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Toaster Mantis View Drop Down
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Direct Link To This Post Posted: June 30 2008 at 14:19
Originally posted by Visitor13 Visitor13 wrote:

Heh, fair enough. Still fairly obscure labels, though.


The other two perhaps, but Mute Records aren't THAT obscure. Didn't they publish Sonic Youth's early albums?
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Direct Link To This Post Posted: June 30 2008 at 13:07
Originally posted by Equality 7-2521 Equality 7-2521 wrote:

^
At the same time though the business world enabled music to be brought to mass amounts of people and also created a reasonable market which attracts more people to continue to make music given that it provides a somewhat reasonable means of living.


More often than not the key word here being 'somewhat'.
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Direct Link To This Post Posted: June 30 2008 at 12:49
I know, don't get me wrong on that, I didn't call down the business world at all. Keep in mind that artists and corporate entities are not exactly like minded. I'd know! What I was meaning to say was that the business world expects one thing while some artists may want to do another. Labels often (not always) sign bands that sounds like bands that have already made them money, so the most original band in the world may be out there, somewhere, playing in their parents garage never to be signed.
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Direct Link To This Post Posted: June 30 2008 at 12:45
^
At the same time though the business world enabled music to be brought to mass amounts of people and also created a reasonable market which attracts more people to continue to make music given that it provides a somewhat reasonable means of living.
"One had to be a Newton to notice that the moon is falling, when everyone sees that it doesn't fall. "
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Direct Link To This Post Posted: June 30 2008 at 12:20
There's an interesting point that I failed to bring up - the labels!

When it comes to originality no one hurts music more than the corporate world. Assigning producers to attempt to keep the music contemporary by bringing it down to earth. Well, maybe that's exaggerating a bit, but a lot of bands won't ever get signed unless they have some kind of sound that can be sold. Let's face it, originality is a hard sell for the most part (not always so in the progressive world), most people would rather listen to Justin Timberlake than A Silver Mt. Zion (again, in the non-prog world) so it's easier to sell the 1000th shelf pop star. I suppose even in prog it would be easier to sell something like Spock's Beard than something completely obscure and perhaps original.

Maybe some of these bands are in fact the most original artists on the planet being held within the restraints of modern labels Wink.
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Direct Link To This Post Posted: June 30 2008 at 11:50
Heh, fair enough. Still fairly obscure labels, though.
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Direct Link To This Post Posted: June 30 2008 at 11:46
Originally posted by Visitor13 Visitor13 wrote:

Can you see these two landing a deal with Century Media?

 http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=150896108


No, because Century Media don't do experimental electronica. Tongue Cold Meat Industry, Old Europa Café or even Mute Records, on the other hand...


Edited by Toaster Mantis - June 30 2008 at 11:48
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Direct Link To This Post Posted: June 30 2008 at 08:31
Originally posted by Toaster Mantis Toaster Mantis wrote:

Originally posted by Visitor13 Visitor13 wrote:

And AFAIK in music recording a CD of 'incomprehensible' music is a surefire way of selling it in several hundred copies at most, not exactly a 'breakthrough'...


These guys have managed to get a deal with Century Media, which shows that either is there a market for this... or someone at Century Media has a weird sense of humour. LOL


Easy listening. Some sort of neo-psychadelia, a blast beat or two and goofy lyrics, nothing demanding, special or truly original. The only put-off for the casual music listener would be the blast beats and the growls, but yeah, there are enough people into this stuff out there to constitute a somewhat viable market. Basically, most metalheads, save for the most stuck-up ones and the 'no growls' brigade, will swallow that one easily. And Century Media is trying to cover most possible metal (sub)markets, a wise move from the business point of view.

Can you see these two landing a deal with Century Media?

 http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=150896108
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Direct Link To This Post Posted: June 30 2008 at 05:38
Originally posted by Visitor13 Visitor13 wrote:

And AFAIK in music recording a CD of 'incomprehensible' music is a surefire way of selling it in several hundred copies at most, not exactly a 'breakthrough'...


These guys have managed to get a deal with Century Media, which shows that either is there a market for this... or someone at Century Media has a weird sense of humour. LOL
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Direct Link To This Post Posted: June 30 2008 at 04:31
Originally posted by russellk russellk wrote:

Originally posted by Visitor13 Visitor13 wrote:

Originally posted by russellk russellk wrote:




Almost no artists who do what? Originality for its own sake? How do you know that? In the literary field there are many writers who believe the pathway to being published is to be original for its own sake - many publishers will take a chance on something incomprehensible in case it turns out to be the 'breakthrough book'. I'm sure it's the same in music. So, no 'straw man' argument there.




Could you give any examples of such writers? And AFAIK in music recording a CD of 'incomprehensible' music is a surefire way of selling it in several hundred copies at most, not exactly a 'breakthrough'...


Sure. If you want to read an interesting debate, go to http://www.ireadscifi.com/singularity-sky-by-charles-stross/
where Charles Stross' debut novel, 'Singularity Sky' - marketed on the basis of its originality - is reviewed unsympathetically and debated. It sold quite well and was nominated for awards. There are plenty of other examples.


Ah, sci-fi... I guess there are numerous readers of sci-fi who consider the setting equally or even more important than the actual plot (I'm such a person). Nothing strange or new here, throughout the whole of history you'll always find plenty of readers interested in exotic places.

This is definitely NOT the case with music, though. Releasing a CD with original/unconventional/uncommon music is not viable financially or popularity-wise. Even the least obscure labels like Tzadik have to largely settle for breaking even, instead of making any actual profit.
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Direct Link To This Post Posted: June 30 2008 at 00:25
Originally posted by sinkadotentree sinkadotentree wrote:

I just have to give Clap to both Pnoom! and Russellk(i respect both of you guys a lot) for their usual intelligent and meaningful thoughts. And to King By-Tor for this thread which i really didn't think would go anywhere but downhill fast. And Atavachron your timing was perfect.


I'm surprised too LOL (thanks, by the way!).


No, this is great! I'm trying to keep up with everything that's happened since I left, let's see if I've got anything left to add. Keep it coming! I'm enjoying the hell out of this discussion.

Originally posted by Rileydog22 Rileydog22 wrote:


Reminds me of this:
http://youtube.com/watch?v=8s13sASS5F4


Funny isn't it? Actually, I had a song writer do almost the same thing for me the other day, except she just took the chords from Knocking On Heaven's door and came up with, like 3 or 4 songs out of it. She said you could do exactly the same thing as that guy did though. Good to see it in motion though! LOL thanks for the link.
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Direct Link To This Post Posted: June 29 2008 at 22:05
Originally posted by russellk russellk wrote:

Our arguments may not have been original, but I hope they at least entertained Smile


The sarcasms were original and the entire reason why they were entertaining at all Wink

EDIT: unless of course your taste in arguments suck, of course Tongue


Edited by Pnoom! - June 29 2008 at 22:06
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Direct Link To This Post Posted: June 29 2008 at 22:02
Our arguments may not have been original, but I hope they at least entertained Smile
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Direct Link To This Post Posted: June 29 2008 at 20:06
Originally posted by sinkadotentree sinkadotentree wrote:

I just have to give Clap to both Pnoom! and Russellk(i respect both of you guys a lot) for their usual intelligent and meaningful thoughts. And to King By-Tor for this thread which i really didn't think would go anywhere but downhill fast. And Atavachron your timing was perfect.


Thanks man.
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Direct Link To This Post Posted: June 29 2008 at 19:46
I just have to give Clap to both Pnoom! and Russellk(i respect both of you guys a lot) for their usual intelligent and meaningful thoughts. And to King By-Tor for this thread which i really didn't think would go anywhere but downhill fast. And Atavachron your timing was perfect.
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Direct Link To This Post Posted: June 29 2008 at 18:24
Originally posted by Pnoom! Pnoom! wrote:

Originally posted by Atavachron Atavachron wrote:

as a young musician and then illustrator, I was always trying to be 'original' - that is, I would often start with originality as of prime importance - and what I realized is that original material that works usually stems from established principles.. that is, the new seemed to often come from the old, and not from some immaculately conceived notion  ..artists usually have breakthroughs from working and creating, it is a process more than an ideal suddenly come to fruition with no attention to aesthetics   

..sorry if that's useless  Smile



No I think it settles russelk's calls to talk about originality for its own sake very well, since I think it states an opinion that almost everyone would agree with (myself and I presume russelk as well).


You presume correctly. Great post Atavachron - standing on the shoulders of giants and all that. Clap
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Direct Link To This Post Posted: June 29 2008 at 18:14
Originally posted by Atavachron Atavachron wrote:

as a young musician and then illustrator, I was always trying to be 'original' - that is, I would often start with originality as of prime importance - and what I realized is that original material that works usually stems from established principles.. that is, the new seemed to often come from the old, and not from some immaculately conceived notion  ..artists usually have breakthroughs from working and creating, it is a process more than an ideal suddenly come to fruition with no attention to aesthetics   

..sorry if that's useless  Smile



No I think it settles russelk's calls to talk about originality for its own sake very well, since I think it states an opinion that almost everyone would agree with (myself and I presume russelk as well).
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Direct Link To This Post Posted: June 29 2008 at 18:08
as a young musician and then illustrator, I was always trying to be 'original' - that is, I would often start with originality as of prime importance - and what I realized is that original material that works usually stems from established principles.. that is, the new seemed to often come from the old, and not from some immaculately conceived notion  ..artists usually have breakthroughs from working and creating, it is a process more than an ideal suddenly come to fruition with no attention to aesthetics   

..sorry if that's useless  Smile


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Direct Link To This Post Posted: June 29 2008 at 17:51
^ interesting Russell... 
The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Direct Link To This Post Posted: June 29 2008 at 17:45
Originally posted by Visitor13 Visitor13 wrote:

Originally posted by russellk russellk wrote:




Almost no artists who do what? Originality for its own sake? How do you know that? In the literary field there are many writers who believe the pathway to being published is to be original for its own sake - many publishers will take a chance on something incomprehensible in case it turns out to be the 'breakthrough book'. I'm sure it's the same in music. So, no 'straw man' argument there.




Could you give any examples of such writers? And AFAIK in music recording a CD of 'incomprehensible' music is a surefire way of selling it in several hundred copies at most, not exactly a 'breakthrough'...


Sure. If you want to read an interesting debate, go to http://www.ireadscifi.com/singularity-sky-by-charles-stross/
where Charles Stross' debut novel, 'Singularity Sky' - marketed on the basis of its originality - is reviewed unsympathetically and debated. It sold quite well and was nominated for awards. There are plenty of other examples.
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