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Topic ClosedAnd Then There Were Three: Genesis

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Tom Ozric View Drop Down
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Direct Link To This Post Posted: November 16 2014 at 23:55
Originally posted by SteveG SteveG wrote:

Originally posted by Tom Ozric Tom Ozric wrote:

Ain't Spector in jail ??
FYFM does sport a pretty cool ARP solo from Banks, don't recall hearing that in any ABBA song (although I do have the LP of The Visitors).
I know he's in jail.  You know he's in jail, but does Svetonio know? LOL
When he created his 'wall of sound' I wonder if he knew he'd end up surrounded by 'four walls of silence' ???
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Direct Link To This Post Posted: November 17 2014 at 06:15
Originally posted by SteveG SteveG wrote:

Originally posted by Blacksword Blacksword wrote:

Originally posted by prog4evr prog4evr wrote:

Originally posted by bloodnarfer bloodnarfer wrote:

...The album seems to have a very mushy quality that I'm just not crazy about...

That's what it is.  I just could not put the right word to it, but "mushy" defines it for me too...
<div style="display:none;" id="__if72ru4sdfsdfruh7fewui_once"><div style="display:none;" id="__hggasdgjhsagd_once">


It's arguably Hentchels weakest production job, but I don't think that ruins the songs on the album.
Shocked WTF? LOL
 This is actually a superb recording with Hentschel able to approximate a "Wall of Sound' without sacrificing any details of the music or vocals. Hentshel's use of ADT (automatic double tracking) numerous times on Collin's vocals in order produce a pleated effect on the song's choruses is still trying to be emulated to this day.
 
Perhaps you don't care for the dense sound this style of production creates, which would be a matter of taste, and that's understandable.

As the thread up to this point indicates, we beg to differ with your opinion on the supposed "wall of sound" (what the f**k is that exactly?)
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Direct Link To This Post Posted: November 17 2014 at 08:10
'Wall of Sound' notwithstanding, I just don't think it has the same quality of songs as the previous Genesis albums. I find myself losing interest while listening to the tracks.....they are nice but a bit boring at times.
One does nothing yet nothing is left undone.
Haquin
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Direct Link To This Post Posted: November 17 2014 at 14:11
Originally posted by prog4evr prog4evr wrote:

Originally posted by SteveG SteveG wrote:

Originally posted by Blacksword Blacksword wrote:

Originally posted by prog4evr prog4evr wrote:

Originally posted by bloodnarfer bloodnarfer wrote:

...The album seems to have a very mushy quality that I'm just not crazy about...

That's what it is.  I just could not put the right word to it, but "mushy" defines it for me too...
<div style="display:none;" id="__if72ru4sdfsdfruh7fewui_once"><div style="display:none;" id="__hggasdgjhsagd_once">


It's arguably Hentchels weakest production job, but I don't think that ruins the songs on the album.
Shocked WTF? LOL
 This is actually a superb recording with Hentschel able to approximate a "Wall of Sound' without sacrificing any details of the music or vocals. Hentshel's use of ADT (automatic double tracking) numerous times on Collin's vocals in order produce a pleated effect on the song's choruses is still trying to be emulated to this day.
 
Perhaps you don't care for the dense sound this style of production creates, which would be a matter of taste, and that's understandable.

As the thread up to this point indicates, we beg to differ with your opinion on the supposed "wall of sound" (what the f**k is that exactly?)

Its also my opinion and exactly how I have though of it for years. You either hear it or your don't. To me its just multi layered sound creating a very dense effect where instrumentation and vocals melt all into one. OK probably not the best technical description but its what I hear.

Its influence can be heard in IQ's The Wake where they attempted to recreate it some extent. 
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Direct Link To This Post Posted: November 17 2014 at 14:30
Well, The fact is that "Follow Me Follow You" was the song I first slow danced to at my wedding in 1988 and that it still has a knicker-loosening effect on my mrs sort of defines it's genre! It's up there with the boy-bands and rest of the mushier forms of music - and it IS a pop album. It's not even cross-over! there is no track on it that can't be danced to and that wouldn't immediately be sl*g.ed off by teeny-boppers...It is a CD that will remain in my collection un-played till I make like the Norwegian-blue! I have probably 1000 CD's that would be higher up the pecking order and that obviously includes the seven genesis albums which preceded it and are all at least ten-times better! and 1,000,000 times better when the album is SEBTP!
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Direct Link To This Post Posted: November 17 2014 at 14:50
'teeny-boppers' lol
Help me I'm falling!
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Direct Link To This Post Posted: November 17 2014 at 15:37
Originally posted by prog4evr prog4evr wrote:

Originally posted by SteveG SteveG wrote:

Originally posted by Blacksword Blacksword wrote:

Originally posted by prog4evr prog4evr wrote:

Originally posted by bloodnarfer bloodnarfer wrote:

...The album seems to have a very mushy quality that I'm just not crazy about...

That's what it is.  I just could not put the right word to it, but "mushy" defines it for me too...
<div style="display:none;" id="__if72ru4sdfsdfruh7fewui_once"><div style="display:none;" id="__hggasdgjhsagd_once">


It's arguably Hentchels weakest production job, but I don't think that ruins the songs on the album.
Shocked WTF? LOL
 This is actually a superb recording with Hentschel able to approximate a "Wall of Sound' without sacrificing any details of the music or vocals. Hentshel's use of ADT (automatic double tracking) numerous times on Collin's vocals in order produce a pleated effect on the song's choruses is still trying to be emulated to this day.
 
Perhaps you don't care for the dense sound this style of production creates, which would be a matter of taste, and that's understandable.

As the thread up to this point indicates, we beg to differ with your opinion on the supposed "wall of sound" (what the f**k is that exactly?)
The Wall of Sound, created by 50's producer Phil Spector, was a dense sound mix of live musicians recorded in an echo chamber and over treated with reverb. It has since been abandoned in modern recording so that any dense sound mix, now manipulated with specific limiting and compression levels, is referred to as a "wall of sound" (note that the term is now in quotations) style of production. Basically, a slang expression for a thick, dense or foggy sound mix that robs the breathing space that surrounds the instruments and/or vocals and in extreme cases, detail. I don't like to use the expression myself, but others in this thread already did, so I just followed suit. And this is exactly the f**k a "wall of sound" is.

Edited by SteveG - November 19 2014 at 12:15
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Direct Link To This Post Posted: November 17 2014 at 16:29
I have no idea what a "wall of sound" is technically. I leave that sort of thing to experts such as
Dean.

However, as a music and Genesis fan, I know precisely what it means. It started with ATTWT. When you put on that album, and the entire room filled with a beautiful whole noise, filling the entire room, and, indeed, house. It sounded unlike anything else I had ever heard, and it was, of course, led by those Banks keyboards.

This might not be technically correct. But it sure as hell is accurate.
Enhance your life. Get down to www.lazland.org

Now also broadcasting on www.progzilla.com Every Saturday, 4.00 p.m. UK time!
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Direct Link To This Post Posted: November 17 2014 at 16:51
^Absolutely correct, Laz. it's always difficult to describe sound but your explanation was perfect in this circumstance.
 
As an old mate of mine used to say, "you'll know it when you hear it."  LOL
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Tom Ozric View Drop Down
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Direct Link To This Post Posted: November 18 2014 at 03:47
Seriously, I'd pay to see some one dance to 'Down And Out' (what with it's jerky 5/4 rhythm and all........)
.......may look somewhat 'jerky' and haphazard in my mind.........
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Direct Link To This Post Posted: November 18 2014 at 04:03
Ok I am quite ignorant here, not necessary ignoring the previous comments but the topic title peaked my interest and you might enjoy this  I think Big smileHug drums galore
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Direct Link To This Post Posted: November 18 2014 at 04:08
Oh dear, Phil and Chester ..... ......
Very nice - thanks Kati
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Direct Link To This Post Posted: November 18 2014 at 04:09
Originally posted by Tom Ozric Tom Ozric wrote:

Oh dear, Phil and Chester ..... ......
Very nice - thanks Kati
Tom! Hugmhwoaaahhxxxxxxxx yay and my pleasure really! xxxxx
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Direct Link To This Post Posted: November 18 2014 at 04:41
^ you (obviously) love this period of Genesis like my sister.......
.......and subsequently, she can enjoy at least Nursey Cryme stuff onwards......
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Kati View Drop Down
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Direct Link To This Post Posted: November 18 2014 at 04:50
Originally posted by Tom Ozric Tom Ozric wrote:

^ you (obviously) love this period of Genesis like my sister.......
.......and subsequently, she can enjoy at least Nursey Cryme stuff onwards......
Tom I do and this song is cut through most special too ApproveHeart
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Direct Link To This Post Posted: November 18 2014 at 04:56
Originally posted by Tom Ozric Tom Ozric wrote:

^ you (obviously) love this period of Genesis like my sister.......
.......and subsequently, she can enjoy at least Nursey Cryme stuff onwards......
Tom concerning the new Pf album, Roger Walter's was key too, a big part really <3 3.34 that guitar solo kills tho' xxxxx
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Direct Link To This Post Posted: November 18 2014 at 04:58
Pink Floyd is not PF without Roger Waters nor it would be without Gilmour xxxxx
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Direct Link To This Post Posted: November 18 2014 at 05:06
^ You amaze me, my dear........ .......really, The Knife ..........??..........
BTW, she can't stand Hammill or related.........but Genesis, Yes, Floyd, ELP, etc......
Select modern stuff too (Spock's Beard, Flower Kings, even loves IQ when I play them (any album!!)
To my utter shock, she had loaded on her whatever-you-call-it (a little squarish thing with a NSEW button on it......I just can't think of the device right now..........) Yes' Close To The Edge, Relayer, and Floyd's Wish You Were Here & Animals.......Chicago, and some more 'regular' stuff.....
She adores Trick, not so much W&W, she loves everything afterwards......including ATTWT.......
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Direct Link To This Post Posted: November 18 2014 at 05:10
Originally posted by Kati Kati wrote:


Pink Floyd is not PF without Roger Waters nor it would be without Gilmour xxxxx
OMG ........this is the truth, the whole truth, and nothing but the truth.......so help me...........(my sis worships Gilmour, and can't stand Waters !!!!!)
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Direct Link To This Post Posted: November 18 2014 at 05:14
Originally posted by Tom Ozric Tom Ozric wrote:

Originally posted by Kati Kati wrote:


Pink Floyd is not PF without Roger Waters nor it would be without Gilmour xxxxx
OMG ........this is the truth, the whole truth, and nothing but the truth.......so help me...........(my sis worships Gilmour, and can't stand Waters !!!!!)
Please make your sis listen to this (Clapton on guitars)
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