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jammun View Drop Down
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Direct Link To This Post Posted: May 12 2009 at 18:55
Here's what I think happens, at least for me.  Many of us have bands that we love.  If they happen to be of an era that was perhaps a bit devoid of prog (the '80s), then perhaps we start seeing prog-related tendencies in some of their output.  So for a couple of my favorites of the '80s -- Dire Straits and XTC -- I start ascribing certain prog-related characteristics to some of their songs or albums.  After all, there weren't too many other bands of that era creating music -- even if it's only rock or pop -- quite so sophisticated.  This is where I start to lose some objectivity, perhaps.  I mean, Dire Straits and XTC are two bands who were really pushing the envelope, or what envelope there was, back then.  But I suppose in the end highly sophisticated rock is just that. 
 
That being said, if either band were to end up here on the basis of Love Over Gold or Skylarking, as prog-related, I do not think I'd be too concerned.
 
 
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Direct Link To This Post Posted: May 12 2009 at 19:18
O.K., now - Private Investigations...
Let's save the first song for last.
"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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Direct Link To This Post Posted: May 12 2009 at 19:18
Originally posted by jammun jammun wrote:

Here's what I think happens, at least for me.  Many of us have bands that we love.  If they happen to be of an era that was perhaps a bit devoid of prog (the '80s), then perhaps we start seeing prog-related tendencies in some of their output.  So for a couple of my favorites of the '80s -- Dire Straits and XTC -- I start ascribing certain prog-related characteristics to some of their songs or albums.  After all, there weren't too many other bands of that era creating music -- even if it's only rock or pop -- quite so sophisticated.  This is where I start to lose some objectivity, perhaps.  I mean, Dire Straits and XTC are two bands who were really pushing the envelope, or what envelope there was, back then.  But I suppose in the end highly sophisticated rock is just that. 
 
That being said, if either band were to end up here on the basis of Love Over Gold or Skylarking, as prog-related, I do not think I'd be too concerned.
 
 
 
EXACTLY, we thought there was no Prog in the 80's so we started to see Prog everywhere_
 
But this makes my point, this pseudo Prog related bands cloud our vision on Prog bands:

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There was Prog in the 80's, and a lot, but my personal opinion is that as long as we care mostly for this  additions, we don't see the huge forest in front of us.
 
Iván
            
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Direct Link To This Post Posted: May 12 2009 at 19:40
I wouldn't consider many on that list a good argument for keeping Dire Straits out Wink
 
I would consider many on that list (and I haven't heard anywhere near all of them) examples of just what I was saying.
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Direct Link To This Post Posted: May 12 2009 at 19:52
No please Jammun, except Supertramp (Whoi I believe should be in Prog Related due to 2 albums, the rest are clearly Progressive.
 
Lerts see the evolution:
 
1.- When the thread started, Dire Straits was a Prog related band
2.- After a few posts, the supporters aggreed that their case was reduced to one pure^Prog album.
3.- Now they don't have a Pure Prog album according to all.
 
I know Prog Related is not pure Prog------------BUT IT HAS TO BE RELATED AT LEAST.
 
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Direct Link To This Post Posted: May 12 2009 at 20:20

Quick, of the following, name the proggiest song, all of which got considerable rotation on MTV at the time:

Peter Gabriel:  Sledgehammer (granted, comes along a few years vs. the other two)
Rush:  New World Man
Dire Straits:  Industrial Disease
 
I'm not even particularly lobbying for Dire Straits.
 
But as I said,  I suppose in the end highly sophisticated rock is just that. 
 
Just sayin'.
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Direct Link To This Post Posted: May 12 2009 at 20:31
Originally posted by jammun jammun wrote:

Quick, of the following, name the proggiest song, all of which got considerable rotation on MTV at the time:

Peter Gabriel:  Sledgehammer (granted, comes along a few years vs. the other two)
Rush:  New World Man
Dire Straits:  Industrial Disease
 
I'm not even particularly lobbying for Dire Straits.
 
But as I said,  I suppose in the end highly sophisticated rock is just that. 
 
Just sayin'.
 
I agree Jammun, but Peter Gabriel and Rush are here mostly for other reasons, they earned their addition along a huge career.
 
Some are trying to base Dire Straits addition on one suposedly partially related to Prog album.
 
Plus you are talking about the less Prog tracks of Gabriel (You have PG1 and Pg II, -Albums BTW-  his whole career in Genesis, etc)  and Rush (Fly by Night,2112, Farewell to Kings, Hmispheres, Permanent Waves, Moving pictures -also albums-) comparing them to the probably one barely related by Dire Straits. Wink
 
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Direct Link To This Post Posted: May 12 2009 at 20:44
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by jammun jammun wrote:

Quick, of the following, name the proggiest song, all of which got considerable rotation on MTV at the time:

Peter Gabriel:  Sledgehammer (granted, comes along a few years vs. the other two)
Rush:  New World Man
Dire Straits:  Industrial Disease
 
I'm not even particularly lobbying for Dire Straits.
 
But as I said,  I suppose in the end highly sophisticated rock is just that. 
 
Just sayin'.
 
I agree Jammun, but Peter Gabriel and Rush are here mostly for other reasons, they earned their addition along a huge career.
 
Some are trying to base Dire Straits addition on one suposedly partially related to Prog album.
 
Plus you are talking about the less Prog tracks of Gabriel (You have PG1 and Pg II, -Albums BTW-  his whole career in Genesis, etc)  and Rush (Fly by Night,2112, Farewell to Kings, Hmispheres, Permanent Waves, Moving pictures -also albums-) comparing them to the probably one barely related by Dire Straits. Wink
 
Iván
 
Yes Ivan, I hear what your saying.  I obviously chose pretty blatant tracks to make my point (should've chosen Shock the Monkey, also from '82).  I'm just saying that Dire Straits, XTC, and probably a few others I can't think of right now (maybe Ozzy? LOL) made albums of relative sophistication during an era when Rush and Gabriel (since those were ones you included in the list) weren't exactly whipping out prog epics.  I agree the pedigree is not there, and that most '80s bands who are around here at all generally have a larger body of prog-related work than DS.  So I've jumped into this particular fray fairly late in the game:  I am not arguing (except for sake of argument) for inclusion.  But I myself would put Love Over Gold and Skylarking in the same class as much of Rush's and Gabriel's 80's output.  Of course we can go on like this all night, and tomorrow as well, which I'm sure neither of us wants to do Wink 
 
 
 
 
 
 
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Direct Link To This Post Posted: May 13 2009 at 01:52
But the thing people seem to be missing about 80s output is that many bands were influenced by the classic prog period, even if their music wasn't prog. That's what you're hearing when you listen to Love Over Gold - a layer of progressive arrangements draped over rock music. The same for so many other 80s bands. U2's 'Unforgettable Fire'? Of course - look who produced the album. Listen to the title track and you'll hear a prog arrangement of a rock song. And so on. Remember, many of these musicians grew up listening to prog, and it had an effect!

But they weren't writing or playing prog music.


Edited by russellk - May 13 2009 at 01:53
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Direct Link To This Post Posted: May 13 2009 at 02:10
Originally posted by russellk russellk wrote:

But the thing people seem to be missing about 80s output is that many bands were influenced by the classic prog period, even if their music wasn't prog. That's what you're hearing when you listen to Love Over Gold - a layer of progressive arrangements draped over rock music. The same for so many other 80s bands. U2's 'Unforgettable Fire'? Of course - look who produced the album. Listen to the title track and you'll hear a prog arrangement of a rock song. And so on. Remember, many of these musicians grew up listening to prog, and it had an effect!

But they weren't writing or playing prog music.


excellent point, but Prog Related is exactly what you describe: music made by those influenced by prog ..at this point that's a growing number of artists, and so we have to consider new additions carefully and to make sure there was a true Progrelated period or release by an artist  ..would Mark Knopfler consider his work - or a significant part of it - to be 'progrelated' by the definition here?  I'm not sure, maybe we should ask him...

and I quote--

ProgRelated is the category that groups bands and artists that:

- Without being 100% Prog, received clear MUSICAL influence of this genre, OR

- Are widely accepted as MUSICALLY influential to the development of Progressive Rock by the community, OR

- Blend characteristics of Progressive Rock with mainstream elements creating a final product that despite not being part of the genre is evident that are close to Prog.






Edited by Atavachron - May 13 2009 at 02:18
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Direct Link To This Post Posted: May 13 2009 at 04:21

Possibly the song 'Sunshine and Happiness' on Devin Townsend's Album Synchestra was influenced by 'Twisting by the Pool'?  Big smile

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Direct Link To This Post Posted: May 13 2009 at 11:19
Continuing with the song by song:

Private Investigations

Opening with a shimmering, moody keyboard-driven atmosphere, filled in by some very concise guitar and piano... emerging into a duet (not really typical of rock, is it?) with a classical-sounding guitar part, some effects on the voice... expansive synth and atmospheric, flickering marimba... the balladic bit, with its hefty piano chords is followed somewhat oddly by another denouement and only after that does it move through the thumping bass part into a couple of moody blues guitar licks with a distinct focus on how it works in conjunction with the rest of the instrumentation, more keyboards filling out the sound... the tuned percussion brings up some ideas from Another Brick In The Wall Pt. 3. Unique and, in my mind, definitely progressive rock, I think it's definitely not just jamming... and while there are some blues references in that final bit, it's really not even remotely a blues..., nor is it at heart a rock song, really.

Even applying a very strict definition of 'prog', not tied to time frame or clear references of 'original' prog bands, would not exclude that song. My own definition would certainly include it, and I think any loose definition would.
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Direct Link To This Post Posted: May 13 2009 at 11:42
Dire Straits' only claim for here is Love Over Gold. >>> superb album.  And the only really prog track in thayt album is Private InvestigationS.
 
As much as I love them, they're not prog enough to be here et even when comparing with prog related bands at this staje.
 
 
let's just stay above the moral melee
prefer the sink to the gutter
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Direct Link To This Post Posted: May 13 2009 at 11:48
Quote Plus you are talking about the less Prog tracks of Gabriel (You have PG1 and Pg II, -Albums BTW-  his whole career in Genesis, etc)  and Rush (Fly by Night,2112, Farewell to Kings, Hmispheres, Permanent Waves, Moving pictures -also albums-) comparing them to the probably one barely related by Dire Straits.


Now, if we're putting those whole albums under the same intensive scrutiny...

Peter Gabriel 1. I'll give you that one, as a whole, though there's a rocker or two on it, and a barber-shop quartet, and a pop song. Peter Gabriel 2, on the other hand, other than Robert Fripp's production and the very artsy title track, it's evidently mostly pop, piano-driven material.

2112. Extended hard rock song with a couple of synths or guitar effects and a random acoustic bit in the middle... hardly Close To The Edge. I don't think many out there would say the second side is much more than a collection of rock and pop sogns. AFTK - yes, two prog epics... but the rest: a classical guitar intro which hardly relates to a hard rock song in a nervous time signature, a slightly sophisticated pop song in Cindarella Man, the pure pop of Closer To The Heart. Madrigal's not even in the ball park.

Moving Pictures... well, Witch Hunt has a silly bit of sound-effecting, Vital Signs is at heart a pop-rock song with electronic bits, though it's artsed up a lot, Tom Sawyer is a rock song with keyboards and pseudo-literary/political lyrics... Red Barchetta is artsy, but it doesn't really escape the rock mould. Hemispheres is in. Permanent Waves is in, I suppose. A couple of time signatures, complexity and virtuosity don't necessarily make prog albums... just sophisticated rock.

Again, my point with that little diatribe wasn't that Rush or Peter Gabriel (oddly, I'd have remarked on 3 and 4 being his most progressive, or at least innovative) shouldn't be here... on the contrary, they're all pretty important albums in the genre and for some people they define what progressive rock is. My point was that even some of their supposedly most progressive albums might not individually stand up musically to being included here, if the harsher standards of the 'progressive' test were applied to them. Artists don't make albums thinking, 'OK, this is going to be the prog one so I can get onto Prog Archives', so even fully 'prog' albums tend to include a thing or two which, by a harsh definition of a genre, would be lumped in sophisticated rock.

Edit: yes, the song by songs are coming slowly, but I've been trying at least to think through all the angles on them. I think it's better to take two or three listens and come out with an informed opinion rather than just one and say, 'yes, listened to that. Sort of reminds me of prog artist X. Not really rock, definitely not blues, probably not synth-pop, not opera. etc.' which I could do quicker.
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Direct Link To This Post Posted: May 13 2009 at 12:25
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

No please Jammun, except Supertramp (Whoi I believe should be in Prog Related due to 2 albums, the rest are clearly Progressive.
 
Lerts see the evolution:
 
1.- When the thread started, Dire Straits was a Prog related band
2.- After a few posts, the supporters aggreed that their case was reduced to one pure^Prog album.
3.- Now they don't have a Pure Prog album according to all.
 
I know Prog Related is not pure Prog------------BUT IT HAS TO BE RELATED AT LEAST.
 
Iván


As a side point, if you want to call Grace Under Pressure (I notice it was in that list of yours of 'prog bands' in the 80s) progressive and Love Over Gold not... remember that  Love Over Gold actually fits most of the criteria of all prog you've stated in the site definitions. Even most of the Rush fans I know round here agree GUP is just damn good synth/art pop, and is at best 'progressive' by being a change in Rush's sound.

--

Let's not twist and misrepresent the general flow of the thread. Someone opened the thread with the starting point of his progressive rock playlist, which, while not evidence in itself, is food for thought. His thoughts were clearly that over the general career, they should have been in as related. I brought another argument in and put a lot of stress in it, which does not contradict his argument at all. I certainly think Making Movies, for instance, would be related material for the most part, and there are moments on other albums which could be linked to prog. I just think that Love Over Gold remains the central point of this discussion. And in the last case, it's not according to all. I specifically stressed that having a 'not-quite-prog' song didn't make an album not pure prog (see Foxtrot, for instance, one classical guitar piece on there... that's certainly not prog. How about Animals? the two Pigs On The Wing bits?), and again, I put a fair bit of emphasis on the fact that both of those tracks were at least related and could reasonably fall into the prog remit. What he clearly wanted was a specific argument explaining why they shouldn't be here in PR. I think we've yet to have much in that respect, though there have been some admirable points made against.

Now, this bit seems to have been largely ignored:

Quote Furthermore, I cite the inclusion of Dire Straits in a prominent Progressive Rock radio show: (San Francisco Bay Area's 98.5 KFOX's) Greg Stone's "Stone Trek" (see here: http://www.till.com/BayProg/radio.html).  Stone is a true veteran DJ and longtime Prog fan.  On his old page on the KFOX site (he was a victim of the recent Clear Channel layoffs), he had a picture of himself and David Gilmour from an interview, just in case you have doubts about his legitimacy.


Of the songs mentioned in that initial post, I'd regard some of them as related, myself, and I think most could be considered related if you went by a light definition.

Various quotes were pulled out of previous threads. Interestingly, in that poll you were mentioning, now I've dug it up... 1) it's not the one I was thinking about, admittedly, 2) your argument for it being evidence against them would have been much stronger if you'd stressed it was by collaborators. On the other hand:

3) four collaborators, people the site has recognised for their knowledge of/contribution to progressive rock, supported their inclusion, including undeniably one of the most widely-listened people on the site and our most prolific reviewer. I couldn't have voted in that one, so, for the moment, so that's five.

Interestingly enough, I think times have changed somewhat since then - Hendrix and Metallica are here now, so I'd have to guess the site is maybe more inclusive now. The T was clearly annoyed enough by the taboo on Metallica discussion that he mentioned it in one of those threads.

Quote i am a big fan of Dire Straits, i have all their albums - Love Over Gold is a strong case for calling them a Prog band but one album does not make a band Prog.
That, for instance, would be a quote in support, according to my arguments, even if it registers as a vote against... so, in that case, I think, you'd have to say that it's a vote against site policy as much as against the band inclusion, no?

Edit: sorry, just saw Sean Trane's post above mine, which assumption I made from his response to the previous poll. My bad.


Edited by TGM: Orb - May 13 2009 at 12:59
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Direct Link To This Post Posted: May 13 2009 at 12:46
I doubt Prog had serious or conscious influence on Dire Straits. Now, if you are talking about a band that is not Prog but has Prog influences...The Darkness.
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Direct Link To This Post Posted: May 13 2009 at 15:26
*spills full-sugar non-Diet Coke in lap, but misses and dribbles fizzy pop down spandex shirt front*
What?
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Direct Link To This Post Posted: May 13 2009 at 15:53
Originally posted by Dean Dean wrote:

*spills full-sugar non-Diet Coke in lap, but misses and dribbles fizzy pop down spandex shirt front*


Hey, is your non diet made Coke with real sugar or high fructose corn syrup?
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: May 13 2009 at 17:25
So we're left with the centerpiece of the arguement - Telegraph Road.
I hate to dredge, but some obscure groups with only 2-3 albums have gotten in some genres with half an album that was prog, another that had one prog song, and a debut that could not even be described as sophisticated.
Sooooo .... I do believe that there is a consensus that Telegraph Road is prog. We now have a 7 song album with one outright rock n roll tune. 2 mid length extended jams. And on what used to be an LP side, something quite close if not full blown prog.
Can we compromise and say "man, this is too close to call" ?
"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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Direct Link To This Post Posted: May 16 2009 at 18:02
Originally posted by russellk russellk wrote:

But the thing people seem to be missing about 80s output is that many bands were influenced by the classic prog period, even if their music wasn't prog. That's what you're hearing when you listen to Love Over Gold - a layer of progressive arrangements draped over rock music. The same for so many other 80s bands. U2's 'Unforgettable Fire'? Of course - look who produced the album. Listen to the title track and you'll hear a prog arrangement of a rock song. And so on. Remember, many of these musicians grew up listening to prog, and it had an effect!

But they weren't writing or playing prog music.




Hope I'm not embarrassing you Russell, but again, you say it so well here.  And you do so respectfully. 
Good debate guys.  Haven't weighed in much, but I'm still with Russ on this one.  Good band, but not P or PR. 


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