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Disappointing follow-up albums |
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AlanB ![]() Forum Senior Member ![]() Joined: January 19 2013 Status: Offline Points: 1212 |
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Wishbone Ash: There's The Rub/Locked In (also Argus/Wishbone Four though in hindsight a lot of that was down to the production of the latter)
Transatlantic: Whirlwind/Kaleidoscope Neal Morse: Sola Scriptura/Lifeline
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Deadwing ![]() Forum Senior Member ![]() Joined: July 05 2005 Status: Offline Points: 455 |
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Believe is my favourite album from Pendragon
![]() It's just a incredibly well balanced album, without the heaviness of Pure that would come and the massive walls of keyboards that was Not From this World... I really, really love it. As for Rush, HYF would be a good example to me. Power Widows is a fantastic album and HYF is just so different, much more "romantic" (melody wise), lighter and with more filler tracks (it's a quite long album too). Also, the mixing quality is a lot worse and the drums don't sound good, especially when Power Windows gets a lot of this right.
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miamiscot ![]() Forum Senior Member ![]() ![]() Joined: April 23 2014 Location: Ohio Status: Offline Points: 3618 |
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The topic for this week's Live Sunday Progstream on The Prog Corner YouTube channel?
"AFTER THE MASTERPIECE" This is something that has fascinated me ever since Andy Partridge talked about following up Skylarking. It was different now; they knew the music they were working on was actually going to be digested by a lot of people and it changed the vibe, the process, everything...
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The Prog Corner
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richardh ![]() Prog Reviewer ![]() ![]() Joined: February 18 2004 Location: United Kingdom Status: Online Points: 29335 |
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I love the 2018 remix of Animals (and the new artwork) more than just about anything at the moment. Wright's genius is still well evident in the music. Floyd had nowhere to go after that album which was the problem with a lot of prog in the seventies. One you've made your statement you've made it. At least ELP had the good 'sense' to just crash off the end of a cliff rather than drag us through decades of slow decline.
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18044 |
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Hi, Not sure about that at all ... the material for "Animals" was being played during the WYWH tour and it is in all the bootlegs. The 3 pieces were different, and the "space rock" piece (Sheep) was turned into a Roger Waters song, though the playing of it Live at the Anaheim Stadium was exceptional with Rick's keyboards literally dominating things. I think they cleaned up the 3 pieces well, however, the original "Raving and Drooling" was to me, better than what Roger did with it ... this older version fit with "Astronomy Domine" and "Interstellar Overdrive", and other spacey far out stuff, that obviously Roger wanted to get rid of ... I doubt Nick didn't like it, since in his shows he has been doing the old stuff for us to enjoy ... something that both Dave and Roger have lost a taste for. My take is, that both Dave and Roger are too set in their notes and chords and think that the compositions are better because they can screw around with a DAW and create something, and this would be a reason why they dislike the early stuff that had a lot of improvisation and undefined moments where they could do something different, which they obviously now feel that it was just kids screwing around, and not serious music ... and to me, that is very disrespectful to the other 2 members ... and I do not feel that Dave's solo work is anywhere near the quality of PF in its heyday ... and in fact, I find it "cheap" and just rock'n'roll (for lack of a better term) ... when compared to the moods, the creativity and the visuals that their older material carried, which their lyrics CURRENTLY do NOT. It's like their words are more important ... and honestly ... I don't need that any more than you do!
Edited by moshkito - August 08 2024 at 12:45 |
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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Steve Wyzard ![]() Forum Senior Member ![]() ![]() Joined: March 30 2017 Location: California Status: Offline Points: 2822 |
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I see Animals as the start of Roger Waters's solo career. Gilmour makes a powerful showing on that album, but Wright (except for his jazzy solo at the beginning of "Sheep") and Mason are relegated to being the backing/supporting group. Also, the lyrics/vocals become far too central to the entire package, rather than integrated into the music/performances.
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18044 |
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Hi, My thoughts are that the artist has the option to do something else ... we, as fans, do not have the right to decide what the artist should do at all ... but sometimes, we think that as "critics" that we are more important than the artist and his/her output. This is one of the reasons why I do not do as many reviews of rock albums as I would like to ... I would love to see more folks separate their "favorites" for something else about the art of it all and how it grew in the past 500/700 years. It wasn't about the fans, all the way to the start of the 20th Century (more or less) when all of a sudden we got to see reviews of the new music, and Stravinsky threw people for loops, Debussy was booed ... and so on ... and to their credit they could fly a finger high, now ... they stood up for their work, although this might be different if there were no "changes" in the group ... but you and I know that different combinations yield different results, so it would be best to not expect the same thing. I consider a "band" an artist ... and this might be the difference between our words ... Yes is still Yes despite the different keys, for example. However, it seems to me that the majority of folks simply discuss all the music as SONGS ... for which they drop their coins. That is not me as a music appreciation person, and one that has been close to many artists during my life, and some are much better, stronger and appreciated than how rock fans differ when they don't like something, which is the saddest side of this whole adventure ... no one that plays music for a living wants to hear that ... and they better be strong inside to be able to ignore the comments ... many of which have nothing to do with music or the artist whatsoever.
But that is about you, not the artist! Heck, he/she might as well be a dishwasher in a restaurant for all that matters!
![]() Edited by moshkito - August 08 2024 at 07:44 |
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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verslibre ![]() Forum Senior Member ![]() ![]() Joined: July 01 2004 Location: CA Status: Offline Points: 18512 |
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It's hardly a fan problem. Remember when Peter Nicholls left IQ and went and formed an alt-rock band called Niadem's Ghost (mislabeled on this site as neo)? Believe it or not, I like that album. The reviews here, save one, aren't kind, and they aren't forgiving, though IQ themselves were trying on a different hat 'round the same time. Twelfth Night with Andy Sears (and then Martyn Watson) as their frontman sounded like an aspiring new wave band that tried, unsuccessfully, to have enough proggy flourishes to maintain their cult following. If you're unfamiliar with their repertoire, then I understand why we don't share the same perspective. As the saying goes, I calls 'em like I sees 'em. ![]() P.S. I've never heard anything King Crimson do send me "into a tiffy," whatever that may be. ![]() |
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18044 |
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Hi, I would think that this seems like a lot more of a preference than a band issue. You liked the earlier stuff and musician, and the "replacement" is not good enough. Then we have the massive changes in a band like KC and all it does is send us all into a tiffy, because things are so different, and yet, they get played 30/40 years later in their shows ... and something of that nature would not be an observation of the whole thing going downhill but a change to something else. Again, I would look at this as an artist decision, and us, the fans, not liking it or thinking it is inferior is an external matter, not necessarily related to the band and its members ... This is a scary part ... people thinking one thing is better than the other because it was better received, and not quite appreciated as it was before ... times change, folks change, and we're suggesting that our favorite bands can not change with the times, place, equipment, and such at all, because it won't be as good as what we liked? I keep thinking that it is a fan problem. Not an artist problem! But heck, sometimes, it's difficult to not say something ... I mean, after BAD, how could anyone do better or be more interesting? So yeah, it's easy to say something, but again, we did not take into consideration the drive and the workmanship that the artist took to try and live to that next release, and fan reaction ... the question is, are you an artist, or just a crowd pleaser for the money?
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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essexboyinwales ![]() Forum Senior Member ![]() Joined: April 27 2015 Location: Bridgend Status: Offline Points: 5223 |
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Re IQ, and Nomzamo following up The Wake - to me there is so much context here - my entry into IQ was the 2 Menel albums, which I adored so much (and still do). I only came to the earlier albums much later. So Nomzamo was embedded in my brain as a wonderful album, and never viewed as a follow up to The Wake. How would I feel if I’d known and loved the band from the start? It’s literally impossible to say. And the same thing happens with so many other bands…. Another for me is Dream Theater - to me, Awake was a poor follow-up to I&W, which I loved so much (and still do). I appreciate Awake now, but it’s nowhere near the brilliance of it’s predecessor, for me! |
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Heaven is waiting but waiting is Hell
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Jared ![]() Forum Senior Member ![]() ![]() Joined: May 06 2005 Location: Hereford, UK Status: Offline Points: 20296 |
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Forget that one... already done it...
![]() Edited by Jared - August 07 2024 at 07:13 |
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Music has always been a matter of energy to me. On some nights I believe that a car with the needle on empty can run 50 more miles if you have the right music very loud on the radio. Hunter S Thompson
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Saperlipopette! ![]() Forum Senior Member ![]() ![]() Joined: December 20 2010 Location: Tomorrowland Status: Offline Points: 12339 |
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Easy Money ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Retired Admin Joined: August 11 2007 Location: Memphis Status: Offline Points: 10678 |
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Miles Davis studio albums: "Get Up With It" - "The Man with the Horn"
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Cristi ![]() Special Collaborator ![]() ![]() Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Offline Points: 45581 |
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I agree with these ones.
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Cristi ![]() Special Collaborator ![]() ![]() Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Offline Points: 45581 |
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I agree.
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Cristi ![]() Special Collaborator ![]() ![]() Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Offline Points: 45581 |
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I think Hold Your Fire was a disappointing follow up to Power Windows. For me, presto was a return to form. Hot take, i know, but i think Presto is a better put together album than HYF.
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verslibre ![]() Forum Senior Member ![]() ![]() Joined: July 01 2004 Location: CA Status: Offline Points: 18512 |
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The musicianship isn't usually the problem. Choices are. When Twelfth Night lost their frontman-lyricist and replaced him and then they started sounding like a second-rate new wave band with an identity crisis, everything went downhill. That's not a criticism, that's an observation. |
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Mornar Popaj ![]() Forum Newbie ![]() ![]() Joined: October 20 2018 Location: Serbia Status: Offline Points: 50 |
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Gentle Giant - Interview / The Missing Piece
Smak - Zašto ne volim sneg / Smak 86
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 37107 |
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^^ I for one really appreciate diversity coming from artists, Pedro. This can be from album to album or from track to track in an album. While many pan it, I really enjoy Comus' follow up to First Utterance, To Keep From Crying, partially because it is so different on the whole. I like the uniqueness of Merci in Magma's discography even if I don;t enjoy it nearly as much as the preceding Attahk, which also had been pretty unique to its discography. Swans is one of my favourite bands but I have not got much into its first few albums as I like the change of direction with Jarboe, and then later albums, but I appreciate the diversity and that elements of those early albums persisted despite becoming more melodic later. I appreciate contrast. With Beethoven, I have a von Karajan box set of the none symphonies, which I prefer to other versions of those. I do gravitate more to the Ninth and the Seventh the most of those. While I was raised with classical music, a big part of my Beethoven fascination did come from the A Clockwork Orange and Zardoz films. And awesome use of the second movement of Beethoven in this favourite short film of mine (no doubt it resonate more because of the music). Edited by Logan - July 30 2024 at 12:40 |
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Steve Wyzard ![]() Forum Senior Member ![]() ![]() Joined: March 30 2017 Location: California Status: Offline Points: 2822 |
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Just thought of 2 more:
1. ANDY SUMMERS/ROBERT FRIPP - I Advance Masked/Bewitched 2. PETER GABRIEL - III (Melt)/IV (Security)
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