I've been noticing alot of bands that have been melding modern sounds (by that, I mean prog thats influenced by new popular trends rather then 1970s prog/psychedelic etc...) with more experimental features and adopting a new sound and class of progressive rock. So far, I've seen alot of these bands (the Dear Hunter, Coheed and Cambria, Radiohead, dredg) fall into the Crossover Prog section, which is suitable enough, but this is the same genre that solo Peter Gabriel, The Moody Blues, and Supertramp are in.
I'm not saying that every new potential addition to Crossover should go to this new potential genre (Paul Cusick, for example is a brand new artist, and belongs right in Crossover) but there seems to be quite a difference in sounds.
The genre 'neo prog' was invented to cater to all of the prog bands sharing a new '80s prog' sound... Why should the modern prog artists of the 00's be treated any differently?