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Do the Beatles get too much credit.. |
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The Dark Elf ![]() Forum Senior Member ![]() ![]() VIP Member Joined: February 01 2011 Location: Michigan Status: Offline Points: 13249 |
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So, I take it you don't like the Beatles?
![]() Your subjective negativity aside, I believe you've missed the boat on this one. When you mention "they had a few innovative tendencies", I must refer you to the first page of this thread where Floydman documented a long and detailed list of innovations that is incomparable. I might add that Help and Hard Day's Night (and in 1969, Let it Be) were influential in the making of later rock movies and rockumentaries, and the advent of the music video format was profoundly effected by The Beatles' experimental work (starting in 1966 with a promotional piece for "Rain" and brought into further focus with "Strawberry Fields Forever") .
When you say "all they did was write uncomplicated pop songs", are you aware that doctoral theses have been written on the subtle intricacies of "She's Leaving Home" and "A Day in the Life", or that "Eleanor Rigby", composed in Dorian mode with double string quartet, Is heavily influenced by both Vivaldi and Bernard Hermann? In addition, the influences of composer Karlheinz Stockhausen (whose likeness appears in the back row of the famous photo on the Sgt. Peppers album) is evident in several more avante-garde offerings from the Beatles (Stockhausen was also a notable influence of Zappa, The Who and Pink Floyd).
As far as the Beach Boys, they admitted their innovative Pet Shop Sounds was influenced by Rubber Soul, the Bee-Gees were ardent Beatle admirers and copiers, and The Monkees were literally invented to mimic the Beatles (with Neil Diamond shadow-composing mock Beatles tunes for The Monkees' use).
As far as their music sounding "dated, trite, tacky, peppy, commercialized, and lacking in timelessness", Beatles music has been played or excerpted by Hendrix, Bowie, Cocker, Sinatra, Ray Charles, Stevie Wonder, Clapton, Siouxsie and the Banshees, The Cure, Oasis (the Gallaghers being immense fans), the Red Hot Chili Peppers, Ozzie Osbourne, The Ben Folds Five, Franz Ferdinand, Fiona Apple, and countless others; in fact, the song "Yesterday" is the most covered rock song in history.
So, is it the Beatles lacking timelessness, or are you simply out of time? I am opting for the latter. By the way, have you heard the Beatles' remastered albums? The entire catalogue sold 3x platinum in the U.S. -- more than 40 years after the albums were first released. I think the Beatles will outlast both of us. Edited by The Dark Elf - February 21 2011 at 17:14 |
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chopper ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: July 13 2005 Location: Essex, UK Status: Offline Points: 20035 |
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![]() I really shouldn't rise to this sort of nonsense. Edited by chopper - February 21 2011 at 16:50 |
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To me, the Beatles were more of a pop hit group than a rock band. Sort of a skilled boy-band of the 60's; I think they are incredibly overrated, particularly in the singing department. They had a few innovative tendencies, but to me they will always be second-tier in comparison to the Animals or the Beach Boys. I will grant that their music has aged quite well from the Abbey Road/Srgt Pepper era (especially compared to Frank Zappa's early work), but all they did was write uncomplicated pop songs. I've never understood the appeal of albums like "Rubber Soul" or "Revolver," both of which I find incredibly annoying. Most of their music sounds dated, trite, tacky, peppy, commercialized, and lacking in timelessness. On the flipside, albums like "Let It Be" are overproduced schlock. I can't stand the Beatles, or anything they represent. Even the Bee-Gees and the Monkees are more enjoyable than Lennon and Co. from my standpoint, since they were at least explicitly commercial and didn't try to mask themselves behind cutesy garbage facades like Srgt Pepper.
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Floydman ![]() Forum Groupie ![]() Joined: November 24 2009 Status: Offline Points: 67 |
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That is very subjective to say that lesser known bands made better music than the Beatles. I would say that the bands you are talking about didn't have two great songwriters like the Beatles did. The Beatles were masters of the use of the bridge, outstanding use of melody and inventive chord progressions. Those things were not usually at the fore-front of rock and roll music that came before them.
No one band is solely responsible for Progressive Rock but Fripp, Collins and other members have stated for the record the massive influence of the Beatles. The people who are comparing the Beatles to Zappa forget one major point is the Beatles were first and most importantly were master songwriters and Zappa wanted to be Edgar Varesse and melded many forms including doo-wop, and blues with rock, classical, jazz and you name it.
The Beatles, I would argue were more radical or innovative than Zappa with "Tomorrow Never Knows" with it's use of live rhythmic loops, has basically no harmonic motions, extremely repetitive bass and drum sound and altered processed vocal sound. Not to mention that it uses backward guitar break and ambient sounds created by using sped up loops. Also on "Eleanor Rigby" modal harmonies with it's instrumental texture only being a rhythmic string section and vocals in counterpoint. For example even back to Rubber Soul has sitar and three modal shifts or going to Sgt. Pepper "A Day in the Life" which is Prog sorry with it's orchestral build up, multiple sections, changes of time singatures, the Paul section in a different key from the "John section to represent waking up to reality. There are plenty of examples of this past Rubber Soul.
In the impossible to separate the Beatles from their influence though. In the early 60's hundreds of bands were cropping up to capitlize on the Beatles success. An entire generation followed and even copied the Beatles artistic treands. They influenced countless other bands, as well musical forumlas that the albums as an artistic statement instead of just a collection of singles and some filler.
Edited by Floydman - February 01 2011 at 12:14 |
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overmatik ![]() Forum Groupie ![]() ![]() Joined: July 15 2009 Location: Australia Status: Offline Points: 96 |
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You know what pisses me off, these people saying the Beatles are untouchables, and you can`t even lift a finger to say anything about them, this is lame. They were amazing, but they are not the greatest band ever. As for the kids that can`t appreciate the Beatles, poor kids. But hey, they have so many great things going on right? Edited by overmatik - January 31 2011 at 16:32 |
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"Wear the grudge like a crown of negativity. Calculate what we will or will not tolerate. Desperate to control all and everything. Unable to forgive your scarlet letterman."
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Anthony H. ![]() Prog Reviewer ![]() Joined: April 11 2010 Location: Virginia Status: Offline Points: 6088 |
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This. |
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Slartibartfast ![]() Collaborator ![]() ![]() Honorary Collaborator / In Memoriam Joined: April 29 2006 Location: Atlantais Status: Offline Points: 29630 |
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King Crimson Debut - 1969
Pink Floyd Debut - 1967 Beatles Revolver - 1966 Beach Boys Pet Sounds - 1966 |
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Released date are often when it it impacted you but recorded dates are when it really happened...
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manofmystery ![]() Forum Senior Member ![]() ![]() Joined: January 26 2008 Location: PA, USA Status: Offline Points: 4335 |
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I am saying they were rock giants because they had been pop giants with an established fanbase. A lot of lesser known bands made much better music but didn't have the notoriety that comes with stringing together a bunch of friendly little pop songs. In other words: they weren't the first band to make psychedelic or borderline-prog music, they just happened to be the most well known. Their influence was on the market, more than anything. I'm glad they helped open the door for psych/music, better than theirs, to become more widely listened to but I really don't think it wouldn't have happened without them.
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The_Jester ![]() Forum Senior Member ![]() ![]() Joined: September 29 2010 Status: Offline Points: 741 |
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Are you saying that they are not the musical giants they are. That they were only a little part of the musical revolution. To the first state I say, no. To the second one, I say yes. They were following the mouvement that they partly created along with the Beach Boys, Pink Floyd, King Crimson, etc.
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manofmystery ![]() Forum Senior Member ![]() ![]() Joined: January 26 2008 Location: PA, USA Status: Offline Points: 4335 |
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Yes, they went from being a pure boy band to being a second tier psych band. They were influencial, because they were already everywhere (anyone, anywhere could hear their music), but never anything special themselves.
Edited by manofmystery - January 23 2011 at 11:40 |
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Paravion ![]() Forum Senior Member ![]() ![]() Joined: May 01 2010 Location: Denmark Status: Offline Points: 470 |
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^I know. Bruford probably didn't utter the words in a context where he was determined to show that the beatles are the center of the pop-rock universe and the creators of everything. The words also seem intentionally exaggerated (it's a little much to state that all these things were in fact impossible before the beatles) The beatles deserve a lot of recognition for their influence - but don't overdo it.
Bruford's words are used out of context in this thread - and any conclusions you may jump to based on the quote are inevitably very uncertain.
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chopper ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: July 13 2005 Location: Essex, UK Status: Offline Points: 20035 |
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True, but he is not the only respected musician to have said something similar, by a long way. Fripp is another. |
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Paravion ![]() Forum Senior Member ![]() ![]() Joined: May 01 2010 Location: Denmark Status: Offline Points: 470 |
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No.
I backgrounded that piece of information because I don't judge it particularly important. It's self-evident that the beatles were immensely influential and widely covered, but I think it's safe to say that they didn't teach the elevators how to play psychedelic music. Secondly, you use extremely suggestive and defensive rhetorics, where you present an abundance of facts and use them as 'hostages' to jump directly to generalizations that suggest you are indisputably right and that I must be some sort of beatles hater - that's ridiculous. Psychedelic music wasn't created in some particular recording studio at some particular time by some particular group of individuals. It was a movement in many disguises using a great diversity of artistic expressions - more or less interrelated. You can argue that revolver and perhaps rubber soul has psychedelic traits and thus the beatles pre-dates the elevators in making psychedelic music. But this mechanic approach only reveals a rather insignificant detail and leaves many aspects unconsidered. If you consider the the nature of revolver vs. the psychedelic sounds of.. there is clear difference in terms of how psychedelic the albums are. The psychedelic sounds of is a full-blow psychedelic album both in terms of sounds and 'ideology' - the notes on the back-cover explicitly describes their psychedelic approach to music and life in general. So, in terms of 'psychedelity', revolver doesn't stand a chance against the psychedelic sounds of.. - regardless of the fact that it was recorded some six months earlier. Edited by Paravion - January 23 2011 at 09:34 |
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irrelevant ![]() Collaborator ![]() ![]() Honorary Collaborator Joined: March 07 2010 Location: Australia Status: Offline Points: 13382 |
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Cell phone companies must like The Beatles very much.
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Floydman ![]() Forum Groupie ![]() Joined: November 24 2009 Status: Offline Points: 67 |
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First are you telling me the 13th Floor Elevators were not influenced by the Beatles? Are you dismissing the fact they covered “The Word”? If you are you're sipping your own cool aid because basically every Psyh/prog/folk rock band were somewhat influenced by the Beatles. The 13th Floor Elevators Influence by The Rolling Stones, The Beatles, Bob Dylan, Buddy Holly, the Kinks, The Yardbirds, Bo Diddley are some of the people who they cite as an influence. The Psychedelic Sounds of the 13th Floor Elevators recorded October 10, 1966 at Sumet Sound Studios, Dallas The Beatles "Tomorrow Never Knows", ‘Rain” and a few others recorded in April of 1966. The Beatles didn't limit themselves to one one style of music so keep that in mind but on Revolver there are at least 4 psych songs. Yet Revolver predates The Psychedelic Sounds of the 13th Floor Elevators recorded as being at least one of the first psych albums so why are even debating this I don't know. Must be a anti-Beatles thing with some people. Read the book "Every Sound There Is; The Beatles Revolver and the Transformation of Rock and Roll" By Russell Reising there is a whole chapter on the Beatles influence on Pink Floyd. Pink Floyd didn’t invent psych-rock either but they created a new sound. When Robert Buford said the Beatles were using 7/4 time signature in rock he was stating by using odd times the Beatles influenced him especially how they skipped beats using that time signature. Not really common stuff in rock more common in the jazz music he liked. . Yet whether the Beatles invented psychedelic rock or not they were extremely innovative in how they were intentionally using these techniques in creating what they thought tripping was. It’s basically psychedelic use of the studio as an instrument in which many ways helped influenced other forms of music like progressive rock, for example. The Beatles by using these techniques created a whole new sound way ambient sounds from loops, ambient seascape sound collages, backward guitars and vocals, Automatic Double Tracking, vocals from Leslie speakers, cosmic sounding rhythmic loops fading in and out, using eastern Indian drones, disorienting fade outs, using delay and changing time, mellotrons, phasing, loud up front drum & bass sounds yeah like you find many of these techniques in some form of the other in most psych/prog/electronic songs that came after words that you find on Revolver/Rain. If you want to find a song that is exactly like say "Tomorrow Never Knows" you won't exactly find one well there is King Crimson "Tomorrow Never Knew Thela" or showing how ahead of it's time the Chemical Brothers "Setting Sun". Here's some release dates on charted hits I think qualify as Psychedelic (or at least hit some trippy psychedelic overtones) for 1965 and 1966:
6/5/1965 | The Chiffons - "Nobody Knows What's Going On (in My Mind But Me)" [Laurie 3301] Edited by Floydman - January 22 2011 at 09:12 |
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Paravion ![]() Forum Senior Member ![]() ![]() Joined: May 01 2010 Location: Denmark Status: Offline Points: 470 |
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I agree
Who did something first matters in terms of innovation and origination - which was what OP asked us to consider. Besides, you can't draw generalizations based on details and random state of affairs and present it is a fact - so I can't be pursuaded by reasoning of the sort "the 13th floor elevators covered a particular beatles track -> they were - as a fact and generally - inspired by the beatles." It's reasonable to say that the elevators with their debut "The Psychedelic Sounds of The 13th Floor Elevators (1966)" pre-dates the beatles in producing an actual full-blown psychedelic album - both in terms of sound and 'ideology'. I don't consider the album particularly beatlesque - and in terms of 'psychedelity', they make the beatles sound like children's music. They were (of course) inspired by many things (drugs, music, litterature, psychology, philosophy, society etc. etc.), and the beatles probably fit in there somewhere - but I find it very likely that it wasn't the beatles who introduced 13th floor elevators to psychedelic music and ideology.
Evidence of a band using the particular recording technique beatles did to produce something that sounds like a particular beatles track? Good luck! You must have had too many of these: ![]() "The Beatles. They broke down every barrier that ever existed. Suddenly you could do anything after The Beatles. You could write your own music, make it ninety yards long, put it in 7/4, whatever you wanted" (Bill Bruford). It doesn't become a fact because Bruford says what he says.
Edited by Paravion - January 22 2011 at 07:29 |
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ShipOfFools ![]() Forum Senior Member ![]() ![]() Joined: September 23 2007 Location: United States Status: Offline Points: 107 |
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In my opinion, they were the very first 'rock band.' They defined it all; the popularity, the fan craziness, the experimentation, the intelligent interviews they gave, the movies they made. There were a few other bands around that time, that sort of faded out...like Herman's Hermits. The Beatles, on the other hand, continued on...and their legacy lives on, 50 years later. I defy you to name a person under the age of 12 who has never heard of The Beatles. |
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CloseToTheMoon ![]() Forum Senior Member ![]() ![]() Joined: September 28 2010 Location: Michigan Status: Offline Points: 223 |
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To this day, I don't think they get enough credit. In fact, I meet more kids that hate them. They don't understand the context of the music industry in which they emerged. They didn't show off their musicality, but if you ever tried to learn a Beatles song on guitar, you probably got a whole new respect for them. Is there a chord they never used?
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CloseToTheMoon ![]() Forum Senior Member ![]() ![]() Joined: September 28 2010 Location: Michigan Status: Offline Points: 223 |
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To this day, I don't think they get enough credit. In fact, I meet more kids that hate them. They don't understand the context of the music industry in which they emerged. They didn't show off their musicality, but if you ever tried to learn a Beatles song on guitar, you probably got a whole new respect for them. Is there a chord they never used?
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Pelata ![]() Forum Senior Member ![]() ![]() Joined: January 04 2010 Location: NC-USA Status: Offline Points: 364 |
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It is impossible to give The Beatles too much credit...
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