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Logan View Drop Down
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2024 at 14:11
Lots of debuts I love, for for a long running band with many albums, Kobaïa cannot be beaten for me. Magma has been going for 55 years, released lots of great albums, and that double-album from 1970 still can't be beat for me. A remarkable debut from a remarkable band.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote someone_else Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2024 at 15:48
The greatest of them all is Mike Oldfield's Tubular Bells. Some others worth mentioning (not necessarily my fave by the band or artist):

Alquin - Marks
Tori Amos - Little Earthquakes
Deluge Grander - August in the Urals
Nick Drake - Five Leaves Left
ELP - s/t
Hamadryad - Conservation of Mass
Kayak - See See the Sun
Pink Floyd - The Piper at the Gates of Dawn
Shamblemaths - s/t
Velvet Underground - The Velvet Underground & Nico




Edited by someone_else - August 19 2024 at 01:04
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Post Options Post Options   Thanks (0) Thanks(0)   Quote AFlowerKingCrimson Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2024 at 15:55
Originally posted by The Dark Elf The Dark Elf wrote:

Originally posted by cstack3 cstack3 wrote:

Question:  Which was the Genesis debut?  

"From Genesis to Revelation" or "Trespass"?  The latter is surely the stronger LP! 

Also, many of these bands had "proto-debut" LPs.  

For example, "The Cheerful Insanity of Giles, Giles & Fripp" clearly led into ITCOTCK!

Great discussion everyone!!  Paul, thanks for the amazing list! Clap

As far as a "proto-debut" LP, I would include Jethro Tull's This Was from 1968. It may have been the first album under that band name, but it was more of a collaboration in blues-rock and jazz with Mick Abrahams and Ian Anderson sharing the spotlight. It wasn't until 1969's Stand Up that we get the truer prog direction of the band. 

And you could say the same thing about Genesis with Trespass and maybe even Yes with TYA but unfortunately a band doesn't get to retroactively state what their debut album was.
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Post Options Post Options   Thanks (2) Thanks(2)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2024 at 17:18
One could argue that the "Prog debut" of a band is not the first album necessarily, but the first album by a band that is Prog.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote AFlowerKingCrimson Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2024 at 17:35
Originally posted by Logan Logan wrote:

One could argue that the "Prog debut" of a band is not the first album necessarily, but the first album by a band that is Prog.

You know, I hadn't really thought of that. I guess I'll take back some of the things I said earlier then.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2024 at 22:04
Originally posted by Logan Logan wrote:

One could argue that the "Prog debut" of a band is not the first album necessarily, but the first album by a band that is Prog.

Very good point!  I still think the first album by Yes is progressive enough to qualify, Squire's bass playing is remarkable, and Peter Banks also lights it up!  

In the classic era (late 1960s to early 1970s), launching a band and recording that first LP is quite different than these days.  Most of the famous prog bands were VERY young musicians, and attracted label support by the strength of their live act and club following.  Hence the famous "living on the tour bus" stories we all hear about!  Landing a radio single was always a goal, and some bands like King Crimson just never got there. 

Therefore, these first debut albums were often rather rough, sometimes hurried, and not necessarily as polished as when the musicians had chances to gel with each other.  I went through this a bit with Starcastle, who recruited their vocalist, Terry Lutrell,  from another local Champaign Illinois band REO Speedwagon.  (REO went on to wealth and fame, and Starcastle, well, not so much!).  I think this is an interesting topic of discussion! 




Edited by cstack3 - August 18 2024 at 22:06
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Post Options Post Options   Thanks (2) Thanks(2)   Quote Sir Prog-a-lot Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2024 at 22:56
Originally posted by Grumpyprogfan Grumpyprogfan wrote:



Allan Holdsworth - I.O.U.

"Velvet Darkness" is Allan Holdsworth's solo (and very prog) debut. It was an official release by CTI Records, with whom Holdsworth had a valid contract that the label could release everything recorded. It's true that Holdsworth did not acknowledge it in the interviews, reportedly because he didn't know that "rehearsels" would have been released as an album, but it did not change the reality. "Velvet Darkness," as the first record by Allan Holdsworth as a solo artist, is listed everywhere as his debut, including this site's database. 
The album itself is not bad at all; on the contrary, it had a raw energy like none of his later albums, and those acoustic tracks are fantastic.
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Post Options Post Options   Thanks (2) Thanks(2)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2024 at 23:30
Part of the "charm" if you will for me, is that while some bands needs to grow, change and reinvent themselves while members come and go, others nail it "from day one"*. In early Yes, Tull and Genesis you can easily hear the building blocks and understand how and why they became the bands we "know and love" (and I enjoy all of these first releases anyway). Isn't it interesting and rewarding listening to any band that metamorfs from relatively promising but patchy and unfinished - to greatness whether it's Please, Please Me>Rubber Soul, The Magnificent Moodies>Days of Future Passed, Pablo Honey>Ok Computer...? An early lesser album doesn't take away any of the later achievements (quite the contrary) and neither does the first classic or first proggy album, remove their "false starts".

*obviously not how it works, but you know what I mean, don't you?

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Post Options Post Options   Thanks (2) Thanks(2)   Quote Sir Prog-a-lot Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 00:29
Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

Family - Music In a Doll's House (at least as much of prog as PF's PATGOD)
Tag it prog or not, "Music In a Doll's House" is actually the proggiest album by Family.
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Post Options Post Options   Thanks (2) Thanks(2)   Quote HelloProg! Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 00:59




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Post Options Post Options   Thanks (0) Thanks(0)   Quote Criswell Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 07:49
I would add FM's Black Noise
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Post Options Post Options   Thanks (0) Thanks(0)   Quote AFlowerKingCrimson Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 08:33
Originally posted by Sir Prog-a-lot Sir Prog-a-lot wrote:

Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

Family - Music In a Doll's House (at least as much of prog as PF's PATGOD)
Tag it prog or not, "Music In a Doll's House" is actually the proggiest album by Family.

Which is odd considering it was their first one. Maybe it was their proggiest because it had mellotron on it? I only know their first two so I can't really judge too well.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Grumpyprogfan Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 09:23
Originally posted by Sir Prog-a-lot Sir Prog-a-lot wrote:

"Velvet Darkness" is Allan Holdsworth's solo (and very prog) debut. It was an official release by CTI Records, with whom Holdsworth had a valid contract that the label could release everything recorded. It's true that Holdsworth did not acknowledge it in the interviews, reportedly because he didn't know that "rehearsels" would have been released as an album, but it did not change the reality. "Velvet Darkness," as the first record by Allan Holdsworth as a solo artist, is listed everywhere as his debut, including this site's database. 
The album itself is not bad at all; on the contrary, it had a raw energy like none of his later albums, and those acoustic tracks are fantastic.
Where did you get the information that there was a valid contract? I heard there were no legal documents. Anyway, if Allan does not recognize this as part of his discography then neither should anyone else. Allan called "Velvet Darkness" a bootleg. Yeah, it's not bad, but not his official debut.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Zeph Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 10:51
Lots of older ones has been mentioned, so I'll try some more recent offerings.

Black Country, New Road - For The First Time
black midi - Cavalcade
Squid - Bright Green Field
Seven Impale - City of the Sun

Kate Bush - The Kick Inside
Univers Zero - Univers Zero
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Post Options Post Options   Thanks (2) Thanks(2)   Quote Sir Prog-a-lot Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 11:35
Originally posted by Grumpyprogfan Grumpyprogfan wrote:

Originally posted by Sir Prog-a-lot Sir Prog-a-lot wrote:

"Velvet Darkness" is Allan Holdsworth's solo (and very prog) debut. It was an official release by CTI Records, with whom Holdsworth had a valid contract that the label could release everything recorded. It's true that Holdsworth did not acknowledge it in the interviews, reportedly because he didn't know that "rehearsels" would have been released as an album, but it did not change the reality. "Velvet Darkness," as the first record by Allan Holdsworth as a solo artist, is listed everywhere as his debut, including this site's database. 
The album itself is not bad at all; on the contrary, it had a raw energy like none of his later albums, and those acoustic tracks are fantastic.
Where did you get the information that there was a valid contract? I heard there were no legal documents. Anyway, if Allan does not recognize this as part of his discography then neither should anyone else. Allan called "Velvet Darkness" a bootleg. Yeah, it's not bad, but not his official debut.
The late Allan Holdsworth, at the time an already renowned guitarist who collaborated with many bands, was introduced to Creed Taylor, the founder of CTI Records, through fellow musician George Benson. This connection led to Holdsworth signing a recording contract with CTI Records in spring 1976. According to the general rule of that time, the label had the right to release everything the signed artist records for the duration of the contract within the context of a recording contract, including, for instance, the releases of live recordings if there were any. Engineer Rudy Van Gelder originally recorded the tracks for the album "Velvet Darkness" on 24–26 May and 18 June, 1976, at his Van Gelder Studio in New Jersey; it has been used to record many albums released by jazz labels such as Blue Note, Prestige, Verve, Impulse!, and CTI Records. Holdsworth subsequently claimed in the interviews that the album recording was done during a rehearsal session and that CTI Records released the tapes without getting permission from him or the other musicians who participated on the record. Reportedly, royalties were never given to any of the participating musicians for their efforts. CTI Records indeed faced financial problems at the time and even filed for bankruptcy in 1978. As a result, Holdsworth saw the album like a bootleg. However, Allan Holdsworth never took any legal action.

As CTI Records was a label known for its high-quality jazz recordings and for promoting artists who pushed the boundaries of jazz music, the fact that "Velvet Darkness" was released and distributed by a reputable label as CTI really indicated that "Velvet Darkness" as a release had official backing and support from the music industry at that time. Also, "Velvet Darkness" saw several reissues, both on CTI Records and other labels like King Records (Japan) and Talking Elephant (UK). Therefore, "Velvet Darkness" is not a bootleg but an officially released album, and hence it is listed on all reliable sites as Allan Holdsworth's first solo record.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Grumpyprogfan Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 11:51
^And here is an excerpt from a 1993 Innerviews interview with Allan that states the opposite.

I didn't know you had Velvet Darkness pulled.

It was no good. It was never any good. The way it was recorded, what happened to the musicians, the whole thing. It was a complete disaster. It was terrible at that time and that makes it terrible today. It's one thing to say I'll look back to that old I.O.U. album and go "Well, it sounds pretty old, and maybe I don't like it as much as the other stuff." But, the fact was that it was what it is then and it was okay then and everybody accepted that to be the fact at that time. That was not true of Velvet Darkness. That album was never fit to be released. Nobody got to hear anything they did. I never got a tape of anything that was recorded. And we were actually rehearsing in the studio and they were rolling the tape while we were rehearsing on the premise that we'd be able to keep recording and also check things out, but that never happened. At the end of that day, the guy said "Thanks, see ya!" That's why a lot of those tunes don't have any endings—they were rehearsals. That was a complete rip-off. I never saw any royalties from the album. And that's the main reason it got it stopped. They didn't have a contract. They didn't have any publishing. They didn't have the rights to anything. This happens all the time. There are bootlegs all over the place—exactly the same thing.

Epic records bought the whole CTI catalog from someone and put out that 1990 CD. That album's been bootlegged three times. Each time I think, "Great, that's the end of that one." But it showed up again. It keeps showing up! But now that it's owned by a big label, they had to produce all the paperwork and they couldn't. So, that's how we got 'em. They had no paperwork for anything to say they could do any of that stuff. But there's no way you can stop these things, in general.

Edited by Grumpyprogfan - August 19 2024 at 11:56
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 15:55
There are many very good debut albums even though I tend to prefer bands after the warm up phase. From the well known ones I usually thought of Tubular Bells as my favourite debut album, but here I was reminded of jewels such as Rock Bottom and Mercator Projected.

I nominate three that I haven't seen on any list yet, and that's 
Battles - Mirrored 
and then two of the best of the very best, namely
Camberwell Now - The Ghost Trade and
.O.rang - Herd of Instinct
although they didn't do much to follow up on these..
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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 16:22
Originally posted by Zeph Zeph wrote:

Lots of older ones has been mentioned, so I'll try some more recent offerings.

Black Country, New Road - For The First Time
black midi - Cavalcade
Squid - Bright Green Field
Seven Impale - City of the Sun

Kate Bush - The Kick Inside
Univers Zero - Univers Zero

Thanks!  We geezers tend to live a bit in the past!!  

First LPs by prog-related Queen and Led Zeppelin were certainly indicative of great things to come!  
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Post Options Post Options   Thanks (1) Thanks(1)   Quote AFlowerKingCrimson Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 16:51
^ And Black Sabbath too!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: August 19 2024 at 22:27
Originally posted by Lewian Lewian wrote:

here I was reminded of jewels such as Rock Bottom
It's a jewel, a desert island disc and an amazing follow-up to The End of an Ear
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