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Do the Beatles get too much credit..

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Post Options Post Options   Thanks (0) Thanks(0)   Quote ObeisantBread84PROG Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2024 at 09:17
I personally think the Beatles do not get enough credit. Most people nowadays have no clue that their favorite artist(s) might not exist without the Beatles. They revolutionized music in a never before seen way and their impact is still felt today.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2024 at 09:38
Although I answered Yes, I do agree with that, and had the question been, "Do the Beatles get too little credit?", I also would have answered yes. The band gets too much credit from some (including some who have claimed that The Beatles deserve all the credit they can get), and not enough credit from others. It seems likely that on average it (the band) does fall more on the side of too little credit these days. The influence and effect that The Beatles had on music is incredible, especially considering its fairly short run. Hearing "A Day In The Life" alone has been very influential, including to Robert Fripp. And without The Beatles, there would have been no The Rutles.





Funnily enough, I listen to The Rutles and sing their songs more than The Beatles.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Valdez Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2024 at 09:50
Every bit of credit The Beatles have ever gotten is well deserved.  Theres a reason the whole planet went mad over them. They certainly had the magic. 
https://bakullama1.bandcamp.com/album/sleepers-2024

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2024 at 10:09
Originally posted by Valdez Valdez wrote:

Every bit of credit The Beatles have ever gotten is well deserved.  Theres a reason the whole planet went mad over them. They certainly had the magic. 


I really disagree because I have seen/heard very dubious claims about The Beatles, and I just don't trust the accuracy of people when it comes to what all people would give credit for (people make mistakes, don't know the full history). Not only have I heard that the Beatles invented raga rock, but that it invented raga. I also have heard The Beatles credited with inventing what is known as musique concrete even though they did not, but popularised it by taking that into their own music. Somewhere in this thread I think I listed some claims made by people that seem very suss to me. That the Beatles invented heavy metal music, a claim I have seen multiple times, well I don't know how true that is.

It would be incredible to me if not even one person ever gave undue credit to The Beatles (I framed this particularly in terms of innovation and origination, and not all the the planet goes mad for experimentation, innovation and origination). Actually, depending on what one means by the whole planet went mad for them, well if that means everyone loved them, that would not be true. My dad loathed The Beatles, but then I guess you could say he went mad about them in his own way by getting mad at them.

That and Lord Mountbatten are the two things I would remember him talking about the most that he absolutely hated (my dad was a British officer in India during partition). Later he was in corrections and setting up rehabilitation units, and he blamed The Beatles, I think, overmuch for drug abuse. I think he may have given The Beatles too much credit for leading people to drug abuse.

One thing we call all agree at least, The Beatles did invent rock and roll. ;) Okay maybe not. Hair metal? Perhaps. I came from the perspective that if one can find/ has heard even one claim from one person crediting The Beatles with something that there is insufficient evidence for, or is just plain wrong, then The Beatles have been given too much credit including on the claim that the Beatles are worthy of all credit that has been given to them. As said, I also think the Beatles does not get enough credit by some. Good, magic, that's subjective, but it makes sense to look to specific claims about The Beatles that are stated as fact, such as The Beatles invented such-and-such.

Edited by Logan - November 26 2024 at 10:23
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Valdez Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2024 at 10:45
  Maybe we are overthinking them a bit?
     They Deserve credit... Not BS.

Inventing  Rock and Roll & Raga? Sorry, Nah.
Worldwide pop Phenomenon?  Definitely.

We could replace the word magic in this case with many others.
Luck
Talent
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Chops
 



Edited by Valdez - November 26 2024 at 10:48
https://bakullama1.bandcamp.com/album/sleepers-2024

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2024 at 11:30
^ When I made this poll I was thinking specifically about claims of origination and innovation. Not all credit is deserved. Some of the credit that The Beatles get, or has received, is BS, or unfounded; therefore, I don't think that The Beatles deserve all the credit that has been given to them. I am very happy to see credit given where it is due.

EDIT for a tangential note: Taylor Swift is another worldwide pop phenomenon whom I would doubt deserves all the credit and accolades that she has been given. How much credit the Beatles should be given for her music and success, I don't know, but of course The Beatles has had a profound effect on music/ has been very influential.

Edited by Logan - November 26 2024 at 12:02
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: Yesterday at 07:46
Originally posted by Logan Logan wrote:

 
...
Somewhere in this thread I think I listed some claims made by people that seem very suss to me. That the Beatles invented heavy metal music, a claim I have seen multiple times, well I don't know how true that is.
...
The Beatles, I think, overmuch for drug abuse. I think he may have given The Beatles too much credit for leading people to drug abuse.
...

Hi,

Honestly, I find this thread (not the idea, but so many bad responses!) kinda sad ... pretty soon we're gonna ask how much credit Mozart deserves, and then Beethoven if we get bored.

The main issue, is that the majority of folks that responded, and probably said NO ... were NOT THERE, to have a better idea of how things went down ... but the negative stuff is so much about the press ... they decided to dislike the Beatles because their potty was nicer looking than yours, and then to say that the drugs killed SF, and the music scene, but they would not mention the mannequin that was sent over to show up the hippies ... she had flowers in her hair and was supposed to be a symbol of what the Bay Area was all about in the scene. 

The sad thing is how the media reacted and to this day, the stuff that some younger folks seem to find is all the bad doodoo ... and not realize that it was a part of the attempt to bring down the supposed good things the Beatles did ... but I tell you one thing ... no person that EVER made millions off the Beatles ever complained about it ... maybe one or two that didn't get the free use of one of the groupies! They are all over the "biographies" ... that are so empty and vacuous as to make you and I throw up a time or two.

I don't think that asking the question 50 years later, is gonna get a serious and well thought out comment ... most folks are into something else in their tastes, and The Beatles, are a long way off their tastes, and their very own growl. I think that if we separate the folks by age, that we might find a better answer ... a generation that had no idea that there was no Internet, and the only music you heard was on the rimky-dinky small radio, and then, all of a sudden, FM radio showed up ... WITH ONE PROBLEM .... the majority of Beatles listeners were on that rimky-dinky small radio, and they would have to spring for a stereo system, and now you have an issue ... many of those folks were kids like you and I and it took me at least 5 more years before I got my own little stereo at home, and FINALLY was able to listen to the Beatles in stereo, both LP and the FM radio.

I think we need to improve our calls on some of these ideas and polls ... comparing different generations is NOT going to get you a good answer at all ... and this is not higher education/college where you will get graded for your comments out of time and place! And a lot of folks take advantage of the idea they have to know something ... or other, that is different from today's.

SIDE NOTE: A class I taught on the arts, I had an idea. I asked the kids (2 classes/44 new kids for UCSB) how the brick buildings in Greece kept their warmth -- 2k or 3K years ago ... and there were, of course, some 15 bits that were insane ... it was like ... Greece? Where is that? What do you mean heat up a room? House? See, if you can find the answer ... it's simple, and let me tell you that the movies don't help at all!!! And probably very similar to the answers here ... you don't have to have been there, but a little studying and reading would help the answers! I, NEVER, thought of history as ... preferences!


Edited by moshkito - Yesterday at 07:50
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: Yesterday at 07:59
Originally posted by Logan Logan wrote:

 
Somewhere in this thread I think I listed some claims made by people that seem very suss to me. That the Beatles invented heavy metal music, a claim I have seen multiple times, well I don't know how true that is.

They did not. yes, Helter Skelter was noisy and distorted, but there were others that were already doing the same thing. Heavy metal was not created with just one song, it was an evolution.

There is a good video about the birth of heavy metal, pre-Black Sabbath, I'll have to find it again and post it here. 

edit:



Edited by Cristi - Yesterday at 08:19
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: 23 hours 44 minutes ago at 13:07
^ That is one of the most common claims I have seen about The Beatles, that it invented Heavy Metal. There was a PA forum member who was insistent on that, which might have been an inspiration for this topic.

^^ I would describe The Beatles as an example for an idea I was somewhat interested in. I made this many years ago, and I don't recall what trains of thought led me to this, but quite often I conceptualise based on comments in the forum. The poll itself was for fun. If this were for a classical forum, and I knew more about questionable claims made about Mozart's innovation and origination, then I might well have done him. Of course, as most everyone knows, Mozart basically ripped off all of his best stuff from Salieri.

Anyway, it would be nice to have more topics that elicit a "this makes me so happy" than a "kinda sad" response. And I know just the man for the job.

Edited by Logan - 23 hours 40 minutes ago at 13:11
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: 18 hours 25 minutes ago at 18:26
Originally posted by Logan Logan wrote:

...
Anyway, it would be nice to have more topics that elicit a "this makes me so happy" than a "kinda sad" response. And I know just the man for the job.

Hi,

It's a different kind of "sad" for me ... and I mean that I respect an artist and his/her work ... and if there are changes, then there are changes, and we move on ... sort of like Picasso ... and I'm sure that a lot of folks, at the time, thought he was crazy and insane ... and in the end ... he left behind so many thousands of pictures that the whole family and some other folks got rich off it. That one special of it, shows a final picture with at least 100 folks in it ... presumably a large portion all family in one picture!

I am not sure that "credit" means much, since, at the time, even though there were probably too many articles discussing how much of the Beatles had a lot more music stuff in it, than most "songs" on the radio ... which was nice, but the opposite side was also on the side of saying things like it was a mess and confusing, and boring, and what not ... and that they were over rated since it was LIKELY that almost all of that stuff that made it better and great music, was from George Martin ... not the Beatles themselves, and you can see it in their later days ... not together, and everyone doing their thing, and not exactly helping each other do it better ... that alone explains George Martin a lot more, who probably insisted on the 4 folks work together to help create something better, and possibly special.

These days, "credit" is, to be fair, just an idea and comment based on preferences, which, in reality has nothing to do with the music and the players. 

In the end, it's like rock music insists on trashing music history instead of adding to it ... a bit weird, but I think this is a problem with the fans, not the music, or the players, and sooner or later a band is going to stand up and succeed because of it.


Edited by moshkito - 18 hours 24 minutes ago at 18:27
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: 17 hours 41 minutes ago at 19:10
Originally posted by moshkito moshkito wrote:

These days, "credit" is, to be fair, just an idea and comment based on preferences, which, in reality has nothing to do with the music and the players.


I just don't believe that as some universal truth. And I could think of thousands of contemporary counter-examples in arts and very broad range of disciplines and interests.

It can be based on information, misinformation, disinformation, informed by biases and based in preference, based on what one was taught, based on what one has read, what one has observed, interpreting data, inference.... Remember, this is about specific claims and judging the merits, sensibility and accuracy of those claims.

I used this example before, and I don't think it matters if it was said one year ago, ten year ago, or fifty years ago. Misinformation can propagate -- gets passed on. I have heard it claimed that a technique such as tape looping and things used in musique conrete were invented by The Beatles. That credit is either deserved or not and believing that and expressing that is not contingent on preferences. Why would it be? Again the focus is on claims of origination and innovation. If that claim is not true then the one making the claim has given too much credit to the Beatles. In fact, it's more like the Fab 4 popularised it and had some great great technicians working with them, and a great producer, to bring ideas to fruition.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote richardh Quote  Post ReplyReply Direct Link To This Post Posted: 15 hours 18 minutes ago at 21:33
Tracing originality in music is near nigh impossible. Music has never evolved because someone thought up something that no one had previously done. Usually it is just a subtle rearrangement that happens and sometimes a band can be 'found out' in this way. The Beatles were very clever and great song writers, they exploited technology thanks mainly to George Martin and this represented an evolution. They weren't as 'out of the box' as many bands or artists in terms of actual originality (thinking Zappa especially) yet they still changed the lives of a great many musicians in a real way going forward who could now see that art based music could have mass appeal and could 'sell'.

Edited by richardh - 15 hours 17 minutes ago at 21:34
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: 14 hours 14 minutes ago at 22:37
^ That's why composers, classical & other, are called 'composers'--- The stuff isn't created from thin air or made from whole cloth, it's all a composite or variation of what exists: ideas, phrases, traditions, exercises, etc.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: 13 hours 36 minutes ago at 23:15
Of course there are cases where there is sufficient reason and historical record to say that one musician/composer/band did something before another musician/composer/band, for instance in utilising some technology or technique. I used the example of tape looping which I have heard credited to The Beatles as the originators. Aside from any wrongness in itself in giving such credit, one is failing to give credit to others. It was adapted for The Beatles and certain techniques were popularised by The Beatles using them. That does not mean that The Beatles are not significant to it, but ideally the right amount of credit is given and attributed to those it is due.

From https://www.destroyallcircuits.com/blogs/news/the-art-and-evolution-of-tape-looping-from-musique-concrete-to-digital-frontiers

Quote The story of tape looping begins in the late 1940s, amidst the burgeoning movement of musique concrète. Pierre Schaeffer, working in the studios of French radio, discovered that by creating closed loops of recorded sound on phonograph discs, he could produce repetitive patterns that transcended traditional musical structures. This revelation laid the groundwork for what would soon become tape looping.

As magnetic tape became more readily available in the 1950s, composers like Karlheinz Stockhausen seized upon its potential. Stockhausen's groundbreaking work "Gesang der Jünglinge" (1955-1956) utilized tape loops to blend recorded voices with electronic sounds, creating a spatial and temporal complexity previously unheard in music. This marked the beginning of tape's reign as the premier medium for sonic experimentation.

The Swinging Sixties: Loops Hit the Mainstream

The 1960s saw tape looping transition from avant-garde studios to popular music, largely thanks to its adoption by The Beatles. Songs like "Tomorrow Never Knows" (1966) and the epic sound collage "Revolution 9" (1968) brought the technique into millions of homes worldwide. The Beatles' experiments, influenced by the avant-garde work of Yoko Ono and others, demonstrated tape looping's potential for creating otherworldly soundscapes within the context of popular music.

Concurrently, minimalist composers like Terry Riley and Steve Reich were exploring the hypnotic potential of tape loops. Reich's "It's Gonna Rain" (1965) and "Come Out" (1966) used phase shifting techniques with tape loops to create complex, evolving patterns from simple sources. These works would prove hugely influential, shaping the development of both art music and popular electronic genres for decades to come.


Edited by Logan - 13 hours 17 minutes ago at 23:34
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: 5 hours 21 minutes ago at 07:30
Originally posted by Logan Logan wrote:

 
...
I just don't believe that as some universal truth. And I could think of thousands of contemporary counter-examples in arts and very broad range of disciplines and interests.

It can be based on information, misinformation, disinformation, informed by biases and based in preference, based on what one was taught, based on what one has read, what one has observed, interpreting data, inference.... Remember, this is about specific claims and judging the merits, sensibility and accuracy of those claims.
...

Hi,

I kinda look at it that all the different ideas, comments and examples, are, in the end, so confusing, and as I said, in the end, this is confusing, and not exactly about the music itself and the players. And, as it shows in the thread, it is more about the preferences and the Internet laissez-faire, than it is fair or appreciating the fact that the music lived and did well.

The same issue happens in academia, with the professors "deciding" and then creating a new chapter in the history of this or that ... and you and I know that "credit" at that point has nothing to do with us or the musicians at all ... has to do with an "idea" ... and this is the main problem in a lot of universities teaching advanced something or other ... it's about the idea and the main example, that matters ... not the details, in fact. I like the sociology example ... in Soc 101 ... the book is right and we are not society!


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Post Options Post Options   Thanks (0) Thanks(0)   Quote The Dark Elf Quote  Post ReplyReply Direct Link To This Post Posted: 5 hours 14 minutes ago at 07:37
Originally posted by Logan Logan wrote:

Of course there are cases where there is sufficient reason and historical record to say that one musician/composer/band did something before another musician/composer/band, for instance in utilising some technology or technique. I used the example of tape looping which I have heard credited to The Beatles as the originators. Aside from any wrongness in itself in giving such credit, one is failing to give credit to others. It was adapted for The Beatles and certain techniques were popularised by The Beatles using them. That does not mean that The Beatles are not significant to it, but ideally the right amount of credit is given and attributed to those it is due.

I think you have to look at the Beatles in context. Whether they pioneered or borrowed from obscure sources (and let's be fair, to the vast population of both listeners and performers as well, musique concrète was an alien concept), the proliferation of such effects for a single pop rock band is stunning:
  • Sitar in a pop song - "Norwegian Wood" (guitars mimicked sitar on earlier Kinks and Yardbirds songs in 1965).
  • Audio double tracking (ADT) - verifiably created by Ken Townsend on Revolver.
  • Backward vocal recordings
  • Close-miking strings
  • Direct input or direct injection while recording
  • Guitar feedback ("I Feel Fine", 1964 - although a case can be made for Johnny "Guitar" Watson for "Space Guitar", however brief).
  • Half-speed recording
  • Reverse guitar
  • Sampling
  • Synchronized tape recording
So whether invented or pulled from obscurity, they became music industry standards after the Beatles used them. One could also add music videos (or Bob Dylan for "Subterranean Homesick Blues" -- Elvis had them beat timewise as far as full-length films), concept albums (again, dubious, as Sgt. Peppers is conceptual in perhaps 3 songs, but popularized thereafter), stadium venue concerts, and live global TV broadcast (safe to say that had not been done previously).  


Edited by The Dark Elf - 5 hours 14 minutes ago at 07:37
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Post Options Post Options   Thanks (0) Thanks(0)   Quote siLLy puPPy Quote  Post ReplyReply Direct Link To This Post Posted: 2 hours 35 minutes ago at 10:16
Originally posted by Cristi Cristi wrote:

Originally posted by Logan Logan wrote:

 
Somewhere in this thread I think I listed some claims made by people that seem very suss to me. That the Beatles invented heavy metal music, a claim I have seen multiple times, well I don't know how true that is.

They did not. yes, Helter Skelter was noisy and distorted, but there were others that were already doing the same thing. Heavy metal was not created with just one song, it was an evolution.

There is a good video about the birth of heavy metal, pre-Black Sabbath, I'll have to find it again and post it here. 

edit:



Pretty good video about rock giving birth to metal.
I've been investigating the roots of metal lately and found a lot more than this video presented.
Here's just one tidbit. The Atlantics were a high charged surf rock band from Australia.
This band was probably the most energetic of the early 60s



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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: 2 hours 22 minutes ago at 10:29
^^ Absolutely, and context should be considered in evaluating specific claims and arguments. Fact is, some people get things wrong and do give credit where it is not due, a reason why I have fought the notion expressed more than once that The Beatles deserve all the credit they get (or I might phrase it as have ever received), others get things wrong and do not give enough. This is true of people who have made claims about The Beatles and so much stuff under the sun. We are fallible and when evaluating specific claims one should take the context into account, and when evaluating arguments it is better I think to steelman rather than strawman. To recognise that The Beatles have been given too much credit by someone at some time, and someone at different times, does not take away from the huge amount that The Beatles can be given credit for.

I definitely could have approached this topic much better, which might have led to me having some more interesting things to say. I know when i made this topic I was pushing back against some views and attitudes I had seen expressed in the forum. Not about The Beatles really, I used this as more of an example, especially in terms of overrated things/ giving credit where credit is not due, making sound/ valid arguments, supporting one claims...

Edited by Logan - 2 hours 22 minutes ago at 10:29
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Floydoid Quote  Post ReplyReply Direct Link To This Post Posted: 1 hour 6 minutes ago at 11:45
I fail to see how anything by the Beatles directly links to Metal... not in the way that 'You Really Got Me' (1964) by the Kinks did.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: 20 minutes ago at 12:31
Originally posted by Floydoid Floydoid wrote:

I fail to see how anything by the Beatles directly links to Metal... not in the way that 'You Really Got Me' (1964) by the Kinks did.


I've seen it attributed to "Helter Skelter" (1968) and I think "She's so Heavy" has been cited.

Here's video on that subject, which I have not watched:

"The Beatles Invented METAL?! - Helter Skelter (Music Producer Reaction)"



Whether Black Sabbath was the first proper heavy metal one with albums or songs by earlier acts by ones like Iron Butterfly or Blue Cheer being more proto-heavy metal, or hard rock (or some such thing), I don't know.
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