Osage Tribe is, basically a real Power Trio. But also one of the best Italian band. Osage Tribe realizes only one single and one album. This is a review of "Arrow Head" by Mandrakeroot:
OSAGE TRIBE — Arrow Head
Review by
Mandrakeroot
(Andrea Salvador)
COLLABORATOR Italian Prog Specialist
This review is produced using this release: Bla Bla licensed/ VM2000/ BTF (VM CD 037)
Rating: 8/10
I don't understand because "Arrow Head" is so forgotten... I have listen a lot of
albums that do not reach this power and magic. I think that the songs of Arrow Head
have a just power also because the drummer is Nunzio "Cucciolo" Favia, one of the
best Prog and Rock drummer. The power of "Cucciolo" is the just propellent for this
band ("Cucciolo" have a formation in academy of music). Another instrumentalist
without which it has been not possible this explosion of power is the bassist Bob
Callero (the "Olov" with Il Volo) that that it is in possession a very interesting
technique (and today is one of the more appreciate session man in Italy and Europe).
Also Marco Zuccheddu have a power, a technique but for me is only one of the more
technical instrumentalist of Italy!!! I think that this album have a Classic Music
(and not classical) and Jazz inspiration but the power prevails creating a sort of
Proto Prog Metal that in Italy only Ibis equaled. And for the music? Interesting the
power of "Arrow Head" because very technique and the Jazz inserts of "Cerchio Di
Luce" where Bob Callero seems possessed from the devil!!! And of the mystic power
(and technique) of "Soffici Bianchi Veli" we want to speak it? And "Orizzonti Senza
Fine" is in the same road, confirming that technique is able to be synonymous of
immediacy. For me also "Hajenhanhowa" have the just power but this song is, for me,
too complicated respect to the remainder of the album. But for me the power and the
Jazz Inserts are the winning arm of this album that is also very very very thechnical.
Osage Tribe... Three big musicians for one of the more power Prog albums of the
world. It has been the time to rediscover this masterpiece of Power Prog that have
this name: "Arrow Head".
And this is micky's review:
OSAGE TRIBE — Arrow Head
Review by
micky
SPECIAL COLLABORATOR Italian Prog and Art Rock Specialist
Prog by it's nature has it's share of albums that you have to concentrate on to
listen to.. to ponder deep meanings it it's lyrics or by bizarre twists and turns in
the music. Some times it is fun to just have a prog album to turn up to 11, that
makes no pretenses but taking the skill of the musicians and making music that is
shear power and plain fun to listen to.
Arrowhead by the guitar/bass/drums trio known as Osage Tribe is just an album. Again,
as those who know me know, I am not fluent in Italian yet, so any deep
meanings in the lyrics are lost to me unfortunately. Thankfully I've never read of
any such thing on this hahha. The vocals are not unpleasing at all.. being that this
is a very hard aggressive album you aren't going to find beauiful singing on this.
The vocals match to music well. What this album though is known for is dynamic
rhythm section of RPI (Rock Progressivo Italiano) bassist legend Bob Callero and drummer Nunzio 'cucciolo' Fava.
They propel all 5 original album tracks with power and intensity during the hardest
sections yet are able to downshift right into the occasional softer section or the
more prodominant jazzy sections where the group really could swing. Guitarist Marco
Zoccheddu while not known as an A-list RPI instrumentalist like the other two
provides firery guitar lines and even the occasional piano in the jazzier sections.
The album kicks off which Hajenhanhowa, which as it sounds is meant to establish some
sort of American Indian kind of theme. Chant like vocals and a vaguely Indian type
drum beat are at the heart of it. Not exactly a classic album opener..but not bad
either. Almost comical in a way.. which isn't bad... who says prog can't make you
laugh. A warm up of sorts to what is to follow. The title track, Arrow Head,
follows with a frenetic opening with Callero going nuts around the drummer and
guitarist. Callero dominates the track with a certain Jack Bruce-ian like 'busy' nature
...dancing all around the others The next track begins the stretch of the album that
is to die for.. 'Cerchio di luce' begins with a soft intro that explodes.. receeds
in intensity to a soft accoustic section before taking flight again. The song is
highlited by a killer jazz section where Callero's walking bass lines anchor a free
for all between cucciolo and Zoccheddu's guitar and overdubed piano. The interplay is
incredible. Far and away my favorite track on the album. 'Air' guitar, keys, drums,
and bass abound on the track hahhaha. Great fusion of jazz stylings into a hard prog
masterpiece.
After that I hate to let you down and say the next track is some quiet, lovely
interspective song... hah.. so I won't. 'Soffici bianchi veli' is anchored by a
killer driving riff that cruises at breakneck speed, with frenetic guitar runs and
the always active Callero dancing all around bluesy solos. The song again suddenly
downshifts into a slower paced vocal section though Callero can't resist making it
interesting again by playing counterpoint to the melody and again dancing around
another guitar solo. Maybe not the most complex of songs.. but with the dynamic
shifts in style and tempo that we demand of prog. The song is slightly marred by some
...I hate to say it ...horribly recorded accoustic noodlings that actually is a bit
painful to listen to. Thankfully they don't last but a short bit The album closes
with another midrange workout 'orizzonti senza fine'. A sweet guitar and bass intro
begins the song. The vocal sections have some interesting rhythms with some clean
chiming guitar. A nice departure from the sonic attack of the previous two tracks.
As per prog though.. soon a repeated bass line by Callero herald a new dynamic shift
to and away we go into to prog stratosphere where Zoccheddu coaxs sounds from his
guitar before returning to the vocal sections and it's interesting rhythm patterns.
The song again changes as it, and the album nears the end, with some tape effects
over a droning bass chord closes the original album.
The new CD reissue by Vinal Magic has two bonus tracks...of which...hahah.. could be
construed as offensive by Native Americans. Full of sterotypical chanting and the
such. Pop singles that were included on the new CD release. The less said the better, only to
note that Battiato sang on them.
For rating this album..hmmm... reading up on RPI as I do. I had found this album
listed as one of the seminal albums of the Italian prog movement. Listening to it..
you can see why. Full of power.. great talents and showcasing future key members of
other RPI giants. For that I have to give this album 5 stars. It is a masterpiece
and a defining album of RPI. In my rapidly expanding RPI collection... there are few
albums that have the power and instrumental firepower as this one. For me.. 4
stars... 'cerrchio di luce' and 'soffici bianchi veli' are well on the way to being
established RPI gems for me song-wise. The campy Indian themes though knocks a star off of
that, especially the first song. Highly recommended for those who love their prog
hard and heavy yet with twists and turns enough to not feel simply bludgeoned over the
course of an entire album.
Michael (aka micky)