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Direct Link To This Post Topic: Muse-Wrapped Discussion
    Posted: May 28 2005 at 05:43
Originally posted by garrett garrett wrote:

As you see I'm new here. I first found Muse-Wrapped  cuz I'm a huuuuge Walsh fan. One googling lead to another and viola, I found prog-archives as well. Both sites are killer IMHO and the forum here rocks. 

I'll be bach!

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Direct Link To This Post Posted: May 27 2005 at 21:02

BTW: is muse-wrapped really out of business (as the other vendor claimed)? The website says some BS about "offline while we continue our evolution".

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Direct Link To This Post Posted: May 27 2005 at 20:43
Originally posted by reboot reboot wrote:

Hi.New one here but long time Kansas(Walsh) Fan.U know what? And i don't really care about all these new "Songs Protected Gizzmo" as i don't do any Music piracy.When an artist like Mr Wash Lauching an album, i for myself just " BUY IT" and 'what will be will be'.Come on! F G"$$'d SAKES! These guys deserved all of it! My 2cents worth.


Have you been paying attention to the thread?  Don't be a stupid f***.  This isn't about piracy, and I DO NOT APPRECIATE being treated like it is.  It's about the right to listen to the music how we want to.  I wanna listen to it on my MP3 CD player, in my car.  I want to do it with the copy I buy.  If it's copy-protect, that will make it where I can't easily do that.  Ever hear of the Fair Use Act?  As long as I'm not infringing upon the artist's copyrights, which that wouldn't do, I'm LEGALLY ALLOWED TO DO IT.  I wanna punch you in the face, I don't run across ignorance like yours every day.

God, get some reading comprehension skills before you go and accuse someone.  I've been a long-time Walsh fan myself, I've purchased just about everything he's ever done, often twice or even thrice in some cases.

Maybe the artist, in this case, Steve Walsh, will get more money if so much of it wasn't going towards copy-protection.  Prick.


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Direct Link To This Post Posted: May 27 2005 at 20:33
Hi.New one here but long time Kansas(Walsh) Fan.U know what? And i don't really care about all these new "Songs Protected Gizzmo" as i don't do any Music piracy.When an artist like Mr Wash Lauching an album, i for myself just " BUY IT" and 'what will be will be'.Come on! F G"$$'d SAKES! These guys deserved all of it! My 2cents worth.
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Direct Link To This Post Posted: May 16 2005 at 12:33
Check out www.mindawn.com - it came out before muse-wrapped and unlike muse-wrapped is still in business. We currently have a bent for prog and are signing up prog labels and artists left and right, Musea just joined the fold today and more are coming all the time. There are some really important distinguishing characteristics to Mindawn that no other system provides:

* NO DRM
* Works on Linux, Mac and Windows
* Provides actual lossless, CD quality audio (not nearly, but real CD quality)
* You can use that to convert to any format you want or burn a CD, so any portable device is supported in that regard
* Listen to any song, in full, up to 3 times in high fidelity to see if you want to buy it. No low rez 30 second samples.
* System is open to anyone, costs $50 to open an account and you are selling just as soon as you can rip and upload your material.

Currently there is about 3,000 songs, a good amount of rare or out of print material is in there as well. We're focusing on getting as much original content as possible right now. Come and check it out, we have FAQ's there that explain everything too.
Best Regards,
Shawn Gordon
President
ProgRock Records
www.progrockrecords.com
www.mindawn.com
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Direct Link To This Post Posted: April 05 2005 at 19:02
Originally posted by garrett garrett wrote:

Signed,

His mother...

 


  I like you already!

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Direct Link To This Post Posted: April 05 2005 at 18:41
Originally posted by James Lee James Lee wrote:

 

Is Magellan even any good? It's hard to believe someone who thinks like that could be responsible for music of any quality.

 

Though everyone has different tastes, check out the following musicians who thought Trent Gardner of Magellan was worth working with:

DREAM THEATER, (all members except Jordan Rudess)

Terry Bozzio (Frank Zappa, UK, etc, etc.)

Kerry Livgren (Kansas, Proto-Kaw)

Steve Walsh (Kansas)

Billy Sheehan (Mr. Big, Talas, Niacin)

Marty Friedman (Megadeth)

Steve Howe (Yes)

Virgil Donati (Steve Vai, Planet X)

James Murphy (Testament, Death)

Gary Wehrkamp (Shadow Gallery)

D.C. Cooper (Royal Hunt)

Bret Douglas (Cairo)

Derek Sherinian (former Dream Theater)

Pat Mastelotto (King Crimson)

Billy Greer (Kansas)

John Wetton (Asia, UK)

Michele Young (Glass Hammer, etc.)

Peter Banks (Genesis)

Geoff Downes (Yes, Asia)

Terry Brown (Rush producer)

The list goes on...

The above collaborations are facts, not opinions. Love Magellan or not, Trent G. must have something going for him.

Signed,

His mother...

 

 

 

 

 



Edited by garrett
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Direct Link To This Post Posted: April 05 2005 at 17:39
Originally posted by Wrath_of_Ninian Wrath_of_Ninian wrote:

Originally posted by Garion81 Garion81 wrote:

[QUOTE=Wrath_of_Ninian]

To be perfectly honest, I am quite happy with the way I discover music through reading reviews written by people who care, and through listening to sample TRACKS (not 45 sec samples - what would your sample be for Close To The Edge?  Or Tubular Bells?  Supper's Ready?)  

I have to say this method of discovery will remain the same, as will my purchase of such music through legitimate means.   

 

 

With no Radio airplay how do you expect to hear them?  As for buying sample tracks(which is what I am guessing Muse is doing)  I would rather buy satellite radio which would at least give you a variety of music for a very low monthly price by comparison. I have purchased many copies of many records and CD 's over the years. For my favorite bands i have purchased multiple copies of the same package Ie Album, First CD release, Digital master Release, Digital Master release with bonus tracks etc.

 

Sorry Garion, not really sure what you are getting at there.  What I meant was that I discover new music by listening to FREE sample tracks off Progarchives and reading the reviews of the albums.  I've been introduced to numerous new acts through these means, and have gone on to purchase many CDs (most recently Paatos and Genesis) which I now cherish. From what I gather, Muse-wrap offer 45-second samples of certain songs as a taster, and I was merely suggesting (as others did before me) that for prog rock music this is a nonsense.  I'm a bit worried that the new 'partnership' will see the end of Progarchives free samples in favour of Muse-Wrap's new pay-as-you-go system.

By the way, you can listen to prog digital stations via Progarchives too - no need to buy a digital radio.  Just download Realplayer for free and log on.  They're pretty good too. 

 

Well I was agreeing with you on one hand and putting down the concept of paying for preview tracks on the other as it sounded like Muse was/is doing.  Your comment on the colaboration is valid along the same line.  I just didn't articulate the thought properly. 

I know about prog radio but you need to be near a computer to hear it (Streaming media is blocked at work).  I spend more time in my car where satellite radio would be an advantage.

 

 

 



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Direct Link To This Post Posted: April 05 2005 at 17:26

As I understand it, you can purchase downloads, without any packaging, with less quality and you are not able to (immediatly) do with the music what you want?

sounds like a bad deal to me.

I'm always almost unlucky _ _ _ _ _ _ _ _ Id5ZcnjXSZaSMFMC Id5LM2q2jfqz3YxT
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Direct Link To This Post Posted: April 05 2005 at 17:20
Originally posted by Garion81 Garion81 wrote:

[QUOTE=Wrath_of_Ninian]

To be perfectly honest, I am quite happy with the way I discover music through reading reviews written by people who care, and through listening to sample TRACKS (not 45 sec samples - what would your sample be for Close To The Edge?  Or Tubular Bells?  Supper's Ready?)  

I have to say this method of discovery will remain the same, as will my purchase of such music through legitimate means.   

 

 

With no Radio airplay how do you expect to hear them?  As for buying sample tracks(which is what I am guessing Muse is doing)  I would rather buy satellite radio which would at least give you a variety of music for a very low monthly price by comparison. I have purchased many copies of many records and CD 's over the years. For my favorite bands i have purchased multiple copies of the same package Ie Album, First CD release, Digital master Release, Digital Master release with bonus tracks etc.

 

Sorry Garion, not really sure what you are getting at there.  What I meant was that I discover new music by listening to FREE sample tracks off Progarchives and reading the reviews of the albums.  I've been introduced to numerous new acts through these means, and have gone on to purchase many CDs (most recently Paatos and Genesis) which I now cherish. From what I gather, Muse-wrap offer 45-second samples of certain songs as a taster, and I was merely suggesting (as others did before me) that for prog rock music this is a nonsense.  I'm a bit worried that the new 'partnership' will see the end of Progarchives free samples in favour of Muse-Wrap's new pay-as-you-go system.

By the way, you can listen to prog digital stations via Progarchives too - no need to buy a digital radio.  Just download Realplayer for free and log on.  They're pretty good too. 

"Now all the seasons run together, and the middle days are gone..."
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Direct Link To This Post Posted: April 05 2005 at 16:43
The quality's fine.  Not CD quality, but it's encoded at 192kb/s, which is a bit better than the other pay-for-music online services.

But once you burn it, then re-rip it, to get MP3s...  there's a noticable quality drop.
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Direct Link To This Post Posted: April 05 2005 at 16:39
Maybe I'm missing something here, and apologies if I am. But what is the audio quality of these tracks ?. wma doesn't have the best of reputations, and not just because of the entangled security devices.

"Why say it cannot be done.....they'd be better doing pop songs?"
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Direct Link To This Post Posted: April 05 2005 at 15:30
My problem is that as a dedicated progger who's loved Steve Walsh and Magellan for as long as I can remember (my memory only goes back 6 years ), I'm still going to buy this stuff anyway, DRM or not.

But it would be nice if Trent or anyone else involved could at least review the complaints instead of immediately assuming we're out to steal his money.  I already made an unprotected set of MP3s from the album, it doesn't take a genius.  I'm still not going to distribute them. 

And dammit, info on the Walsh album? 
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Direct Link To This Post Posted: April 05 2005 at 13:41
Originally posted by garrett garrett wrote:

Originally posted by Man Overboard Man Overboard wrote:

45-second-samples for prog?  Hah!  

 

Good point!    I suppose the reality of server space kicked in. But 45 seconds is pretty good all things considered.

Actually, 45 seconds doesn't give you a clue where a reasonable piece of prog is concerned.

It's not like pop music, where once you've heard the verse and chorus then that's it.

 

 

I'd like to go back to that deeply flawed analogy of giving everyone your PIN number, my point in which I thought might be contested:

Once I have a piece of music in recorded format, I can then record it to mp3 very easily - through analogue means if necessary - and circumvent any DRM with ease, then distribute said mp3 among my friends.

DRM is a pain in the arse - nothing more, nothing less. It makes the process of copying more of a chore, (except on Linux-enabled computers ), but cannot prevent it. In fact, it will more likely encourage it, as someone who has circumvented it will pass unDRM'ed copies among their friends, who don't want the bother either.

In short, it will stop people copying music in the same way the audio cassette did.

 

 



Edited by Certif1ed
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Direct Link To This Post Posted: April 05 2005 at 13:39
Originally posted by Wrath_of_Ninian Wrath_of_Ninian wrote:

To be perfectly honest, I am quite happy with the way I discover music through reading reviews written by people who care, and through listening to sample TRACKS (not 45 sec samples - what would your sample be for Close To The Edge?  Or Tubular Bells?  Supper's Ready?)  

I have to say this method of discovery will remain the same, as will my purchase of such music through legitimate means.   

 

 

With no Radio airplay how do you expect to hear them?  As for buying sample tracks(which is what I am guessing Muse is doing)  I would rather buy satellite radio which would at least give you a variety of music for a very low monthly price by comparison. I have purchased many copies of many records and CD 's over the years. For my favorite bands i have purchased multiple copies of the same package Ie Album, First CD release, Digital master Release, Digital Master release with bonus tracks etc.

 

I feel really put out by Trents attitude on this. Trent don't come in here with your first note and lambaste the very people you want to buy your product. These people are not stupid first of all and second of all way more savy than you would think.  Oh Yeah and they spend a lot of money on CD's and concerts. There was a band back in the hair days of the 80's that was warming up a concert for a band I was going to see.  Because a portion of the second bands audience chose to sit in the back of the club rather than stand in front of the stage the Lead singer lambasted them and really said "If you don't want to rock f**k You".  Never heard about that band ever again anywhere.  I got the same vibe from your note.



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Direct Link To This Post Posted: April 05 2005 at 13:30

The DRM topic regarding Muse-Wrapped is one of the few debates that can actually be resolved by anyone interested in doing so. Just go to the site and check it out for yourselves. Give it a twirl, if you don't like it, great. If you do like, great. Everyone gets to decide for themselves and everyone will be right. At least this isn't one of those endless "Best 5 prog singers" type of topics.

 

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Direct Link To This Post Posted: April 05 2005 at 13:09

I have to say I agree with the concerns and suspicions of the collaborators on this one, and will take ManOverboard's point a bit further.  I dont think you are alone in that 'dork'-ish attitude to music, and you will find that most prog fans will legitimately own their current music collections, and will continue to buy CDs and Vinyl from reputable merchants on the basis of reviews and sample downloads from sites like this.

I think Mr Gardner has perhaps confused genuine music fans, such as the vast majority of contributors to these forums, with teenage quik-fixers who dont want to fork out $4 for Avril Lavigne's latest classic.  I understand his sentiments - the artist has a right to get paid - but believe me Trent, I doubt prog record sales are in jeopardy because of file-sharing software.  Perhaps the bands that you mention are not selling discs for other reasons...

Adopting such a righteous tone gets everyone's backs up (see above).  It was a mistake made (and SORELY regretted) by one Mr L. Ulrich a few years back, which resulted in staged Metallica-CD burning fests, and got them a reputation as money-grabbing corporatites.  

To be perfectly honest, I am quite happy with the way I discover music through reading reviews written by people who care, and through listening to sample TRACKS (not 45 sec samples - what would your sample be for Close To The Edge?  Or Tubular Bells?  Supper's Ready?)  

I have to say this method of discovery will remain the same, as will my purchase of such music through legitimate means.   

 

"Now all the seasons run together, and the middle days are gone..."
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Direct Link To This Post Posted: April 05 2005 at 12:44
That would more than do the trick.  But you saw what happened when I suggested considering an alternative to DRM WMA files.  
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Direct Link To This Post Posted: April 05 2005 at 12:27

Originally posted by Man Overboard Man Overboard wrote:

I sent Trent an email regarding the situation.  Text is as follows:
The thing is, I have an MP3 CD player, and I like to burn multiple
albums to a single disc for travelling.  I'd like to include Symphony
For A Misanthrope in my next compilation, and I'm well aware that I
can do that by burning a CD, then ripping the audio in a traditional
manner, *then* burning the final disc.  The problem with that is in
sonic fidelity.  Recompressing compressed audio data results in
low-quality audio.  Again, not the *worst* possible situation.

Maybe they should simply offer lossless audio formats to be downloaded (FLAC, or low compression OGG or even MP3, and others I don't remember). That should do the trick for you...

"The mind is like a parachute: it doesn't work until it's opened"... Frank Zappa.
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Direct Link To This Post Posted: April 05 2005 at 11:08
If I'm not mistaken, the Fair Use act should allow me to make MP3s...  the DMCA says you can't break copyprotection in the act of making your backup, but since the option to burn a CD is there, it's not circumventing it, I think.

Am I wrong in this?  I just made my MP3 copy.

Following the Fair Use act, I've made a CD compilation of the following albums for my MP3 CD player:

Abydos - Abydos
Pain Of Salvation - Be
Cynic - Focus (remastered and expanded)
HIM - Love Metal
Magellan - Symphony For A Misanthrope
Arena - Pepper's Ghost
Winds - The Imaginary Direction Of Time
Pat Mastelotto - XtracKcts & ArtifaKcts

All albums I have purchased and not pirated.  This CD will keep me entertained on the dreadful 8 hour bus ride I'm taking tomorrow.  It's very convenient that I can take a 25-cent CDr containing high-bitrate MP3 copies of albums I'd rather not risk losing, and it's nice that I can fit them onto a single disc.

Long live the Fair Use Act!  Let us continue to enjoy our freedoms responsibly.

...I just read that there will be a bonus track for Magellan's SFaM's store release...  looks like I'll be buying a second copy again...    I'm not the person that artists should be upset with.  I'm the big prog dork who pre-orders albums, blind-buys several CDs every time I go to the store (I try to keep this down to once a week or so...), often purchases second copies to get bonus tracks or other goodies, supports bands even when they falter (I own every Kansas album ever made!  That of course includes Drastic Measures ), does what he can to get other people into prog, buys the concert DVDs, goes to the shows, buys the merchandise...

...rather than targeting me for my 'misanthropy' towards DRM, I dunno.  If you saw my room, you'd laugh.  On my desk right now are 3 King Crimson DVDs, a Spiral Architect CD, two King Crimson CDs, a softcore male porn DVD (whoops!), a pack of cigarettes, some beer bottles, a woefully-thin wallet, drained by my love for prog...  errr, maybe I should've just stuck to my music-related items. 

Edit:  I reread Trent's post.  Is he seriously accusing me of piracy?  That's f**king ridiculous.  I AM the one evangelizing prog music, and even though I've got misgivings with DRM itself, I've pointed many people towards the site.  *sighs*  It's not every day one gets chewed out by one of his heroes.


Edited by Man Overboard
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