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Petrovsk Mizinski View Drop Down
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Direct Link To This Post Posted: January 16 2009 at 22:37
Originally posted by Epignosis Epignosis wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by birdwithteeth11 birdwithteeth11 wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Right now, very annoyed, argh, goddamn it I hate it when awesome people die and then people profit off their name.
It seems Dimebag Darrel from Pantera gets pissed on a whole lot too:(

Ugh, tell me about it.Dead


Dean guitars has decided to make a signature amp in his name.
He already has a signature amp with Krank Amplification, which at least he got to design and approve while he was still alive, but NOOOOOOO, Dean have to go and make another goddamn Dimebag signature thing.
After Dimebag died, Dean decided they 'needed' 33 variations of his signature guitar.
WTF is that, seriously? Why the hell do you need 33 variations of the same guitar, christ sakeAngry
I hate Dean Guitars so much now, because of how much they have tarnished Dimebag's name.
In fact, the original founder of Dean Guitars himself, Dean Zelinsky, left Dean Guitars because he didn't like their business practices.
When the guitar that gave the company it's name leaves the company, that's seriously telling you something about what the brand turned intoDisapprove



Don't think they ever made a Kerry Livgren sig. guitar, even though Livgren used them for years.


Signature guitars are made because they will sell in nearly all cases.
Face it, what 14 year old kid knows who Kerry Livgren is? And hence, no signature guitar for himWink
A few companies do endorse also based on brand loyalty fortunately, like some small to medium size custom shop makers. I know Jackson's guitars at least has the integrity to reward loyal players with an endorsement deal and custom guitars, but always necessarily signature guitars unless they are dead certain it will sell like hotcakes.
Doesn't matter the level of talent, you can put some pop punk's name on a guitar,a  guy that can barely play 3 chords correctly, and if it sells, he gets a signature guitar.
Meanwhile, you never hear of jazz fusion players, guys with almighty talent, getting sig guitars sadlyDisapprove (A few exceptions of course, but for the most part, fusion guys are really ignored).


Gotta disagree there.  Parker.  Fender.

Just two examples off the top of my head that have a plethora of signature guitars.  I think it's a shame really, that some brands do exactly what you describe.  I just don't think it has to be that way.  There are too many serious players out there.


Well indeed, sure enough, Fender and Parker, to name 2, do honor guys that have been with them a long time, but these guys do have a fan base to and these guitars will sell to a decent extent.
I mean, you got Jeff Beck, you have the new Dave Murray signature (Iron Maiden) coming out, the Malmsteen Strat, Stevie Ray Vaughn, Clapton etc these guitars are gonna sell?
Sure enough, I wouldn't buy a Fender signature guitar purely because I know guys in Australia that will make me a guitar to my exact specifications for about, 1500 dollars less than a Clapton, but also, I know my sh*t about guitars and just about the only signature strat I actually thought felt good to play for me was the Malmsteen model. Sure, I'm a fan of Malmsteen's early work and his playing, but it was more about just how his guitar felt more 'right' to me than a Clapton or SRV model does.

Or Ibanez maybe. They have some greats with signature guitars, like Joe Satriani, Steve Vai, Pat Metheny.
But look at their roster list of endorsees, and they have well over 100 other guys that endorse Ibanez that are very talented players and loyal to Ibanez, but  Ibanez wont budge and make them a signature model, because the demand beyond the guitar forum type guys like me just isn't there, so Ibanez wont make anything if it loses them money.
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Direct Link To This Post Posted: January 16 2009 at 22:42
Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by birdwithteeth11 birdwithteeth11 wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Right now, very annoyed, argh, goddamn it I hate it when awesome people die and then people profit off their name.
It seems Dimebag Darrel from Pantera gets pissed on a whole lot too:(

Ugh, tell me about it.Dead


Dean guitars has decided to make a signature amp in his name.
He already has a signature amp with Krank Amplification, which at least he got to design and approve while he was still alive, but NOOOOOOO, Dean have to go and make another goddamn Dimebag signature thing.
After Dimebag died, Dean decided they 'needed' 33 variations of his signature guitar.
WTF is that, seriously? Why the hell do you need 33 variations of the same guitar, christ sakeAngry
I hate Dean Guitars so much now, because of how much they have tarnished Dimebag's name.
In fact, the original founder of Dean Guitars himself, Dean Zelinsky, left Dean Guitars because he didn't like their business practices.
When the guitar that gave the company it's name leaves the company, that's seriously telling you something about what the brand turned intoDisapprove



Don't think they ever made a Kerry Livgren sig. guitar, even though Livgren used them for years.


Signature guitars are made because they will sell in nearly all cases.
Face it, what 14 year old kid knows who Kerry Livgren is? And hence, no signature guitar for himWink
A few companies do endorse also based on brand loyalty fortunately, like some small to medium size custom shop makers. I know Jackson's guitars at least has the integrity to reward loyal players with an endorsement deal and custom guitars, but always necessarily signature guitars unless they are dead certain it will sell like hotcakes.
Doesn't matter the level of talent, you can put some pop punk's name on a guitar,a  guy that can barely play 3 chords correctly, and if it sells, he gets a signature guitar.
Meanwhile, you never hear of jazz fusion players, guys with almighty talent, getting sig guitars sadlyDisapprove (A few exceptions of course, but for the most part, fusion guys are really ignored).


Gotta disagree there.  Parker.  Fender.

Just two examples off the top of my head that have a plethora of signature guitars.  I think it's a shame really, that some brands do exactly what you describe.  I just don't think it has to be that way.  There are too many serious players out there.


Well indeed, sure enough, Fender and Parker, to name 2, do honor guys that have been with them a long time, but these guys do have a fan base to and these guitars will sell to a decent extent.
I mean, you got Jeff Beck, you have the new Dave Murray signature (Iron Maiden) coming out, the Malmsteen Strat, Stevie Ray Vaughn, Clapton etc these guitars are gonna sell?
Sure enough, I wouldn't buy a Fender signature guitar purely because I know guys in Australia that will make me a guitar to my exact specifications for about, 1500 dollars less than a Clapton, but also, I know my sh*t about guitars and just about the only signature strat I actually thought felt good to play for me was the Malmsteen model. Sure, I'm a fan of Malmsteen's early work and his playing, but it was more about just how his guitar felt more 'right' to me than a Clapton or SRV model does.

Or Ibanez maybe. They have some greats with signature guitars, like Joe Satriani, Steve Vai, Pat Metheny.
But look at their roster list of endorsees, and they have well over 100 other guys that endorse Ibanez that are very talented players and loyal to Ibanez, but  Ibanez wont budge and make them a signature model, because the demand beyond the guitar forum type guys like me just isn't there, so Ibanez wont make anything if it loses them money.


Damn right there.  Not what I'd want to pay.

I have my heart set on a Parker Fly,

3k I know, but DAMN.  What a neck.  I can fly on that sucker.  And I don't even shred.
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Direct Link To This Post Posted: January 16 2009 at 22:44
Have you guys ever tried a Flying V?
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Direct Link To This Post Posted: January 16 2009 at 22:45
Parker has nothing but a good reputation from every single Parker player I talk to.
They never say a bad thing about the construction, the way it plays, or anything.
Unfortunately, Parker is not a cheap option in Australia (if you lived in Australia, you'd understand how expensive gear is here, and trust me, you could try to understand, but you only would if you lived here), but the fact they come from factory with stainless steel frets, piezo bridge and those awesome looking trem systems they have, just make them awesome before I've never played oneTongue
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Direct Link To This Post Posted: January 16 2009 at 22:48
Originally posted by HughesJB4 HughesJB4 wrote:

Parker has nothing but a good reputation from every single Parker player I talk to.
They never say a bad thing about the construction, the way it plays, or anything.
Unfortunately, Parker is not a cheap option in Australia (if you lived in Australia, you'd understand how expensive gear is here, and trust me, you could try to understand, but you only would if you lived here), but the fact they come from factory with stainless steel frets, piezo bridge and those awesome looking trem systems they have, just make them awesome before I've never played oneTongue


What does a decent piece run in Aus?


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Direct Link To This Post Posted: January 16 2009 at 22:49
Originally posted by June June wrote:

Have you guys ever tried a Flying V?


Yeah...but you can't sit with it!

I'm kinda like Fripp half the time.  LOL
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Direct Link To This Post Posted: January 16 2009 at 22:50
Originally posted by June June wrote:

Have you guys ever tried a Flying V?


Yep.

And I thought it was garbage, quite frankly.
Gibson's quality control is so inconsistent it's embarrassing.
I've played 1100 dollars guitars that crap all over 5000 dollar Gibsons for fit and finish, quality of construction, playability and tone.
I'll never, ever, buy a Gibson guitar, because they are so absurdly overpriced for what they are.
A a Les Paul custom is 7999 AUD to buy over here.
I can get a higher quality guitar made to my exact specifications, for about 2500 AUD.
When you start to learn how amazing custom shop guitars are (from small, to medium size custom shops), you realize just how blatantly over priced stuff like Gibson is.
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Direct Link To This Post Posted: January 16 2009 at 22:52
Originally posted by Epignosis Epignosis wrote:

Originally posted by June June wrote:

Have you guys ever tried a Flying V?


Yeah...but you can't sit with it!

I'm kinda like Fripp half the time.  LOL
 
That's what I was actually wondering about... the level of comfort.
 
The sitting while playing, isn't the main factor (besides the level of tiredness) whether or not you were classically trained?
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Direct Link To This Post Posted: January 16 2009 at 22:53
Originally posted by Epignosis Epignosis wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Parker has nothing but a good reputation from every single Parker player I talk to.
They never say a bad thing about the construction, the way it plays, or anything.
Unfortunately, Parker is not a cheap option in Australia (if you lived in Australia, you'd understand how expensive gear is here, and trust me, you could try to understand, but you only would if you lived here), but the fact they come from factory with stainless steel frets, piezo bridge and those awesome looking trem systems they have, just make them awesome before I've never played oneTongue


What does a decent piece run in Aus?



Of anything?
Well, to give you a general idea of guitar prices, starting with big brands, a Fender Deluxe American Strat would set you back 3099 dollars here.
A Les Paul standard, 5000 dollars.
Parkers start at around 2000 dollars here, going up to probably 4-5 grand.

For me personally, buying mass made guitars new is not an option because of the research I've put into guitar stuff, I either buy used, or I'll save some money and go custom shop.
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Direct Link To This Post Posted: January 16 2009 at 22:55
Originally posted by June June wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by June June wrote:

Have you guys ever tried a Flying V?


Yeah...but you can't sit with it!

I'm kinda like Fripp half the time.  LOL
 
That's what I was actually wondering about... the level of comfort.
 
The sitting while playing, isn't the main factor (besides the level of tiredness) whether or not you were classically trained?


I'm with Harry, really.

Not worth the dough.

Every guitar I bought I bought at a good price.  I have lots of instruments, but only one did I pay full price.
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Direct Link To This Post Posted: January 16 2009 at 22:56
Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Parker has nothing but a good reputation from every single Parker player I talk to.
They never say a bad thing about the construction, the way it plays, or anything.
Unfortunately, Parker is not a cheap option in Australia (if you lived in Australia, you'd understand how expensive gear is here, and trust me, you could try to understand, but you only would if you lived here), but the fact they come from factory with stainless steel frets, piezo bridge and those awesome looking trem systems they have, just make them awesome before I've never played oneTongue


What does a decent piece run in Aus?



Of anything?
Well, to give you a general idea of guitar prices, starting with big brands, a Fender Deluxe American Strat would set you back 3099 dollars here.
A Les Paul standard, 5000 dollars.
Parkers start at around 2000 dollars here, going up to probably 4-5 grand.

For me personally, buying mass made guitars new is not an option because of the research I've put into guitar stuff, I either buy used, or I'll save some money and go custom shop.


Geezus, as you would say.
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Direct Link To This Post Posted: January 16 2009 at 22:56
Originally posted by June June wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by June June wrote:

Have you guys ever tried a Flying V?


Yeah...but you can't sit with it!

I'm kinda like Fripp half the time.  LOL
 
That's what I was actually wondering about... the level of comfort.
 
The sitting while playing, isn't the main factor (besides the level of tiredness) whether or not you were classically trained?


I never had a problem playing a V shaped guitar sitting down.
When I play sitting down, I always rested the guitar on my left leg instead of the right. It's weird, because I never knew until a lot later that was actually how classical guitarists did it, I just did it because it felt right to me.
Then I found out lots of electric players rested it on their right leg insteadLOL
But left leg works for me best, since when I played, I typically put my thumb behind the neck rather than over the top most of the time when I play, because I frequently use scales/chord shapes/riffs that are simply too difficult to do with my thumb over the top of the neck.
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Direct Link To This Post Posted: January 16 2009 at 22:57
Well it was good chatting, but I have to get going.
Bye!
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Direct Link To This Post Posted: January 16 2009 at 22:59
Bye!
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Direct Link To This Post Posted: January 16 2009 at 23:00
Well June, just me and you... Wink

...unless that creature Pat is still here.  Angry
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Direct Link To This Post Posted: January 16 2009 at 23:02

Pat is... Nature_Science, right?

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Direct Link To This Post Posted: January 16 2009 at 23:05
I'm here.
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Direct Link To This Post Posted: January 16 2009 at 23:06
Originally posted by James James wrote:

I'm here.
 
Did you just get up or have you not gone to bed yet?
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Direct Link To This Post Posted: January 16 2009 at 23:06
Originally posted by June June wrote:

Pat is... Nature_Science, right?



Yeah.

And relax.  I'm married.  Just like to pick on ya cos you're a prog-loving, teach-loving lady.
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Direct Link To This Post Posted: January 16 2009 at 23:09
Originally posted by June June wrote:

Originally posted by James James wrote:

I'm here.
 
Did you just get up or have you not gone to bed yet?


I've been out at a metal club.  I go every Friday.  It doesn't shut 'til 3 a.m. and I usually chat outside for ages and when I do finally get home, I don't go to bed. LOL

I have to meet someone at 1 p.m. today too... I'm going to be knackered!



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