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Petrovsk Mizinski View Drop Down
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Direct Link To This Post Posted: January 23 2008 at 03:06
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Vai.
Vai is amazing, but his more of an all around virtuoso, good at many techniques, but a master of none. Hence why i couldn't pick him as the "best".
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Direct Link To This Post Posted: January 23 2008 at 13:09
Well Alvin Lee is other,..but after I will post more names.Van Halen etc etc
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Direct Link To This Post Posted: January 23 2008 at 17:52
Originally posted by akiko akiko wrote:

2 words: Allan Holdsworth


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Direct Link To This Post Posted: January 23 2008 at 22:50
Originally posted by Endless Wire Endless Wire wrote:

It has been proven that Shawn Lane is the fastest guitar player in the world.  I think he can pick something like 19 notes per second or some such number.  Search for him on youtube and watch the sick lick video.  It is mind blowing, especially that lick around 2:36.

 
Ahem. Was the fastest.
RIP Shawn
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Direct Link To This Post Posted: January 24 2008 at 00:56
Originally posted by SilverSean SilverSean wrote:

Originally posted by Endless Wire Endless Wire wrote:

It has been proven that Shawn Lane is the fastest guitar player in the world.  I think he can pick something like 19 notes per second or some such number.  Search for him on youtube and watch the sick lick video.  It is mind blowing, especially that lick around 2:36.

 
Ahem. Was the fastest.
RIP Shawn
 
Read my post on the first page about that one.
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Direct Link To This Post Posted: January 24 2008 at 10:46
That thread is irrelevant.
It's not like all the guitar players perform the same piece of music e.g Bumble Bee and such using a metronome so you can tell who is the fastest one. And I want to see it because speeding up the recording is a common practice since the end of 40s.
Cool
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Direct Link To This Post Posted: January 24 2008 at 11:00
Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Vai.
Vai is amazing, but his more of an all around virtuoso, good at many techniques, but a master of none. Hence why i couldn't pick him as the "best".


Rather "master of all". Which technique hasn't he mastered?Big%20smile
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Direct Link To This Post Posted: January 24 2008 at 11:40
Although I'm the consumate Holdsworth fan,  listening (this morning stuck in a M25 motorway jam)to John McLaughlin and Michael Brecker jamming on th long tune Jazz Jungle (from McLaughlin's The Promise), I was reminded that Johnnie Mac is probably the man
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Direct Link To This Post Posted: January 24 2008 at 15:53
@1Vic,I usually PM when chastising a member but I am tired of this kind of behavior.Time for a crackdown.
 
The way you have addressed other people and their opinions and thoughts in this thread is reprehensible.We don't allow that kind of behavior here,and I am sick and tired of newbies coming into this forum and acting like this.Consider this a warning.
 
And I'LL determine if a thread is irrelevant.


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Direct Link To This Post Posted: January 24 2008 at 21:35
Originally posted by TheProgtologist TheProgtologist wrote:

@1Vic,I usually PM when chastising a member but I am tired of this kind of behavior.Time for a crackdown.
 
The way you have addressed other people and their opinions and thoughts in this thread is reprehensible.We don't allow that kind of behavior here,and I am sick and tired of newbies coming into this forum and acting like this.Consider this a warning.
 
And I'LL determine if a thread is irrelevant.


Thanks for the warning, officer.
Wink
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Direct Link To This Post Posted: January 24 2008 at 22:23
Originally posted by 1vic 1vic wrote:

That thread is irrelevant.It's not like all the guitar players perform the same piece of music e.g Bumble Bee and such using a metronome so you can tell who is the fastest one. And I want to see it because speeding up the recording is a common practice since the end of 40s.Cool

You see, you're supposed to use your brain and judge for yourself by comparing the musicians and what they play.
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Direct Link To This Post Posted: January 24 2008 at 22:35
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Vai.
Vai is amazing, but his more of an all around virtuoso, good at many techniques, but a master of none. Hence why i couldn't pick him as the "best".


Rather "master of all". Which technique hasn't he mastered?Big%20smile
 
As I've said, he is certainly great at many techniques, but if your an avid follower of the shred guitar scene like I am (I have no idea if you are you or not, Vai is really a master of composition, but not so much of guitar technique. I am a huge Vai fan, having about 3/4 of his solo albums, Live in Astoria and Visual Sound theories, not to mention all three G3 DVDs. His technique is still very much "80s virtuoso" level, as what happens to many guitarists that are in their technical prime in certain period, resulting in each sucessive generation of guitarists being more technical. Just to make more sense on that point i'll give examples: Jimmy Page/Tony Iommi were very much aof the late 60s guitarists and their technique is firmly rooted in that period, Dave Murray from Iron Maiden developed most of his technique in the 70s and his technique is rooted in that era, Marty Friedman/Joe Satriani/Vai/Malmsteen were very much a part of the 80s shred scene and there technique is rooted in that era, Rusty Cooley/Jasun Tipton/Jeff Loomis were part of the 90s and even today's shred scene and have highly evolved technique.
While Vai is something special, many virtuosos of the 90s/00s can sweep pick, tap, alternate pick, string skip, legato more cleanly and quicker than Vai, some people significantly so. Cooley is faster and cleaner in all those areas then Vai, so i would consider him a master of all those techniques. And few people can match, if any at all, can match Tipton's abilities in mixing sweep picking and alternate picking in one pattern. Master in the 80s? I guess so,l but not so much nowadays. Being a Progmetal Specialist, im assuming you have heard Zero Hour and Tiptons insane techniqueWink
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Direct Link To This Post Posted: January 25 2008 at 03:01
^ I am not much impressed by Tipton, to be perfectly honest. I am an avid follower of the shred guitar scene as well, which also means that I'm familiar with this sort of "Vai bashing". What I don't understand is how little you know about Vai's bandwidth of techniques if you really own all these albums/DVDs. First of all: Vai's playing has always been exceptional, even in the 80s. Just compare his playing on for example Passion and Warfare to what Satriani was playing at the time. Secondly, if you look at Vai in the 90s or 2000s you'll discover that he expanded his playing to totally different techniques again ... just two words: fretless, sustainer (http://www.youtube.com/watch?v=wbAi7fa2yZo).

There may be guitarist who play faster than Vai, but Vai is - at least for me - the ultimate combination of emotional playing, masterly technique, flawless execution and innovative composition/songwriting.


BTW: I actually agree with your theory that guitar techniques evolve ... a guitarist who begins his career in the 80s has more "building blocks" to use than one of the 1970s, in addition to the techniques which he creates all by himself (which there are very few of). What I don't agree with is that guitarists are stuck in their decade ... some are (Malmsteen most of all), some are not.


Edited by MikeEnRegalia - January 25 2008 at 04:24
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Direct Link To This Post Posted: January 25 2008 at 08:16
Originally posted by King Crimson776 King Crimson776 wrote:

Originally posted by 1vic 1vic wrote:

That thread is irrelevant.It's not like all the guitar players perform the same piece of music e.g Bumble Bee and such using a metronome so you can tell who is the fastest one. And I want to see it because speeding up the recording is a common practice since the end of 40s.Cool

You see, you're supposed to use your brain and judge for yourself by comparing the musicians and what they play.

Thank you King Crimson,
My point exactly.
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Direct Link To This Post Posted: January 25 2008 at 09:56
Originally posted by HughesJB4 HughesJB4 wrote:

 
As I've said, he is certainly great at many techniques, but if your an avid follower of the shred guitar scene like I am (I have no idea if you are you or not, Vai is really a master of composition, but not so much of guitar technique. I am a huge Vai fan, having about 3/4 of his solo albums, Live in Astoria and Visual Sound theories, not to mention all three G3 DVDs. His technique is still very much "80s virtuoso" level, as what happens to many guitarists that are in their technical prime in certain period, resulting in each sucessive generation of guitarists being more technical. Just to make more sense on that point i'll give examples: Jimmy Page/Tony Iommi were very much aof the late 60s guitarists and their technique is firmly rooted in that period, Dave Murray from Iron Maiden developed most of his technique in the 70s and his technique is rooted in that era, Marty Friedman/Joe Satriani/Vai/Malmsteen were very much a part of the 80s shred scene and there technique is rooted in that era, Rusty Cooley/Jasun Tipton/Jeff Loomis were part of the 90s and even today's shred scene and have highly evolved technique.
While Vai is something special, many virtuosos of the 90s/00s can sweep pick, tap, alternate pick, string skip, legato more cleanly and quicker than Vai, some people significantly so. Cooley is faster and cleaner in all those areas then Vai, so i would consider him a master of all those techniques. And few people can match, if any at all, can match Tipton's abilities in mixing sweep picking and alternate picking in one pattern. Master in the 80s? I guess so,l but not so much nowadays. Being a Progmetal Specialist, im assuming you have heard Zero Hour and Tiptons insane techniqueWink
Thanks for replying Hughes, now I see what you meant. To me Vai is a musician who can play the guitar really well. Yet, I never used his music/licks for exercises.
I do not find Tipton's technique something out of this world, sorry.
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Direct Link To This Post Posted: January 27 2008 at 00:58
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

^ I am not much impressed by Tipton, to be perfectly honest. I am an avid follower of the shred guitar scene as well, which also means that I'm familiar with this sort of "Vai bashing". What I don't understand is how little you know about Vai's bandwidth of techniques if you really own all these albums/DVDs. First of all: Vai's playing has always been exceptional, even in the 80s. Just compare his playing on for example Passion and Warfare to what Satriani was playing at the time. Secondly, if you look at Vai in the 90s or 2000s you'll discover that he expanded his playing to totally different techniques again ... just two words: fretless, sustainer (http://www.youtube.com/watch?v=wbAi7fa2yZo).

There may be guitarist who play faster than Vai, but Vai is - at least for me -  the ultimate combination of emotional playing, masterly technique, flawless execution and innovative composition/songwriting.


BTW: I actually agree with your theory that guitar techniques evolve ... a guitarist who begins his career in the 80s has more "building blocks" to use than one of the 1970s, in addition to the techniques which he creates all by himself (which there are very few of). What I don't agree with is that guitarists are stuck in their decade ... some are (Malmsteen most of all), some are not.
 
Steve Vai has definitely improved his technique over the years, not a doubt about it (except his sweep picking remains as sloppy as ever). His playing on the triple neck guitar on I Know You're Here on G3: Live in Denver was absolutely mind blowing, and his use of the bottom neck with the Fernandes Sustainer and Fretless Board was very cool. Certainly Steve Vai, although the bulk of his technique remains in the 80s IMO, his approach to composition and just his general approach to the guitar is certainly still keeping up with the present. As for "Vai bashing", well when I put my post up, to my mind i was just giving my analysis on his playing, and my intention hardly to "Vai Bash". Given Vai is quite simply a god to me and has for the past 3 years had a big impact on the way I think about music and guitar playing. For the Love and Windows To the Soul bring me to tears without fail everytime (and that's just two examples, let alone all the other beautiful work he has done over the years) . I can't say that about many of today's shredders songs.
Another guitar to my mind that has 'the ultimate combination of emotional playing, masterly technique, flawless execution and innovative composition/songwriting' is Joe Satriani, who has had an even bigger influence on my playing style and technique, although i would agree with you in another thread you posted many times on regarding Vai vs Satch, that Vai has the compositional edge and has always been more innovative in his approach, but that's not to say Satch has not been massively influential compositionally wise. Satch's technique over the years has always improved, his use of the Digitech Whammy (which if i recall that pedal was released in 1991) over the years always amazing to me.
As for guitarist stuck in their decade, I think you took my comment as me over-generalising, when i really did mean some guitarist are stuck in their decade, and others are not. Certainly Marty Friedman's compositions have always been fresh, as has some of Vai's and Satch's. As for Malmsteen, there is a reason why I only have 3 of his studio albums, the first two, and Odyssey, which to be honest, was about a 4/10 for me anyway, and the Concerto Suite LIVE DVD.
 
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Direct Link To This Post Posted: January 27 2008 at 09:50
I only keep the first Yngwie's album. I guess, I have better taste... just kidding. Smile
HughesJB4 said: (except his sweep picking remains as sloppy as ever).
I am not trying to be annoying I just want to  make sure if I am loosing it or you are missing something because I didn't find anything that could be considered sloppy in Vai's  technique. Could you be so kind and point me to the right piece where his sloppiness sticks out the most I would really appreciate it. I think I have all his albums except Zappa's period.
Thank you HughesJ4B
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Direct Link To This Post Posted: January 27 2008 at 10:14
Originally posted by HughesJB4 HughesJB4 wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

^ I am not much impressed by Tipton, to be perfectly honest. I am an avid follower of the shred guitar scene as well, which also means that I'm familiar with this sort of "Vai bashing". What I don't understand is how little you know about Vai's bandwidth of techniques if you really own all these albums/DVDs. First of all: Vai's playing has always been exceptional, even in the 80s. Just compare his playing on for example Passion and Warfare to what Satriani was playing at the time. Secondly, if you look at Vai in the 90s or 2000s you'll discover that he expanded his playing to totally different techniques again ... just two words: fretless, sustainer (http://www.youtube.com/watch?v=wbAi7fa2yZo).

There may be guitarist who play faster than Vai, but Vai is - at least for me -  the ultimate combination of emotional playing, masterly technique, flawless execution and innovative composition/songwriting.


BTW: I actually agree with your theory that guitar techniques evolve ... a guitarist who begins his career in the 80s has more "building blocks" to use than one of the 1970s, in addition to the techniques which he creates all by himself (which there are very few of). What I don't agree with is that guitarists are stuck in their decade ... some are (Malmsteen most of all), some are not.
 
Steve Vai has definitely improved his technique over the years, not a doubt about it (except his sweep picking remains as sloppy as ever). His playing on the triple neck guitar on I Know You're Here on G3: Live in Denver was absolutely mind blowing, and his use of the bottom neck with the Fernandes Sustainer and Fretless Board was very cool. Certainly Steve Vai, although the bulk of his technique remains in the 80s IMO, his approach to composition and just his general approach to the guitar is certainly still keeping up with the present. As for "Vai bashing", well when I put my post up, to my mind i was just giving my analysis on his playing, and my intention hardly to "Vai Bash". Given Vai is quite simply a god to me and has for the past 3 years had a big impact on the way I think about music and guitar playing. For the Love and Windows To the Soul bring me to tears without fail everytime (and that's just two examples, let alone all the other beautiful work he has done over the years) . I can't say that about many of today's shredders songs.


Maybe it's just a misunderstanding ... to me saying that someone's playing is sloppy "as ever" or to be stuck in the 80s constitutes bashing and simply doesn't makes sense to me when applied to Vai. Even in the 80s his playing was exceptional and hardly comparable to typical guitarists of the time. For example listen to Eat Em And Smile and compare it to 1984. Or listen to the Alcatraz album he played on and compare it to their albums with Yngwie, or even the Whitesnake album where he merely acted as a studio guitarist, playing parts which were already written for Vandenberg ... to everything he adds his own, unique style. If Vai sounds too much like 80s shred then only because he *defined* most of it, together with Satch of course.Big%20smile

Listen to Freak Show Excess here: http://www.myspace.com/stevevai ... it both explains why Vai is listed on this website, and just how much his style and sound evolved over the years.


Edited by MikeEnRegalia - January 27 2008 at 10:16
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Direct Link To This Post Posted: January 27 2008 at 15:14
i cant stand guitarists that are all technique and speed and have no emotion, so a lot of the guys i mention have a nice mix of both.

Jeff Beck
Frank Zappa
Steve Morse
Robert Fripp
the guy from Brand X
John McLaughlin
Jimi Hendrix
Kirk Hammett
Allan Holdsworth
Trey Anastasio
Mike Stern
Larry Coryell
Pat Metheny
John Abercrombie
Scott Henderson

one man i want to focus on is John Scofield. He may be the most soulful guitarist out there right now, but he can rip it down with the best of them (listen to any of the albums he's on with Miles Davis, Billy Cobham, George Duke, and John Abercrombie) his style is so lyrical, it's almost as if his guitar is an extension of himself.



Edited by darkshade - January 27 2008 at 15:16
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Direct Link To This Post Posted: January 27 2008 at 15:47
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