What’s your biggest gripe with the top 100 |
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LAM-SGC
Forum Senior Member Joined: December 26 2018 Location: se Status: Offline Points: 1544 |
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Agreed. And I have never had a problem with fusion being called prog because it is a style of prog, as long as it is true fusion, and not just jazz. |
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Slartibartfast
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Tiny minded people who have a gripe about it.
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Released date are often when it it impacted you but recorded dates are when it really happened...
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Online Points: 17773 |
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I don't know ... I started on this way before the word "progressive" showed up ... and to me, the main issue I have with it is the "must have" side of things, that basically wants a keyboard player to solo 320 times in a song, and a guitar player doing his thing for the length of the song, and nothing else ... and sadly, someone like The Moody Blues who had at least 2 albums that should be listed in there, WAY BEFORE most of the folks listed here, are not there ... It is a very good guide to finding some music, with one exception ... it is preset to sound the same, and the only way you can find new music is to get off the "same thing" train! In their early days, Guru Guru was as experimental and progressive as any of those folks listed (I might except KC) ... but it's not gonna be there because there are no keyboards and a school dropout doing electric versions of classical solos on those keyboards. And then you get a band like ANGE, who had two keyboard players and they were not interested in classical music, and stuck to their theatrical material the whole time ... result? No one at PA even bothers discussing it, even when Christian Decamps is one of the best rock/actor singer there is! It's not a gripe per se ... it's a simple request to find a more equitable and proper way to show a listing that gives some more credit to others that do not get a chance, because of the 1500 folks that rated Genesis, only 11 of those rated ANGE ... and the dis-proportion makes it look like one is better, and the valuation is slanted ... since many wars some 700 or 800 years ago ... the English will win this one, regardless, even when "cheating". This is the main reason why I requested an "average" (yearly) to try and see if the results are the same ... which I do not think they would be. But having someone define something like this in a database, you have to not only love the music, you have to agree that the design is not perfect and there are bits and pieces that should be studied, that might help these numbers!
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Online Points: 17773 |
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And this is one of my issues with the top 100. The other albums are not going to get as many listens as the one or two at the top ... and that "becomes" what Camel is all about in their music, never mind that "Snow Goose" has gotten more attention and appreciation than the rock albums, including some far out staging versions and orchestras. But a rock fan, will only vote for those two and think the rest of the band is trash. Same thing for KC, ELP, YES, GENESIS ... where one, two or three albums are preferred and the same fans that gave it a high rating ... couldn't careless about the rest of their material. To me, this is where I wish it would be a "composer" poll, rather than albums ... Camel would have a magnificent listing for the fans to hear ... and the same for the other bands ... but having 4 KC albums, 5 YES albums, 4 ELP albums, 3 GENESIS albums ... in that same top 100, takes the compositional element out of these bands and places it all on the "preferences" of a commercially designed and fronted process, which is made to ensure that those things get bought! |
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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dougmcauliffe
Forum Senior Member Joined: February 23 2019 Location: US Status: Offline Points: 3895 |
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We should have a top 100 bands/artists based on a highest average rating (that’s obviously weighted for number of ratings.)
Edited by dougmcauliffe - February 21 2020 at 09:57 |
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LAM-SGC
Forum Senior Member Joined: December 26 2018 Location: se Status: Offline Points: 1544 |
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Wow! Since before the word progressive turned up. You must be pushing on in years then because I've got the term "progressive underground" dated to 1968. And that's the earliest proven example I've found, however there might be examples from 67, but it seems unlikely. Kudos to you then for having followed prog for so long, I turned seven at the end of 68. Edited by LAM-SGC - February 21 2020 at 10:13 |
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ForestFriend
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Metal is not just metal - it's also rock because metal is a subgenre of rock. So progressive metal is progressive rock; it's just the bands focus on different musical elements. A prog metal band that isn't directly influenced by a classic prog band is almost as rare as a classic prog band that never incorporated elements of metal into their music.
Edited by ForestFriend - February 21 2020 at 10:29 |
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LAM-SGC
Forum Senior Member Joined: December 26 2018 Location: se Status: Offline Points: 1544 |
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. Sorry, but that is just nonsense, the progression in most so called progressive metal bands is progression within metal and based on metal. They do not copy prog rock bands nor do they have prog rock bands as an influence. Edited by LAM-SGC - February 21 2020 at 10:36 |
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SteveG
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Edited by SteveG - February 21 2020 at 11:28 |
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LAM-SGC
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I can't argue with any of that. Yes, I have heard it, but DT's prog rock is galaxies away from the Swedish prog-metal I listen to, which finds its progression in its mix of metal, classical music, Swedish folk music and also electronica. I think prog metal is an awful term because just like the words prog, metal and rock it says nothing about the style of the music. There are lots of different types of prog metal. Not to mention older bands like System of a Down. How, for example, should they be ckassified, cos I'm damned if I know. Edited by LAM-SGC - February 21 2020 at 12:11 |
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SteveG
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moshkito
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Hi, At 69, still loving great music, and appreciating new music, and the stuff that is less known all over the world ... that I'll take with me to the aethers! I think the first I saw it listed, was probably the same screenshot that Dean once showed that had several bands, but the only one I remember in the listing was The Edgar Broughton Band ... and sadly, they are not considered that because they never bothered using a classical heckler () for a keyboard player! But, in Brazil, there were many mixes, that involved what became called "jazz" in their music, and the state of pop music in 1965, other than the usual favorites (Roberto Carlos) at the time, you had some folks like Maria Betania, which was downright scary and sometimes too strong ... but it made its point ... but I'm not sure anyone at PA will ever hear "Carcara" and see its message. Makes Pete Sinfield seem like a pop balladeer! And Coppola a few years later ... just a kid burning money! For me, "progressive" started mostly in film and theater, and the world of pop/rock music was a good 5 to 10 years behind its time ... and when they finally woke up to it, the rock press (with London have 2 magazines one of which had a circulation of over 150K !!!!) decided to kill it ... because they only liked SONGS and HITS ... which told you who owned and operated these things ... folks looking to make a killing in several bands ... something that Woodstock showed the previous record companies that they were wrong! I find the things that Godard, Truffaut, Fellini, Antonioni, Bergman, Herzog, and many others, way and far more progressive and experimental ... and they had a desire to expand the design and definition of "film" ... and for me most rock lost its impression and progressiveness, when they did not care about the work anymore ... it was just a song!
Edited by moshkito - February 21 2020 at 19:24 |
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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LAM-SGC
Forum Senior Member Joined: December 26 2018 Location: se Status: Offline Points: 1544 |
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I remember that when I was a kid, I was far more fascinated by the intricate music in films and weird and scary tv programmes and in some of the very modern classical music on the radio, but that weird classical music was also used in lots of kids cartoons and puppet animation programmes from Eastern Europe. |
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Frenetic Zetetic
Forum Senior Member Joined: December 09 2017 Location: Now Status: Offline Points: 9233 |
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Correct. The post before yours is attempting to arbitrarily blur lines between genres, then call that "prog". It's honestly no wonder this site is a mess.
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"I am so prog, I listen to concept albums on shuffle." -KMac2021 |
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LAM-SGC
Forum Senior Member Joined: December 26 2018 Location: se Status: Offline Points: 1544 |
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I agree completely. It all comes back to when many prog fans hear something in another genre that they recognize or like and immediately calling it prog, without ever once thinking, hey maybe that is what metal actually sounds like and maybe prog isn't a genre at all, but just a collection of sounds I like across genres. Bottom Line: prog fans have been appropriating and relabelling since classic prog died in the late 70s. Edited by LAM-SGC - February 22 2020 at 01:55 |
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Frenetic Zetetic
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It's good to know someone understands. This isn't elitism nor a knock; it's just rational comprehension of the usefulness of labels. If there's no standard and "anything is anything because it's art and subjective", then why all the genres in the first place? Most of the time I swear people come up with superfluous labels to avoid talking about anything legitimate because outside of being a musician or an obsessed fan, there's little grey room lol.
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"I am so prog, I listen to concept albums on shuffle." -KMac2021 |
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LAM-SGC
Forum Senior Member Joined: December 26 2018 Location: se Status: Offline Points: 1544 |
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Again, in full agreement with you. The uncomfortable truth though for many prog fans, and an issue swept under the carpet, is that while soul,jazz, metal, classical, hip hop etc. can all be defined rather exactly, prog can't be because it isn't an actual musical genre, which must be obvious to anyone reading any prog forum that includes bands from all sorts of defined genres. And yet I love classic Prog Rock, and I think as a genre that is where it ends with prog in the genre name. Everything else already had its genre names, RIO, Zeuhl, fusion, electronic, avantgarde....but are they all prog? No, they are what it says on the tin, RIO, Zeuhl, fusion, electronic. Otherwise, like you say, why bother with names at all? Let's just ignore all these names that the genres have given to themselves and instead listen to prog forums and call everything prog. AND ULTIMATELY, it all comes down to the evidence of your ears, how can you listen to Camel, Opeth, Fairport Convention and Magma and call it all prog? Simple, because prog doesn't exist. Edited by LAM-SGC - February 22 2020 at 03:51 |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 14832 |
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The music itself came before any "genre" classification, be it soul,jazz, metal, classical, hip hop, prog, whatever. What does it mean that a genre "exists"? At some point somebody used it as a stamp for a more or less homogeneous set of things and it became popular because there's some use to it. "Classical" a genre? I ask you! Where does it start, where does it stop? All these have their "half in half out" cases. If you look at the borders, you will nowhere find consensus. Obviously, once you have an established genre tag, some people will stay safely within the genre boundaries, there will be jazz clubs and hip hop events and whatnot (even if some of the artists that turn up will be frowned upon by "purists"), so a genre tag, once existing, will tend to confirm itself and create its own culture to the point that people start saying that "this is a gerne that really exists". This has happened with prog, too, by the way. I agree that prog is an uncomfortable label tag because "prog" comes from "progressive" and the word has something to do with leaving any all too well defined space. I tend to say that what can be all too safely classified as "prog" is certainly not "progressive" - people here agree that these two terms don't mean the same, however it shouldn't be a total coincidence that "prog" is derived from that word... But there's nothing wrong with embracing a genre tag like this that contains something of a self-contradiction. It actually gives us some flexibility and space to explore surely surprising things within its definitory borders, which as you say correctly can't be nailed down all too precisely. There's some fun to be had in this, some tension that you may find productive, as long as you don't take the whole "is it really prog?" thing too seriously. Surely in this spirit as a "prog fan" I don't envy at all a metal, jazz or hip hop fan who thinks that they can play it safe by staying within their well defined label. The interesting things there are also at the borders, and borders are always floating. As of Miles Davis Kind of Blue in the Top 100, I agree it's not prog because at that time there's no "prog culture" whatsoever, no social system to which the term could point. Much different with later fusion work. However, I kind of like that it's among the other 99 just as a bone of contention to make people think and discuss. Maybe I'd agree that it doesn't "belong" there, but then I like the idea that we have a "prog top 100" that has some stuff in it that clearly isn't prog, because it demonstrates the difficulty to "formally" draw a line - which one can see as essential for prog(ressive). Rather than drawing the line more precisely, I'm happy to have a demonstration of ambiguity there, to face and embrace the ambiguity.
Edited by Lewian - February 22 2020 at 07:28 |
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Guldbamsen
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^That was a great read, thanks man
(It also fits in quite nicely in my little ‘box-thread’) Problems always arise when we start to give the boxes/stickers/genres too much weight. Most especially a sticker like prog that is basically meaningless by now. Prog rock became a ‘sound’ instead of what it started out as ie progressive rock. If we were to be completely anal about this Prague box then we’d have to scrap something like 95% of the artists featured on PA...not because they’re metal or Zeuhl or Krautrock - nahh but because the music simply isn’t genuinely progressive...and there’s about as much unoriginal prog from the late 70s and 80s as there is now..comparatively speaking - we’re quite a bit more people nowadays. Personally speaking: I’ve stopped using the word prog or in fact most genre tags in real life conversations when discussing music. I find it far easier to get other people to try out something new compared to offering up a pseudo-name that never ever captures what x album of said genre REALLY sounds like. If I make myself a carrot cake it doesn’t magically become a vegetable dish simply because I put carrots in. Music is like that as well: we play around with specific instruments and specific ingredients...until they stop being specific and become something ‘other’. Edited by Guldbamsen - February 22 2020 at 05:17 |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 14832 |
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Yeah, I was reading that one and thought about writing something, but then what came to my mind was stuff that the next moment I read from somebody else, so eventually I didn't. Good thread nonetheless.
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