Progarchives.com has always (since 2002) relied on banners ads to cover web hosting fees and all. Please consider supporting us by giving monthly PayPal donations and help keep PA fast-loading and ad-free forever.
Joined: September 03 2005
Location: Olympus Mons
Status: Offline
Points: 15916
Posted: November 16 2014 at 23:55
SteveG wrote:
Tom Ozric wrote:
Ain't Spector in jail ?? FYFM does sport a pretty cool ARP solo from Banks, don't recall hearing that in any ABBA song (although I do have the LP of The Visitors).
I know he's in jail. You know he's in jail, but does Svetonio know?
When he created his 'wall of sound' I wonder if he knew he'd end up surrounded by 'four walls of silence' ???
Joined: September 22 2005
Location: Wuhan, China
Status: Offline
Points: 1455
Posted: November 17 2014 at 06:15
SteveG wrote:
Blacksword wrote:
prog4evr wrote:
bloodnarfer wrote:
...The album seems to have a very mushy quality that I'm just not crazy about...
That's what it is. I just could not put the right word to it, but "mushy" defines it for me too... <div style="display:none;" id="__if72ru4sdfsdfruh7fewui_once"><div style="display:none;" id="__hggasdgjhsagd_once">
It's arguably Hentchels weakest production job, but I don't think that ruins the songs on the album.
WTF?
This is actually a superb recording with Hentschel able to approximate a "Wall of Sound' without sacrificing any details of the music or vocals. Hentshel's use of ADT (automatic double tracking) numerous times on Collin's vocals in order produce a pleated effect on the song's choruses is still trying to be emulated to this day.
Perhaps you don't care for the dense sound this style of production creates, which would be a matter of taste, and that's understandable.
As the thread up to this point indicates, we beg to differ with your opinion on the supposed "wall of sound" (what the f**k is that exactly?)
Joined: August 22 2010
Location: Indiana
Status: Offline
Points: 20623
Posted: November 17 2014 at 08:10
'Wall of Sound' notwithstanding, I just don't think it has the same quality of songs as the previous Genesis albums. I find myself losing interest while listening to the tracks.....they are nice but a bit boring at times.
One does nothing yet nothing is left undone. Haquin
Joined: February 18 2004
Location: United Kingdom
Status: Offline
Points: 28029
Posted: November 17 2014 at 14:11
prog4evr wrote:
SteveG wrote:
Blacksword wrote:
prog4evr wrote:
bloodnarfer wrote:
...The album seems to have a very mushy quality that I'm just not crazy about...
That's what it is. I just could not put the right word to it, but "mushy" defines it for me too... <div style="display:none;" id="__if72ru4sdfsdfruh7fewui_once"><div style="display:none;" id="__hggasdgjhsagd_once">
It's arguably Hentchels weakest production job, but I don't think that ruins the songs on the album.
WTF?
This is actually a superb recording with Hentschel able to approximate a "Wall of Sound' without sacrificing any details of the music or vocals. Hentshel's use of ADT (automatic double tracking) numerous times on Collin's vocals in order produce a pleated effect on the song's choruses is still trying to be emulated to this day.
Perhaps you don't care for the dense sound this style of production creates, which would be a matter of taste, and that's understandable.
As the thread up to this point indicates, we beg to differ with your opinion on the supposed "wall of sound" (what the f**k is that exactly?)
Its also my opinion and exactly how I have though of it for years. You either hear it or your don't. To me its just multi layered sound creating a very dense effect where instrumentation and vocals melt all into one. OK probably not the best technical description but its what I hear.
Its influence can be heard in IQ's The Wake where they attempted to recreate it some extent.
Well, The fact is that "Follow Me Follow You" was the song I first slow danced to at my wedding in 1988 and that it still has a knicker-loosening effect on my mrs sort of defines it's genre! It's up there with the boy-bands and rest of the mushier forms of music - and it IS a pop album. It's not even cross-over! there is no track on it that can't be danced to and that wouldn't immediately be sl*g.ed off by teeny-boppers...It is a CD that will remain in my collection un-played till I make like the Norwegian-blue! I have probably 1000 CD's that would be higher up the pecking order and that obviously includes the seven genesis albums which preceded it and are all at least ten-times better! and 1,000,000 times better when the album is SEBTP!
Joined: April 11 2014
Location: Kyiv In Spirit
Status: Offline
Points: 20604
Posted: November 17 2014 at 15:37
prog4evr wrote:
SteveG wrote:
Blacksword wrote:
prog4evr wrote:
bloodnarfer wrote:
...The album seems to have a very mushy quality that I'm just not crazy about...
That's what it is. I just could not put the right word to it, but "mushy" defines it for me too... <div style="display:none;" id="__if72ru4sdfsdfruh7fewui_once"><div style="display:none;" id="__hggasdgjhsagd_once">
It's arguably Hentchels weakest production job, but I don't think that ruins the songs on the album.
WTF?
This is actually a superb recording with Hentschel able to approximate a "Wall of Sound' without sacrificing any details of the music or vocals. Hentshel's use of ADT (automatic double tracking) numerous times on Collin's vocals in order produce a pleated effect on the song's choruses is still trying to be emulated to this day.
Perhaps you don't care for the dense sound this style of production creates, which would be a matter of taste, and that's understandable.
As the thread up to this point indicates, we beg to differ with your opinion on the supposed "wall of sound" (what the f**k is that exactly?)
The Wall of Sound, created by 50's producer Phil Spector, was a dense sound mix of live musicians recorded in an echo chamber and over treated with reverb. It has since been abandoned in modern recording so that any dense sound mix, now manipulated with specific limiting and compression levels, is referred to as a "wall of sound" (note that the term is now in quotations) style of production. Basically, a slang expression for a thick, dense or foggy sound mix that robs the breathing space that surrounds the instruments and/or vocals and in extreme cases, detail. I don't like to use the expression myself, but others in this thread already did, so I just followed suit. And this is exactly the f**k a "wall of sound" is.
Joined: October 28 2008
Location: Wales
Status: Offline
Points: 13627
Posted: November 17 2014 at 16:29
I have no idea what a "wall of sound" is technically. I leave that sort of thing to experts such as Dean.
However, as a music and Genesis fan, I know precisely what it means. It started with ATTWT. When you put on that album, and the entire room filled with a beautiful whole noise, filling the entire room, and, indeed, house. It sounded unlike anything else I had ever heard, and it was, of course, led by those Banks keyboards.
This might not be technically correct. But it sure as hell is accurate.
Enhance your life. Get down to www.lazland.org
Now also broadcasting on www.progzilla.com Every Saturday, 4.00 p.m. UK time!
Joined: September 03 2005
Location: Olympus Mons
Status: Offline
Points: 15916
Posted: November 18 2014 at 03:47
Seriously, I'd pay to see some one dance to 'Down And Out' (what with it's jerky 5/4 rhythm and all........) .......may look somewhat 'jerky' and haphazard in my mind.........
Joined: September 10 2010
Location: Earth
Status: Offline
Points: 6253
Posted: November 18 2014 at 04:03
Ok I am quite ignorant here, not necessary ignoring the previous comments but the topic title peaked my interest and you might enjoy this I think
drums galore
Joined: September 03 2005
Location: Olympus Mons
Status: Offline
Points: 15916
Posted: November 18 2014 at 05:06
^ You amaze me, my dear........ .......really, The Knife ..........??.......... BTW, she can't stand Hammill or related.........but Genesis, Yes, Floyd, ELP, etc...... Select modern stuff too (Spock's Beard, Flower Kings, even loves IQ when I play them (any album!!) To my utter shock, she had loaded on her whatever-you-call-it (a little squarish thing with a NSEW button on it......I just can't think of the device right now..........) Yes' Close To The Edge, Relayer, and Floyd's Wish You Were Here & Animals.......Chicago, and some more 'regular' stuff..... She adores Trick, not so much W&W, she loves everything afterwards......including ATTWT.......
Joined: September 03 2005
Location: Olympus Mons
Status: Offline
Points: 15916
Posted: November 18 2014 at 05:10
Kati wrote:
Pink Floyd is not PF without Roger Waters nor it would be without Gilmour xxxxx
OMG ........this is the truth, the whole truth, and nothing but the truth.......so help me...........(my sis worships Gilmour, and can't stand Waters !!!!!)
Joined: September 10 2010
Location: Earth
Status: Offline
Points: 6253
Posted: November 18 2014 at 05:14
Tom Ozric wrote:
Kati wrote:
Pink Floyd is not PF without Roger Waters nor it would be without Gilmour xxxxx
OMG ........this is the truth, the whole truth, and nothing but the truth.......so help me...........(my sis worships Gilmour, and can't stand Waters !!!!!)
Please make your sis listen to this (Clapton on guitars)
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot delete your posts in this forum You cannot edit your posts in this forum You cannot create polls in this forum You cannot vote in polls in this forum
This page was generated in 0.197 seconds.
Donate monthly and keep PA fast-loading and ad-free forever.