old white post you must have a new white post".

Punk did not "kill prog", it killed itself as the old bands were getting somewhat mainstream and burned out.

So prog punk is not only possible, it is necessary 

 

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Direct Link To This Post Posted: April 26 2004 at 06:58

Quote:

Just a clarifaction - it was Sex Pistols that #1, not punk in general. 

 

But at the time they were seen by all as the epitomy of Punk. Just to reinforce what I wrote originally, this month's Record Collector's "essential Top 20 of Prog Albums" lists a Van Der Graaf album, here again refering to Johnnie Lyden's love of the band - where does this fact(?) come from, Lyden's autobiography?

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Direct Link To This Post Posted: April 26 2004 at 07:25

 Check out the Damned's GREAT track "Under the Floor Again." Fab song, and prog fan-friendly! Am I the only one who knows this very cool tune?

(I've mentioned it before -- no response.)

"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 26 2004 at 08:04

http://encyclopedia.thefreedictionary.com/John%20Lydon

- in fact, do a Google on John Lydon and Peter Hammill and see how many times the association is made!

Another delicious irony that one of the main influences on Marillion should also be an influence on the Sex Pistols. I like the story that John used to wear a Pink Floyd T-Shirt, with the words "I hate" written on it in felt tip. This was part of the image they were creating; There had to be an enemy to fight against to enhance their aggression - and the Pistols made loads, but made sure to pick on those who wouldn't fight back first ("I wanna destroy passers-by...").

Peter Rideout

I don't know that Damned track (sic ) - which album is it on? I was getting into "The History of the World part I" last night - another prog friendly track!

That poll putting the SP's #1 ahead of the Beatles is just trash, IMNSHO  - you only have to switch the radio on (and wait between the endless waves of Rap, so-called RnB and girl/boy bands) and you will eventually hear something influenced very clearly by JPG and R. It'll take a LONG time before you hear anything that sounds like the Pistols.

...and for the record, Blink 182 and their ilk are NOT punk, unless you take the word in its literal form; Something useless/dry wood.

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Direct Link To This Post Posted: April 26 2004 at 12:10
Originally posted by Certif1ed Certif1ed wrote:

Peter Rideout

I don't know that Damned track (sic ) - which album is it on? I was getting into "The History of the World part I" last night - another prog friendly track!

Smile "Under the Floor Again" appears on Strawberries, one of the latter-day, more musically-diverse Damned albums. A really good song -- lyrically depressing, but musically uplifting. Infectious beat, and great majestic, soaring guitar at end! Thumbs Up

"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 26 2004 at 16:03

Oh No - here I go off to eBay again...

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Direct Link To This Post Posted: April 26 2004 at 16:27
Originally posted by Certif1ed Certif1ed wrote:

Oh No - here I go off to eBay again...

 I repeat: This site helps sell CDs!

"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 27 2004 at 03:35

...erm, I'm going to track down the vinyl, coz it sounds better - until 192Khz, 32-bit mastering is the norm. Even then I'd still have doubts, as taking samples is ALWAYS going to miss bits of a continuous waveform.

Sound is a curious phenomenon - it doesn't just arrive at your ears

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