Ok. Which is superior ? |
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Oh, I never had a problem with the topic itself or your own contributions to it but some of the posters, most notably the infamous Barking Weasel but some of the others too, went into wild conspiracy theory alleys. That is the part I have difficulty understanding. Music is not such a serious business , it's not worth destroying one's logical faculties to 'win' a hypothetical band worth contest or something. I see some of that happening in this thread too. Words like deception are the give away. I mean, if anybody thinks Dark Side sucks on merit, I don't have a problem with that opinion even if I disagree completely with that. But people better not go around kidding themselves that Dark Side is some massive industry deception designed to hook people to liking it against their wishes. That it is one of the highest selling rock albums is one thing. But it's also a hot seller to this day and has spent a total of 949 weeks in the Billboard 200 coming up to Jan this year. How do the conspiracy theorists propose to explain this away? This is an album that is bound to keep winning over fans. And that has everything to do with how the album is positioned in terms of the combination of accessibility and emotional and lyrical depth. Gilmour himself sums it up well, comparing it with their previous work, "The combination of words and music hit a peak. All the music before had not had any great lyrical point to it. And this one was so clear and concise." Edited by rogerthat - April 06 2020 at 10:31 |
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Logan
Forum & Site Admin Group Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 35886 |
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If you mean the concept of that topic, that was done rather tongue-in-cheek and as I said The Beatles was intended to be by way of example, and the title was intended to be provocative. I had hoped in that topic to really have a nuanced discussion on notions of overratedness, and have some absurdist humour, but it didn't go quite as planned (I would like to think that I seem reasonably open-minded in my posts generally). As is said in that topic, it was a reaction to people liberally throwing around terms such as overrated, underrated, best, superior, so I see my little thought-experiment as very different from the approach of this thread. Having spoken so much about such issues in the forum, I thought more people would get where I was coming from. From a discussion point of view, I thought there was plenty of good fun, interesting posts, and vibrant discussion in the topic, and I appreciated the contributions, including your own. I wasn't really disagreeing with you in it, just coming from a different angle, and sometimes I do play devil's advocate. Different perspectives can be valid, and I like to try to think rather outside of the box (come at things from oblique angles). I guess it can be frustrating. I too often have felt frustrated at boards, but ultimately if I think we are coming together as friends, and really listening to each other, acting respectfully and showing some tolerance and patience, I don't really mind. By the way,I have really appreciated your presence at the board rogerthat. You do make many really interesting posts, and it doesn't matter if the feeling is not reciprocated as I recognise my own stupidity all too well, and I do get more and more stupid every year. I enjoyed the discussion, and I feel like various people made genuinely interesting contributions. A good topic should challenge your thinking a bit, and offer different perspectives, and have some good-natured humour sprinkled about generally for my tastes (makes it fun and more socially rewarding for me), and for me that did. My very favourite discussions lead to a synthesis of ideas, while having some humour thrown in to boot. A thread is only as enjoyable as the conversation in it is for me, and for me it was enjoyable and not really a failed experiment even if it didn't quite go as I planned (partially because of adding the poll, which was just for fun). I wouldn't say that I have really created many quality topics or contributed much of value to other peoples topics,and there's something to be said for only focusing on the very best posts and the most interesting of topics, but that's one thread of many, many abject fails that I was rather pleased with from a discussion point of view. My other favourites were my Bertrand Russsell Liberal Decalogue one, my weird folk one, my Christian Vander vs. Chuck Schuldiner one, and my Fugue of the Death Grunters ones. Thanks for participating in that thread, and sorry if it wasn't sophisticated enough for some tastes. For some who might lament the lack of intellectualism and rationality at the forum with various topics, perhaps create more topics that demonstrate a high level of rationalism and erudition and focus on the most scholastic and cultivated of posts instead of going for the most ignorant, narrow-minded and unrefined of posts. While a thread is a collection of posts and generally should be judged holistically, rather than just the conceit of the topic, I apologise if my premise was ill-thought out and intellectually bereft. As the "host" of that thread, I am totally to blame. A good host should try to make sure that the guests are comfortable, are being well-served, and are having a good time. Take care. By the way, my wife likes to say to me, "Think first before you speak, then don't speak at all." Sage advice; that's why I love her. I know she only ever really married me for my body. Edited by Logan - April 06 2020 at 09:49 |
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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The Dark Elf
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^ That's because a "connoisseur" is an expert in matters of taste. A "connoseur"? Not so much.
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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And on cue, just when I said this has descended to the level of The Beatles are overrated thread, you confirm this. Thanks much.
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SteveG
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Edited by SteveG - April 06 2020 at 06:19 |
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Cristi
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Your fanaticism is ruining Foxtrot for me tbh, I don't plan to listen to it any time soon so thank you (wish there was a middle finger emoticon on PA). |
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M27Barney
Forum Senior Member Joined: November 09 2006 Location: Swinton M27 Status: Offline Points: 3136 |
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Aye. DSOTM...is better produced an far more commercial, since it still sells...but so did abbey rd by the scouse insects and Thriller by that strange geezer....
Of course its a subjective call on whether or not it is crossover prog, AOR, art rock or plain pop...but I still rate every minute of Foxtrot > every minute of DSOTM....as most symphonic prog connoseurs would....😎 |
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SteveG
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Edited by SteveG - April 06 2020 at 05:25 |
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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This is fast resembling the Beatles thread, I am afraid. As somebody who does like Foxtrot, I find this so bizarre - the litany of excuses made and conspiracies cited, like it's not as if Floyd just made a great album, plain and simple. Doesn't the voting too reflect that this is a tough choice?
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Lewian
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I don't get the bit about "deception" and masses thinking they get into the "hard stuff". Isn't it just what it is? And I think it got the people because they liked it and could relate to it, not because they'd want to brag about listening to something sophisticated and "hard stuff"... That some went on starting to appreciate more complex stuff because of it is a nice bonus but surely not the album's raison d'etre.
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Guldbamsen
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So prog is basically a sport?
It’s not about how the music sounds and makes you feel but rather more importantly whether or not it’s prog proper. Nahh...I know what it is. Every major rock album out there received some form of backlash by certain folks who deem it crap/soft/unoriginal/etc...just ask The Beatles....and well Dark Side is almost universally loved from here to Timbuktu...and when folks then prefer Foxtrot or Yeti for that matter - albums far less known to the general public - it quickly becomes a mudslinging match where instead of mentioning why X album is brilliant...it turns into X album is great because Y is sh*t. Nothing is just brilliant anymore...it needs to be great in spite of something else...preferably with a sly sting to the kidneys: the music you love is crap! Here I can prove it: a+k does not equal prog. Now how can it be any good? |
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Believe it or not, I agree completely that DSOTM is just gateway prog at the most. That is exactly why it hooks in a lot of people and I don't even think it's a deception unless Bob Dylan writing simple songs with profound lyrics is also considered a deception. But all that aside, the issue here for me is I don't even consider Genesis far above the gateway prog territory. If we were talking about some of the more demanding Canterbury stuff like National Health, VDGG, King Crimson, Gentle Giant or Magma (not even getting into Avant/RIO), I could understand. But Genesis itself is extremely accessible. In many ways, Genesis (in its prog phase) stands in a similar place in terms of its appeal to those who mainly like symphonic/melodic/accessible prog as DSOTM does w.r.t rock listeners who want some sophistication without going full tilt prog. Genesis is nice and easy to get into. Its Britishisms may be a tad quirky at times but that's about the only difficulty you would encounter. This is not to say that a lot of Genesis' work in their prog phase isn't brilliant. It is. But this is a good opportunity to refute the notion that because something is easy to listen to and not too complex means it cannot be brilliant. Maybe what Floyd did on Dark Side offered a convenient model for bands like BOC to appear sophisticated by adding some melody and/or piano sections to their songs (Astronomy/Flaming Telepaths); Styx would do the same as well. But at that time, 1973, they offered something very different from the other big rock bands. Not heavy and fast like Sabbath or Purple, not rambling like Led Zeppelin. Not over the top like Queen. The closest parallel is what The Who were doing at around the same time. But Gilmour's gentle vocals added a dimension that The Who did not have. And while Gilmour is not as effective in hard rocking vocals as Daltrey, he is pretty good himself going by the evidence of Money (or Young Lust later on The Wall). That range, to be adequately hard rocking and also very melodic and even plaintive, brought a different set of emotions to the table, complemented in turn by Waters' lyrics. It is not so much a deception as it is an album that is greater than the sum of its parts. Floyd in that DSOTM-Wall phase were better than any other rock/prog band at putting together an album. Everything on their albums had a reason to exist. No placating or pandering big egos ( a la the second half of Fragile), no throwaways, every song dovetailed into a larger concept (until Waters went for a full fledged concept album with Wall). The irony is Genesis could have had it all as this is the direction in which Gabriel steered them towards on Lamb Lies Down on Broadway (and long before Floyd at that). But Banks & Co promptly began grumbling about Gabriel hogging all the limelight so it was back to melodic and pleasant albums which are better at showcasing musicianship than having something in particular to say.
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M27Barney
Forum Senior Member Joined: November 09 2006 Location: Swinton M27 Status: Offline Points: 3136 |
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^ haha...anyway..yesterday was indoors date night and her indoors was cooking lamb shank...whilst she was upstairs preparing her wardrobe (stepping one beyond your show)...I asked Aleksa to play DSOTM (my aleksa is paired to my v. Expensive wireless soundbar n surround sound oojimy-whatsit...I drank hobgoblin and took in the music...I had forgotten the tangerine dream bit...bit still enjoyed the VCS in any colour...but that horrible female singer got on my tits and I dont like saxophone...the last track would be epic with a monster guitar solo instead of that horrible female backing singer...2 stars...😎 and genre....curates egg...prog in parts perhaps...
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richardh
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In general it comes into the category of albums that are really important but I don't care to listen to that much. It did achieve a wider audience because of the perception that it actually meant something and was a commentary on the human race and the way modern life makes us slightly insane. I totally agree with that but it still doesn't make it any more interesting as a piece of music. I never got the hype over the production at all. It's way too 'clean' for me. I was never a vinyl junkie or headphone listener though. As I said in my earlier post it works well as a singular piece in a 'live event' especially when you have the right video backdrops. Nowadays using the PA classification I consider it to be Crossover. I think calling it 'AOR' is incorrect but I respect Barney for stoking up a debate. About a million years ago ( well maybe 15) I even started a thread 'Is Dark Side Of The Moon overrated?' A lot of people then did think so and that probably hasn't changed. It was a very clever deception in some respects. At the time of its release it got the masses on board thinking they were getting into the 'hard stuff' when it was really just the tame soft gateway variety! |
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Same, but unfortunately 'not prog' is all Barney has to go on hammering DSOTM.
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Mortte
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Who really cares what´s progressive and what´s not? At least I don´t. Great albums are great albums, whatever genre they are.
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The Dark Elf
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Pink Floyd used part of the proceeds from Dark Side of the Moon to fund the production of Monty Python and the Holy Grail.
If that isn't progressive, I don't know what is. In any case, this is supposed to be a happy occasion. Let's not bicker and argue about who killed who.
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Logan
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Did the Squirrels ever do this with Foxtrot? I think not.
Edited by Logan - April 04 2020 at 17:26 |
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Lewian
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If an album has a great production and sound effects that perfectly fit into the general scope of the album and underline its message in a perfect way, that doesn't mean that the album is only appreciated so highly because of production and sound effects. Foxtrot is an excellent album of progressive rock and I now think it may be my favourite out of Genesis' studio albums. However I voted for DSOTM, not because of production and sound effects because apart from the supreme songwriting there is something really deep about this album, touching the basis of the human condition, if you want. There are some reaction videos around demonstrating what it does to people. Now I love Watcher of the Skies to pieces but it will not trigger this kind of feelings. Obviously this has nothing to do with how proggy it is, that's a side issue of little musical and emotional interest.
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