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Direct Link To This Post Topic: "Studio Improvisation" artists... bad/good?
    Posted: October 30 2007 at 16:09
Originally posted by mrcozdude mrcozdude wrote:

i think its essential in creativity.
 
I heard pink floyd went in the studio one at a time and just played whatever and made it an album,any know if its true and what album?
 
I wouldn't be surprised if they experimented with that approach - but don't remember reading it anywhere. Waters was far too disciplined to let that kind of chaos rule - listen to the tight architectural structuring of early Floyd's music - especially the improvised sounding stuff. Any improv happened within a tightly defined framework.
 
I know that Fifty Foot Hose did something similar in their earlier incarnation in 1966 - as Ethix, the band went into different rooms in Cork's mother's house and recorded stuff for 3 minutes or so.
 
The end result was released as a single called "Bad Trip", which had no speed indication on it. It was actually cut at 33rpm, which would be its' "correct" speed - but the band actually intended that it could be played back at 33 or 45rpm.
 
The important thing is not to stop questioning.
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Direct Link To This Post Posted: October 29 2007 at 10:20
I think some groups think improvising is profound in and of itself, but I see what you seem to be getting at: you have to make it worth listening to.  For instance, I'm a huge Mars Volta fan, but I saw them on tour and they improvised for at least 40 minutes at the beginning of their set.  It was pretty terrible: the band just played the same rhythm at the same dynamic level and guys would solo over it.  It never changed.  Terribly boring.

That being said, I love the early Miles Davis electric period, and a lot of improvised King Crimson, Can etc.  I think the difference is that some groups approach improvisation as trying to get somewhere or cause something to happen.  Others just approach it as a vehicle for soloing, which I think is terribly boring.  It doesn't matter how good someone is at playing their instrument--if the entire band doesn't cause the music to change like a living, breathing organism, then it seems like a big waste of time. 
 
Any group of musicians can get together and start improvising.  Most don't call it a finished product.  When some do, they seem profound simply because they've made improvisation into a finished product.  If it's stale, or if it's well-done, most mainstream music listeners can't tell the difference.  Some who are trying to expand their listening ability find it all profound.  I would say that once you're familiar enough with it, you can spot the well-done from the stale.
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Direct Link To This Post Posted: October 29 2007 at 08:45
Originally posted by superprog superprog wrote:

Just bec it doesnt sound melodic or structured does it always mean its improv?
70% - it does, 30% - it doesn't.
 
And thanks to Clarke2001... very interesting point. Clap
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Direct Link To This Post Posted: October 28 2007 at 05:19
i think its essential in creativity.
 
I heard pink floyd went in the studio one at a time and just played whatever and made it an album,any know if its true and what album?
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Direct Link To This Post Posted: October 28 2007 at 05:07
hmmm in the case of Nurse With Wound and MB their earliest works were very improvised / on-the-spot simply bec they HAD to be esp in the case of NWW; ppl w ideas and desire to make music / sounds but w/o the usual technique and skill or even eqipment.

But later on esp in NWW's case the stuff he put out later was def not improvised in any sense, the man had learnt how to use the mixing desk as his instrument to get the sounds and feel he wanted.  just bec it doesnt sound melodic or structured does it always mean its improv?
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Direct Link To This Post Posted: October 28 2007 at 04:53
Originally posted by clarke2001 clarke2001 wrote:

Originally posted by Thandrus Thandrus wrote:

Good opinions, guys, but I meand a different kind of improvisation.... Not an Improv like King Crimson, Porcupine Tree and others are doing.
 
To express myself better, just an example: Imagine that Maurizio Bianchi is making His n-th album... He takes tapes, makes loops, collects some noises and then records it. Not to say it's easy but many can do the same without training 30 years to become a virtuoso. So if many can do it, and are actually doing it, so why we see M.B. as a legend and do not know or rate high other such manipulators? 


To say it in different words: electronic music could be made by blind, deaf, one-handed granny. And that's true. But would it be good as electronic music made by an experienced artist? I don't think so. It could be, but there's much less chance.

Thandrus, let us not  fool ourselves: those electronic/avangarde composers who have no virtuoso skills at all and who are only able to make same tape loops and blips and burps...well..even the most notorious charlatan who is into that kind of business (unless is a complete idiot) will very soon learn a few things...it's not only "oh, let's see what will happen if I press this button" because people learn about waveforms, filters, modulations and many other things...and very soon they will know that machine will start to hiss with resonance.

Any unexperienced kid could make techno music on his computer nowadays. Some of that music could be good if some of those kids are gifted...they have an opportunity to uses 128 digital channels, polyphonic sequnces, millions of samples...but if someone on that equipment ignores all the opportunities and  makes a single monophonic 8-step sequence in pentatonic scale with basic sawtooth waveform, I will be sure that guy is influenced by Tangerine Dream.

So, experienced musician will be recognized with expereinced listener.


Keith Emerson did a lot with his synthesizers, filters, modulations and so on. He is definitely an experienced artist. He used it in ELPs music though, not as electronic/techno music. 
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Direct Link To This Post Posted: October 28 2007 at 04:09
Originally posted by Thandrus Thandrus wrote:

Hi guys, I was just thinking about albums made by tape looping, electronic manipulations and other "non-instrumental" sources... And I got the feeling that quite bit of it is made in whatever-it-will-be mode... I mean they just record not knowing how it will sound... Complete improvisation, to put it short.
 
So my question is: how we could differ in this kind of musicians who is bad and who is good?
 
 


Being an audio engineering student with a love of experimentation I know exactly what you're talking about. If you need examples of bands that do it well though I have 2 words for you - Kraut. Rock.
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Direct Link To This Post Posted: October 27 2007 at 21:51
Originally posted by rileydog22 rileydog22 wrote:

Every piece Can recorded (at least through Future Days) was entirely improvised and then edited to reasonable lengths and overdubbed with solos.  I'd say that they did a pretty damn good job. 


wow, did not know that, I'll say Shocked

I like Supersilent from time to time and my understanding is that their recordings are entirely improvised. Not insane about them though


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Direct Link To This Post Posted: October 27 2007 at 21:47
Originally posted by Thandrus Thandrus wrote:

Good opinions, guys, but I meand a different kind of improvisation.... Not an Improv like King Crimson, Porcupine Tree and others are doing.
 
To express myself better, just an example: Imagine that Maurizio Bianchi is making His n-th album... He takes tapes, makes loops, collects some noises and then records it. Not to say it's easy but many can do the same without training 30 years to become a virtuoso. So if many can do it, and are actually doing it, so why we see M.B. as a legend and do not know or rate high other such manipulators? 


To say it in different words: electronic music could be made by blind, deaf, one-handed granny. And that's true. But would it be good as electronic music made by an experienced artist? I don't think so. It could be, but there's much less chance.

Thandrus, let us not  fool ourselves: those electronic/avangarde composers who have no virtuoso skills at all and who are only able to make same tape loops and blips and burps...well..even the most notorious charlatan who is into that kind of business (unless is a complete idiot) will very soon learn a few things...it's not only "oh, let's see what will happen if I press this button" because people learn about waveforms, filters, modulations and many other things...and very soon they will know that machine will start to hiss with resonance.

Any unexperienced kid could make techno music on his computer nowadays. Some of that music could be good if some of those kids are gifted...they have an opportunity to uses 128 digital channels, polyphonic sequnces, millions of samples...but if someone on that equipment ignores all the opportunities and  makes a single monophonic 8-step sequence in pentatonic scale with basic sawtooth waveform, I will be sure that guy is influenced by Tangerine Dream.

So, experienced musician will be recognized with expereinced listener.
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Direct Link To This Post Posted: October 27 2007 at 21:42
Every piece Can recorded (at least through Future Days) was entirely improvised and then edited to reasonable lengths and overdubbed with solos.  I'd say that they did a pretty damn good job. 

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Direct Link To This Post Posted: October 27 2007 at 19:22
Good opinions, guys, but I meand a different kind of improvisation.... Not an Improv like King Crimson, Porcupine Tree and others are doing.
 
To express myself better, just an example: Imagine that Maurizio Bianchi is making His n-th album... He takes tapes, makes loops, collects some noises and then records it. Not to say it's easy but many can do the same without training 30 years to become a virtuoso. So if many can do it, and are actually doing it, so why we see M.B. as a legend and do not know or rate high other such manipulators? 
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Direct Link To This Post Posted: October 27 2007 at 18:21
Originally posted by misterkeyboard misterkeyboard wrote:

Everything is improvised, otherwise it could not have been written. Do you mean improvised in the moment?
Is it really improvised anyway? You have all the bands/artists you are listening to within yourself as well as your musical skill/theoretical knowledge .


Very interesting point.
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Direct Link To This Post Posted: October 27 2007 at 16:17
Everything is improvised, otherwise it could not have been written. Do you mean improvised in the moment?
Is it really improvised anyway? You have all the bands/artists you are listening to within yourself as well as your musical skill/theoretical knowledge .
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Direct Link To This Post Posted: October 27 2007 at 15:47
I'm not exactly sure what you're talking about since I've never heard of the bands you mentioned, but I like an improvisational element if done well (like in Amon Duul II and Henry Cow), but I'm not sure that complete improvisation (one take, no overdubs) usually works very well for a whole album (although I've only heard the samples, Cassiber might be an exception, except I'm not sure exactly how their improvisation worked).
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Direct Link To This Post Posted: October 27 2007 at 15:04
Originally posted by Shakespeare Shakespeare wrote:



Yeah, I do.

1) In case I judged them prematurely and am missing out on music and actualy DO like (a lot of people dislike Magma, and I always think that actually DO like them, they just have to give them a better chance...)
2) So that I can build arguments against that kind of music/discover WHY I dislike this band.
3) It's funny


1. If I don't like a band immediately I will also re-listen a couple of times. However, I don't view that as listening to bands I don't like.

2. Same as above

3. Haha, yeah, to some extent. But it can become painful after a while! Smile

Originally posted by Shakespeare Shakespeare wrote:

Of course, there are limits. I won't listen to pop/rap/hip-hop/crappy standard rock, but I will listen to over the top metal bands. As long as it's prog or prog related, I give it more than a few chances.


I think you will have to listen to it in order to know whether or not it's crappy... Wink


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Direct Link To This Post Posted: October 27 2007 at 14:52
Originally posted by Philéas Philéas wrote:

Originally posted by Shakespeare Shakespeare wrote:


I listen to music I dislike all the time.


I do too. Being exposed to it in certain situations, and I also encounter stuff I don't like while looking for stuff I might like. I don't listen to music I don't like on purpose, though. Do you?


Yeah, I do.

1) In case I judged them prematurely and am missing out on music and actualy DO like (a lot of people dislike Magma, and I always think that actually DO like them, they just have to give them a better chance...)
2) So that I can build arguments against that kind of music/discover WHY I dislike this band.
3) It's funny

Of course, there are limits. I won't listen to pop/rap/hip-hop/crappy standard rock, but I will listen to over the top metal bands. As long as it's prog or prog related, I give it more than a few chances.
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Direct Link To This Post Posted: October 27 2007 at 14:45
I don't listen to music i don't like.. but that's not really a problem, because i've found that there is really no music i don't like! Or at least a lot less than there used to be....... aaaand.... studio improvisations.... well, yeah. I guess.

'Let's give it another fifteen seconds..'
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Direct Link To This Post Posted: October 27 2007 at 12:35
i'm not too familiar with stuff like this, but i love porcupine tree's metanoia album, which is completely improvised in the studio.
i guess if it's what you're good at, then that's what you should do, and i'm sure some are better than others at it.
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Direct Link To This Post Posted: October 27 2007 at 10:41
Originally posted by Shakespeare Shakespeare wrote:


I listen to music I dislike all the time.


I do too. Being exposed to it in certain situations, and I also encounter stuff I don't like while looking for stuff I might like. I don't listen to music I don't like on purpose, though. Do you?
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Direct Link To This Post Posted: October 27 2007 at 10:00
Originally posted by Philéas Philéas wrote:

I don't think anyone should worry about whether a musician or group is "objectively" (I hate that word) good or not, because there's no way to determine that at all. Listen to the stuff you like, and don't listen to the stuff you don't like. Smile

I listen to music I dislike all the time.
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