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Direct Link To This Post Posted: January 11 2010 at 20:50
Quote ... Cream remain utterly unique. Not even Zeppelin come close. The latter did long jams but they were essentially vehicles for Page to show off with Jones and Bonham knowing when to start and stop and when to join back in again. They were a consumate rhythm section - disciplined and reliable. But they did not take the risks Cream did. Bonham and Jones never attempted to match Page or duel with him in the way Clapton, Baker and Bruce did. ...
 
Ohh my gawd ... you have never heard the bootlegs ... Led Zeppelin was insanely good in concert ... and way more adventurous than anyone ever gave them credit ... and to say that John Paul Jones or Bonzo or Robert were not as adventurous ... is really pusing the button ... in fact, Bonzo's contribution was so important that the band stopped after he passed away ... I really think that says a lot more than they are being given credit for ...
 
They really need to release "Live on Blueberry Hill" as is ... it is by far one of the best concerts ever ... and the playing is ... dangerous ... not sure many of us can even stand up to it ...  and it is also a real sad comment about John Paul Jones, when he also played keyboards and added a massive amount of emotional content that went way beyond the bass playing  ... yes, it is "rock" ... and at times it gave rise to "metal" ... but it's compositional abilities for the first 5 albums ... are second to almost none ... and it doesn't matter who it is ....
 
Cream were never progressive ... before or since ... and Ginger Baker's comments about Hawkwind are ... "the worst little rock band" ...  and he wasn't even appreciative of having Tim Blake in there either ... which is sad. So he's good and the rest stink ... sorry! Eric is fine and he is progressive in his own way, and I will never say he's a bad guitarist ... but I think he needs another Gregg Allman to show him up and push him ... because him as a star is not being challenged enough ...
 
Cream is much more in the lines of John Mayall ... than prog ... still good ... and again ... that's the problem with adding labels and names on these things ... no one is going to agree with anyone ... and instead of appreciating the good music ... we're wasting it ...
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Direct Link To This Post Posted: January 11 2010 at 07:24
Originally posted by Ghostmojo Ghostmojo wrote:

Originally posted by SergiUriah SergiUriah wrote:

If Santana is catalogued here as a Prog band, I guess Cream are a prog band too, in the same way Ten Years After are too.
 
But my opinion is that those 3 great bands are only Jam bands who played Rock.
 
You can't compare Ten Years After with Cream.
 
Cream were not a jam band - although TYA probably were.
 
 
Define 'jam'. When Garaj Mahal through to Medeski Martins & Woods are described as modern  'jam bands' - and quite different from each other, other than being jazz-based - I get ever bemused by the terminology and its vagueness.
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Direct Link To This Post Posted: January 11 2010 at 07:20
Originally posted by chopper chopper wrote:

SWLABR - The title stands for "She Walks Like A Bearded Rainbow."
 
Thanks for the reminder - coincidenally checking out Disraeli gears yesterday and asking myself that very  question, and got stuck after Sent With Love And......  (after SWALK or NORWICH)..... BTW check out the double CD set of Disraeli gears, which includes outtakes of those recording sessions - including a couple of tunes that reemerged on Jack Bruce's 'Songs For A Tailor', which indeed is as progressive as any of the band went.
 
Cream were most innovative for their time hence progressive in the literal sense (especially if you believe those reunion quotes about doing an Ornette Coleman - "but we didn't tell Eric") but were most definitely part of the underground movement both sides of the Atlantic. But they effectively only impinge on the beginning of  the progressive music period 67-71. Said it before, in the record shop I worked 67-71, what went into the 'progressive music' section was originally Canned Heat , Nice and Moody Blues, whilst Cream and John Mayall went into the 'blues' section.  It might be argued that skilled musicians jamming pseudo-jazz-wise would have influenced a few musicians  in the sense pop or rock (which was only a few years old) didn't have to be confined to 3 minute recorded tracks.
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Direct Link To This Post Posted: January 11 2010 at 07:05
Originally posted by SergiUriah SergiUriah wrote:

If Santana is catalogued here as a Prog band, I guess Cream are a prog band too, in the same way Ten Years After are too.
 
But my opinion is that those 3 great bands are only Jam bands who played Rock.
 
You can't compare Ten Years After with Cream.
 
Cream were not a jam band - although TYA probably were.
 
The blues was a jumping-off point for exploratory improvisation with Cream (by all three musicians) - different from aimless boogie jamming of the likes of TYA, Mountain and others.
 
Like Cream - Santana are a hybrid. A classy band that fused hitherto different and unconnected elements.
 
Long live Cream and Viva Santana!!! Smile
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Direct Link To This Post Posted: January 11 2010 at 06:48
Originally posted by SergiUriah SergiUriah wrote:

If Santana is catalogued here as a Prog band, I guess Cream are a prog band too, in the same way Ten Years After are too.
 
 
ooooouuuuuuuuhhhhh...Geek
Oh dear, are you mean that Santana would not be here? ? ?


Edited by ko - January 11 2010 at 06:54
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Direct Link To This Post Posted: January 10 2010 at 20:05
Originally posted by SergiUriah SergiUriah wrote:

 
only Jam bands who played Rock.
 



and what  KC in their most beloved incarnation?.. 
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Direct Link To This Post Posted: January 10 2010 at 18:56
If Santana is catalogued here as a Prog band, I guess Cream are a prog band too, in the same way Ten Years After are too.
 
But my opinion is that those 3 great bands are only Jam bands who played Rock.
 
ooooouuuuuuuuhhhhh...Geek


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Direct Link To This Post Posted: January 10 2010 at 09:15
For me they can easily fit the proto-prog category, both in terms of time period and regarding their musical innovation, experimentation and progress beyond simple 12-bar blues rock.

YES, definitely!
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Direct Link To This Post Posted: December 29 2009 at 22:26

Isn't there some auto-inclusion rule for bands who meet the following criteria:

First album is primarily blues-rock based;
Second album exhibits some proto-prog tendencies;
Third album exhibits still further proto-prog tendencies;
Fourth album, while a drop-off from the third, still exhibits proto-prog tendencies;
Producer of one or more of those albums was killed by his wife.



Edited by jammun - December 29 2009 at 22:26
Can you tell me where we're headin'?
Lincoln County Road or Armageddon.
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Direct Link To This Post Posted: December 29 2009 at 21:59
Originally posted by jammun jammun wrote:

Originally posted by Logan Logan wrote:

Originally posted by jammun jammun wrote:

I attempted to make a case for the Yardbirds (for proto-) a while back, and that achieved about as much liftoff as a lead zeppelin.  I imagine Cream will end up in that same failed-to-achieve-liftoff heap.   



Ah, but the Cream always rises to the top.
Let's hope it's not lead cream. 


Or even iced Cream as in "Oh my god, they iced Creamy! You b*****ds!"
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Direct Link To This Post Posted: December 29 2009 at 21:51
Originally posted by Logan Logan wrote:

Originally posted by jammun jammun wrote:

I attempted to make a case for the Yardbirds (for proto-) a while back, and that achieved about as much liftoff as a lead zeppelin.  I imagine Cream will end up in that same failed-to-achieve-liftoff heap.   



Ah, but the Cream always rises to the top.
Let's hope it's not lead cream. 
Can you tell me where we're headin'?
Lincoln County Road or Armageddon.
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Direct Link To This Post Posted: December 29 2009 at 21:43
Originally posted by jammun jammun wrote:

I attempted to make a case for the Yardbirds (for proto-) a while back, and that achieved about as much liftoff as a lead zeppelin.  I imagine Cream will end up in that same failed-to-achieve-liftoff heap.   



Ah, but the Cream always rises to the top.
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Direct Link To This Post Posted: December 29 2009 at 21:37

I attempted to make a case for the Yardbirds (for proto-) a while back, and that achieved about as much liftoff as a lead zeppelin.  I imagine Cream will end up in that same failed-to-achieve-liftoff heap.   

Can you tell me where we're headin'?
Lincoln County Road or Armageddon.
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Direct Link To This Post Posted: December 29 2009 at 20:21
I didn't think you were being that serious -- far too simplistic, and flawed, for someone of your experience.  The thing is, as I think I made clear on the first page of this thread, I don't consider Cream to have been a "typical" rock  (yes I notice the quotes around typical) band, nor was it just a blues rock/ jam band.  There was a fusion of styles incorporated (obviously including psych) and there is contrast. 

And I also don't think it's about being good as making music that you think fits (for Proto-Prog one must consider the music itself and the historical context). I believe that Cream fits the Proto-Prog criteria.  As I've often said, I think it's perfectly reasonable to make associations and make an if x is then why not y case provided that the musical comparisons (as opposed to say, shared musicians) are valid/ relevant and sufficient for suggestion purposes. Too often for my tastes I have seen X is not in so Y should not be in either or fearmongering if X is included then there will be calls for Y -- a la surely we don't want Y in so we should be very wary about letting X in.  Each case must also be evaluated on its own merits, and a similar case must also be evaluated on its own merits even if some precedents are set.  I don't care about adding (or supporting) bands so I can review them as I'm not a reviewer. I believe in supporting bands if I think they belong. 

Cream isn't in.  While I think it's fair to discuss similar cases already in as a supplement to making a case, I think making the case against them by throwing out names like Clapton solo and the Yardbirds is weak (to use those as examples even if you weren't being that serious).  Let's focus on Cream itself, both the music and its historical place, and worry about those later (I see the cases as being quite different, and I suppose that some might have said that if Led Zep was added, what next, the Yardbirds?).  You might want to talk about bands already in based in blues-rock and say why their cases are stronger than Cream's.

That's my two cents, anyway, Marty. Hope my cents make some sense.

EDIT: Incidentally, have you listened to both Wheels of Fire and Disraeli Gears?


Edited by Logan - December 29 2009 at 21:41
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Direct Link To This Post Posted: December 29 2009 at 15:02

I know Logan man, it was more like childish though. I wouldn't mind having more "typical" rock bands here if only just to write review about their albums and OK agree, there are elements in their music I consider good enough to get them here.

Because IF this, THEN this is a good rule (as I stated few times). Why ? Because you can say it in other words: IF there was REASON that get Band 1 here, than there should be Band 2 included too if it's from the same reason.

And when we're at it, this reminded me one youtube conversation I had two years ago (my knowledge in music were VERY LOW). Because being guitar virtuoso isn't good enough to bring these artists here, I know. But if they do good music, mostly prog related, they should be here. Jeff Beck is here, but not Yngwie (he was suggested many times). Steve Vai is here, but Joe Satriani isn't. Same with Eric Johnson.

There's a point where "avant-garde" and "experimental" becomes "terrible" and "pointless,"

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Direct Link To This Post Posted: December 29 2009 at 13:39
Originally posted by Marty McFly Marty McFly wrote:

Or even Eric Clapton, right ? :-D or Yardbirds :-) I wouldn't mind having them here, even they're what, blues ? Rock ?


Though I like Derek and the Dominos, and "Layla" has a kind of progginess about it, from what I know, I wouldn't support Clapton's entry into Prog-Related.  I believe that the The Yardbirds (for Proto-Prog) would have more merit (I'd have revisit the music) than a Clapton addition (for Prog-Related) -- from what I know, but I haven't listened to either much in many years (neither projects had the same effect on me as Cream did).
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Direct Link To This Post Posted: December 29 2009 at 13:22
Or even Eric Clapton, right ? :-D or Yardbirds :-) I wouldn't mind having them here, even they're what, blues ? Rock ?
There's a point where "avant-garde" and "experimental" becomes "terrible" and "pointless,"

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Direct Link To This Post Posted: December 29 2009 at 13:14
As you are aware, Raff, but just to make the general point for a greater audience, one of the reasons why this site is less inclusive than some other sites is because this site includes bands/artists and not just albums.  There are many albums that could be included by bands/artists where the band or artists is excluded because of the majority of the work. 

Cream is a different case, of course, and if it were to be included, as I think it should be, it would be in Proto-Prog, not ina Prog-proper category.  Certainly, as noted, it was progressive rock, but is not considered part of the Prog-proper "genre".  I really think it has a lot in common with Prog, though. Although it's been discussed at great length, I don't know that it's ever been formally suggested to the admins (which are in charge of Proto-Prog and Prog-Related).  The Proto-Prog/ Prog-Related team works differently from other teams and suggestions require a more involved process though sometimes acts can go through quite easily and quickly.

There will always be those that consider PA too inclusive in some ways and those that consider it too exclusive in/ with others.  I'm one of the more inclusive members, and on the extreme side one might find Prog Purists who might bemoan having anything in the archives that is not usually considered part of the Prog proper genre (and would like to remove various categories from the site including Proto-Prog and Prog-Related but also other categories and bands/ artists listed under the Prog umbrella).
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Direct Link To This Post Posted: December 29 2009 at 06:56
Originally posted by chopper chopper wrote:

 
I do know where the name "Disraeli Gears" comes from though (a roadie's mispronounciation of the phrase "Derailleur Gears" (as on a bike).


I only found out a couple of days ago, when we were listening to the album during the housework, and I asked Micky if he knew why it had such a curious name. He didn't, so I turned to Wikipedia, and finally cleared the mysterySmile.

Anyway, it is a common misconception that ProgArchives is too inclusive. It actually is much less so than most other prog sites, which feature bands and artists that would probably never be allowed to set foot here. Even a magazine like Progression features a much wider variety of music, at least as regards its reviews section. It seems this is the only place in which the addition of bands or artists that do not conform 100% to some guidelines becomes a matter of life and deathWink.
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Direct Link To This Post Posted: December 29 2009 at 06:52
SWLABR - The title stands for "She Walks Like A Bearded Rainbow."
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