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Most underrated bassist in prog

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Ghost Whistler View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Ghost Whistler Quote  Post ReplyReply Direct Link To This Post Posted: September 05 2019 at 10:49
Originally posted by progaardvark progaardvark wrote:

Touring bassist-for-hire Lee Pomeroy comes to mind.
 

He's great, but I felt playing the Fish was a step too far, even though his performance was excellent.

I'd say Tull always had underrated bassists. 

Or the guy from Eloy.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: September 05 2019 at 12:43
Originally posted by richardh richardh wrote:

Drums are a different matter. It would be hard to name a great band with a poor drummer. A poor drummer is someone who could be replaced by a metronome imo. Bass on the other hand can be a lot of things and it can even not be there ( or replaced by a hand on the keyboard) as was often the case with ELP. Yeah of course the composition of the music is everything. Who wants to hear bad music played by great musicians (probably the reason I don't care about Jazz much < insert winky emoticon here> )

Try losing the bassist in rock or replacing them with a keyboard--  it doesn't work.   Sure ELP and others would sometimes do it, but that was out of necessity and only because Keith's sound was so full and rich it was a good substitute for a bass, not a replacement.   And even then they knew enough to make sure whatever was generating it, there was a bass part.   Without it, ELP would've sounded thin, flat, and unprofessional.





Edited by Atavachron - September 05 2019 at 14:18
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Archie Quote  Post ReplyReply Direct Link To This Post Posted: September 06 2019 at 09:14
Jonathan Scales plays with some of the best. A clip with his old bassist, Cody Wright: https://www.youtube.com/watch?v=fSi-A5Ls0ew&t=33m51s
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: September 07 2019 at 06:28
Originally posted by Atavachron Atavachron wrote:

...
.... sound was so full and rich it was a good substitute for a bass, not a replacement.   And even then they knew enough to make sure whatever was generating it, there was a bass part.   Without it, ELP would've sounded thin, flat, and unprofessional.

I think this is grossly unfair. The idea was NEVER to have the same instruments and the same sound and the same composition design ... as EVERYONE ELSE ... which is what you are basically stating if I do not mis-understand it.

A bass, or a guitar, or drums, is NEVER a must ... except that your ears are so stuck with one style of music and sound, that you are having a hard time explaining ELP without a bass guitar, or Greg merely filling in here and there to augment things some ... but you certainly can see that ELP was not about a "bass" guitar, or whatever a fan wants to hear ... it was about its own music and its own presentation.

Please, do not "demand" that a band have this or that, and take their individuality out ... "progressive" music was built on this individuality, not on your, or mine, design for music ... but we can't grow out of that top ten thinking and must have this and that instrument ... that is just so sad ... and you are a representative of this board saying something that is NOT "progressive" in my seeing of things.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: September 07 2019 at 15:52
Good suggestions, thanks for Dennis Dunaway (Alice Cooper!).

I'm a Rickenbacker player, so naturally, any of the prog bassists who concentrated on that axe are favorites! 

I'm lucky to have met many of my idols, including Chris Squire...however, he gets all the props! 

For under appreciated bassists, I'd suggest Chris's former London flat-mate, Ray Bennett, ex-Flash bassist.  Amazing technique!  I wonder if they didn't learn the Herco plectrum/Rickenbacker/Rotosound string technique by hanging out together. 

Another bassist I knew was Gary Strater from Starcastle, he was like a clone of Squire!  RIP Gary.

Finally, I'd nominate Jon Camp of Renaissance!  We just became Facebook friends, and he has made very solid contributions to the prog music canon.  His work on Rickenbacker was excellent, and these days, his axe of choice is Vigier.  He is an unsung soldier in prog history.  
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: September 07 2019 at 16:22
Originally posted by moshkito moshkito wrote:

Originally posted by Atavachron Atavachron wrote:

.... sound was so full and rich it was a good substitute for a bass, not a replacement.   And even then they knew enough to make sure whatever was generating it, there was a bass part.   Without it, ELP would've sounded thin, flat, and unprofessional.
I think this is grossly unfair. The idea was NEVER to have the same instruments and the same sound and the same composition design ... as EVERYONE ELSE ... which is what you are basically stating if I do not mis-understand it.

A bass, or a guitar, or drums, is NEVER a must ... except that your ears are so stuck with one style of music and sound, that you are having a hard time explaining ELP without a bass guitar, or Greg merely filling in here and there to augment things some ... but you certainly can see that ELP was not about a "bass" guitar, or whatever a fan wants to hear ... it was about its own music and its own presentation.

Please, do not "demand" that a band have this or that, and take their individuality out ... "progressive" music was built on this individuality, not on your, or mine, design for music ... but we can't grow out of that top ten thinking and must have this and that instrument ... that is just so sad ... and you are a representative of this board saying something that is NOT "progressive" in my seeing of things.

I suppose that's fair, but I stand by the importance of both the bass part which is the compositional ground of the piece, and the bass sound which adds dimension and depth tho the music.   Of course there can be parts that don't have or need any bass at all, but that's an exception.   The bass ~ especially in a band with very little guitar ~ is the cake, and everything else is the icing.  

Again, remove the bass from ELP or Floyd or Zeppelin or any other important acts in rock, and you get something that simply doesn't have the sonic potential or depth it would otherwise.


"Too often we enjoy the comfort of opinion without the discomfort of thought."   -- John F. Kennedy
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Fischman Quote  Post ReplyReply Direct Link To This Post Posted: September 07 2019 at 22:01
Originally posted by Atavachron Atavachron wrote:

Originally posted by chopper chopper wrote:

I was in band once and our manager told me the bass player was the most important member of the band (although I think he was just saying that to get me to play better). Though it pains me to say this, it's not true, it's the drummer.

Depends what's meant by 'important'.   The bass is in many ways the most important element in terms of cohesion:  Adam Clayton is certainly not important to the music of U2 nor an extraordinary bass player, but his contribution is absolutely essential for the execution and gelling of the music.   The bass is the invisible unsung hero of rock.   Without it Zeppelin would sound shrill, Hendrix a mess, Floyd untethered, Van Halen one-dimensional.






Zep does sound rather shrill. But JPJ is truly one of the greats. Not only is he underrated as a bassist, he's horribly underrated as a member of the group. This is particularly egregious because he's not simply gelling the group; his lines are innovative, unique, melodic in their own right, and so much a bigger part of the music and what makes it great than simply being part of a competent rhythm section... in much the same vein as John Entwistle or Geddy Lee.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote richardh Quote  Post ReplyReply Direct Link To This Post Posted: September 08 2019 at 01:03
Originally posted by moshkito moshkito wrote:

Originally posted by Atavachron Atavachron wrote:

...
.... sound was so full and rich it was a good substitute for a bass, not a replacement.   And even then they knew enough to make sure whatever was generating it, there was a bass part.   Without it, ELP would've sounded thin, flat, and unprofessional.

I think this is grossly unfair. The idea was NEVER to have the same instruments and the same sound and the same composition design ... as EVERYONE ELSE ... which is what you are basically stating if I do not mis-understand it.

A bass, or a guitar, or drums, is NEVER a must ... except that your ears are so stuck with one style of music and sound, that you are having a hard time explaining ELP without a bass guitar, or Greg merely filling in here and there to augment things some ... but you certainly can see that ELP was not about a "bass" guitar, or whatever a fan wants to hear ... it was about its own music and its own presentation.

Please, do not "demand" that a band have this or that, and take their individuality out ... "progressive" music was built on this individuality, not on your, or mine, design for music ... but we can't grow out of that top ten thinking and must have this and that instrument ... that is just so sad ... and you are a representative of this board saying something that is NOT "progressive" in my seeing of things.
 

I do think we all get very confused about this. Yes of course you can have any make up of instruments in a band. You can strip it down or add as a is necessary. ELP were quite keen not to have hidden musicians on stage and made a point of it so occasionally Greg would play lead guitar and Keith had to fill in. This could be quite interesting and worked tremendously well on for instance Tarkus (Battlefield section). But really there are no rules here. I don't think anyone is suggesting that bass has to be present or not be present but a lot of great rock music would be less great without the bass. Rush are one my favourite bands and no bass would just not be an option. Freewill would indeed be nothing without it but then Rush would never have written the song with no bass , that would be insane!


Edited by richardh - September 08 2019 at 01:04
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: September 08 2019 at 01:10
Originally posted by Fischman Fischman wrote:

Originally posted by Atavachron Atavachron wrote:

Depends what's meant by 'important'.   The bass is in many ways the most important element in terms of cohesion:  Adam Clayton is certainly not important to the music of U2 nor an extraordinary bass player, but his contribution is absolutely essential for the execution and gelling of the music.   The bass is the invisible unsung hero of rock.   Without it Zeppelin would sound shrill, Hendrix a mess, Floyd untethered, Van Halen one-dimensional.
Zep does sound rather shrill. But JPJ is truly one of the greats. Not only is he underrated as a bassist, he's horribly underrated as a member of the group. This is particularly egregious because he's not simply gelling the group; his lines are innovative, unique, melodic in their own right, and so much a bigger part of the music and what makes it great than simply being part of a competent rhythm section... in much the same vein as John Entwistle or Geddy Lee.

Not to mention organ, piano, mellotron, synthesizer, upright bass, mandolin, lute, arranging & studio directing.




Edited by Atavachron - September 08 2019 at 01:16
"Too often we enjoy the comfort of opinion without the discomfort of thought."   -- John F. Kennedy
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Post Options Post Options   Thanks (1) Thanks(1)   Quote presdoug Quote  Post ReplyReply Direct Link To This Post Posted: September 08 2019 at 03:39
I wanted  to give a shout out for ORIGINAL Eloy bassist Wolfgang Stocker, who played on their first two albums. After that, he disappeared from sight, as far as I know. His bass work on Inside, the second Eloy album, is especially noteworthy.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Ghost Whistler Quote  Post ReplyReply Direct Link To This Post Posted: September 08 2019 at 07:43
Originally posted by omphaloskepsis omphaloskepsis wrote:

At least once a year, my husband begs me to play air-bass on this version, of this song.   Whoever plays bass on this, is underrated.  









While a little limited (with all due respect to the player), I'd stil much rather hear this than the modern day weedy typewriter acrobatics that comprises modern playing.

Or just listen to Tony Levin, who is god
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Ghost Whistler Quote  Post ReplyReply Direct Link To This Post Posted: September 11 2019 at 09:34
Also the guy out of Wobbler is pretty good. That old retro ricky feel
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Post Options Post Options   Thanks (0) Thanks(0)   Quote RockHound Quote  Post ReplyReply Direct Link To This Post Posted: September 17 2019 at 19:14
Originally posted by progmatic progmatic wrote:

Percy Jones

Seconded!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote BrufordFreak Quote  Post ReplyReply Direct Link To This Post Posted: February 08 2020 at 11:24
Originally posted by Rednight Rednight wrote:

Originally posted by progmatic progmatic wrote:

Percy Jones
And Jeff Berlin.

Third and seconded, respectively!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Magog2112 Quote  Post ReplyReply Direct Link To This Post Posted: August 05 2023 at 07:41
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