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moshkito View Drop Down
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Direct Link To This Post Posted: August 30 2011 at 19:34
Originally posted by Jake Kobrin Jake Kobrin wrote:

...
The first thing is that supposedly the time that a record would spend on the shelves was very limited. As opposed to nowadays where you can go into a record store and find albums that span a bands entire career, it was like by the time Red was released, you couldn't find ITCOTCK in stores anywhere. When it came to obscure albums on less successful labels, it was even more exaggerated.
...
 
Not exactly true.
 
In Southern California, we had our trusty sites that had pretty much everything and you could get it. Tower on the Strip was very good until they decided they wanted to be come top ten sellers at/around 1985. They became another idiot rock shop after that. The Warehouse in Westwood was magnificent and had EVERYTHING you could think of. And for imports, the real problem with Moby Disk was? ... wtf am I going to get ... and all this was within an hour and 15 minutes of a nice, relaxed and fun drive ... with Ventura Highway on the dial for Guy Guden and myself!
 
In Santa Barbara, a smaller town, it was a bit different ... it was about having to be "cool" when the radio signlas from KMET, KLOS and KPFK can reach you all day long ... which would take away from the local flavor and such ... but it added to the mix, because Santa Barbara was not quite an "unknown" for a lot of people in the "business".
 
The stores in SB would have one copy or two and usually would not reload anything after those copies sold, and sometimes (later) you found it at the used album bins at Morninglory Music ... and I got a lot of things from there to fill out the collection, specially for American and English stuff, as there was no sense in buying it new in LA, when it came around sooner or later ... but you were not going to find Peter Hammill, or Van Der Graaf Generator in Santa Barbara ... but at Moby Disk? ... EVERYTHING. When Guy Guden started doing some weekly nights at Rockpile, some more albums that Guy also played were made available, but I can not tell you how well that went, as I had already left SB in the fall of 1982.
 
San Francisco was good too, and Rasputin was the greatest heaven send for music you ever saw, and I can not speak for them in the last 15 years ... but needless to say that rock/pop section was so big you got a headache when you walked in ... and if you didn't find anything, it was because you were not looking, or you lost your way in the madness of quantity!
 
The Pacific Northwest? Not worth the discussion. I got a few things from Tower Record in Portland, but they stunk, and Tower in Seattle was even worse, and I had to depend on used record stores a lot for the rest of the 80's and 90's.
 
As soon as the internet hit in the 90's, my problems with acquiring music ended.
 
Quote
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Original albums by bands like Capability Brown (just as a for example) are so rare because their albums were taken off of the shelf only weeks after the album was released, and not stocked in many stores to begin with. And after they'd been removed, it isn't likely that you'd ever hear about the record in the first place, or be able to order it.
...
 
It was not an issue when you already knew where to go and get these things. Your local sh*t&dip store was not intelligent enough to order things, and you already knew where to go spend your dollars!
 
I bought the album sight unseen and sight unheard because of the cover of the VOICE album, and to this day is one of my most prized and appreciated albums I have ever heard! No review or thoughts have ever come close to the love and care and beauty of those vocals and music!
 
The main difference was ... that you stopped asking radio, newspaper, your sister, or someone else to tell you to go listen to something or you weren't cool. Once you "found" your way, the rest disappears.
 
Quote
...
And the radio was similar. By 1970 you'd never hear a song from Sgt Peppers or something because 3 years was considered "old." There was also a supposed gap in band audiences. The guys that listened to Black Sabbath weren't the same people that listened to The Beatles, for example (though this wasn't true for everyone, I'm sure.) 
...
 
WRONG. The early FM stations from LA specially, like KMET and KLOS, were really big on longer cuts and the Beatles were excellent fodder to light up the air waves with "hip-ness" when a hot shot DJ wanted to make a point. Even Jim Ladd used to think that a segway from "A Day in Life" to Side 2 of the Moody Blues "Days of Future Passed" was heavy, and would follow it up with some Jethro Tull ... no big deal at all. However, I do not remember Jim, or those stations, ever playing King Crimson ... at all! But he was big on ELP. KNAC I never heard, but is known to have had, and played, the absolute greatest array of imports and music from Europe and Japan, you could possibly ever have heard!
 
At the time, I would say 1970, 1971 and 1972, it was the hey day of FM radio ... and its biggest thing was long cuts, as a total rejection of the AM radio formats. The by-product of that was ... that you had a lot of longer cuts and far out stuff, because there were no "hits" defined by f_______ billboard, or p___________________ves ... and it was an amazing amalgamation of music that was far out ... you would hear a 10 minute Bob Dylan, followed by Willie Nelson, then Outlaws, then Flying Burrito Brothers, then Moody Blues, then Simon and Garfunkel, then some Deep Purple, then some Rolling Stones, then some Lola (Kinks -- big LA favorite due to one song!), then Black Sabbath, then some Pink Floyd, then Iron Butterfly, then Led Zeppelin, then some Grateful Dead ... and you had a nice couple of hours and then some ... and opppsss ... forgot ... you had to have one Crosby Stills and Nash and maybe some Joni Mitchell, so you were being hip and cool ... and not ostracized for not being with it!
 
It was when FM radio hit it big time, since at first all the famous and big name AM radio pewople were making fun of it and saying things like ... you call that radio? ... and one day  the FM radio ratings started soaring over the AM stations, and they all lost their millions in the next 5 years ... and by 1980 .. FM radio was just another crappy radio station and it's been the same thing all the way through 2000 when the Satelite thing came around ... which now was just another corporate affair paying the rich boys and girls and nothing else ... it was not about the music!
 
Btw, for the record ... most radio was NEVER about the music, and if you think it was, you are full of it and never really listened to it. Based on my experiences, radio was all about getting the girls, free drinks and food ... and the free music ... the rest ?? ... who cares! ... but it was fun! ... and the girls? ... even more fun, compared to the rest of the girls out there!
 
So yeah ... radio was ...
 
Quote
...
Also I'm pretty sure it was very divided by country, so getting stuff like Amon Duul II in the states would have been very difficult. 
...
 
Got my first AD2 album in 1972 in the used bin at Morninglory Music in Santa Barbara ... the cover of the album looked cool and we thought it might be worth a listen. And it wasn't a problem after that, after Guy got on the air and blasted out all those foreign bands.
 
Quote
...
I'm pretty sure if I lived back then, I'd end up buying every album I saw that seemed like prog, psych, or heavy music. 
...
 
Doubt it. When you are young you don't have that much money to go around and you have to get selective sometimes.
 
Quote
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We have it so easy nowadays to be able to get any album we want with barely moving a muscle, and to receive such a huge amount of recommendations when it comes to what we listen to. 

And then not to mention concert tickets. Nowadays we all buy them online, but I think that people rarely bought tickets in advanced except for arena shows and for those arena shows, they had to wait in line for hours and hours to get a good seat. 
...
 
Extremelly ... and it's way easier to access and know what is going on, and I'm glad there is no radio for it, and I don't even use PA for suggestions. Nothing personal, but when you made your living being an artist, and you know your muse, asking someone else for the muse is redundant, stupid and bizarre.


Edited by moshkito - August 31 2011 at 20:04
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Direct Link To This Post Posted: August 30 2011 at 18:55
Originally posted by TODDLER TODDLER wrote:

Originally posted by Progosopher Progosopher wrote:

Originally posted by cstack3 cstack3 wrote:

Originally posted by TODDLER TODDLER wrote:

What was it like in the 60's and 70's in Vineland N.J.?  George Dayner had built the "Palace of Depression" in Vineland N.J and it attracted witches and Satan worshippers to the town for decades. One sect in particular had revolted against Anton's Church of Satan on the west coast and they settled in Vineland. In 1971 police handcuffed kids in our classrooms who were brainwashed by the sect. A young man age 21 who tutored students in our school was sacrificed in a Satan ritual. Charles Pangburn conducted a 2 year investigation and found evidence of an underground sect. There was the brutal murder of Roger Carletto in 1957 by the hand of Juan Rivera Aponte who performed a Black Magic ritual on the boy. The 3rd generation Watchtower society was channeling demons through a young girl in Mill Woods. She later confessed that she was abused by the cult. Four doctors and one nurse gave the girl's father Rx's and she was drug induced for rituals. Satan cults held gatherings in wooded areas and if you were camping you could hear the sing song chanting which later developed into screams and cries. All through the 80's as well. Vampire cults, Satan cults, corrupted JW's and you name it. That is why I left for the road at age 18.

 
Satan was in the media during the 70's, but fads had little to do with reason or cause then. The "Satanic Panic" of the 80's brought on the interest of "Heavy Metal" youth, but this was different. We had no such terms and no such realities. Vineland sects were controlled mainly by elderly and wealthy members and Satan cults that met in the woods were just a cheap extension of that. I think the entire place was a bit like the "Dark Shadows" series.LOL 

Wow, wild stuff!!  New England always seemed to be fascinated with witches, Satanists etc.  

In Chicago, we had guys who were with the "Church of the Process,"  whatever that was!  I read their literature once, it didn't make a whole lot of sense....it mixed Christ, Satan, etc. in some kind of weird philosophy.  However, they added to the color of the street scene! 

Did they like prog?  Jeez, who knows?
 
Anton Le Vay started the First Church of Satan in San Francisco in the either the 60s or 70s, I can't remember which.  He was a pretty creepy dude, and the church was a house where everything was painted black.  Dead  There were also cults in SoCal who sacrificed black cats on Halloween.
The Church of Satan had nothing to do with your spirit or Judeo Christian concepts about demons. In Vineland during the 70's the police had confiscated a diary among other things out of the victim's room and that led them to investigate members who revolted against Le Vay and had migrated to our hometown in 69' or 70'. This was pre-Temple of Set and when these people were living in town ....it was a few years before Michael Aquinio had departed from the Church of Satan. According to police they had evidence of the sect posing in our town 3 years prior to Aquinio and Sinclair forming the offical Temple of Set
 
Yeah, there are always variants with these sort of things.  One might even say deviationsEvil Smile
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Direct Link To This Post Posted: August 30 2011 at 17:40
Originally posted by Progosopher Progosopher wrote:

Originally posted by cstack3 cstack3 wrote:

Originally posted by TODDLER TODDLER wrote:

What was it like in the 60's and 70's in Vineland N.J.?  George Dayner had built the "Palace of Depression" in Vineland N.J and it attracted witches and Satan worshippers to the town for decades. One sect in particular had revolted against Anton's Church of Satan on the west coast and they settled in Vineland. In 1971 police handcuffed kids in our classrooms who were brainwashed by the sect. A young man age 21 who tutored students in our school was sacrificed in a Satan ritual. Charles Pangburn conducted a 2 year investigation and found evidence of an underground sect. There was the brutal murder of Roger Carletto in 1957 by the hand of Juan Rivera Aponte who performed a Black Magic ritual on the boy. The 3rd generation Watchtower society was channeling demons through a young girl in Mill Woods. She later confessed that she was abused by the cult. Four doctors and one nurse gave the girl's father Rx's and she was drug induced for rituals. Satan cults held gatherings in wooded areas and if you were camping you could hear the sing song chanting which later developed into screams and cries. All through the 80's as well. Vampire cults, Satan cults, corrupted JW's and you name it. That is why I left for the road at age 18.

 
Satan was in the media during the 70's, but fads had little to do with reason or cause then. The "Satanic Panic" of the 80's brought on the interest of "Heavy Metal" youth, but this was different. We had no such terms and no such realities. Vineland sects were controlled mainly by elderly and wealthy members and Satan cults that met in the woods were just a cheap extension of that. I think the entire place was a bit like the "Dark Shadows" series.LOL 

Wow, wild stuff!!  New England always seemed to be fascinated with witches, Satanists etc.  

In Chicago, we had guys who were with the "Church of the Process,"  whatever that was!  I read their literature once, it didn't make a whole lot of sense....it mixed Christ, Satan, etc. in some kind of weird philosophy.  However, they added to the color of the street scene! 

Did they like prog?  Jeez, who knows?
 
Anton Le Vay started the First Church of Satan in San Francisco in the either the 60s or 70s, I can't remember which.  He was a pretty creepy dude, and the church was a house where everything was painted black.  Dead  There were also cults in SoCal who sacrificed black cats on Halloween.
The Church of Satan had nothing to do with your spirit or Judeo Christian concepts about demons. In Vineland during the 70's the police had confiscated a diary among other things out of the victim's room and that led them to investigate members who revolted against Le Vay and had migrated to our hometown in 69' or 70'. This was pre-Temple of Set and when these people were living in town ....it was a few years before Michael Aquinio had departed from the Church of Satan. According to police they had evidence of the sect posing in our town 3 years prior to Aquinio and Sinclair forming the offical Temple of Set
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Direct Link To This Post Posted: August 30 2011 at 16:10
Originally posted by Jake Kobrin Jake Kobrin wrote:

Reading through this thread reminded me how important it is for me to support my local record stores! They're a rarity nowadays.

I was just wondering, were there used record stores back in the 70's? So if you couldn't get a record used you could still find it used at one of those stores? 
 
I don't remember any used record stores in the early 70's....I grew up in Southern California, grew up on 8track tapes and vinyl LP's.....I remember in the 6th grade I did very well and my father bought me a (I think) Superscope cassette deck, which I connected to my Montgomery Ward stereo system.....it was so bitchin!!!
Then a month later our house was broken into and all my stuff was gone......I know it was neighborhood kids. A month later dad bought me a better stereo system from Pacific Stereo and a new cassette deck with Dolby NR. What?!?.. it was sick.
 
All my vinyl back then was bought at Warehouse Records & Tapes, Tower Records, GEMCO and I think Federated Stereo was another one that had vinyl for sale as well as audio equipment.
 
I also used to tape so much stuff off the FM radio, especially after midnight, a lot of the stations would play full album sides uninterupted, with 4-5 second quite time before 1st track and after last....They knew it was for the home recordist. I clearly remember recording Pink Floyd Meddle in this manner and Genesis Nursery Cryme.
 
I do remember going to swap meets with my father as he used to love digging for old engine parts and stuff, and there were always people selling used 8tracks, cassettes and LPs......This is the only place I recall buying old music, never at a store though.
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Direct Link To This Post Posted: August 30 2011 at 16:03
I like this  thread... The USA with all its radio stations was obviously very different from a small town in Scotland, but it still makes me realise i am among friends. 
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Direct Link To This Post Posted: August 30 2011 at 16:03
Originally posted by cstack3 cstack3 wrote:

Originally posted by TODDLER TODDLER wrote:

What was it like in the 60's and 70's in Vineland N.J.?  George Dayner had built the "Palace of Depression" in Vineland N.J and it attracted witches and Satan worshippers to the town for decades. One sect in particular had revolted against Anton's Church of Satan on the west coast and they settled in Vineland. In 1971 police handcuffed kids in our classrooms who were brainwashed by the sect. A young man age 21 who tutored students in our school was sacrificed in a Satan ritual. Charles Pangburn conducted a 2 year investigation and found evidence of an underground sect. There was the brutal murder of Roger Carletto in 1957 by the hand of Juan Rivera Aponte who performed a Black Magic ritual on the boy. The 3rd generation Watchtower society was channeling demons through a young girl in Mill Woods. She later confessed that she was abused by the cult. Four doctors and one nurse gave the girl's father Rx's and she was drug induced for rituals. Satan cults held gatherings in wooded areas and if you were camping you could hear the sing song chanting which later developed into screams and cries. All through the 80's as well. Vampire cults, Satan cults, corrupted JW's and you name it. That is why I left for the road at age 18.

 
Satan was in the media during the 70's, but fads had little to do with reason or cause then. The "Satanic Panic" of the 80's brought on the interest of "Heavy Metal" youth, but this was different. We had no such terms and no such realities. Vineland sects were controlled mainly by elderly and wealthy members and Satan cults that met in the woods were just a cheap extension of that. I think the entire place was a bit like the "Dark Shadows" series.LOL 

Wow, wild stuff!!  New England always seemed to be fascinated with witches, Satanists etc.  

In Chicago, we had guys who were with the "Church of the Process,"  whatever that was!  I read their literature once, it didn't make a whole lot of sense....it mixed Christ, Satan, etc. in some kind of weird philosophy.  However, they added to the color of the street scene! 

Did they like prog?  Jeez, who knows?
 
Anton Le Vay started the First Church of Satan in San Francisco in the either the 60s or 70s, I can't remember which.  He was a pretty creepy dude, and the church was a house where everything was painted black.  Dead  There were also cults in SoCal who sacrificed black cats on Halloween.
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Direct Link To This Post Posted: August 30 2011 at 15:18
I think it was '73 and we took a vacation with another family that lived close by. We went to Remini, italy for a week. One of the great memories of the trip include going to a very crowded open air market downtown. I remember it being so crowded I turned around and a one of those funny looking very tiny cars ran right over my foot. The car was so small it just pinched me. We looked around and right away people kept trying to sell us gold for some reason --they could tell easily that we were american. I remember looking at hundreds of bootleg cassette tapes and seeing Dark Side of the Moon. I had not heard it yet and was blown away. I had a cheap cassette recorder with me at the time and even on that crappy machine I was hooked on the floyd after that. We bought other tapes but I don't remember any of them except for of course the Pink Floyd tape. I have been recently thinking about that time because i recently got in touch with one of the guys that went with us on the trip through facebook. Hard to believe emailing someone I went to school with from Ansbach Germany 38 years ago.
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Direct Link To This Post Posted: August 30 2011 at 15:04
Harvard Square had at least five used record stores in the seventies, probably more.
 
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Direct Link To This Post Posted: August 30 2011 at 14:57
Of course in the 70s there were used records stores, but currently I'm not aware of any. I live in Rome (Italy). No used records stores in a city of 5 millions people.
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Direct Link To This Post Posted: August 30 2011 at 13:52
Reading through this thread reminded me how important it is for me to support my local record stores! They're a rarity nowadays.

I was just wondering, were there used record stores back in the 70's? So if you couldn't get a record used you could still find it used at one of those stores? 
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Direct Link To This Post Posted: August 30 2011 at 12:09
Sometime in 76' (I think?), I saw YES with Patrick Moraz at the J.F.K. Stadium. Mostly material that night from Relayer and Topographic. They were very good and extremely tighter as a unit from what you hear on Yesssongs where maybe Alan White produces some bloopers and the band is un-sure of themselves. At age 17 I was listening to Topographic and Relayer everyday and enjoying it , but in my sub-con I still longed for the return of The Yes Album, Fragile, and C.T.T.E. However as sour of a Yes fan I was at times......they were very solid and very very tight as a unit. When they played "Soundchaser" it was utterly mind blowing! They were different this time round because they were more schizoid nature with material on Relayer and softness of Topographic. During "Ritual" I noticed a row of seats were on fire. The wind was blowing and the fire spread rapidly covering half of the stadium. But YES played on and the kids tripping on acid screaming .....jumping up and down. The Fire department took about 5 minutes to arrive and controlled the situation well.
In late 70's I saw a band called Sea Level open for Jefferson Starship. It was a seated concert at the Spectrum in Philadelphia. Sea Level played this kind of soft melodic jazz/fusion that built up to higher volumes with intense playing.
Spooky Tooth I saw open for Frampton's Camel and Mahavishnu Orchestra. Spooky Tooth entered the stage playing new material from "The Mirror" and music from previous albums. They were dark and not a typical 70's rock band.
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Direct Link To This Post Posted: August 30 2011 at 11:26

In the early 70's kids in my neighbourhood would save money to buy an album. For example Thick as a Brick. Which ever one of us bought the album first ...would be the person to call and round up everyone for the weekend. We would go into the backyard, set up the stereo, have a party and listen to the album over and over. Kids would take turns passing around the album cover reading the credits, the lyrics, etc. That's basically how I remember kids getting into music then.

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Direct Link To This Post Posted: August 30 2011 at 11:22
Quote or how about house parties, cool ones with tons of mellow people and good drugs, and after you left one you'd go to (crash) another


House parties were great, we had full size kegs, and everyone shared alcohol and drugs. I remember watching shows on TV like CHiPs, with the sound turn off and something like ELP or Zep jamming on the stereo, while we made up voice overs.

Lots of people wandering in and out of the party
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Direct Link To This Post Posted: August 30 2011 at 11:20
Originally posted by fandrews fandrews wrote:

I am a new member. I have been accessing this site for years. This discussion finally did it for me I just had to post. I am 53 and I do remember buying LPs for the artwork. We did not have a lot of ways to help us decide what to buy. In the 70s I lived in Ansbach, Germany (72-76). My father was stationed at 1st Armored Division, in Ansbach. Okay so I was a "Army brat." We had radio but the Armed forces radio played mostly top forty stuff and the German radio wasn't much better. I think one of the ways to find new music was by reading "rolling Stone". The best was to go to parties and listen. We would sit and pass the pipe for hours listening to music. I went to many concerts back then. Before we moved to Germany, we lived in Ft. leavenworth, Kansas for a year and I had a portable record player and listened to mostly the Beatles and the rolling stnes. Then we moved to Germany. My first concerts were Joe Cocker and Paul McCartney. My first rock fest was at the Radstadiom in Frankfurt. 2 days of fantastic music --Spencer Davis group, Rod Stewart (Faces), Nazereth, Rory Gallager, Tempest, Chuck Berry. I went to Deep Purple and Uriah Heep concerts regularly. in 73 I saw Led Zeppelin and went backstage after the concert and got Robert Plant and Jimi page's autograph. In 75, I saw Genesis in Nurnburg for 12 marks. They were doing the Lamb Lies Down of Broadway -they handed out "L" at the door on the way in. in 75 I also went to "A Golden Summernight Concert."  there I saw Climax Blues Band, Ike and Tina, Mahavishnu Orchestra, Wishbone Ash, and Soft Machine. Also possibly, Nektar, Ozark mountain Dare devils, and Renaissance. But I don't remember if the last bunch was there. What was advertised and who actually showed up for a concert back then were two different things. Also I was in pretty bad shape for some of the concerts. Back then they didn't separate the Prog bands for the rock bands. In Germany in the early 70's was what I think it was like for the 60s in the USA. You could get access to new music in local music store (one store only in Ansbach, but it was expensive.
The very first day of school (american high school in Germany) we skipped class, went downtown to the local record store and one of the guys ripped off a bunch of cassettes. I remember on was "look at yourself" and "fireball."We got a weeks suspension for that!! The next time I went to that record store all the cassettes were locked up. I have a million stories of those times --I should write a book!
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Direct Link To This Post Posted: August 30 2011 at 11:06
Originally posted by fandrews fandrews wrote:

I am a new member. I have been accessing this site for years. This discussion finally did it for me I just had to post. I am 53 and I do remember buying LPs for the artwork. We did not have a lot of ways to help us decide what to buy. In the 70s I lived in Ansbach, Germany (72-76). My father was stationed at 1st Armored Division, in Ansbach. Okay so I was a "Army brat." We had radio but the Armed forces radio played mostly top forty stuff and the German radio wasn't much better. I think one of the ways to find new music was by reading "rolling Stone". The best was to go to parties and listen. We would sit and pass the pipe for hours listening to music. I went to many concerts back then. Before we moved to Germany, we lived in Ft. leavenworth, Kansas for a year and I had a portable record player and listened to mostly the Beatles and the rolling stnes. Then we moved to Germany. My first concerts were Joe Cocker and Paul McCartney. My first rock fest was at the Radstadiom in Frankfurt. 2 days of fantastic music --Spencer Davis group, Rod Stewart (Faces), Nazereth, Rory Gallager, Tempest, Chuck Berry. I went to Deep Purple and Uriah Heep concerts regularly. in 73 I saw Led Zeppelin and went backstage after the concert and got Robert Plant and Jimi page's autograph. In 75, I saw Genesis in Nurnburg for 12 marks. They were doing the Lamb Lies Down of Broadway -they handed out "L" at the door on the way in. in 75 I also went to "A Golden Summernight Concert."  there I saw Climax Blues Band, Ike and Tina, Mahavishnu Orchestra, Wishbone Ash, and Soft Machine. Also possibly, Nektar, Ozark mountain Dare devils, and Renaissance. But I don't remember if the last bunch was there. What was advertised and who actually showed up for a concert back then were two different things. Also I was in pretty bad shape for some of the concerts. Back then they didn't separate the Prog bands for the rock bands. In Germany in the early 70's was what I think it was like for the 60s in the USA. You could get access to new music in local music store (one store only in Ansbach, but it was expensive.
The very first day of school (american high school in Germany) we skipped class, went downtown to the local record store and one of the guys ripped off a bunch of cassettes. I remember on was "look at yourself" and "fireball."We got a weeks suspension for that!! The next time I went to that record store all the cassettes were locked up. I have a million stories of those times --I should write a book!


Very cool. And welcome!!!Approve
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Direct Link To This Post Posted: August 30 2011 at 11:05
I am a new member. I have been accessing this site for years. This discussion finally did it for me I just had to post. I am 53 and I do remember buying LPs for the artwork. We did not have a lot of ways to help us decide what to buy. In the 70s I lived in Ansbach, Germany (72-76). My father was stationed at 1st Armored Division, in Ansbach. Okay so I was a "Army brat." We had radio but the Armed forces radio played mostly top forty stuff and the German radio wasn't much better. I think one of the ways to find new music was by reading "rolling Stone". The best was to go to parties and listen. We would sit and pass the pipe for hours listening to music. I went to many concerts back then. Before we moved to Germany, we lived in Ft. leavenworth, Kansas for a year and I had a portable record player and listened to mostly the Beatles and the rolling stnes. Then we moved to Germany. My first concerts were Joe Cocker and Paul McCartney. My first rock fest was at the Radstadiom in Frankfurt. 2 days of fantastic music --Spencer Davis group, Rod Stewart (Faces), Nazereth, Rory Gallager, Tempest, Chuck Berry. I went to Deep Purple and Uriah Heep concerts regularly. in 73 I saw Led Zeppelin and went backstage after the concert and got Robert Plant and Jimi page's autograph. In 75, I saw Genesis in Nurnburg for 12 marks. They were doing the Lamb Lies Down of Broadway -they handed out "L" at the door on the way in. in 75 I also went to "A Golden Summernight Concert."  there I saw Climax Blues Band, Ike and Tina, Mahavishnu Orchestra, Wishbone Ash, and Soft Machine. Also possibly, Nektar, Ozark mountain Dare devils, and Renaissance. But I don't remember if the last bunch was there. What was advertised and who actually showed up for a concert back then were two different things. Also I was in pretty bad shape for some of the concerts. Back then they didn't separate the Prog bands for the rock bands. In Germany in the early 70's was what I think it was like for the 60s in the USA. You could get access to new music in local music store (one store only in Ansbach, but it was expensive.
The very first day of school (american high school in Germany) we skipped class, went downtown to the local record store and one of the guys ripped off a bunch of cassettes. I remember on was "look at yourself" and "fireball."We got a weeks suspension for that!! The next time I went to that record store all the cassettes were locked up. I have a million stories of those times --I should write a book!
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Direct Link To This Post Posted: August 30 2011 at 11:01
Originally posted by octopus-4 octopus-4 wrote:

Originally posted by darkshade darkshade wrote:

Very cool read, guys.

Didn't you older folks light up cigarette lighters during a slower song at a show? Wink Everyone now uses their cell phone light.

The best thing Ive gotten from this thread is that listening to music with a group of friends was an activity in itself. Nowadays, if you want to listen to music with friends, there needs to be some other activity going on, because someone will yell "I'm bored".
In the old days "other activity" was usually involving lighters and rizla. Nobody was bored and all were listening to the music very carefully Approve


Oh, don't get me wrong, that other activity will be going on too. But even THAT's not enough (unless it's something even more... er.... 'potent'.) Someone needs to be on their cellphone bothering others to look at their new app or something. Or play videos on Youtube that others don't really care to see.

I wish I could have been in my late teens/early 20s before smart phones came out.
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Direct Link To This Post Posted: August 30 2011 at 10:54
Perhaps I was luckier than most.  I grew up a short bus ride from Harvard Square.  We had The Harvard Coop,  Discount Records, Minuteman Records, and a slew of used record stores.  It was pretty much a given that if it was in print, you could get it in Harvard Square.
 
Prog was everywhere.  Yes, ELP, Jethro Tull, Focus were all over AM radio.  When FM became popular, there were commercial free-form stations where anything could be heard. 
 
Concerts were usually $3 to $5.  The air was thick with pot smoke.  Joints were freely passed everywhere.
 
<ominous music> Then came disco and punk.  And record label executive discovered that this music could be made cheaply and easily, and sold to an unwary public....</ominous music>
Trust me. I know what I'm doing.
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Direct Link To This Post Posted: August 30 2011 at 10:34
Originally posted by darkshade darkshade wrote:

Very cool read, guys.

Didn't you older folks light up cigarette lighters during a slower song at a show? Wink Everyone now uses their cell phone light.

The best thing Ive gotten from this thread is that listening to music with a group of friends was an activity in itself. Nowadays, if you want to listen to music with friends, there needs to be some other activity going on, because someone will yell "I'm bored".
In the old days "other activity" was usually involving lighters and rizla. Nobody was bored and all were listening to the music very carefully Approve
I stand with Roger Waters, I stand with Joan Baez, I stand with Victor Jara, I stand with Woody Guthrie. Music is revolution
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Direct Link To This Post Posted: August 30 2011 at 10:03
Very cool read, guys.

Didn't you older folks light up cigarette lighters during a slower song at a show? Wink Everyone now uses their cell phone light.

The best thing Ive gotten from this thread is that listening to music with a group of friends was an activity in itself. Nowadays, if you want to listen to music with friends, there needs to be some other activity going on, because someone will yell "I'm bored".
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