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Davesax1965 View Drop Down
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Direct Link To This Post Topic: Radio play - waste of time ?
    Posted: August 13 2017 at 10:05
I think "play what you really like, do it with feeling, let it find it's own level out there. "

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Direct Link To This Post Posted: August 13 2017 at 07:09
Originally posted by chopper chopper wrote:

Originally posted by siLLy puPPy siLLy puPPy wrote:

Just one quick example. A friend of mine who is in a rather famous cult metal band had one track heard on Internet radio. That exposure heard by someone famous resulted in being on a video game which earns the band a few thousand a month in royalties that never would have happened without the exposure.
 
So it's down to luck, or maybe just nobody likes your music?
 
I'm still waiting for someone to discover my old band's music on the Internet.

Yep. It really boils down to luck. However luck does result from puttings one's eggs in multliple baskets. Radio play may not be as relevant as it once was and may be utterly irrelevant in the prog world but i have heard some great prog music on internet prog stations that i bought immediately. Just my experience. I think one's goal should be to make music that connects with others and try everything possible. Unfortunately there's a lot of great music out there to compete with so just because you didn't find success doesn't mean you didn't rock the world :)  Keep trying!

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Direct Link To This Post Posted: August 13 2017 at 03:59
By "esoteric", by the way.... example. This has been played quite a fair bit on Prog Rock radio. 

https://soundcloud.com/brotherhoodofthemachine/6-samarkand-suite



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Direct Link To This Post Posted: August 13 2017 at 03:55
(Hint for slow readers - the squiggly mark at the end of the post title means that this ia a question, ie. other experience may occur and is equally valid, but if you've not tried doing this, your comments are not valid and it's a case of "opinion over knowledge". ) 

Well, let's face it, it's easy say "Oh, I've got a famous friend and this happened to him." 

It's also to easy to assume that sending your music everywhere will produce radio play (probably will) and that getting it played on decent stations is a good idea (fairly self evident one, though) - it is a bit hammer-headed to assume that enough play WILL produce results and that "marketing isn't always right". 

It's also very easy to assume things will work when you've not done them.

As I think I mentioned, I've been in Marketing for 11 years and do this professionally, albeit with software. We use a lot of analytic tools as there's no point sending out marketing e-mails and then not looking at who opens or reads them (simplification there). 

I am (was) a prog rock musician on the "esoteric" end of the scale. I did choose my audience pretty carefully, when I wasn't getting ripped off by student radio stations. As I think I mentioned, the results from being played on radio are pretty poor. Marketing nowadays is designed to measure click throughs and site visits and those didn't increase as a result of radio play - not measurably, anyway. You'd expect some kind of peak, never happened. 

So the question is "did I choose the wrong stations or was the music wrong ? " - well, my albums here rarely score less than four stars, so let's assume the music is OK. Radio stations I chose were mainly established prog rock ones. Different countries. 

So, what's happening ? 

My experience (and it will vary with other people) is that listeners tend to just browse music now. There's no great depth of interest and a large number of bands out there. Most are rubbish, but Joe Public doesn't have enough knowledge to separate the wheat from the chaff. So good bands and musicians get lost in a sea of anodyne rubbish. 

And I think most people are streaming now and not bothering with internet or conventional radio, to be honest. 

If anyone's had any success with radio play, I'd be delighted to hear it. 

As for those who are expressing an opinion without having tried it - and properly measured the results - "opinion versus knowledge". 

Edited by Davesax1965 - August 13 2017 at 03:55

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Direct Link To This Post Posted: August 12 2017 at 12:02
Originally posted by siLLy puPPy siLLy puPPy wrote:

Just one quick example. A friend of mine who is in a rather famous cult metal band had one track heard on Internet radio. That exposure heard by someone famous resulted in being on a video game which earns the band a few thousand a month in royalties that never would have happened without the exposure.
 
So it's down to luck, or maybe just nobody likes your music?
 
I'm still waiting for someone to discover my old band's music on the Internet.
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Direct Link To This Post Posted: August 12 2017 at 11:01
There's also the factor that not all radio stations are equal - online stations playing literally any free music they can find aren't going to be as helpful as say, an over the air radio station in a big city that plays similar music (although, as a prog band that can be difficult - that being said there are prog rock shows around). "Radio" is such a broad term these days that it's not very useful to analyze it unless you're specific about what kind of radio station gave you what kind of results.


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Direct Link To This Post Posted: August 12 2017 at 10:50
Just one quick example. A friend of mine who is in a rather famous cult metal band had one track heard on Internet radio. That exposure heard by someone famous resulted in being on a video game which earns the band a few thousand a month in royalties that never would have happened without the exposure.

https://rateyourmusic.com/~siLLy_puPPy
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Direct Link To This Post Posted: August 12 2017 at 06:24
^ of course radio play doesn't mean squat if your music sucks or if you're creating something so esoteric that the audience won't get it. But having airplay where many individuals can hear a given piece of music that they wouldn't have heard otherwise cannot be a bad thing. And how can you look at someone else's site visits and sales? Are you talking about your own only? 

Maybe marketing doesn't know everything. That's why some of the most successful artists today carve out their niche without any "expertise" from such parasitic forces.

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Direct Link To This Post Posted: August 12 2017 at 02:27
Lots of Hopi drum stuff, I expect. 

"How can anyone deny..... " ?? Easy. By looking at the figures as to what happens with site visits, sales and downloads afterwards. 

That's how things are done in Marketing. 

There's "can it be a catalyst to great exposure" and "is it actually, in the real world ? I know, let's measure it." 

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Direct Link To This Post Posted: August 11 2017 at 09:23
How can anyone deny radio play helps artists? Is it absoutely necessary? Not. Can it be a catalyst to great exposure? Definately. Depends on the music of course but i've acquired a lot of interesting music from internet radio (forget traditional AM/FM these days with the exception of college stations and listener supported / non-corporate entities)

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Direct Link To This Post Posted: August 11 2017 at 09:14
Ahhh, do remember 

I'm on my seventh album
My day job is Sales and Marketing, I do this professionally.
Yes, I've put a lot of time in. 

Now, "results do vary" depending on the band and music, but there's a tendency to think that the more effort you put in, the more effort you get out. By all means give it a try, prove me wrong. 

The thread is a question - "Radio Play - waste of time ?" - this is also not me "trying to get my music on these stations" but having actually done it. No results. No traceable, provable results, that is.

As a measure, I did number of mentions on the internet. Never went up after any form of radio play. Site visits to Bandcamp never went noticeably up after radio play. 

"If I decide to play your music on my radio station, am I wasting my time ? "- depends on what your reasons are for playing it, of course. That's a pretty dubious conclusion. ;-)

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Direct Link To This Post Posted: August 06 2017 at 11:14
Originally posted by Davesax1965 Davesax1965 wrote:


A free sample played as space filler on a student radio station inbetween rap and chip shop tracks is, actually, a waste of time. My day job is sales and marketing, by the way. ;-)


You keep saying "waste of time", but I'm curious in the number of minutes/hours/days that you're wasting by trying to get your music on those stations.

You can't possibly waste time if you haven't spent it. Or if I decide to play your music on my radio station, am I just wasting my time?

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Direct Link To This Post Posted: August 06 2017 at 01:22
QUOTE - I'm curious as to how much time you're wasting to get your music on the radio; you did mention previously that some radio stations were grabbing your free music and playing it. That's like calling a free sample a waste of money - seems like you've been wasting more time preventing people from listening to your music! /QUOTE

Hi Forestfriend - have a look at the free music section here, I'm all over it. I had tons of free music on my Bandcamp site. Also I had Bandcamp analytics. I had about 35,000 free plays AND 500 downloads. Most listeners (the majority from here) listened to entire albums all the way through, several times, then didn't download anything which wasn't *free*.

Put free music up, a swarm of locusts descend. Charge even a nominal fee, no one buys. 

You might have noticed that the "free music" thread has ground to an inevitable halt, with virtually no posters for years. 

A free sample played as space filler on a student radio station inbetween rap and chip shop tracks is, actually, a waste of time. My day job is sales and marketing, by the way. ;-)



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Direct Link To This Post Posted: August 04 2017 at 18:09
Hi,

If it matters, I only buy my music. I do not download a whole lot, and my listening habits do not even include a bandbullpucky or anything of the sort. I tend to get things from the artist's home, as I have for many bands, including Marillion, Djam Karet and such, because the distribution factor for a lot of their work, is not as wide as one would like to be able to get something of theirs.

I think, and I may be naive here, that it is about how much you can get out of your website and your own distribution via that website. There are many bands that finally did this on their own, and I even remember in the 90's when I first met GONG, in telling them to start a website to help promote and push their work and their members work, and 2 years later GAS was there, as Johnny was simply travelling with the band and selling the products as best as they could ... not enough. I know that Marillion proved a point when they asked on their website for help to get into the studio for a new album, and they got it tenfold! Djam Karet, is a bit different, in that their folks are also professionals in other fields, but they come together really well to do something different, and they are not afraid of doing something that is not what the "public" would buy or accept. 

You have to say ... this is what I do. Somewhere along the way ... even Picasso once said ... "they are not artists!" when someone tried to compare him to someone else of a commercial nature! It's a naive comment in some ways, but the point is strong.

Again, for me, Bandcamp  is not where I would be at all! How to promote what you do, is another story but in my book should not be done by an "agent" that does not give a sh*t about you and your work ... it only wants the action for itself, not you! 

But, please remember, this is me ... and how I see things ... I do believe you have to separate yourself, enough, to be able to protect your work ... and hope (if that's your goal) that it gets appreciated along the way, and here might be the real issue ... you can not spend time worrying about your own appreciation of whatever work you did, and move on to the next piece?

But protection, might require some legal advice that I am not suited to give. And I do believe, that Bandcamp and other websites of similar interests, need to get nailed sooner or later, like Napster did 25 years ago ... and in the end, all it will do is open up the corporate interest in the controls, of which I am willing to bet that Bandcamp is a part of! 

Otherwise they would protect the artists they show a lot more! A heck of a lot more!
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Direct Link To This Post Posted: August 04 2017 at 18:05
Originally posted by Davesax1965 Davesax1965 wrote:

I've heard so many times on here that people support prog rock by buying CDs and downloads and supporting musicians: they don't. Perhaps one in a hundred fans - sorry, "fans" will download and pay for music off a site like Bandcamp. Most just use it as a free streaming site.


Sure, plenty of people still buy CDs and support artists. The problem lies in the fact that there are so many artists to support, the odds are not in your favor that they will buy your CD. It's more like there's one out of a hundred bands that I've heard that I'll buy music from.

Originally posted by Davesax1965 Davesax1965 wrote:

That's why radio play for prog rock groups is a waste of time. It doesn't generate sales. No money or appreciation coming in, bands fold. It's critically needed for small, specialised bands. Now you have to run a band and spend all your time marketing it, and there are only so many hours in the day.


I'm curious as to how much time you're wasting to get your music on the radio; you did mention previously that some radio stations were grabbing your free music and playing it. That's like calling a free sample a waste of money - seems like you've been wasting more time preventing people from listening to your music!

In my band, we're in the process of getting our EP pressed on CD's, and part of that plan is to mail/e-mail our album to community radio stations around the country who accept submissions. Sure, it'll cost some time to do, but I think the time is all insignificant in the grand scheme of things. Maybe we'll get a few more people interested in our music, or maybe all the stations will deem our music to be garbage and throw it away. It's a risk we're willing to take.

Now, I can't refute your claim that you'll get no extra sales/concert attendance from radio play because I have no statistics regarding that. I do listen to a weekly local prog rock radio show, and I will freely admit that I have not made any purchases based on what I've heard from it yet. It takes more than hearing a song once to buy a band's CD - but if I've never heard of them, there's a 0% chance of sale. If I hear them, maybe they'll be among the hundred bands that I'll buy a CD from.
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Direct Link To This Post Posted: August 04 2017 at 04:37
But. 

We now live in an age where style is valued above content. There are a few people who will invest time and effort into listening to complicated, ambitious, different music. But the vast majority don't want that, they want musical wallpaper, something simple to understand which is just ... mental chewing gum. 

Audiences have changed since the 60's and 70's. As has the world. So you'll never get a mass audience now. And the whole musical machine operates against you as it's become a numbers game. Really, music is not about music, it's about a few people getting rich by manipulating the system. So only mass market music which can make a few people a lot of money will ever get marketed and hence listened to. 

I've heard so many times on here that people support prog rock by buying CDs and downloads and supporting musicians: they don't. Perhaps one in a hundred fans - sorry, "fans" will download and pay for music off a site like Bandcamp. Most just use it as a free streaming site. 

That's why radio play for prog rock groups is a waste of time. It doesn't generate sales. No money or appreciation coming in, bands fold. It's critically needed for small, specialised bands. Now you have to run a band and spend all your time marketing it, and there are only so many hours in the day.  

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Direct Link To This Post Posted: August 02 2017 at 16:05
Originally posted by ExittheLemming ExittheLemming wrote:

^ true, style seems to trump content in the popular consciousness

Yes, it seems to be true, but this is where WE here can change this perception and help create something stronger than just a bunch of pop songs ... right now, the whole "progressive" thing is just another variety of top ten numbers and choices, that allows for "style" and not content.

IF, we are to help "progressive" make its mark, it will be its content ... NOT STYLE ... that will help is become bigger and better. Commercial radio and distributions, are almost all about the money and the style ... thus the myriad of sub-divisions to help you find the same thing again ... until you are bored to death, I hope!!!! ... and a lot of this becomes a bad joke and ends up getting questions about "dark" this and that, and those kind of inane questions, that ignore the content ... it's like saying that the Bonzo Dog Band did not have a dark side, and it's all over its work, even though it is kinda buried in a comedic way that we think its funny ... but it isn't. 

If all you are interested is "style", then you are not a "progressive" anything! Plain and simple. That is the socialist point of view ... everyone with the same style, because you can not have anything else ... and that means progressive would have NEVER come alive and lived like it has. Thus, the whole thing was about content ... from lyrical to music ... and not style ... I do wish we would appreciate that difference a lot more.

There is no "style" to 20th century music per se ... or you will have to define Stravinsly, Bartok, Orff, Davies and so many more ... and the same has happened to rock music and jazz music and every kind of music we can think of. 

It's not a style ... you compose to feeling, not style, and it comes out like this or that, and it  is us the fans that name a "style" in order to classify it, so zombies can find their favorite dope!
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Direct Link To This Post Posted: July 28 2017 at 05:22
Very true. 

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Direct Link To This Post Posted: July 27 2017 at 22:07
^ true, style seems to trump content in the popular consciousness
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Direct Link To This Post Posted: July 27 2017 at 21:21
I will say I think the sound of a recording is absolutely key to getting attention; a high-quality or, even more importantly, unique studio sound will get more attention than a great song with a medium production.

"Too often we enjoy the comfort of opinion without the discomfort of thought."   -- John F. Kennedy
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