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Topic ClosedSteven Wilson Vs. Roine Stolt

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Roland113 View Drop Down
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Direct Link To This Post Posted: August 02 2012 at 15:03
Originally posted by HolyMoly HolyMoly wrote:

If this happened in 2005, I think it's pretty much water under the bridge by now.  I think both parties came off a bit childishly.  Take Roine Stolt and Steven Wilson, and drop them in a discussion room of hard core "GLEE" fans.  Let them hear people argue at length over whether Finn and Rachel's marriage will be successful, or whether Puck is really a good guy or just a manipulative punk, the choice of songs in the "Madonna" episode, and whether or not Curt is a fair portrayal of a gay student.  After a couple of hours of this, Roine and Steve will understand that they're not so far apart after all.  They're both into progressive rock to the GLEE fan.

LOL, LOL  well played.
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Direct Link To This Post Posted: August 02 2012 at 15:10
Two on my favorites band bashing each other! Ronnie being more polite. I think Steven went too far with the words he used.  I don't see a big difference in a band that make progressive music with a new metal influence, and another that make progressive music with a old symphonic influence. As long as it's progressive music, new or retro, i don't care.
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Direct Link To This Post Posted: August 02 2012 at 15:15
I remember when this came out and i was put off by Wilson's attitude but at the same time i was and still am a huge fan. As others have mentioned this was a long time ago and back then Wilson didn't have a lot of good things to say about progressive rock period. He always distanced himself from it while today he champions it. So i'm happy Wilson came around and i think he has matured some too.
I honestly think that the way The Flower Kings promoted a positive message and brought light into music pissed Wilson off back then as he was into the darker, melancholic style.
"The wind is slowly tearing her apart"

"Sad Rain" ANEKDOTEN
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Direct Link To This Post Posted: August 02 2012 at 15:21
Wilson is the emo kid of prog.


Edited by Anthony H. - August 02 2012 at 15:29
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Direct Link To This Post Posted: August 02 2012 at 15:47
Originally posted by Mellotron Storm Mellotron Storm wrote:

I remember when this came out and i was put off by Wilson's attitude but at the same time i was and still am a huge fan. As others have mentioned this was a long time ago and back then Wilson didn't have a lot of good things to say about progressive rock period. He always distanced himself from it while today he champions it. So i'm happy Wilson came around and i think he has matured some too.
I honestly think that the way The Flower Kings promoted a positive message and brought light into music pissed Wilson off back then as he was into the darker, melancholic style.

As opposed to now?  Big smile
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Direct Link To This Post Posted: August 02 2012 at 15:54
Originally posted by Roland113 Roland113 wrote:

Originally posted by Mellotron Storm Mellotron Storm wrote:

I remember when this came out and i was put off by Wilson's attitude but at the same time i was and still am a huge fan. As others have mentioned this was a long time ago and back then Wilson didn't have a lot of good things to say about progressive rock period. He always distanced himself from it while today he champions it. So i'm happy Wilson came around and i think he has matured some too.
I honestly think that the way The Flower Kings promoted a positive message and brought light into music pissed Wilson off back then as he was into the darker, melancholic style.

As opposed to now?  Big smile

Okay some things with Wilson will never changeLOL
I don't see him buying  IQ or Flower Kings albums ever. He's also stated he would never play or sing on an Ayreon album either.


Edited by Mellotron Storm - August 02 2012 at 16:18
"The wind is slowly tearing her apart"

"Sad Rain" ANEKDOTEN
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Direct Link To This Post Posted: August 02 2012 at 16:15
I agree mostly with SW, even if he is a total ass. Though I'm not a fan of TFK, Roine gets points in my book for being mature.

As for both of them, meh.
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Direct Link To This Post Posted: August 02 2012 at 16:20
meh is right.  the internet is such a wasteland.  we're sitting here arguing about a 7 year old interview!  :-)

anyway, wilson's comments are utterly naive.  one can't dictate how another should do their art.  ironically, steven wilson is all retro 90s alternative and not progressive.  roine, on the other hand, has some thin skin.  who gives a sh*t what steven wilson says...he's roine stolt.  

of course,all of this means nothing.  let's talk about something really important, like Chik-Fil-A!

Stardust we are.
-Roine Stolt
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Direct Link To This Post Posted: August 02 2012 at 16:22
Originally posted by zumacraig zumacraig wrote:


of course,all of this means nothing.  let's talk about something really important, like Chik-Fil-A!



LOL
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Direct Link To This Post Posted: August 02 2012 at 17:13
Originally posted by The T The T wrote:

Steven Wilson is rather close to an imbecile when he opens his mouth. When he shuts up and plays his little simple instruments he fares way better. 

Anyway, if what he's being doing recently is supposed to be the real standard for real "progressive" rock, count me out of that stupid train. Porcupine Tree is rather always good (except the last album) but Wilson's multiple projects in recent years all make me yawn and get sleepy.

And that's beside the point. He just showed he's a child. He looks like a child, and acts like a child. 

I've always said: that one person is extremely good at something doesn't mean they are extremely good at giving opinions, or even that they're intelligent. 
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Direct Link To This Post Posted: August 02 2012 at 18:05
I didn't look at this thread until now because I thought it was another poll.  LOL
I love dogs, I've always loved dogs
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Direct Link To This Post Posted: August 02 2012 at 19:08
I have to say that I'm a little surprised by the turn of the discussion on this.  I read the initial Wilson/Stolt exchange this morning and then just came back to read all the comments, and then had to go back and read the initial exchange again.

Sorry to go against the tide here but I don't think that Wilson is actually being that mean.  The interviewer asked him what he thought about current directions in progressive music and which ones he'd like to see be pursued further.  He then offered his opinion.  He spoke of bands that he thought moved the genre forward and others that he thought didn't, and he gave aesthetic reasons for why he thought this.  That seems completely reasonable.  It's what artists in most fields do--I like this direction, I don't like this one; I'd prefer to more of this and it's what I'm trying to do; I could do without more of that; it's not what I'm into and I don't think it's healthy for the field.  Again, that seems reasonable to me.  

Frankly I find it a bit hard to follow Stolt's argument, but that's probably simply down to a language issue--so, fair enough.  But I do find it strange that he hears ad hominem attacks in Wilson's statement, like when he says, essentially, but Mike Portnoy's a really nice guy.  I don't know that that was ever part of the issue.  I don't think Wilson said anything mean about these other artists as people, he simply expressed (strongly) his likes and dislikes for different kinds of music.  We can agree or disagree with Wilson, but I like that he gave some aesthetic reasons for his tastes and opinions. 
The damage that we do is just so powerfully strong we call it love

The damage that we do just goes on and on and on but not long enough.

--Robyn Hitchcock
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Direct Link To This Post Posted: August 02 2012 at 19:47
As many have stated here, I do agree with Wilson's opinion about the kind of bands that move the genre forward. And also about the bands that don't move it forward. And if he doesn't like those bands, it's perfect, and he can say so without any recrimination from anyone. But implying that it is wrong what Stolt is doing with music, and that said music is bad music, that's what I think was wrong... he might have been a bit more diplomatic. That's always the better. I actually like what I have heard from both men, as long as the music is good, I don't care if it's retro or avant or whatever. I guess that if the musician is good, symphonic prog still has a lot to offer (I really love The Whirlwind as much as the best albums from the 70's, for example), if the musician is bad, avant music just won't be good.
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Direct Link To This Post Posted: August 02 2012 at 20:13
Originally posted by Snow Dog Snow Dog wrote:

I have totally lost all respect for Steve Wilson.


haha, i was thinking the same exact thing.
EATTTT YOUURRR BEEEEEETTTSSSSS!!!!!

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Direct Link To This Post Posted: August 02 2012 at 20:18
I really have a hard time understanding the why of this kind of thing. Wilson is extremely talented, why should he feel the need to trash anybody? Artistic insecurity? I guess an artist is only as good as the next idea he has? I like music that is interesting enough to return to, over and over again. Both of these guys have created music that have done this for me- and both have created stuff that I don't listen to all that often. I don't like PROGRESSIVE MUSIC. I like music that is most easily described as Progressive. There is a difference and I am ever so thankful there continues to be music being made that I love, regardless of the genre, tag, or label associated with it.
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Direct Link To This Post Posted: August 02 2012 at 20:28
Originally posted by The T The T wrote:

Steven Wilson is rather close to an imbecile when he opens his mouth. When he shuts up and plays his little simple instruments he fares way better. 

Anyway, if what he's being doing recently is supposed to be the real standard for real "progressive" rock, count me out of that stupid train. Porcupine Tree is rather always good (except the last album) but Wilson's multiple projects in recent years all make me yawn and get sleepy.

And that's beside the point. He just showed he's a child. He looks like a child, and acts like a child. 

I've always said: that one person is extremely good at something doesn't mean they are extremely good at giving opinions, or even that they're intelligent. 
Are we talking about the same person here ? Unless your only example is this 7 year old interview which does make him look immature i'd love to see them.
Any interviews i've read with him have been nothing but intelligent and thoughtful. Whether it's about progressive music in general or his work in the studio re-mixing King Crimson, ELP or Jethro Tull he always has my full attention.
The fact most of his music makes you yawn and sleepy is simply your tastes just like classical music bores the hell out of me, no ones right or wrong it's just opinions and tastes my friend.
"The wind is slowly tearing her apart"

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Direct Link To This Post Posted: August 02 2012 at 20:51
Originally posted by questionsneverknown questionsneverknown wrote:


Sorry to go against the tide here but I don't think that Wilson is actually being that mean.  The interviewer asked him what he thought about current directions in progressive music and which ones he'd like to see be pursued further.  He then offered his opinion.  He spoke of bands that he thought moved the genre forward and others that he thought didn't, and he gave aesthetic reasons for why he thought this.  That seems completely reasonable.  It's what artists in most fields do--I like this direction, I don't like this one; I'd prefer to more of this and it's what I'm trying to do; I could do without more of that; it's not what I'm into and I don't think it's healthy for the field.  Again, that seems reasonable to me.  



I think calling their music rubbish and labelling them the death of prog rock, as reinforcing old prejudices about prog rock is out of line.  As Stolt infers, it is a bit like suggesting that they rob the prog community of fans.   Wilson is entitled to say he finds them boring and regressive.  I remember Wetton made similar observations about IQ and neo prog generally in an elaborate interview in the 90s (and there are people who would find even that rude, not that I do), but Wilson went beyond that.   I have found even in other interviews that Wilson is somewhat touchy about how prog rock is perceived, why he can never be a multi millionaire as long as he makes prog rock and such and such.  He could let go a bit.

I agree that Stolt seems to have over-reacted there, but he probably took it personally with regard to "death of prog rock".   Prog rock musicians feel persecuted so Wilson calling them the death of prog rock is probably the last thing they want to hear.
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Direct Link To This Post Posted: August 02 2012 at 20:54
I'm sorry I have not read the thread, but I read the excerpt from the interview.

I agree with Stolt, but not for the reasons he mentions.

When I think of "progressive music," I think of music that progresses in and of itself: That is to say, a piece of music that is adventurous or dynamic, as opposed to pure pop which has a verse and a chorus.  Progressive music for me is that which explores rather than just entertains.

The definition Wilson gives that progressive artists must in some way "progress" (i.e., find something new and venture into new styles) has always been silly to me.  Some bands do very well with that (King Crimson, er Bob Fripp, made a career out of it, but he is the exception here, and a likely one since KC was hardly ever the same band at all).  Imagine if Yes had, after Fragile, took what they had stylistically as a band and made disco (an emergent genre at the time): Would that have been considered progressive rock?  Well, many bands went toward popular music (and disco!) and progressive rock fans have regarded many of those albums as rubbish.  What progressive rock fans wanted was more of what they had fallen in love with.  Hence the rise of "Neo-Prog" bands like Marillion and IQ.  They were doing in the 1980s what Yes and Genesis ceased to do.

So no, Steve.  I don't want my prog to sound like Nickelback, thank you very much.  I want bands to make the music they want to make, and I will continue to be the judge and jury with respect to their product.

Derivative trumps boring anyway, I say.


Edited by Epignosis - August 02 2012 at 21:00
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Direct Link To This Post Posted: August 02 2012 at 21:02
^ I agree completely with you Rob and i think it's a shame that people take the word "progressive" to mean the music has to explore new territories(good luck with that anyway). Progressive music is as you say music that isn't necessarily verse, chorus, verse, chorus etc but music that explores. I've even heard WIlson describe it this way. When you listen to Blues whether from 1960 or 1980 it's still Blues. It's a style of music just like Progressive Rock is a style. The word isn't a verb.
"The wind is slowly tearing her apart"

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Direct Link To This Post Posted: August 02 2012 at 21:19
Originally posted by Epignosis Epignosis wrote:

I'm sorry I have not read the thread, but I read the excerpt from the interview.

I agree with Stolt, but not for the reasons he mentions.

When I think of "progressive music," I think of music that progresses in and of itself: That is to say, a piece of music that is adventurous or dynamic, as opposed to pure pop which has a verse and a chorus.  Progressive music for me is that which explores rather than just entertains.

The definition Wilson gives that progressive artists must in some way "progress" (i.e., find something new and venture into new styles) has always been silly to me.  Some bands do very well with that (King Crimson, er Bob Fripp, made a career out of it, but he is the exception here, and a likely one since KC was hardly ever the same band at all).  Imagine if Yes had, after Fragile, took what they had stylistically as a band and made disco (an emergent genre at the time): Would that have been considered progressive rock?  Well, many bands went toward popular music (and disco!) and progressive rock fans have regarded many of those albums as rubbish.  What progressive rock fans wanted was more of what they had fallen in love with.  Hence the rise of "Neo-Prog" bands like Marillion and IQ.  They were doing in the 1980s what Yes and Genesis ceased to do.

So no, Steve.  I don't want my prog to sound like Nickelback, thank you very much.  I want bands to make the music they want to make, and I will continue to be the judge and jury with respect to their product.

Derivative trumps boring anyway, I say.

This is essentially what I said in my post back on page...uh....one! Big smile


“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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