Have we lost the lyrics? |
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el dingo
Forum Senior Member Joined: October 08 2008 Location: Norwich UK Status: Offline Points: 7053 |
Posted: November 21 2008 at 03:19 |
I'd agree with that; I love Waters' more acerbic stuff particularly.
I also love some of Caravan's stuff which I find totally relevant to the music (Memory Lain, etc).
How times change: when I was about 15 I enjoyed early Queen lyrics because they were, well, different.
Now I'd controversially say the three greatest poets of my generation are Ray Davies,Joe Strummer and Nick Jones.
I could listen to most prog without cognisence of the lyrical content, but take the words away from the Kinks, the Clash and the Manics? No can do!
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It's not that I can't find worth in anything, it's just that I can't find worth in enough.
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infandous
Forum Senior Member Joined: March 23 2006 Location: United States Status: Offline Points: 2447 |
Posted: November 21 2008 at 13:08 |
I can understand someone not enjoying vocals in music. But, in Prog at least, lyrics are so often an integral part of the music (yes, the music). Think Van der Graaf Generator. Or PG Genesis. I personally can't imagine those vocal lines being done without lyrics. Lyrics can very definetly be musical. Of course, you could just dictate words over music and then they wouldn't be, but to me that's a different thing (and mostly I find "spoken word" stuff to be kind of annoying in music..........but occasionally it works).
On the other hand, I can often ignore poor or even bad lyrics if the music is strong enough and the singer is good enough. Though in many of those cases I find myself thinking they should have just done wordless vocals or used some other instrument for the vocal melodies. But I really don't come across that all that often in Prog. Or at least the Prog I choose to listen to (that has vocals and lyrics in the first place). |
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DatM
Forum Groupie Joined: November 19 2008 Location: Berlin, Germany Status: Offline Points: 95 |
Posted: November 21 2008 at 13:36 |
Generally, I've never put much attention to lyrics...I always pay attention to the music first. If the music is really good, I start paying attention to the lyrics. Sometimes this can be bad thing, because if the lyrics are really bad, they can throw me off of the music. But if they're really good, the make the music that much powerful. If they're ok, they don't really make a difference
It's true though that the human voice gives a certain personality to music which instrumental music can't achieve...BUT there's a certain magic to instrumental music in that it can stir emotion in us without actually saying anything, this is what's always blown me away about music. |
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Toaster Mantis
Forum Senior Member Joined: April 12 2008 Location: Denmark Status: Offline Points: 5898 |
Posted: November 23 2008 at 03:53 |
I have a fairly high threshold for bizarre metaphors in lyrics as long as the accompanying music is appropriately otherworldly, so I think the silliest thing about Jon Anderson is his vocal style rather than any of his songwriting. I've never liked his singing all that much, but at least it's expressive and the other components of Yes' music is good enough that his sub-Neil Young nasalness becomes more of an endearing quirk than a deal breaker in my book. |
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"The past is not some static being, it is not a previous present, nor a present that has passed away; the past has its own dynamic being which is constantly renewed and renewing." - Claire Colebrook
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88melter
Forum Groupie Joined: August 30 2008 Location: Madison WI Status: Offline Points: 94 |
Posted: November 24 2008 at 20:03 |
A lyric used to be a word-painting, but has been reduced to a coathanger for guitar-shredding and bashing percussion. Even YES' Jon Anderson cannot make an abstract image with words anymore. The words on "Magnification" are downright preachy. Neal Peart has changed so much from his life experiences that we ought not to expect his writing to remain the same.
If someone writes a mating ritual-type song, as Steve Hackett used to call them, that kind of lyric needs a certain kind of music. By the same token, time changes, advanced harmony, and exotic scales need to be complemented by a word-picture that is equally uncommon.
thanks,
88melter
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88melter
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Kestrel
Forum Senior Member Joined: June 18 2008 Location: Minnesota Status: Offline Points: 512 |
Posted: November 24 2008 at 22:53 |
This is what I have been trying to say for years now, but summed up more eloquently than I ever would/could. This is exactly what I feel bands like Genesis, Yes, VDGG and others were very aware of and is what made them so great. A song can be just a couple of riffs and a stupid lyric about sex and drugs, but it isn't how you make a beautiful song. In most cases, anyway. |
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Slartibartfast
Collaborator Honorary Collaborator / In Memoriam Joined: April 29 2006 Location: Atlantais Status: Offline Points: 29630 |
Posted: November 25 2008 at 05:45 |
No, I found them. They were over there in the corner.
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Released date are often when it it impacted you but recorded dates are when it really happened...
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OzzProg
Forum Senior Member Joined: January 02 2008 Location: Quebec Status: Offline Points: 540 |
Posted: November 25 2008 at 19:38 |
I could live without lyrics
Sure, everyone loves to extract a really catchy phrase, or a metaphorical line somewhere along the line. But does it really have anything to do with the music? My personal opinion is no. Vocals are just another instrument, used to create music with the rest of the band. Whether a vocalists sings "I get up, I get down!!!" or "Na Naaa, naaa naa NAA!!!", it still makes good music. I LOVE a lot of music like this, like the end part of "South Side of the Sky" by Yes, or "Peking O" by Can, where all sorts of stuff is being screamed at loud volumes. To be completely honest, I prefer instrumental music (And music in foreign languages). Why? This way I can immagine in my own mind what the music reminds me of, not what the vocalist is singing to me. Music should be that way in my opinion. However, I do understand that a lot of people really enjoy listening and reading all the lyrics, and trying to find out the meaning, or just plain get the message the band is trying to get through. These people just enjoy their poetry and music together. =============================================================================== It also seems that I am missing the part of your brain that picks up on lyrics, and character's names in movies (same part of the brain?). I never catch on to any of them, I don't notice lyrics, unless I read them, and only know name's of characters if I ask a friend. =============================================================================== As for modern prog lyrics, I agree with you entirely; they are lacking the same "poetry" that earlier music had. The bands In general, don't put as much effort into creating lush metaphors of love, myth, or fantasy. Oh, and isn't signing about love in the 21st century "Gay"? It seems as if the bands are too scared to truly express the emotional sides of themselves, or simply don't care to make meaningfull lyrics. I feel the same way with the production level of new albums too, they aren't as polished. Ozzprog |
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fuxi
Prog Reviewer Joined: March 08 2006 Location: United Kingdom Status: Offline Points: 2459 |
Posted: December 02 2008 at 04:47 |
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88melter
Forum Groupie Joined: August 30 2008 Location: Madison WI Status: Offline Points: 94 |
Posted: December 02 2008 at 08:34 |
Gents, and ladies,
If the lyrics were meant to be ignored, there wouldn't be any. OR, would there? Does an opera audience know the specific words they are listening to? Do Germans know Italian? Do the French know German? Maybe, a little, but not very much. ( More than most Americans though, but that's another story...)
I think the same dynamic applies to progressive rock. Just as an opera needs a story to hang the music on, so P-R needs something extra-musical to drap itself over. The more attention the band pays to the words, the better they are, and the more one gets out of noticing them.
If one thinks that Pink Floyd's music is good, but the lyrics are a bit fractured, well, listen to the music. If one thinks that YES' lyrics are an integral part of the YesExperience, ignore them at your peril!
Rush seems to be making lots of specific points in their script, and Genesis tells some wonderfully odd little tales.
I find the more I listen to, and read, the words and liner notes to P-R albums, the more I get out of the experience.
I'm done, this thread is getting threadbare...
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88melter
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CPicard
Forum Senior Member Joined: October 03 2008 Location: Là, sui monti. Status: Offline Points: 10841 |
Posted: December 02 2008 at 12:14 |
I agree with you, but slightly less loudly.
Edited by CPicard - December 02 2008 at 12:15 |
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J-Man
Prog Reviewer Joined: August 07 2008 Location: Philadelphia,PA Status: Offline Points: 7826 |
Posted: December 03 2008 at 17:47 |
Look, the lyrics are meant to show the singer's skill and show the concept or story of the song. The lyrics have always been written similarly, though I never cared that much; as long as they were there.
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Check out my YouTube channel! http://www.youtube.com/user/demiseoftime |
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prog4evr
Forum Senior Member Joined: September 22 2005 Location: Wuhan, China Status: Offline Points: 1455 |
Posted: December 13 2008 at 04:44 |
No, can't say that I do. However, the lyric by Peter Gabriel on TLLDOB: "And I am hovering like a fly, waiting for the windshield on the freeway," before 'Fly on the Windshield,' is brilliant - and, no doubt, adds to the prog greatness of that instrumental number... |
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peskypesky
Forum Senior Member Joined: September 25 2005 Location: Texas Status: Offline Points: 359 |
Posted: December 14 2008 at 17:17 |
People who think lyrics are unimportant, well, what can I say? You can read poetry to a mule, but you can't make him appreciate it.
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hermosotrozo
Forum Newbie Joined: December 04 2008 Status: Offline Points: 22 |
Posted: December 15 2008 at 07:22 |
well, thats prett natural, if the sound is good we really dont mind any music (i mean i am talking about myself.)
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