Hugh Hopper 10-CD Set Of Unreleased Recordings

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   For Immediate Release

Soft Machine Legend Hugh Hopper 10-CD Set Of Unreleased Recordings To Be Released By Gonzo Multimedia

London, UK - Hugh Hopper and Soft Machine fans worldwide are rejoicing to the news of the pending release of HUGH HOPPER - DEDICATED TO HUGH, a 10-CD Archival Celebration of the music of bass guitarist, composer, Hugh Hopper comprised of previously unreleased Hi-Fidelity recordings. Compiled by Michael King, a Canadian Hugh Hopper Scholar, the CDs will be released individually, beginning with Volume One, entitled 'Memories'.

This ten part series is to compliment a heretofore large body of work (over sixty titles) by presenting previously unreleased concert and studio recordings, with a focus on Hugh’s compositions as performed by groups under his leadership. All proceeds are to benefit Hugh's Hopper's family.

HUGH HOPPER - DEDICATED TO HUGH 10-CD set features:

Volume 1 - Memories
Hugh introduces a selection of rare tracks from across his career

Volume 2 - Frangloband
Live at Triton Club, Paris 2004

Volume 3 - North & South
co-credited with Scottish drummer Mike Travis (Gilgamesh)
Live in Aberdeen 1995

Volume 4 - Four by Hugh by Four
One-off quartet live at Bimhuis, Amsterdam, 2000

Volume 5 - Heart to Heart
Co-credited with guitarist Phil Miller (Hatfield/National Health/In Cahoots)
Studio duet performance, Amsterdam, 2007

Volume 6 - Special Friends
Rare concert recordings, 1992 through 1995, of Hugh's project with Phil Miller, Didier Malherbe (Gong), Pip Pyle & Elton Dean - a.k.a. Short Wave.

Volume 7 - Soft Boundaries
Triton, Paris concert recordings with Elton Dean, Sophia Domanich & Simon Goubet 2005

Volume 8 - Bass On Top
Improvised studio session with pianist Slava Ganelin & drummer Aahron Kaminsky, Israel 2007

Volume 9 - Anatomy of Facelift
Five live performances of Hugh's signature composition, Facelift, as performed by Soft Machine, 1969 through 1971. Includes extracts from Lois Frith's University Thesis: Anatomy of Facelift

Volume 10 - Was A Friend
Various rare tracks, including duets with drummers Chris Cutler (Henry Cow) & Seb Rockford and  concluding with Hugh final musical performance: Was A Friend, performed by Denis Colin Trio, 2008

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Hugh Hopper began his musical career in 1963 as bass guitarist in the Daevid Allen Trio alongside drummer Robert Wyatt. In 1964 Hugh founded The Wilde Flowers with his elder brother, Brian Hopper. Passing through their ranks were fellow Canterbury legends Kevin Ayers, Richard Sinclair, Robert Wyatt, and also Pye Hastings & Richard Coughlin who went on to form Caravan.  After dissolving the Wilde Flowers Hugh became the roadie for his friends, The Soft Machine, then a Avant-garden pop group and house band of London's UFO Club, alongside The Pink Floyd.

In 1969 Hugh replaced Soft Machine's original bassist Kevin Ayers, who left following two exhaustive American tours. Hugh's trademark bass sound (often delivered through fuzz boxes) and his compositions raised the music of Soft Machine to heights unmatched by their contemporaries. With the addition of saxophonist Elton Dean the 'classic quartet' developed a massively successful following in England and continental Europe, headlining numerous Festival's and producing the timeless and ground-breaking double album Soft Machine 'Third'.

After leaving the Soft Machine in 1973 Hugh worked with many pillars of the jazz-rock fusion scene such as Gary Boyle's Isotope, Alan Bowen's Gilgamesh, Stomu Yamash*ta's East Wind and Carla Bley's celebrated big band. He also co-founded quartets with fellow Soft Machine member, saxophonist Elton Dean, namely Soft Head & Soft Heap. In the 1980's, 90's and into the 21st century Hugh composed a wealth of extraordinary music for his own groups and participated in countless improvisational settings and guest appearances. 

The music Hugh Hopper is a wonder to behold, a player of high distinction with trademark sound by turns gritty and gorgeous. Gonzomultimedia is honored to present this superb series celebrating the musical legacy of Hugh Hopper, for fans, friends and first time discovers.

---------------------------------------------------------------------------------------------------------------------------

Vol. 1 – Memories – Now Available!

This is the first of a ten part series compiled by Michael King. He writes: “My first encounter with the music of Hugh Colin Hopper backdates to the summer of 1976. While visiting a friend I was intentional played a record titled Volume Two from a British rock group about whom I knew little, The Soft Machine. The experience was staggering and prompted a radical reappraisal for the conventions I had been conditioned to accept as ‘progressive’. Once smitten I undertook to follow and purchase a spate of seriously inventive record albums that Hugh Hopper released and appeared on, namely; Hoppertunity Box, Rogue Element, Soft Heap, Cruel But Fair and Two Rainbows Daily. Throughout these works I found Hugh’s textural bass guitar by turns anchored and animated the music with ample good taste. Here was a rarefied musician who avoided overplaying his instrument in favour of approaches reflecting his personal musical Zen”.

Technically, by processing his bass guitar with fuzz box, flanger, wha-wha, octave pedal effects, his use of tapes loops, and later on computer programming, Hugh constructed multilayer soundscapes with great attention to detail. His creative template embraced aesthetics well beyond the orthodox roles assigned to the bass guitar and its practitioner. As example, Hugh cleverly adapted the time altering effects of the repetitive tapes loops he was creating with two tape recorders in the early sixties - to his bass guitar - by playing such repeating patterns in real time. Furthermore, minimalist mutations and modularity often characterize the rhythmic, harmonic, melodic foundations of Hugh’s musical compositions (many displaying melody lines of uncommon length). These aspects, alongside a brilliant capacity to freely improvise, (dynamically from a whisper to a roar) distinguish Hugh Hopper as a consummate musician of great standing, one who thrived in myriad musical settings”.

This first volume has the strapline “Many Friends” and features a dazzling range of Hopper plus collaborators over a period of some thirty five years.

1. Memories – Hugh Hopper’s Demo with Soft Machine
Hugh Hopper, bass guitar/acoustic guitar;
Mike Ratledge, piano/organ; Robert Wyatt, drums/vocals
Recorded August 6th, 1969. Regent Studios, London, U.K

2. Was A Friend – Hugh Hopper Franglo Band
Patrice Meyer, electric guitar; Pierre Olivier-Govin, saxes;
Hugh Hopper, bass guitar; Francois Verly, drums
Recorded May 29th, 2004. St. Jean-aux-Bois, France

3. Shuffle Demons – North & South
Steve Kettley, tenor saxophone; Paul Flush, keyboards;
Hugh Hopper, bass guitar; Mike Travis, drums/percussion
Recorded August 23rd, 1995. Aberdeen, Scotland

4. Playtime – Hugh Hopper Interprets Alan Gowen
Hugh Hopper – computer programming
Recorded circa 2002. Whitstable, U.K.

5. Debonaire – Hugh Hopper Franglo Band
Patrice Meyer, electric guitar; Pierre Olivier-Govin, saxes;
Hugh Hopper, bass guitar; Francois Verly, drums
Recorded May 29th, 2004. St. Jean-aux-Boix, France

6. MGH – Hugh Hopper & Nigel Morris
Hugh Hopper, fuzz bass; Nigel Morris, drums/percussion
Recorded circa 2002. California and Whitstable, U.K.

7. Long Piece – Hugh Hopper Computer Collage
Hugh Hopper + Many Friends = Many Surprises
Recorded circa 2002. Whitstable, U.K.

For more information: http://www.hugh-hopper.com/

To purchse Hugh Hopper – Memories vol. 1: http://www.gonzomultimedia.co.uk/product_details/15691/Hugh_Hopper-Memories.html 

Press inquiries: Glass Onyon PR, PH: 828-350-8158, [email protected]

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glassonyonpr Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Joined: July 12 2007 Location: United States Status: Offline Points: 2289	Topic: Hugh Hopper 10-CD Set Of Unreleased Recordings Posted: August 29 2014 at 09:57
	For Immediate Release Soft Machine Legend Hugh Hopper 10-CD Set Of Unreleased Recordings To Be Released By Gonzo Multimedia London, UK - Hugh Hopper and Soft Machine fans worldwide are rejoicing to the news of the pending release of HUGH HOPPER - DEDICATED TO HUGH, a 10-CD Archival Celebration of the music of bass guitarist, composer, Hugh Hopper comprised of previously unreleased Hi-Fidelity recordings. Compiled by Michael King, a Canadian Hugh Hopper Scholar, the CDs will be released individually, beginning with Volume One, entitled 'Memories'. This ten part series is to compliment a heretofore large body of work (over sixty titles) by presenting previously unreleased concert and studio recordings, with a focus on Hugh’s compositions as performed by groups under his leadership. All proceeds are to benefit Hugh's Hopper's family. HUGH HOPPER - DEDICATED TO HUGH 10-CD set features: Volume 1 - Memories Hugh introduces a selection of rare tracks from across his career Volume 2 - Frangloband Live at Triton Club, Paris 2004 Volume 3 - North & South co-credited with Scottish drummer Mike Travis (Gilgamesh) Live in Aberdeen 1995 Volume 4 - Four by Hugh by Four One-off quartet live at Bimhuis, Amsterdam, 2000 Volume 5 - Heart to Heart Co-credited with guitarist Phil Miller (Hatfield/National Health/In Cahoots) Studio duet performance, Amsterdam, 2007 Volume 6 - Special Friends Rare concert recordings, 1992 through 1995, of Hugh's project with Phil Miller, Didier Malherbe (Gong), Pip Pyle & Elton Dean - a.k.a. Short Wave. Volume 7 - Soft Boundaries Triton, Paris concert recordings with Elton Dean, Sophia Domanich & Simon Goubet 2005 Volume 8 - Bass On Top Improvised studio session with pianist Slava Ganelin & drummer Aahron Kaminsky, Israel 2007 Volume 9 - Anatomy of Facelift Five live performances of Hugh's signature composition, Facelift, as performed by Soft Machine, 1969 through 1971. Includes extracts from Lois Frith's University Thesis: Anatomy of Facelift Volume 10 - Was A Friend Various rare tracks, including duets with drummers Chris Cutler (Henry Cow) & Seb Rockford and concluding with Hugh final musical performance: Was A Friend, performed by Denis Colin Trio, 2008 --------------------------------------------------------------------------------------------------------------------------- Hugh Hopper began his musical career in 1963 as bass guitarist in the Daevid Allen Trio alongside drummer Robert Wyatt. In 1964 Hugh founded The Wilde Flowers with his elder brother, Brian Hopper. Passing through their ranks were fellow Canterbury legends Kevin Ayers, Richard Sinclair, Robert Wyatt, and also Pye Hastings & Richard Coughlin who went on to form Caravan. After dissolving the Wilde Flowers Hugh became the roadie for his friends, The Soft Machine, then a Avant-garden pop group and house band of London's UFO Club, alongside The Pink Floyd. In 1969 Hugh replaced Soft Machine's original bassist Kevin Ayers, who left following two exhaustive American tours. Hugh's trademark bass sound (often delivered through fuzz boxes) and his compositions raised the music of Soft Machine to heights unmatched by their contemporaries. With the addition of saxophonist Elton Dean the 'classic quartet' developed a massively successful following in England and continental Europe, headlining numerous Festival's and producing the timeless and ground-breaking double album Soft Machine 'Third'. After leaving the Soft Machine in 1973 Hugh worked with many pillars of the jazz-rock fusion scene such as Gary Boyle's Isotope, Alan Bowen's Gilgamesh, Stomu Yamashta's East Wind and Carla Bley's celebrated big band. He also co-founded quartets with fellow Soft Machine member, saxophonist Elton Dean, namely Soft Head & Soft Heap. In the 1980's, 90's and into the 21st century Hugh composed a wealth of extraordinary music for his own groups and participated in countless improvisational settings and guest appearances. The music Hugh Hopper is a wonder to behold, a player of high distinction with trademark sound by turns gritty and gorgeous. Gonzomultimedia is honored to present this superb series celebrating the musical legacy of Hugh Hopper, for fans, friends and first time discovers. --------------------------------------------------------------------------------------------------------------------------- Vol. 1 – Memories – Now Available!* This is the first of a ten part series compiled by Michael King. He writes: “My first encounter with the music of Hugh Colin Hopper backdates to the summer of 1976. While visiting a friend I was intentional played a record titled Volume Two from a British rock group about whom I knew little, The Soft Machine. The experience was staggering and prompted a radical reappraisal for the conventions I had been conditioned to accept as ‘progressive’. Once smitten I undertook to follow and purchase a spate of seriously inventive record albums that Hugh Hopper released and appeared on, namely; Hoppertunity Box, Rogue Element, Soft Heap, Cruel But Fair and Two Rainbows Daily. Throughout these works I found Hugh’s textural bass guitar by turns anchored and animated the music with ample good taste. Here was a rarefied musician who avoided overplaying his instrument in favour of approaches reflecting his personal musical Zen”. Technically, by processing his bass guitar with fuzz box, flanger, wha-wha, octave pedal effects, his use of tapes loops, and later on computer programming, Hugh constructed multilayer soundscapes with great attention to detail. His creative template embraced aesthetics well beyond the orthodox roles assigned to the bass guitar and its practitioner. As example, Hugh cleverly adapted the time altering effects of the repetitive tapes loops he was creating with two tape recorders in the early sixties - to his bass guitar - by playing such repeating patterns in real time. Furthermore, minimalist mutations and modularity often characterize the rhythmic, harmonic, melodic foundations of Hugh’s musical compositions (many displaying melody lines of uncommon length). These aspects, alongside a brilliant capacity to freely improvise, (dynamically from a whisper to a roar) distinguish Hugh Hopper as a consummate musician of great standing, one who thrived in myriad musical settings”. This first volume has the strapline “Many Friends” and features a dazzling range of Hopper plus collaborators over a period of some thirty five years. 1. Memories – Hugh Hopper’s Demo with Soft Machine Hugh Hopper, bass guitar/acoustic guitar; Mike Ratledge, piano/organ; Robert Wyatt, drums/vocals Recorded August 6th, 1969. Regent Studios, London, U.K 2. Was A Friend – Hugh Hopper Franglo Band Patrice Meyer, electric guitar; Pierre Olivier-Govin, saxes; Hugh Hopper, bass guitar; Francois Verly, drums Recorded May 29th, 2004. St. Jean-aux-Bois, France 3. Shuffle Demons – North & South Steve Kettley, tenor saxophone; Paul Flush, keyboards; Hugh Hopper, bass guitar; Mike Travis, drums/percussion Recorded August 23rd, 1995. Aberdeen, Scotland 4. Playtime – Hugh Hopper Interprets Alan Gowen Hugh Hopper – computer programming Recorded circa 2002. Whitstable, U.K. 5. Debonaire – Hugh Hopper Franglo Band Patrice Meyer, electric guitar; Pierre Olivier-Govin, saxes; Hugh Hopper, bass guitar; Francois Verly, drums Recorded May 29th, 2004. St. Jean-aux-Boix, France 6. MGH – Hugh Hopper & Nigel Morris Hugh Hopper, fuzz bass; Nigel Morris, drums/percussion Recorded circa 2002. California and Whitstable, U.K. 7. Long Piece – Hugh Hopper Computer Collage Hugh Hopper + Many Friends = Many Surprises Recorded circa 2002. Whitstable, U.K. For more information: http://www.hugh-hopper.com/ To purchse Hugh Hopper – Memories vol. 1: http://www.gonzomultimedia.co.uk/product_details/15691/Hugh_Hopper-Memories.html Press inquiries: Glass Onyon PR, PH: 828-350-8158, [email protected]

Man With Hat Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Collaborator Jazz-Rock/Fusion/Canterbury Team Joined: March 12 2005 Location: Neurotica Status: Offline Points: 166178	Posted: August 29 2014 at 21:05
	Been looking forward to this series...definitely will get a majority of these titles.
	Dig me...But don't...Bury me I'm running still, I shall until, one day, I hope that I'll arrive Warning: Listening to jazz excessively can cause a laxative effect.

Intruder Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Joined: May 13 2005 Status: Offline Points: 2190	Posted: September 18 2014 at 11:37
	Love Hopper's sound, but I'm still trying to get my hands on more of his official solo releases.....so much to buy, so little money.
	I like to feel the suspense when you're certain you know I am there.....