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Disappointing follow-up albums

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AlanB View Drop Down
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    Posted: August 23 2024 at 12:56
Wishbone Ash: There's The Rub/Locked In (also Argus/Wishbone Four though in hindsight a lot of that was down to the production of the latter)

Transatlantic: Whirlwind/Kaleidoscope

Neal Morse: Sola Scriptura/Lifeline
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Deadwing Quote  Post ReplyReply Direct Link To This Post Posted: August 22 2024 at 10:16
Believe is my favourite album from Pendragon LOL
It's just a incredibly well balanced album, without the heaviness of Pure that would come and the massive walls of keyboards that was Not From this World... I really, really love it.

As for Rush, HYF would be a good example to me. Power Widows is a fantastic album and HYF is just so different, much more "romantic" (melody wise), lighter and with more filler tracks (it's a quite long album too). Also, the mixing quality is a lot worse and the drums don't sound good, especially when Power Windows gets a lot of this right.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote miamiscot Quote  Post ReplyReply Direct Link To This Post Posted: August 22 2024 at 07:25
The topic for this week's Live Sunday Progstream on The Prog Corner YouTube channel?

"AFTER THE MASTERPIECE"

This is something that has fascinated me ever since Andy Partridge talked about following up Skylarking. It was different now; they knew the music they were working on was actually going to be digested by a lot of people and it changed the vibe, the process, everything...
The Prog Corner
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Post Options Post Options   Thanks (0) Thanks(0)   Quote richardh Quote  Post ReplyReply Direct Link To This Post Posted: August 10 2024 at 01:52
I love the 2018 remix of Animals (and the new artwork) more than just about anything at the moment. Wright's genius is still well evident in the music. Floyd had nowhere to go after that album which was the problem with a lot of prog in the seventies. One you've made your statement you've made it. At least ELP had the good 'sense' to just crash off the end of a cliff rather than drag us through decades of slow decline.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: August 08 2024 at 12:44
Originally posted by Steve Wyzard Steve Wyzard wrote:

...
I see Animals as the start of Roger Waters's solo career. Gilmour makes a powerful showing on that album, but Wright (except for his jazzy solo at the beginning of "Sheep") and Mason are relegated to being the backing/supporting group. Also, the lyrics/vocals become far too central to the entire package, rather than integrated into the music/performances.

Hi,

Not sure about that at all ... the material for "Animals" was being played during the WYWH tour and it is in all the bootlegs. The 3 pieces were different, and the "space rock" piece (Sheep) was turned into a Roger Waters song, though the playing of it Live at the Anaheim Stadium was exceptional with Rick's keyboards literally dominating things.

I think they cleaned up the 3 pieces well, however, the original "Raving and Drooling" was to me, better than what Roger did with it ... this older version fit with "Astronomy Domine" and "Interstellar Overdrive", and other spacey far out stuff, that obviously Roger wanted to get rid of ... I doubt Nick didn't like it, since in his shows he has been doing the old stuff for us to enjoy ... something that both Dave and Roger have lost a taste for.

My take is, that both Dave and Roger are too set in their notes and chords and think that the compositions are better because they can screw around with a DAW and create something, and this would be a reason why they dislike the early stuff that had a lot of improvisation and undefined moments where they could do something different, which they obviously now feel that it was just kids screwing around, and not serious music ... and to me, that is very disrespectful to the other 2 members ... and I do not feel that Dave's solo work is anywhere near the quality of PF in its heyday ... and in fact, I find it "cheap" and just rock'n'roll (for lack of a better term) ... when compared to the moods, the creativity and the visuals that their older material carried, which their lyrics CURRENTLY do NOT. It's like their words are more important ... and honestly ... I don't need that any more than you do!


Edited by moshkito - August 08 2024 at 12:45
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Steve Wyzard Quote  Post ReplyReply Direct Link To This Post Posted: August 08 2024 at 10:17
Originally posted by richardh richardh wrote:

Originally posted by Grumpyprogfan Grumpyprogfan wrote:

Originally posted by Jared Jared wrote:

Originally posted by Psychedelic Paul Psychedelic Paul wrote:

Originally posted by Grumpyprogfan Grumpyprogfan wrote:

Genesis - Selling England... / The Lamb...
Jethro Tull - Minstrel... / Too Old

Totally agree with those two choices. Ideally, The overlong Lamb should have shorn down to a single album. Baa.  [URL=https://emojipedia.org/ewe" rel="nofollow]<h3 ="lc20lb="" mbeuo="" dkv0md"="" style="font-weight: 400; margin: 18px 0px 3px; padding: 5px 0px 0px; font-size: 20px; line-height: 1.3; display: inline-block;]🐑</h3>[/URL]


I often say about double albums, that they would have made more of an impact if they had been edited to a single disk (think: The Flower Kings)... but I can't agree here; the Lamb material holds up all the way through.
Nope. The Lamb is my least fave Genesis. I prefer the pop stuff to The Lamb.

Interesting that according to Steve Hackett in a recent interview said that when they recorded it at the Grange , PG was writing the music in an entirely different room. He had already left the band it seemed. This is not anything new probably but it was interesting to hear it said. Does it make any difference? I tend to think of it as almost as being a solo album much like The Wall was the start of Roger Waters solo career and Floyd had become his backing band. Nowadays I like Lamb more than SEBTP but I can't say that about Animals and The Wall.

I see Animals as the start of Roger Waters's solo career. Gilmour makes a powerful showing on that album, but Wright (except for his jazzy solo at the beginning of "Sheep") and Mason are relegated to being the backing/supporting group. Also, the lyrics/vocals become far too central to the entire package, rather than integrated into the music/performances.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: August 08 2024 at 07:39
Originally posted by verslibre verslibre wrote:

...
It's hardly a fan problem. Remember when Peter Nicholls left IQ and went and formed an alt-rock band called Niadem's Ghost (mislabeled on this site as neo)? Believe it or not, I like that album. The reviews here, save one, aren't kind, and they aren't forgiving, though IQ themselves were trying on a different hat 'round the same time.
...
Hi,

My thoughts are that the artist has the option to do something else ... we, as fans, do not have the right to decide what the artist should do at all ... but sometimes, we think that as "critics" that we are more important than the artist and his/her output. This is one of the reasons why I do not do as many reviews of rock albums as I would like to ... I would love to see more folks separate their "favorites" for something else about the art of it all and how it grew in the past 500/700 years. It wasn't about the fans, all the way to the start of the 20th Century (more or less) when all of a sudden we got to see reviews of the new music, and Stravinsky threw people for loops, Debussy was booed ... and so on ... and to their credit they could fly a finger high, now ... they stood up for their work, although this might be different if there were no "changes" in the group ... but you and I know that different combinations yield different results, so it would be best to not expect the same thing.

I consider a "band" an artist ... and this  might be the difference between our words ... Yes is still Yes despite the different keys, for example. However, it seems to me that the majority of folks simply discuss all the music as SONGS ... for which they drop their coins. That is not me as a music appreciation person, and one that has been close to many artists during my life, and some are much better, stronger and appreciated than how rock fans differ when they don't like something, which is the saddest side of this whole adventure ... no one that plays music for a living wants to hear that ... and they better be strong inside to be able to ignore the comments ... many of which have nothing to do with music or the artist whatsoever.

Originally posted by verslibre verslibre wrote:

...
As the saying goes, I calls 'em like I sees 'em.
...

But that is about you, not the artist! Heck, he/she might as well be a dishwasher in a restaurant for all that matters! Wink ... just another dirty dish getting cleaned up!


Edited by moshkito - August 08 2024 at 07:44
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: August 07 2024 at 19:09
Originally posted by moshkito moshkito wrote:

Originally posted by verslibre verslibre wrote:

...
The musicianship isn't usually the problem. Choices are. When Twelfth Night lost their frontman-lyricist and replaced him and then they started sounding like a second-rate new wave band with an identity crisis, everything went downhill. That's not a criticism, that's an observation.


Hi,

I would think that this seems like a lot more of a preference than a band issue. You liked the earlier stuff and musician, and the "replacement" is not good enough. Then we have the massive changes in a band like KC and all it does is send us all into a tiffy, because things are so different, and yet, they get played 30/40 years later in their shows ... and something of that nature would not be an observation of the whole thing going downhill but  a change to something else. Again, I would look at this as an artist decision, and us, the fans, not  liking it or thinking it is inferior is an external matter, not necessarily related to the band and its members ... 

This is a scary part ... people thinking one thing is better than the other because it was better received, and not quite appreciated as it was before ... times change, folks change, and we're suggesting that our favorite bands can not change with the times, place, equipment, and such at all, because it won't be as good as what we liked?

I keep thinking that it is a fan problem. Not an artist problem! But heck, sometimes, it's difficult to not say something ... I mean, after BAD, how could anyone do better or be more interesting? So yeah, it's easy to say something, but again, we did not take into consideration the drive and the workmanship that the artist took to try and live to that next release, and fan reaction ... the question is, are you an artist, or just a crowd pleaser for the money?


It's hardly a fan problem. Remember when Peter Nicholls left IQ and went and formed an alt-rock band called Niadem's Ghost (mislabeled on this site as neo)? Believe it or not, I like that album. The reviews here, save one, aren't kind, and they aren't forgiving, though IQ themselves were trying on a different hat 'round the same time.

Twelfth Night with Andy Sears (and then Martyn Watson) as their frontman sounded like an aspiring new wave band that tried, unsuccessfully, to have enough proggy flourishes to maintain their cult following. If you're unfamiliar with their repertoire, then I understand why we don't share the same perspective.

As the saying goes, I calls 'em like I sees 'em.

P.S. I've never heard anything King Crimson do send me "into a tiffy," whatever that may be.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: August 07 2024 at 17:34
Originally posted by verslibre verslibre wrote:

...
The musicianship isn't usually the problem. Choices are. When Twelfth Night lost their frontman-lyricist and replaced him and then they started sounding like a second-rate new wave band with an identity crisis, everything went downhill. That's not a criticism, that's an observation.

Hi,

I would think that this seems like a lot more of a preference than a band issue. You liked the earlier stuff and musician, and the "replacement" is not good enough. Then we have the massive changes in a band like KC and all it does is send us all into a tiffy, because things are so different, and yet, they get played 30/40 years later in their shows ... and something of that nature would not be an observation of the whole thing going downhill but  a change to something else. Again, I would look at this as an artist decision, and us, the fans, not  liking it or thinking it is inferior is an external matter, not necessarily related to the band and its members ... 

This is a scary part ... people thinking one thing is better than the other because it was better received, and not quite appreciated as it was before ... times change, folks change, and we're suggesting that our favorite bands can not change with the times, place, equipment, and such at all, because it won't be as good as what we liked?

I keep thinking that it is a fan problem. Not an artist problem! But heck, sometimes, it's difficult to not say something ... I mean, after BAD, how could anyone do better or be more interesting? So yeah, it's easy to say something, but again, we did not take into consideration the drive and the workmanship that the artist took to try and live to that next release, and fan reaction ... the question is, are you an artist, or just a crowd pleaser for the money?
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote essexboyinwales Quote  Post ReplyReply Direct Link To This Post Posted: August 07 2024 at 10:03
Originally posted by Cristi Cristi wrote:

Originally posted by progaardvark progaardvark wrote:

Some more that come to mind:

Eloy: Metromania/Ra
Arena: Pepper's Ghost/The Seventh Degree of Separation
Atoll: Tertio/Rock Puzzle
Mike Rutherford: Smallcreep's Day/Acting Very Strange
David Bowie: Scary Monsters/Let's Dance
ELP: Brain Salad Surgery/Works Voume 1
David Gilmour: About Face/On an Island
IQ: The Wake/Nomzamo
Le Orme: Contrappunti/Smogmagica
Pendragon: Not of This World/Believe
Renaissance: Azure d'Or/Camera Camera
Supertramp: Brother Where You Bound/Free as a Bird


I agree with these ones. Smile


Re IQ, and Nomzamo following up The Wake - to me there is so much context here - my entry into IQ was the 2 Menel albums, which I adored so much (and still do). I only came to the earlier albums much later. So Nomzamo was embedded in my brain as a wonderful album, and never viewed as a follow up to The Wake. How would I feel if I’d known and loved the band from the start? It’s literally impossible to say. And the same thing happens with so many other bands….

Another for me is Dream Theater - to me, Awake was a poor follow-up to I&W, which I loved so much (and still do). I appreciate Awake now, but it’s nowhere near the brilliance of it’s predecessor, for me!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jared Quote  Post ReplyReply Direct Link To This Post Posted: August 07 2024 at 07:12
Forget that one... already done it... Embarrassed

Edited by Jared - August 07 2024 at 07:13
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: August 07 2024 at 07:00
Originally posted by Easy Money Easy Money wrote:

Miles Davis studio albums: "Get Up With It" - "The Man with the Horn"
I thought about it. But as there's his famous six year hiatus from music in between those two - to me it primarely belongs in a "(most) disappointing comeback albums (of all time)" discussion.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Easy Money Quote  Post ReplyReply Direct Link To This Post Posted: August 07 2024 at 06:25
Miles Davis studio albums: "Get Up With It" - "The Man with the Horn"
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: August 07 2024 at 02:30
Originally posted by progaardvark progaardvark wrote:

Some more that come to mind:

Eloy: Metromania/Ra
Arena: Pepper's Ghost/The Seventh Degree of Separation
Atoll: Tertio/Rock Puzzle
Mike Rutherford: Smallcreep's Day/Acting Very Strange
David Bowie: Scary Monsters/Let's Dance
ELP: Brain Salad Surgery/Works Voume 1
David Gilmour: About Face/On an Island
IQ: The Wake/Nomzamo
Le Orme: Contrappunti/Smogmagica
Pendragon: Not of This World/Believe
Renaissance: Azure d'Or/Camera Camera
Supertramp: Brother Where You Bound/Free as a Bird

I agree with these ones. Smile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: August 07 2024 at 02:25
Originally posted by essexboyinwales essexboyinwales wrote:

IQ - Road Of Bones/Resistance
I agree. Smile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: August 07 2024 at 02:16
Originally posted by someone_else someone_else wrote:

Rush: Hold Your Fire / Presto
I think Hold Your Fire was a disappointing follow up to Power Windows. 
For me, presto was a return to form. Hot take, i know, but i think Presto is a better put together album than HYF. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: July 30 2024 at 14:09
Originally posted by moshkito moshkito wrote:

No worries there at all. As you well know, I have ALWAYS been on the side of the artist, regardless. Sure, it could be said that one album or other is not as good, but, for me, that's like saying I wanted more of the same as the previous album, and that is something I do not like, or enjo at all ... and that is my only bug about a lot of prog rock being so formulaic, but that is not a comment on the musicianship involved, even though it might seem that way.


The musicianship isn't usually the problem. Choices are. When Twelfth Night lost their frontman-lyricist and replaced him and then they started sounding like a second-rate new wave band with an identity crisis, everything went downhill. That's not a criticism, that's an observation.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Mornar Popaj Quote  Post ReplyReply Direct Link To This Post Posted: July 30 2024 at 14:01
Gentle Giant - Interview / The Missing Piece
Smak - Zašto ne volim sneg / Smak 86
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: July 30 2024 at 12:38
^^ I for one really appreciate diversity coming from artists, Pedro.  This can be from album to album or from track to track in an album.  While many pan it, I really enjoy Comus' follow up to First Utterance, To Keep From Crying, partially because it is so different on the whole.  I like the uniqueness of Merci in Magma's discography even if I don;t enjoy it nearly as much as the preceding Attahk, which also had been pretty unique to its discography.  Swans is one of my favourite bands but I have not got much into its first few albums as I like the change of direction with Jarboe, and then later albums, but I appreciate the diversity and that elements of those early albums persisted despite becoming more melodic later.  I appreciate contrast.

With Beethoven, I have a von Karajan box set of the none symphonies, which I prefer to other versions of those.  I do gravitate more to the Ninth and the Seventh the most of those.  While I was raised with classical music, a big part of my Beethoven fascination did come from the A Clockwork Orange and Zardoz films.  And awesome use of the second movement of Beethoven in this favourite short film of mine (no doubt it resonate more because of the music).




Edited by Logan - July 30 2024 at 12:40
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Steve Wyzard Quote  Post ReplyReply Direct Link To This Post Posted: July 30 2024 at 12:35
Just thought of 2 more:

1. ANDY SUMMERS/ROBERT FRIPP - I Advance Masked/Bewitched
2. PETER GABRIEL - III (Melt)/IV (Security)
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