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Topic ClosedThe Greatest Prog Lyricist

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Direct Link To This Post Posted: March 30 2011 at 18:43
Captain Beefheart

Fish

Gabriel (Genesis days - where he painted pictures with words)


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Direct Link To This Post Posted: March 31 2011 at 03:49
"Snake behind me hisses what my damage could have been, my blood before me begs me open up my heart again"- Maynard Keenan

also, I can't believe Jon Anderson is mentioned here, I like Yes to some extent, but the lyrics were something I came to except, not something I marveled at.
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Direct Link To This Post Posted: April 03 2011 at 15:34
Richard Palmer-James is among the bests
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Direct Link To This Post Posted: April 17 2011 at 09:36
Almost a contradiction in terms, I would have thought; prog tends to be about the excellence of the music rather than the lyrics or any sensible concept. The best we can hope for is that the lyrics are at least  coherent. Will need to root among the haystack to see if I can find any exceptions, though nothing springs to mind, other than proto-prog, that seems to the point where the music moved forward in inverse proportion to the lyrics.
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Direct Link To This Post Posted: April 17 2011 at 11:10
Originally posted by resurrection resurrection wrote:

Almost a contradiction in terms, I would have thought; prog tends to be about the excellence of the music rather than the lyrics or any sensible concept. The best we can hope for is that the lyrics are at least  coherent. Will need to root among the haystack to see if I can find any exceptions, though nothing springs to mind, other than proto-prog, that seems to the point where the music moved forward in inverse proportion to the lyrics.
Hmmm...I would have to disagree and cite a couple primary instances where progressive lyricists are actually writing poetry beyond the scope of trite rock and roll statements such as "I wanna rock 'n' roll all night and party everyday."
 
For instance, Ian Anderson, particularly on such albums as Minstrel in the Gallery (which has some of the best poetry ever written in rock music) and A Passion Play (with its stunning word puns, allegory and allusions to 15th century stagecraft and Dante Alghieri,  as well as snide commentary on contemporary governmental bureaucracy and religious observations).
 
Also, Peter Gabriel on Foxtrot runs the gamut from retelling medieval fables (Can-Utlity and the Coatliners) to the extravagant and allusive "Supper's Ready", which features Gabriel's take on The Book of Revelation, William Blake, vaudeville show tunes and even BBC children's programming. It is neither conventional rock lyricism, nor is it bland poetry; on the contrary, it is vital and well-written.
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Direct Link To This Post Posted: April 17 2011 at 11:14
I'd go with either Peter Sinfield or  Neil Peart.

Sinfield is more flawlessly poetic, but Peart more often reaches me emotionally.
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Direct Link To This Post Posted: April 26 2011 at 16:14

Hammil is about as good as it gets, and that's not great. Too much pretension in most of it.

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Direct Link To This Post Posted: May 05 2011 at 02:34
Fish
Peter Hamill
Roger Waters
Peter Gabriel
Tony Banks
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Direct Link To This Post Posted: May 05 2011 at 08:58
Originally posted by The Dark Elf The Dark Elf wrote:

Originally posted by resurrection resurrection wrote:

Almost a contradiction in terms, I would have thought; prog tends to be about the excellence of the music rather than the lyrics or any sensible concept. The best we can hope for is that the lyrics are at least  coherent. Will need to root among the haystack to see if I can find any exceptions, though nothing springs to mind, other than proto-prog, that seems to the point where the music moved forward in inverse proportion to the lyrics.
Hmmm...I would have to disagree and cite a couple primary instances where progressive lyricists are actually writing poetry beyond the scope of trite rock and roll statements such as "I wanna rock 'n' roll all night and party everyday."
 
For instance, Ian Anderson, particularly on such albums as Minstrel in the Gallery (which has some of the best poetry ever written in rock music) and A Passion Play (with its stunning word puns, allegory and allusions to 15th century stagecraft and Dante Alghieri,  as well as snide commentary on contemporary governmental bureaucracy and religious observations).
 
Also, Peter Gabriel on Foxtrot runs the gamut from retelling medieval fables (Can-Utlity and the Coatliners) to the extravagant and allusive "Supper's Ready", which features Gabriel's take on The Book of Revelation, William Blake, vaudeville show tunes and even BBC children's programming. It is neither conventional rock lyricism, nor is it bland poetry; on the contrary, it is vital and well-written.

We all had this conversation before on another thread just a day or two ago. I'd love to start it again, because I love nothing more than a bout of rampant, free-floating hostility, but it's all relative, mack. Since when was Kiss the gold-standard by which all rock bands are considered? Since when are they the quintessential rock band? I hate the band, and sure Genesis' lyrics are more enjoyable to me, but it seems to me some folks think ALL prog lyricists are better than ALL non-prog lyricists, which is a psychotic delusion.

On topic, though, I dearly love Ian Anderson's lyrics, as do I enjoy Pain of Salvation, Pink Floyd, Devin Townsend, maudlin of the Well/Toby Driver, Tim Rice, and more. 
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Direct Link To This Post Posted: May 06 2011 at 15:46
Roger Waters
Neil Peart
Frank Zappa
Ian Anderson
Peter Gabriel
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Direct Link To This Post Posted: May 06 2011 at 21:49
Originally posted by Alitare Alitare wrote:

Originally posted by The Dark Elf The Dark Elf wrote:

Originally posted by resurrection resurrection wrote:

Almost a contradiction in terms, I would have thought; prog tends to be about the excellence of the music rather than the lyrics or any sensible concept. The best we can hope for is that the lyrics are at least  coherent. Will need to root among the haystack to see if I can find any exceptions, though nothing springs to mind, other than proto-prog, that seems to the point where the music moved forward in inverse proportion to the lyrics.
Hmmm...I would have to disagree and cite a couple primary instances where progressive lyricists are actually writing poetry beyond the scope of trite rock and roll statements such as "I wanna rock 'n' roll all night and party everyday."
 
For instance, Ian Anderson, particularly on such albums as Minstrel in the Gallery (which has some of the best poetry ever written in rock music) and A Passion Play (with its stunning word puns, allegory and allusions to 15th century stagecraft and Dante Alghieri,  as well as snide commentary on contemporary governmental bureaucracy and religious observations).
 
Also, Peter Gabriel on Foxtrot runs the gamut from retelling medieval fables (Can-Utlity and the Coatliners) to the extravagant and allusive "Supper's Ready", which features Gabriel's take on The Book of Revelation, William Blake, vaudeville show tunes and even BBC children's programming. It is neither conventional rock lyricism, nor is it bland poetry; on the contrary, it is vital and well-written.

We all had this conversation before on another thread just a day or two ago. I'd love to start it again, because I love nothing more than a bout of rampant, free-floating hostility, but it's all relative, mack. Since when was Kiss the gold-standard by which all rock bands are considered? Since when are they the quintessential rock band? I hate the band, and sure Genesis' lyrics are more enjoyable to me, but it seems to me some folks think ALL prog lyricists are better than ALL non-prog lyricists, which is a psychotic delusion.

On topic, though, I dearly love Ian Anderson's lyrics, as do I enjoy Pain of Salvation, Pink Floyd, Devin Townsend, maudlin of the Well/Toby Driver, Tim Rice, and more. 
I used the KISS lyric as an example of banal rock lyricism (how you could have gotten the idea I was making it some "gold standard" is absurd). I could have just as easily rattled of inane lyrics from the Ramones, The New York Dolls or Journey. Or even Led Zeppelin, who I adore musically, but have to admit have some rather trite lyrics.
 
The original poster I replied to, Alitaire, made the comment that the most one can hope for is that prog lyrics are "coherent", which I disagreed with and cited two examples of exemplary lyricists (and I would add Roger Waters as well). Is such excellence a hallmark of the prog genre? Certainly not. But there are specific artists who are some of the greatest in any genre.
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Direct Link To This Post Posted: May 07 2011 at 09:58
Originally posted by BlindGuard BlindGuard wrote:

Hammill!!!
THIS!
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Direct Link To This Post Posted: May 07 2011 at 19:07
Hammmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmill!!!
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Direct Link To This Post Posted: May 07 2011 at 22:00
Originally posted by Anthony H. Anthony H. wrote:

runner-ups include Neal Peart, Steven Wilson, John Anderson, and Kevin Moore.
Jon Anderson? Seriously? I'll have to go with Ian Anderson
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Direct Link To This Post Posted: May 07 2011 at 22:52
Jon Anderson might not be the "Greatest Prog Lyricist". But you gotta admit he writes some damn pretty nonsense. And every once and a while within the pretty nonsense lies something incredibly profound.

Close To The Edge is especially filled with moments like this.

"In charge of who is there in charge of me
Do I look blindly on and say I see the way?
The truth is written all along the page
How old will I be before I come of age for you?"

Really that whole album is just pure lyrical beauty. Yes even the part about the seasoned witch rearranging your liver. 
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Direct Link To This Post Posted: May 07 2011 at 23:13
Originally posted by The Dark Elf The Dark Elf wrote:

Originally posted by Alitare Alitare wrote:

Originally posted by The Dark Elf The Dark Elf wrote:

Originally posted by resurrection resurrection wrote:

Almost a contradiction in terms, I would have thought; prog tends to be about the excellence of the music rather than the lyrics or any sensible concept. The best we can hope for is that the lyrics are at least  coherent. Will need to root among the haystack to see if I can find any exceptions, though nothing springs to mind, other than proto-prog, that seems to the point where the music moved forward in inverse proportion to the lyrics.
Hmmm...I would have to disagree and cite a couple primary instances where progressive lyricists are actually writing poetry beyond the scope of trite rock and roll statements such as "I wanna rock 'n' roll all night and party everyday."
 
For instance, Ian Anderson, particularly on such albums as Minstrel in the Gallery (which has some of the best poetry ever written in rock music) and A Passion Play (with its stunning word puns, allegory and allusions to 15th century stagecraft and Dante Alghieri,  as well as snide commentary on contemporary governmental bureaucracy and religious observations).
 
Also, Peter Gabriel on Foxtrot runs the gamut from retelling medieval fables (Can-Utlity and the Coatliners) to the extravagant and allusive "Supper's Ready", which features Gabriel's take on The Book of Revelation, William Blake, vaudeville show tunes and even BBC children's programming. It is neither conventional rock lyricism, nor is it bland poetry; on the contrary, it is vital and well-written.

We all had this conversation before on another thread just a day or two ago. I'd love to start it again, because I love nothing more than a bout of rampant, free-floating hostility, but it's all relative, mack. Since when was Kiss the gold-standard by which all rock bands are considered? Since when are they the quintessential rock band? I hate the band, and sure Genesis' lyrics are more enjoyable to me, but it seems to me some folks think ALL prog lyricists are better than ALL non-prog lyricists, which is a psychotic delusion.

On topic, though, I dearly love Ian Anderson's lyrics, as do I enjoy Pain of Salvation, Pink Floyd, Devin Townsend, maudlin of the Well/Toby Driver, Tim Rice, and more. 
I used the KISS lyric as an example of banal rock lyricism (how you could have gotten the idea I was making it some "gold standard" is absurd). I could have just as easily rattled of inane lyrics from the Ramones, The New York Dolls or Journey. Or even Led Zeppelin, who I adore musically, but have to admit have some rather trite lyrics.
 
The original poster I replied to, Alitaire, made the comment that the most one can hope for is that prog lyrics are "coherent", which I disagreed with and cited two examples of exemplary lyricists (and I would add Roger Waters as well). Is such excellence a hallmark of the prog genre? Certainly not. But there are specific artists who are some of the greatest in any genre.

And by good god damn I agree with yeh. I just see a lot of folks who confuse Kiss, Lady Ga Ga, and the like with ALL NONPROG BANDS EVER, and I react accordingly. Some of my favorite lyricists are 'prog' artists, and on the same coin most of my favorite artists are not anywhere near progressive (usually residing deep within singer/songwriter). 

Always remember that I over-exaggerative my replies to invoke the most wrath because I can't stand the calm, rational, sensible exchange of ideas. I also don't do small talk.

Hey Dustin, how's the weather?
What do you think of abortion, Bob? 

It makes finding new friends a hassle. 
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Direct Link To This Post Posted: May 08 2011 at 13:29
Peter Gabriel !
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Direct Link To This Post Posted: May 11 2011 at 09:16

Peter Hammill. I remember reading the lyrics of Undercover Man, from PH's book Mirror, Dreams, & Miracles, to a group of English/Creative Writing students back in grad school, and they couldn't believe they were lyrics to a song rather than pure poetry.

jc
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Direct Link To This Post Posted: May 11 2011 at 09:51
Almost a contradiction in terms. The VDGG guy is about the nearest.
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Direct Link To This Post Posted: May 13 2011 at 20:08
I thoroughly enjoy Andy Tillison's cynical lyrics
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