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boo boo ![]() Forum Senior Member ![]() Joined: June 28 2005 Location: United States Status: Offline Points: 905 |
![]() Posted: May 13 2008 at 21:53 |
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Prog? No. Progressive? Without a doubt. That song was completely groundbreaking and insanely ahead of its time.
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Dick Heath ![]() Special Collaborator ![]() ![]() Jazz-Rock Specialist Joined: April 19 2004 Location: England Status: Offline Points: 12818 |
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Pete
I increasingly think we/I have a problem with the semantically challeged.
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The best eclectic music on the Web,8-11pm BST/GMT THURS.
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chopper ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: July 13 2005 Location: Essex, UK Status: Offline Points: 20033 |
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Whilst I agree with that last paragraph, I'm getting the feeling it's not entirely original.
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Rank1 ![]() Forum Groupie ![]() Joined: March 26 2008 Status: Offline Points: 53 |
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I disagree with point 1 and 2 entirely. Rock and Roll on a whole started by absorbing existing styles like country and blues into something new which became Rock and Roll. Rubber Soul in 1965 already shows traces of psychedelic rock with the sitar drones and dreamy vocals of "Norwegian Wood". "Nowhere Man" is basically psychedelic pop and "The Word" lyrically and it's extended organ drones is proto-psychedelic rock.
"Tomorrow Never Knows" uses Indian Music and avant/ musique concrete that certainly invents something new in rock music and pop music in general. The first track recorded for the epochal Revolver L.P., Tomorrow Never Knows (the title lifted from the Tibetan Book of the Dead) was an acid-soaked masterpiece of prime psychedelia. Distorted guitars, Lennon's treated vocals, endless overdubs and the backwards drum loops all prefigure in some way the idea of sampling technology, while the group's interest in transcendental meditation - letting yourself be transported, disorientated, tripped out lies at the heart of everyone's club experiences. Recorded amazingly, only three years after the saccharine pop of She Loves You, this is untouchable genius.
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Dick Heath ![]() Special Collaborator ![]() ![]() Jazz-Rock Specialist Joined: April 19 2004 Location: England Status: Offline Points: 12818 |
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2. In my day the Beatles were said to be the great absorbers and spottersof musical trends, but admittedly they could seemingly without effort come up with beatlesque forms of others' music. This is true with psychedelia, for example Great Society's great psychedelic anthem White Rabbit was written and being played publically in 1965. A year for popular music was a bloody long time for change to happen.
3. If you think Phil Collins's version of TNK is 'quite good', check out Phil Manzanera's 801, Wayne Krantz, and/or Dave Fuiczynski's versions.
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Certif1ed ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
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Well, there is a rumour that Mozart wrote "Twinkle Twinkle" aged 5...
However, the fount of all knowledge, Wikipedia states that the melody is a French tune, published in 1761 (co-incidentally, the same year in which Wolfie celebrated his 5th birthday...). The only certain Mozart connection is that he wrote a set of variations on the tune several years later. The lyrics were penned by Ann and Jane Taylor, and published in 1806 http://rpo.library.utoronto.ca/poem/2113.html. I must admit, the quality of the lyrical content does seem around the same level as Mr Andersons...
![]() As for Modern Dance Music, I think that Mr Garten would be able to illuminate the proggy tendencies of *some* of it. I'd recommend the album "Peel Sessions" by the Orb as a starter.
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lucas ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 06 2004 Location: France Status: Offline Points: 8138 |
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![]() Phil Collins cover of this song is quite good as well on his first solo album.
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"Magma was the very first gothic rock band" (Didier Lockwood)
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A B Negative ![]() Forum Senior Member ![]() ![]() Joined: May 02 2006 Location: Methil Republic Status: Offline Points: 1594 |
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![]() Edited by A B Negative - April 12 2008 at 14:53 |
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"The disgusting stink of a too-loud electric guitar.... Now, that's my idea of a good time."
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Rank1 ![]() Forum Groupie ![]() Joined: March 26 2008 Status: Offline Points: 53 |
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Interestingly Tomorrow Never Knows was a important dance record in Muzik Magazine 50 most important dance records of all time. This was over James Brown The most important music of the 20th Century. The records which have shaped the music we hear today, from trance to trip hop, from big beat to Basement Jaxx. Everything starts with these... 1) The Beatles "Tomorrow Never Knows" (EMI 1966) Every idea ever used in dance music exists in this song. The first track recorded for the epochal Revolver L.P., Tomorrow Never Knows (the title lifted from the Tibetan Book of the Dead) was an acid-soaked masterpiece of prime psychedelia. Distorted guitars, Lennon's treated vocals, endless overdubs and the backwards drum loops all prefigure in some way the idea of sampling technology, while the group's interest in transcendental meditation - letting yourself be transported, disorientated, tripped out lies at the heart of everyone's club experiences. Recorded amazingly, only three years after the saccharine pop of She Loves You, this is untouchable genius. The Chemical Brothers, The Beta Band One minor point I don't hear any backward drum loops in this song. Strawberry Fields Forever has it. Though I understand what there saying I am not in total agreement with their veiw of the song. Edited by Rank1 - April 11 2008 at 15:29 |
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Peter ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: January 31 2004 Location: Canada Status: Offline Points: 9669 |
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^ Well okay Certo, the "what do you think of it" part" I suppose -- but "modern dance music?"
![]() ![]() I thought it was a proghole wind-up as soon as I read it -- that's why I checked into the poster.
We do get defensive....
![]() Carry on -- here's a new, meaty topic to wax scholarly upon: do you think "Twinkle Twinkle" is prog? I mean, it's got Jon Anderson-like lyrics, a science fiction / nature of the universe theme....
![]() ![]() Edited by Peter - April 11 2008 at 08:50 |
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"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!' He chortled in his joy. |
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Certif1ed ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
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What the heck - it's an interesting topic, whether purposefully or not.
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The important thing is not to stop questioning.
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Peter ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: January 31 2004 Location: Canada Status: Offline Points: 9669 |
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Edited by Peter - April 10 2008 at 23:34 |
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"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!' He chortled in his joy. |
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Peter ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: January 31 2004 Location: Canada Status: Offline Points: 9669 |
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Notice he didn't respond to any of you (almost two months now) , and the use of the mocking "tongue stuck out" emoticon -- also I can't seem to even find his other post.
Hook line and sinker, you poor progholes.
Jesus -- some of you wrote veritable essays on this obviously bogus, supremely silly subject!
![]() Hi Cert! Too much time on your hands, & no one to talk to? You could have talked to me....
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"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!' He chortled in his joy. |
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Peter ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: January 31 2004 Location: Canada Status: Offline Points: 9669 |
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Two posts in, and this dumb, baiting topic on a prog forum?
![]() Methinks I smell a troll, folks!
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"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!' He chortled in his joy. |
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jammun ![]() Prog Reviewer ![]() Joined: July 14 2007 Location: United States Status: Offline Points: 3449 |
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Won't quote any particular post, but one has to admit it's extremely ironic that Ringo's drumming on the tune would come to be seen as a major influence on latter-day music. And I do not mean this in a bad way at all. Ringo always knew how to hold a beat (he was a Beat-le after all).
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JLocke ![]() Prog Reviewer ![]() ![]() Joined: November 18 2007 Status: Offline Points: 4900 |
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^ That's exactly my point. Folks don't normally see The Beatles as a very experimental band, yet they were exactly that! I freaked one of my friends out a long time ago when I played him TMK. He hates The Beatles, yet he liked that song. When I told him who it was, he didn't quite know what to think!
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Rank1 ![]() Forum Groupie ![]() Joined: March 26 2008 Status: Offline Points: 53 |
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Sorry, Certified I have to say I do respect your opinion and knowledge. I am in a prog-band when I first heard this song on the radio I said what is this and who is the band. Then the woman on the radio said it was the Beatles let's say I was suprised.
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Certif1ed ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
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(From previous page)
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Rank1 ![]() Forum Groupie ![]() Joined: March 26 2008 Status: Offline Points: 53 |
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You forgot some major points about Tomorrow Never Knows is more of the blueprint for more of the modern dance forms like Acid House or Psychedelic Techno. The repetitive drumming, hypnotic and droning bassline and the swirling soundscapes created by tape loops or samples. Plus listen to that drum sound. Of course there was experimental music outside of rock in 1963 doing great things but we are talking about progressive rock not progressive music outside the rock frame.
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Certif1ed ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
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I'd agree with that.
Delia Derbyshire's electronic realisation of Ron Grainer's composition is truly mind-blowing, given when it was made - you're right, it was 1963.
The album "An Electric Storm" that she worked on with David Vorhaus in the group "White Noise" is decades ahead of it's time - the opening track is the basis of bands like Portishead and other Trip-Hop acts, and the rest almost defies description.
Delia was one of the first proggers
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