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Topic ClosedProg's Most Controversial Lyricist

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Dayvenkirq View Drop Down
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Direct Link To This Post Posted: June 19 2012 at 01:03
^ Maybe. I'm just not that into misogynism.

Originally posted by Zombywoof Zombywoof wrote:

I love the lyrics of Ian Anderson, Neil Peart, Pete Sinfeld, Peter Hammill, and Roger Waters. Who's to say what are good lyrics and which are bad?

That's like saying "Who's to think what lyrics are good and what lyrics are bad?"

Originally posted by Zombywoof Zombywoof wrote:

I guess, for me, its about which one's reach me and which one's don't. The artists above reach me, but Jon Anderson's voice and lyrics do nothing for me, so I suppose that, for me personally, Jon Anderson writes bad lyrics.

The OP question wasn't about bad lyrics. It was about controversial lyrics, which are not always the same thing.
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Direct Link To This Post Posted: June 19 2012 at 01:16
Originally posted by AlexDOM AlexDOM wrote:

Daniel Gildenlow

What's his problem? Can you pitch us an example?
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Direct Link To This Post Posted: June 19 2012 at 06:14
Originally posted by Epignosis Epignosis wrote:


Originally posted by Jim Garten Jim Garten wrote:


La Villa Strangiato
And what lyrics did he write for that?  Wink


Nice to know someone actually reads my posts

Jon Lord 1941 - 2012
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Direct Link To This Post Posted: June 19 2012 at 10:07
Originally posted by Snow Dog Snow Dog wrote:

Originally posted by Blacksword Blacksword wrote:

Originally posted by Textbook Textbook wrote:




Horizons: Really? I don't think I've ever seen people argue over his lyrics, not passionately at least.
 
SD: Good pick except I think there is a bit of a consensus that he's a bit naff. "How could he lose six million jews etc" must just be about the most derided prog lyric ever.


Yeah, that line in 'The only way' (is that what it's called?) is awful. I could feel my toes curl the first time I heard it. Lakes vocal is really bad on that song too, which doesn't help.

I disagree on both counts. I love the line and his vocals a  superb.



I agree with you Snow Dog, but it's safe to say that that line IS controversial, don't you think?  Just by it's very nature, it's going to stir some people up.  I always love the song though, and the lyrics.......I wrote them on the inside cover of one of my copies of the bible when I was 20 years old (I was studying religion at college).  I feel kind of silly about it now, and the lyrics seem a bit juvenile to me now as well, but I still think it's a great song and the lyrics work perfectly.

I think most prog lyrics have been controversial over the years, at least with critics.  What I find interesting is how even prog fans will make the old joke about prog songs being about faeries and Tolken and such, yet I'd be hard pressed to name a song that is about either (well, okay, Lothlorien and Nimrodel come to mind, but I think fantasy references are actually not used that much in prog at all).


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Direct Link To This Post Posted: June 19 2012 at 10:11
^It's definitely controversial. Which is why I suggested Lake.
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Direct Link To This Post Posted: June 19 2012 at 10:29
Originally posted by questionsneverknown questionsneverknown wrote:

Another way to approach the problem with Neil Peart's lyrics is to think about one of the basic "rules" that pop up in creative writing classes: show don't tell (or, as Henry James put it, "Dramatize! Dramatize!").  I don't think the issue is with the content of the lyrics, but with how he expresses the ideas.  Rather than create a dramatic situation in which ideas are brought to life, in the clunkiest moments the lines are presented all too literally, reading like cod philosophy notes.  ("Free Will" is the ultimate example of this; I have a friend who is a professor of philosophy who just cringes and cringes at the thought of those lyrics.)  But he has been far less guilty of this kind of thing on the two most recent albums.

At the end of the day, I know though that hearing Neil's words the first time when I was in high school was revelatory.  If most of what you had heard before were the words found in radio ballads or AC/DC, then these lyrics were really something special.  Still, it is still pretty hard to forgive "Trees" (even if I do still sing along).    
 
There's nothing wrong with either the literal approach or the dramatic approach; it's all in how you execute the ideas.  I think that Peart is quite good at both, though not perfect, by any means.  The more explicitly philosophical lyrics, in Peart's case, work even better because the music and Geddy's voice brings them into a dramatic light that wouldn't have been expressed if the lyrics were just read.
 
I think that "The Trees" is quite effective; it's a simple analogy, almost like a parable, and the fact that it doesn't take into account all the complexities of socio-economic theory doesn't diminish it's effectiveness.  There's a place for that type of "parablic" poetry.  I've never considered Freewill a badly written lyric; I think it's written quite well, it's just that the ideas expressed make no sense whatsoever.  "I will choose free will..." wherever did Neil get the idea that he could choose whether he had free will or not?  That's a bit counter-intuitive, I think.
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Direct Link To This Post Posted: June 19 2012 at 11:25
No one has mentioned Peter Gabriel yet.  At least, several choice songs he wrote while with Genesis.  Case-in-point would be 'Musical Box' from "Nursery Cryme."  Couched in the language of well-known fairy tales and nursery rhymes is the story of a hormonal young lad with a fixation on the young girl.  All the more controversial is when the spirit of the dead lad appears to the girl in the form of an older man, spying on her and wanting to ravage her sexually.  A stereotypical scenario, perhaps, but one that raises eyebrows nonetheless...
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Direct Link To This Post Posted: June 19 2012 at 11:35
Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:


 
I think that "The Trees" is quite effective; it's a simple analogy, almost like a parable, and the fact that it doesn't take into account all the complexities of socio-economic theory doesn't diminish it's effectiveness.

I'm pretty sure "The Trees" was literally supposed to be about trees; no deeper meaning behind it.
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Direct Link To This Post Posted: June 19 2012 at 11:42
Originally posted by Dayvenkirq Dayvenkirq wrote:

^ Maybe. I'm just not that into misogynism.
Originally posted by Zombywoof Zombywoof wrote:

I love the lyrics of Ian Anderson, Neil Peart, Pete Sinfeld, Peter Hammill, and Roger Waters. Who's to say what are good lyrics and which are bad?
That's like saying "Who's to think what lyrics are good and what lyrics are bad?"
Originally posted by Zombywoof Zombywoof wrote:

I guess, for me, its about which one's reach me and which one's don't. The artists above reach me, but Jon Anderson's voice and lyrics do nothing for me, so I suppose that, for me personally, Jon Anderson writes bad lyrics.
The OP question wasn't about bad lyrics. It was about controversial lyrics, which are not always the same thing.


I realize that, but I read through the other posts and the answers tht I was going to give were already given, but what was starting was a good lyrics / bad lyrics conversation and I had something to add to that.

So I suppose all of Prog's lyricists are controversial, because we're arguing over who writes good lyrics and who writes bad and accusing lyrics that were written by Pete Sinfeld, 40 years ago of misogynism, when in fact, they were meant to be funny, but also describing how life was on the road with groupies. I see no problem in that.
Continue the prog discussion here: http://zombyprog.proboards.com/index.cgi ...
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Direct Link To This Post Posted: June 19 2012 at 11:49
^ Well, ... that is a good clarification for me ... unless you were looking for an excuse on Pete's behalf Wink .

Originally posted by prog4evr prog4evr wrote:

No one has mentioned Peter Gabriel yet.  At least, several choice songs he wrote while with Genesis.  Case-in-point would be 'Musical Box' from "Nursery Cryme."  Couched in the language of well-known fairy tales and nursery rhymes is the story of a hormonal young lad with a fixation on the young girl.  All the more controversial is when the spirit of the dead lad appears to the girl in the form of an older man, spying on her and wanting to ravage her sexually.  A stereotypical scenario, perhaps, but one that raises eyebrows nonetheless...

Any other examples of Peter gone bad?


Edited by Dayvenkirq - June 19 2012 at 11:55
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Direct Link To This Post Posted: June 19 2012 at 14:24
Fish on Fugazi; some very controversial lyrics on that song and on She Chameleon.
A GREAT YEAR FOR PROG!!!
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Direct Link To This Post Posted: June 19 2012 at 15:05
I'll re-nominate Peter Hammill. From "Lizard Play" (a song about how guys just want poontang [read not talking]), "And the toungues they flick out- though they want to touch, words get all in the way". It's a pretty funny little ditty, though, I must insist.
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Direct Link To This Post Posted: June 22 2012 at 12:48
Peter sinfield is one hell of a number , let me tell you , at times as oblique as a Rubik's cube !
Try this enigma from his solo album=
"The sea goat casts Aquarian runes through beads of
    mirrored tears,
Suave pirates words of apricot crawl out of your veneer
Anoint your eyes with Midas' oil and make it still appear"
 
Say whaaaaat? Cool
I never post anything anywhere without doing more than basic research, often in depth.
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Direct Link To This Post Posted: June 22 2012 at 13:51
^ That makes him controversial?
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Direct Link To This Post Posted: June 22 2012 at 14:04
Yup, some hate him , others cannot begin to like him and many (like moi) find it compelling at the very least. I heard one luminary scribe (LOL) calling his lyrics "verbal diarrhea"!  He is controversial but not for me.
"Gargoyles chewing on wet cigars", love your inspiration, Pete !

Edited by tszirmay - June 22 2012 at 14:05
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Direct Link To This Post Posted: June 22 2012 at 14:29
Roger Waters
Peter Gabriel
Fish

And,..not prog,..JELLO BIAFRA
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Direct Link To This Post Posted: June 22 2012 at 15:16
I'm tempted to mention Roger Wootton of Comus.  Some people love all of the lyrics on First Utterance, some tolerate them, some are disgusted by some of  them/ loathe them.  I love First Utterance, but "Drip, Drip" makes even me queasy.  My favourite lyrics are on "The Bite", but I could understand it making some religious-types a little squeamish.  It remind me of the Wicker Man.
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Direct Link To This Post Posted: June 25 2012 at 13:11

I don't think any prog lyrics are controversial in a "public outrage" kind of way because of the genre's inherent lack of public attention.

Within prog communities like this one, such things as whether or not Miles Davis ought to be on the Top 100 are "controversial"....... 

I suppose some love Jon Anderson's words and some hate them. But nobody argues either view with any more passion than "...it's just what I like..."

Art can be polarising in terms of taste, but to be controversial, I think you'd have to do something massively taboo....... and what is taboo these days?



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Direct Link To This Post Posted: June 25 2012 at 13:18
Frank Zappa

/thread
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Direct Link To This Post Posted: June 25 2012 at 15:14
Zappa lyrics = controversy
Haiku

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With seventeen syllables
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