Joined: September 03 2006
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Posted: July 29 2014 at 04:52
Not to play devil's advocate, but while what is SPECIAL may be subjective, if the word special is used in relation to complexity, it ought to reflect in some unusual patterns, some unusual level of difficulty. What is the thing, exactly, that makes the guitar parts of Fracture especially hard to play? I think cstack3 had explained this in another thread, but cannot recall which one.
Joined: June 22 2004
Location: England
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Points: 16130
Posted: July 29 2014 at 04:51
^^^ and I'll take an original composer over some "look at me mum" shredder any day of the week. I grew up all excited about long haired guitarists who could play really fast and use classical references in their music. Then I discovered the likes of Lifeson, Gilmour and Fripp and all those 'heroes' just seemed a bit... you know..
Plus they mostly made predictable sh*t music imo...
Joined: May 25 2011
Location: Los Angeles, CA
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Points: 10970
Posted: July 29 2014 at 04:50
LSDisease wrote:
Dayvenkirq wrote:
Actually? I've already explained to you why it is. Time to stop beating the dead horse.
that first part may sound complex but it's just a combination of sounds that lie close to each other, nothing special actually. You hear it but you can't see it. I see it.
Again with the "actually". It's subjective as to what is special. And what do you mean by "a combination of sounds that lie close to each other"? It's called whole tones. The first part of the piece is just as complex as the rest of it thanks to the whole tones.
By the way, what is it that we are hearing and seeing?
LSDisease wrote:
Dayvenkirq wrote:
LSDisease wrote:
Dayvenkirq wrote:
Just because something is not an easy thing to do doesn't mean that a guitarist (let alone a punk rock guitarist) can't do it. What if there is such a guitar player who can?
Then his name is not Robert Fripp.
Any way of proving that?
King Crimson albums.
What? I don't get it. How does that answer my question? This needs a technical explanation.
LSDisease wrote:
Seriously, Fripp is not a virtuoso, he's original composer but not a virtuoso.
I don't know what "original composer" has to do with anything here. Also, how do you know Fripp is not a virtuoso?
Actually? I've already explained to you why it is. Time to stop beating the dead horse.
that first part may sound complex but it's just a combination of sounds that lie close to each other, nothing special actually. You hear it but you can't see it. I see it.
I never said anything of the kind. When did I ever say that?
You said "I've explained why "Fracture" sounds complex to me. That's mostly a guitar-oriented piece, but by and large it's a group effort." while it was not the point, besides this particular song isn't very complex actually.
Dayvenkirq wrote:
And I was attempting to challenge that argument
Fripp's mind is faster than his fingers
.
Dayvenkirq wrote:
Just because something is not an easy thing to do doesn't mean that a guitarist (let alone a punk rock guitarist) can't do it. What if there is such a guitar player who can?
Trouble is the sitting down thing becomes a statement so it still plays into an image and helping sell records. I'm not sure that he is viewed with any more suspicion than the many individuals that are in rock bands who are generally not always the 'nicest' people. Jolly good wheeze to be able to sit down on the job and make it look like some high integrity.IMO
How is a highly accomplished rock guitarist who sits down to play at a live concert 'playing into an image and helping sell records? The foregoing is the antithesis of Rawk aesthetics: Jumping around, showing off, pulling faces and maybe trashing yer gear is de rigueur for the genre. To paraphrase another hippy (Bill Hicks): are you saying Bob was cunningly playing the sexy but sedentary axe hero dollar?
Joined: February 18 2004
Location: United Kingdom
Status: Offline
Points: 29899
Posted: July 29 2014 at 00:52
Trouble is the sitting down thing becomes a statement so it still plays into an image and helping sell records. I'm not sure that he is viewed with any more suspicion than the many individuals that are in rock bands who are generally not always the 'nicest' people. Jolly good wheeze to be able to sit down on the job and make it look like some high integrity.IMO
Regardless of whether you care for his music or
otherwise, Fripp has always steadfastly refused to fill that 'heroic
virtuoso' role created for him by Rawk's star system many years
ago. (His sitting down to play was, amongst other things, a reaction to such conditioning) Bob has simply too much intelligence, dignity and Integrity to
stoop to conquer a marketplace he clearly views with considerable
suspicion. This makes him a deeply unpopular figure within the music
entertainment industry. Long may he continue to get up the noses of
Rock's archly conservative rank and file air guitarists everywhere. (You
know who you are)
Joined: July 25 2014
Location: End of the line
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Points: 9
Posted: July 28 2014 at 14:15
ok, listen,
all of this bickering about Fripp being "Overrated" (or not).....is useless. When someone says, "overrated", is he/she referring to the critics' judgment? Or the judgment of a bunch of generally anonymous (except this website! ha!) fans? (many of whom Fripp has stated himself were too drunk or stoned at the concerts to even appreciate his work)
What do you MEAN or INTEND by "overrated"??
So what if he IS "overrated" by whatever standard or criteria YOU (the original poster & genesis of this thread) have going?
Is that going to stop hard-core Crimson enthusiasts from shelling out 100+ dollars for the "Road to Red" boxed set?........or,........how about the equally expensive "Larks' Tongues Complete set"?
Does it REALLY matter to the world if he is ...........hmmmf......"O-V-E-R-R-A-T-E-D"?
Just shut up and play yer guitar!
"Naked we come, bruised we go...Nude pastry for the slow soft worms below" ---James D. Morrison; "Throw out yer gold teeth & see how they roll...the answer they reveal: Life is Unreal" ---Steely Dan
Joined: May 25 2011
Location: Los Angeles, CA
Status: Offline
Points: 10970
Posted: July 28 2014 at 11:24
LSDisease wrote:
you came up with that
complexity argument as the most important thing, ...
I never said anything of the kind. When did I ever say that?
LSDisease wrote:
I was talking about Fripp's abilities. Like I said earlier, KC may be complex but this complexity goes beyond Fripp's skills as a guitarist.
And I was attempting to challenge that argument.
LSDisease wrote:
Dayvenkirq wrote:
Why would you doubt it? Do you possess his intellect, playing habits,
musical acumen, etc.? Who are we to assume what he doesn't know or what
he can't accomplish? Maybe he could play them but chose not to (which is
a great decision, if you ask me).
maybe punk rock guitarists were able to play Caprice but
they chose not to...dunno, but I think they just couldn't do this cos
it's not an easy thing to do.
Faulty logic. Just because something is not an easy thing to do doesn't mean that a guitarist (let alone a punk rock guitarist) can't do it. What if there is such a guitar player who can?
Joined: June 22 2004
Location: England
Status: Offline
Points: 16130
Posted: July 28 2014 at 11:16
cstack3 wrote:
ProgMetaller2112 wrote:
Yes or No?
No. I've played guitar & bass for over 40 years and have yet to meet another player with Fripp's unique sonic vocabulary. I've enjoyed meeting Bob, he's absolutely brilliant. This is nice...
That is nice. Thanks for posting. Love Sylvians voice. Agree about fripp too. One of my favourite musicians.
Musical influence is a bit like gravity unfortunately - the bigger the band (in terms of musical/social mass) (and that usually means bums on seats and recordings sold) the more influence they have.
I have possibly yet to appreciate Fripp.....Like I've said before - I have a lot of music to get through before I can explore the more eclectic corners of the Prog genre.....
Mind you I think that Fripp is one of the more interesting characters in prog...Is he still married to Toyah?
Joined: January 18 2014
Location: Mar Vista, CA
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Points: 4812
Posted: July 28 2014 at 10:08
Anthony wrote:
renaudbb wrote:
Are "Red", "In the Court" or "Lizard" overrated ?
That's only three albums out of the many. In totality, yes, Fripp is terribly overrated. How can anyone believe that King Crimson is better than other bands when half of the time it has been disbanded? And then I'm not even talking about the lack of melodies.
I notice a lot of euros such as yourself aren't too high on mr. Fripp. It's a shame not to embrace such a fellow europer as the man, the myth-the one called fripp. He never stopped being at the leading edge of prog, and most prog guitarists aren't worthy enough to tine his guitar.
Joined: June 07 2014
Location: London
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Points: 35
Posted: July 28 2014 at 09:08
LSDisease wrote:
Dayvenkirq wrote:
I know that. The confusion here arose from the fact
that you have made a number of statements in a post, I separated them
and addressed each one of them individually. Ostensibly, we made a whole
tree of arguments. I don't know why you would assume that I thought
articulation was about complexity.
you came up with that
complexity argument as the most important thing, I was talking about
Fripp's abilities. Like I said earlier, KC may be complex but this
complexity goes beyond Fripp's skills as a guitarist.
Dayvenkirq wrote:
Why would you doubt it? Do you possess his intellect, playing habits,
musical acumen, etc.? Who are we to assume what he doesn't know or what
he can't accomplish? Maybe he could play them but chose not to (which is
a great decision, if you ask me).
maybe punk rock guitarist were able to play Caprice but
they chose not to...dunno, but I think they just couldn't do this cos
it's not an easy thing to do.
Simply playing a classical piece means nothing, no matter how difficult it is to do. Fripp is a good guitarist because of his compositions.
I know that. The confusion here arose from the fact
that you have made a number of statements in a post, I separated them
and addressed each one of them individually. Ostensibly, we made a whole
tree of arguments. I don't know why you would assume that I thought
articulation was about complexity.
you came up with that
complexity argument as the most important thing, I was talking about
Fripp's abilities. Like I said earlier, KC may be complex but this
complexity goes beyond Fripp's skills as a guitarist.
Dayvenkirq wrote:
Why would you doubt it? Do you possess his intellect, playing habits,
musical acumen, etc.? Who are we to assume what he doesn't know or what
he can't accomplish? Maybe he could play them but chose not to (which is
a great decision, if you ask me).
maybe punk rock guitarists were able to play Caprice but
they chose not to...dunno, but I think they just couldn't do this cos
it's not an easy thing to do.
Joined: May 25 2011
Location: Los Angeles, CA
Status: Offline
Points: 10970
Posted: July 27 2014 at 15:29
LSDisease wrote:
Dayvenkirq wrote:
The guitar work is a part of the composition. Since you have so many years of experience of playing the instrument, question: If the guitar work on "Fracture" isn't complex, than what is?
articulation isn't about complexity, it's about how you hold the strings, hit the strings, bend them etc...
I know that. The confusion here arose from the fact that you have made a number of statements in a post, I separated them and addressed each one of them individually. Ostensibly, we made a whole tree of arguments. I don't know why you would assume that I thought articulation was about complexity.
LSDisease wrote:
Dayvenkirq wrote:
...
study these classical pieces you say Fripp would nail ... .
It doesn't matter whether I study those pieces or not. It will not close any argument here.
LSDisease wrote:
Dayvenkirq wrote:
...
study these classical pieces you say Fripp would nail (I really doubt it).
Why would you doubt it? Do you possess his intellect, playing habits, musical acumen, etc.? Who are we to assume what he doesn't know or what he can't accomplish? Maybe he could play them but chose not to (which is a great decision, if you ask me).
Joined: August 22 2010
Location: Indiana
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Points: 20671
Posted: July 27 2014 at 13:54
SteveG wrote:
Crimson_King wrote:
My good man, there is no such single entity as a "bad self"......nor is there what one might want to call a "good self" for that matter......according to RF, actually, (as well as several other so-called "philosophers" and "theologians" throughout the centuries) ..........there are an "infinite" number of selves wrapped up inside one particular human body.......This particular admirer of Fripp, Crimso Output may go ahead and bring an end to this conscious existence very soon,......however, I doubt that Fripp would mind, BUT ONLY if he doesn't know who I am or why I am dying........The chances are very good that Robert Fripp will not miss my little measly 41-years of existence on this planet anyway..... as if I'm not as worthy as his mother for an acknowledgement of death and mourning........perhaps because his mother died of "somewhat" natural causes at a "reasonable age", but my death was self-perpetrated.I have a mother, and there is NOTHING that he will say to her, period, and, honestly.....why should he say something anyway? I would doubt that he would be interested in communicating with the mother of a suicide perpetrator. ha! For all that I know, he may feel extreme contempt for both myself and my family members! hmmmmfph!in fact, he most likely will not even be made aware that someone committed suicide with "Starless & Bible Black" playing in the background.......ha!And forget about Bruford.......he would NEVER EVER come to the knowledge that someone admired his work for x number of years, then committed suicide..........think about it, and think about the general attitude of these 2 men specifically when applied to "enthusiasts" or "admirers".....lol.
I don't know about you people but I'm never going to listen to KC again, it's Lady GaGa from here on.
Wow....I know what you mean.
One does nothing yet nothing is left undone. Haquin
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