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Certif1ed
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Topic: The search for the ultimate sound quality Posted: October 27 2005 at 15:32 |
I've got a first press of DSOTM (recently acquired), and it sounds fantastic.
I also have a second press (bought prior to FP), and it sounds nearly as good.
I have a 1980s press that I bought in the 1980s... and it sounds slightly remixed - kind of glossy and less rock band like. There's less "grit" in it - but that might be the age of the vinyl...
I also have a CD, which I bought in 1986 - my 2nd ever CD. I went mad for it at first, as the "glossy" sound is even more evident, and the lack of pops and crackles was new and exciting.
Now I prefer the odd pop and crackle that reminds me that I'm listening to something more organic than artificial.
But the Master tape takes some beating - it has an almost tangible presence 
I've also got Marillion's "Script..." on the original vinyl, the first CD release, and the 24-Bit Remastered CD.
Guess which sounds best?
The 24-bit remaster, actually 
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Catholic Flame
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Posted: October 27 2005 at 09:42 |
I've bought Dark Side of the Moon in search of sound quality. It was irritating on vinyl. The soft passages, the heart beat, was interlaced with the scratching you always had on records.
But I think vinyl is still better. Each step up in technology seems to take away from the music. Ever listen to anything on a glass 78? That's sound quality! If Dark Side of the Moon came in an album of glass 78's I'd buy it. But then I'd have to go to an antique store to find something to play it on.
Edited by Catholic Flame
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Phil
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Posted: October 27 2005 at 09:01 |
^^ To get back to the original question then...Close to the Edge; twice
on vinyl (1st copy picked up some scratches, but the second never
seemed as good); once on cassette second hand, for playing in the car;
twice on CD, I did buy the Rhino Remaster when it came out.
Might be interested in DVD-A !!
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goose
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Posted: October 27 2005 at 08:45 |
BaldJean wrote:
I bet even money that hardly anyone, if not no-one, would be able to tell a CD from a mint vinyl in a blind test. all this stuff about vinyls sounding more "natural" is just an impression, gathered from the fact the person knows it is listening to a vinyl right now, so it "has" to sound more "natural". I personally don't give a damn about it.
the most perfect sound-system is in your HEAD |
Certainly some people can differentiate CD from vinyl in a blind test, but that says absolutely nothing about which sounds "better" - only that one is different from the other. Which one is better is always down to the taste of the listener, and "audiophile" listeners tend to choose vinyl.
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progmog
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Posted: October 27 2005 at 08:36 |
The topic of this thread has gone somewhat awry, but I guess my topic
heading may have been somewhat misleading. Anyway, just to go with the
flow, I invested in a high-end SACD player and have found that SACDs have
the 'warmth' of vinyl , but none of the hiss and crackle. I also recently
invested in a DVD-A audio player and 'Fragile' by Yes was the first DVD-A
that I bought. I can honestly say that it surpasses both LP and remastered
CD versions.
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Blacksword
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Posted: October 27 2005 at 08:34 |
BaldJean wrote:
I bet even money that hardly anyone, if not no-one, would be able to tell a CD from a mint vinyl in a blind test. all this stuff about vinyls sounding more "natural" is just an impression, gathered from the fact the person knows it is listening to a vinyl right now, so it "has" to sound more "natural". I personally don't give a damn about it.
the most perfect sound-system is in your HEAD
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Yes and no, Jean! 
I dont really give a damn about it either. If it sounds good I wouldn't care if it was played in a Breville sandwich toaster, but I have to disagree that there is no sound difference between vinyl and CD. It really depends on your equipment. If I compare an old vinyl album of mine to it's CD replacement the CD obviously sounds better, but then my turntable is a 1982 Technics 'gramophone', with a 13 year old stylus so thats bound to be the case.
However, a vinyl worshipping DJ friend of mine played me his vinyl copy of The Orbs 'Ultraworld' album on a top quality turntable with £100 cartridge, and the difference was obvious. I had owned that CD for almost 10 years at the time, and I could hear things on the vinyl that I had missed before, and I dont just mean the scratches There was obviously more clarity at both top and bottom end. The term 'natural' doesn't really mean much in this context, my appraisal is that one format can sound better than another depending on ones set up.
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Eetu Pellonpaa
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Posted: October 27 2005 at 08:30 |
I like the cheesy old vinyl sound (with some pops and cracks)! Some "sophistacted" music pieces with very quiet parts are nicer from a CD, but I have a bad hearing so I'm not very sensitive to poor sound quality.
I have "downgraded" several prog albums I have bought as a CD during 90's to an old vinyl(preferrably 1st press from country of origin).
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Certif1ed
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Posted: October 27 2005 at 08:30 |
MikeEnRegalia wrote:
Sorry, but 16bit means 64K steps, not 16K. You're right about 24 bit though (16M steps) - a great improvement. Of course Hi-Fi purists will still say that it doesn't sound right.
IMO a big part of the "warmth" of Vinyl often described by purists is because it stops at 16khz. Theoretically a low pass filter is all you need to recreate that ... 
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Generally because the engineers back then had a lot of noise to cut out that was inherent in the analogue recording process - and cutting the top wasn't limited to tape reduction.
This helps give vinyl the warm sound, for sure - but most CDs have been through some remastering - from analogue to digital. And part of that process, very often, includes some noise reduction, which necessarily removes sounds that were present on the original vinyl.
You don't need specialist ears to hear it, but compare a CD with a vinyl first press of Led Zep II or DSOTM - even a late vinyl press of DSOTM pales next to a first press. I might not know just by listening which is which, but it soon becomes apparent because music is not just an aural experience - sound affects the entire body.
And the psychological aspect is another part of the pleasure, so if it's only some kind of placebo (which I doubt), it's a damned good one 
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BaldJean
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Posted: October 27 2005 at 08:11 |
I bet even money that hardly anyone, if not no-one, would be able to tell a CD from a mint vinyl in a blind test. all this stuff about vinyls sounding more "natural" is just an impression, gathered from the fact the person knows it is listening to a vinyl right now, so it "has" to sound more "natural". I personally don't give a damn about it.
the most perfect sound-system is in your HEAD
Edited by BaldJean
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MikeEnRegalia
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Posted: October 27 2005 at 07:57 |
Snow Dog wrote:
Seems to me that everyone is off topic on this thread,its not a vinyl v Cd topic at all....look
progmog wrote:
Which album have you bought the most number of times in pursuit of superior sound quality?
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ok ... but then the thread topic is misleading.
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Snow Dog
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Posted: October 27 2005 at 07:54 |
Snow Dog wrote:
Seems to me that everyone is off topic on this thread,its not a vinyl v Cd topic at all....look
progmog wrote:
Which album have you bought the most number of times in pursuit of superior sound quality?
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Edited by Snow Dog
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Bob Greece
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Posted: October 27 2005 at 07:51 |
I can't see what the fuss is about. For me, music sounds just as good on LP, cassette or CD. But if you have an old LP with scratches, obviously a CD sounds better.
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Snow Dog
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Posted: October 27 2005 at 07:50 |
Seems to me that everyone is off topic on this thread,its not a vinyl v Cd topic at all....look
progmog wrote:
Which album have you bought the most number of times in pursuit of superior sound quality?
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MikeEnRegalia
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Posted: October 27 2005 at 07:45 |
Sorry, but 16bit means 64K steps, not 16K. You're right about 24 bit though (16M steps) - a great improvement. Of course Hi-Fi purists will still say that it doesn't sound right.
IMO a big part of the "warmth" of Vinyl often described by purists is because it stops at 16khz. Theoretically a low pass filter is all you need to recreate that ... 
Edited by MikeEnRegalia
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Certif1ed
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Posted: October 27 2005 at 07:39 |
There's a quite large old thread on vinyl vs CD.
However, it's a great topic - and to me, it's obvious that a first press vinyl sounds best - but you have to pay big money for a "Near Mint" copy. Vinyl has a depth that CD will never have, and the problem with digital mastering is that the cleanup process that removes the "bad" noise tends to remove good noise (read "ambience") too - which is just a part of why vinyl is better. Reels are good too, but tend to lack top due to noise reduction trickery like Dolby.
CD-Audio at 16-bit/44.1 Khz is accurate, but too tightly banded in order to fit into the precise digital EQ range of 8,000 steps above and below 0. I've never been keen on it when compared with the fat sound of vinyl. MP3s are far worse - once you've heard a couple with "artifacts" in them, you start hearing them all over the place in digital recordings.
The best quality sound I have ever heard was the original 24-track reel of DSOTM that happened to appear at the studio I was working in one day - sounds pretty good on an M.C.I. going through a pair of ATC SCM 300s... 
After SA CD will be DVD-Audio - 24bits @ 192 Khz per channel, I believe. This format is extraordinarily accurate, giving 8,000,000 steps above and below 0 (correct me if I'm wrong - I'm not as techie as I'd like to be on this!), meaning far more dynamic shading and range.
It's still "steps" though, unlike the pure analogue "wave". Digital audio has to sample - it cannot get away from that fact. It's like watching a film - if the images flick by quickly enough, humans are fooled into thinking that they're watching a single, continuous image instead of loads of subtly different ones in succession.
But it's also like digital pictures; Look closely enough and you can see the pixels even at a high resolution - and there's something a bit unnaturally clear and precise about digital pictures.
With sound, there are all manner of natural harmonics in notes played on acoustic instruments - especially in chords, vibrations from the recording booth (no matter how sound proofed) and other resonances and performer noises - especially when multiple instruments record together. So something is always going to get missed if it's sampled. Digital is very accurate indeed. Analogue misses nothing - although it does add its own noises.
Just my opinions, of course 
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MikeEnRegalia
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Posted: October 27 2005 at 07:33 |
There is a nice thread in the Tech Talk section where oliverstoned and I led an endless discussion about CD vs. Vinyl. Have a look, it was really entertaining.
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Under
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Posted: October 27 2005 at 06:53 |
I have some LP albums which have been upgraded to CD, but some of them I just have copied directly from LP to CD myself and just love the old LP sound for those albums. I know it is just emotions and nostalgia and the music is of lesser quality, but hey I am a dreamer.
I do have your "problem" with the quality of MP3. I have a nice MP3 player in my car and in the beginning tranferred songs to MP3 in a low bitrate. Now these songs really annoy me. Like the complete Yes album is of such less quality. Of course I still have the Audio album, so I can easily tranfer them agina to MP3 using a better bitrate and I will, but I fear thsi will be an ongoing process and before I know it I will have the same level of problem as you. Bad for my financial situation.
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Posted: October 27 2005 at 06:41 |
Blacksword wrote:
Hi Progmog..
The forum is rather quiet today, I'm surprised no one has responded to your thread. I know there are people here who really care about sound quality, and would normally love to discuss the vinyl vs CD thing and the like! Where are they?? 
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They are on the thread Organizing Prog Metal which turns out to be the place to be right now. The discussion there doesn't seem to end and the tones are rising...
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Phil
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Posted: October 27 2005 at 06:20 |
Ah well I didn't join the thread because I thought it was some
techno-babble about your equipment set-up. But if its about vinyl vs CD
even I can understand it......
I play exclusively CD's now, mostly in the car but I do sometimes use
headphones at home. CD's have the advantage of still being playable
after being used as drink mats or frisbees by the kids. However despite
all the blag about how the sound quality of CD's would be that much
better, for me there's something missing over the vinyl pressings of
some of the 70's masters I used to own, as well as the tactile pleasure
of the changing sides on the LP, and all that wonderful Roger Dean
artwork......
Of course Tony ^ is absolutely right, the set up you have makes all the
difference, I used to be reasonably knowledgeable on kit but with kids
thats all out the window and a reasonble mini-system is all I have
now.....
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Tony Fisher
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Posted: October 27 2005 at 06:11 |
I have the original vinyl copy of Script. It sounds wonderful to me as it is.
I play it on a Pink Triangle Anniversary TT fitted with an SME V arm and Lyra Lydian cartridge. This is fed via Sonic Link Violet cables to an Audiolab 8000P/8000C amp combination, then to a pair of Mission 773Fs via some huge cables whose name escapes me.
And this is the point. No matter what the format, if the rest of your kit isn't up to it, you've had it.
I recently bought the digitally remastered Misplaced Childhood and it sounds worse than my original copy. The best format I have found is 180g vinyl direct pressed from the masters. These give a sound quality CDs can only dream of, but they are not cheap and have to be looked after.
Edited by Tony Fisher
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