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Dapper~Blueberries ![]() Prog Reviewer ![]() ![]() Joined: November 06 2021 Location: United States Status: Offline Points: 375 |
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![]() Elf - Elf (1972) Genres: Hard Rock, Boogie Rock, Blues Rock Rating: 3.5/5 Hard rock is a staple of rock n’ roll, that much is recognized. From the progressive twiddling of Rush, to the more buttsy grooves of AC/DC, hard rock has cemented itself as a tour de force that doesn’t seem to be going away anytime soon. Anyways, with all that said, it's a genre with a lot of start ups, and one such start up I was very surprised about was from the band Elf. Now, I just had to hear this album no matter the quality because of its very goofy album cover. When I saw the genres on RYM, I knew what I probably was gonna get into, since a lot of hard rock mixed with boogie rock usually play on a bunch of boomer and gen X radio stations throughout America, but I still wanted to give it a shot because the album cover depicting a scrunched up little elf man was too good to pass up. The music itself I think is just ok. Nothing too crazy. If you ever heard bands like Canned Heat or UFO then Elf’s music is kind of like that. Very bluesy hard rock songs with some boogie elements in between. The song lyrics are also kind of what you expect, with lyrics of manly men trying to hook up with ladies, or doing other manly stuff. Since I am not a manly man, and I am not really someone who gets the ladies (I am a prog rock fan, need I say less?), these lyrics don’t really appeal to me personally. In fact I’d say they’re the weakest element from the record. They’re not atrocious, but I think they're just too standard for them to be interesting. Even around in the early 70s, songs with this amount of masculine vibrato have been around for decades, so honestly even if I was born in the 50s or so I’d probably find the lyrics here to still be boring. However, honestly the music isn’t the most interesting thing about this record. That actually has to go to the stellar vocals on it. While the lyrics aren’t the best, I think the singer does a great job at making them a bit more tolerable. Who’s that singer? Well, surprisingly, it's Ronnie James Dio! That’s right, before he was the main vocalist for Rainbow and his own eponymous band DIO, Ronnie was in this little known boogie rock group, singing songs like Hoochie Koochie Lady before he was making his Holy Divers or Stargazers. Honestly, Dio’s vocals are iconic for a reason, and hearing him sing on here is a treat. I think he even had some hand with one of the tracks, because Never More, my personal favorite off this album, oozes a lot of charms that Dio would carry in his future musical ventures. More mystical sounding rhythm and grooves that go throughout the track, with Dio singing about Hell and holy fire...it's like a prototype of what Ronnie would be best known for in his songwriting. So, while Elf may be just a really fine hard rock group, the fact they gave a start to such a legendary figure in rock n’ roll history makes them a bit more appreciated. Sure, you might not get the same music out of this band as you would with Rainbow, but not every start is gonna be a big break right off the bat. Look at some legendary singers like Björk. Björk’s first album that was released in 1977 did very badly, and only is known about now because she became an alternative pop icon within the 90s. Sometimes you gotta start small before going big, not everything is gonna be lightning in a bottle. Best track: Never More Worst track: N/A |
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Dapper~Blueberries ![]() Prog Reviewer ![]() ![]() Joined: November 06 2021 Location: United States Status: Offline Points: 375 |
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![]() Johannes Brahms - A German Requiem (1962) Genres: Romanticism, Requiem, Choral Technically speaking, according to RYM, this record is a triple LP, though if it were released today it’d probably just be a double. In fact re-releases that do come in vinyl format are doubles and not triples. I guess the art of making vinyl records wasn't too understood by this point in the 60s still so companies thought that hour long recordings should be triples and not doubles for whatever reason. Or perhaps vinyl formats were a lot smaller. I don’t know, I am a music geek not a music production geek. Anyways, A German Requiem, or more accurately Ein Deutsches Requiem, was a piece made by Johannes Brahms and was composed between 1865 to 1868. It’s his longest work, being an hour and 9 minutes long, with most of the parts of the suite ranging from 10 minutes plus, except for movements 3 and 4; Herr, lehre doch mich, and Wie lieblich sind deine Wohnungen. There are a lot of different versions of this piece out there, but I am looking at the 1962 recording…mostly because it's the only recording I have heard. Honestly this piece is really good. As a more casual fan of classical, this score has quite a lot to love. It feels very emotional, dramatic, beautiful, and even a little haunting in certain cases. I think the recording done by The Philharmonia Orchestra and Chorus does a great job showcasing that, with their lively choirs and beautiful flow through the piece’s instrumentation. However, I am sort of not a big fan of the last two movements, all things considered. They’re not bad by any means, but they feel like they just drag a bit too long for me. Since I haven’t really listened to any other recording of this classical piece, I don’t quite have a basis, but it does seem like Brahms was weirdly trying to extend those movements in a less than natural flow, which makes me get a bit of an off kilter ending to it all. Though, to offset this, I really enjoy the production on this album. I don’t quite know if it is because I am listening to this album on streaming and that’s why this album sounds really solid in its mixing, but for early 1960s standards this is very stellar! I can see myself buying this during that time period, putting it on, and being blown away by how good it sounds. For its worth, A German Requiem is a pretty great classical piece in my opinion, and the 1962 recording of it is equally as solid. There are a lot of great classical pieces out there, and I think that Johannes Brahms did manage to create one of them. Would I say it's the best? No, not by a long shot. But I certainly don’t think it's bad by any means. A fairly strong recommendation from me. Best track: Denn alles Fleisch, es ist wie Gras Worst tracks: Denn wir haben hie keine bleibende Statt, Selig sind die Toten |
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presdoug ![]() Forum Senior Member ![]() ![]() Joined: January 24 2010 Location: Canada Status: Offline Points: 8780 |
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^It took me a while to warm to A German Requiem by Brahms, but now, I have, and have recordings with Toscanini, Walter, and Haitink which I like. As for the Klemperer, I have not heard it, but I bet you have a winner there! I will search for that version....
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Dapper~Blueberries ![]() Prog Reviewer ![]() ![]() Joined: November 06 2021 Location: United States Status: Offline Points: 375 |
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![]() Villagers - Becoming a Jackal (2010) Genres: Indie Pop, Indie Folk, Singer-Songwriter, Chamber Pop Rating: 4/5 Indie folk is pretty cool. Same with indie pop. Combine them and you got a recipe for pretty great things. That’s where Conor O'Brien’s Villagers steps in with their 2010 debut release of Becoming a Jackal to show this great combo meal in a tightly knit package. Never heard of this band before, but after listening to this album quite a bit it became a hit in my ears. I think what I enjoy most about this record is how it delivers its folk aspects. A lot of indie folk groups, at least from what I have heard from the genre, have a more melancholic energy that goes through each track. However, here, I found this record to be more jolly. Sure, it does have some more moody moments, but this certainly sounds more like a happy experience, which I do enjoy quite a lot. I don’t know, I just like positive emotions. I also like the concept of the album. It's a very loose concept, but it is essentially about a guy becoming a jackal, as the title suggests, with Pieces kind of giving way that the guy did manage to get what he wanted. As someone who enjoys transformation, in both art and literature, I knew I’d get a kick out of this one. I bet becoming a jackal would be fun. It's like becoming a werewolf, but cooler and slimmer. Honestly if I were to become a jackal, I wanna be a black backed jackal, because they look the coolest out of any jackal breeds. Now I will say I do think this album, while having good music, isn’t the most original in its instrumentation and structure. Honestly at times I thought ‘am I listening to a Decemberist album?’ plenty of times. Sometimes with the more singer songwriter aspects, I thought I accidentally started playing a Sufjan Stevens album. I still think the music is pretty good, all things considered, but I also feel like Villagers wear their inspirations a bit more than just on their sleeves–their whole arms if you will. Other than that this is a pretty great debut album. I wouldn’t say it's the best of the best of debuts out there, but it ain’t bad by any means. Does make me interested in checking out more of their music, that’s for sure. It's a fun time to be sure, especially if you are looking for more indie folk and indie pop stuff. Best tracks: I Saw The Dead, Ship of Promises, The Pact (I'll Be Your Fever) Worst track: To Be Counted Among Men |
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Rexorcist ![]() Forum Senior Member ![]() ![]() Joined: February 18 2025 Location: USA Status: Offline Points: 256 |
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Here's one I just put up. ![]() Fish - Vigil in a Wilderness of Mirrors (1990) ny prog fan worth his salt would know that Fish was the frontman of
neo-prog legends Marillion, and that he left after the fourth. Now it's
one thing if you wanna say that Marillion's overrated. It's another
thing to say that Marillion got better after Fish left, largely because
they were willing to expand. I've gone as far as to say that Marillion
were writing quite samey albums that largely followed a certain
standard. But REAL boldness, is saying that Misplaced Childhood, the
single most popular neo-prog album of all time, is too poppy to be
neo-prog. Now I'm fairly well-versed in post-Fish Marillion, and how
they were finally allowed to expand their sound into other territories.
For Seasons End, that seriously helped. So I was quite surprised by
the RYM genre-tagging of Fish's debut album, bearing a much more diverse
set of tags than any of the Fish-era Marillion albums.
This album is extraordinarily wild. Vigil was an excellent neo-prog opener that shows you what you'd expect from the full Fish, collecting everything in the first four Marillion albums in a nine-minute epic. But I didn't expect new wave touches and mellow samba touches in the next two songs. Unfortunately, pair this with the adult contemporary single, A Gentleman's Excuse Me, it gets to the point where a "prog" tag is questionable. It seems that radio success is something Fish was quite worried about after Misplaced Childhood. He DID leave Marillion for monetary and legal reasons. And the best part? Most of these tracks are very catchy, even though that means they're also quite accessible. Songs like Family Business and State of Mindget you moving as much as they get you thinking about the style. In fact, during Vigil, I was thinking to myself, why the hell didn't Fish do stuff like this with Marillion? There's only one weak song, ther adult contemporary Gentleman's Excuse me. In stark contrast to everything else on the album, there's no rhythm in the instrumentation, and nothing weird or wild. Pop single. Okay, so this went without progressive rock tendencies and may be closer to progressive pop for the long run, so I'm gonna say it: even though this is easily more neo-prog than Misplaced Childhood, I wouldn't call this prog rock, so no neo-prog tag. Prog pop? Sure. Pop rock? Yes. And why? Because it's blatantly obvious that this album, while exceptionally creative and consistent with a perfect flow, is a cashgrab. A really GOOD cashgrab. Creatively speaking, this album is much more well-handled than anything he did with Marillion, and maybe even better than Seasons End. 97.5Edited by Rexorcist - 19 hours 55 minutes ago at 12:05 |
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Valdez ![]() Forum Senior Member ![]() ![]() Joined: September 17 2005 Location: United States Status: Online Points: 996 |
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I hear the phrase "Cash Grab" a lot . There really isn't a whole lot of money to be made in this game anymore, at this point in time. Streams and Downloads don't pay much. Perhaps FISH has enough draw, but not sure.
Well written review.
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https://bakullama1.bandcamp.com/album/new-2025-broken-hearts-troubled-minds
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Rexorcist ![]() Forum Senior Member ![]() ![]() Joined: February 18 2025 Location: USA Status: Offline Points: 256 |
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Well, it's a 1990 album. Prog likely doesn't have much going for it. Streaming is the future of music, and by this point, denying that would be too infuriating for those of us who educate ourselves on YT via Spotify, YT, Soundcloud, etc.
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