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Dean
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Posted: January 18 2013 at 08:43 |
brainstormer wrote:
I just mean you can analyze it and compare the two without emotion, just
using the intellect. It's not really based on opinion, as in, this music is
better than that music. |
It is a musicalogical observation, it isn't scientific or fact.
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brainstormer
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Joined: January 20 2008
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Posted: January 18 2013 at 08:37 |
I just mean you can analyze it and compare the two without emotion, just using the intellect. It's not really based on opinion, as in, this music is better than that music.
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Robert Pearson
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lazland
Prog Reviewer
Joined: October 28 2008
Location: Wales
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Posted: January 18 2013 at 08:36 |
Dean wrote:
scientific fact?
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Quick, get him in charge of the brand new "scientific fact" sub genre which is bound to arise as a result of the debate
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Enhance your life. Get down to www.lazland.org
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octopus-4
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Posted: January 18 2013 at 08:20 |
Using chord changes and scales more complex than blues is not scientific, it's easy
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I stand with Roger Waters, I stand with Joan Baez, I stand with Victor Jara, I stand with Woody Guthrie. Music is revolution
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Dean
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Posted: January 18 2013 at 08:03 |
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brainstormer
Forum Senior Member
Joined: January 20 2008
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Posted: January 18 2013 at 07:57 |
The problem I have with the bigger new/neo prog bands is that they do not seem to have the same classical and world music influences that the older, major bands did. Much of what they do seems inspired by blues scales, or modes that I've heard a million times. And when I say new, I mean things after 1990, or around that time. ELP/Genesis and even Yes (which seemed to have an interesting world music/folk influence at times) music is more complex because it is harmonically so, it's using scales and modes and chord changes that are more complex. It's not anyone's opinion, it's scientific fact. A lot of newer bands I don't like simply because they are focused more on blues scales. There is a major older "prog" band, whose name I won't name, that also falls into this category, and I've never really liked them (it's not Pink Floyd).
Edited by brainstormer - January 18 2013 at 07:58
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--
Robert Pearson
Regenerative Music http://www.regenerativemusic.net
Telical Books http://www.telicalbooks.com
ParaMind Brainstorming Software http://www.paramind.net
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octopus-4
Special Collaborator
RIO/Avant/Zeuhl,Neo & Post/Math Teams
Joined: October 31 2006
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Posted: January 18 2013 at 07:53 |
M27Barney wrote:
richardh wrote:
brainstormer wrote:
"Neo" just means new. It doesn't mean "psuedo." Maybe
some people are confusing this. |
exactly
for me neo was just a style of prog that was more emotionally grounded and less 'flowery'. However its often thought of as a watered down version of 'real' prog which is wht Orford doesn't like the term. That said the bands were not as talented as the ELP's and Genesis and Yes's of the world. They had to establish themselves but certainly played on the nostalgia associated with prog. About 1983 there was a revival in proper bands generally as people got fed up with MTV mass produced pop where the producers were more important than the so called bands.
the supposed re birth of 'real' prog in the 90's as already stated came from Scandanavia but more specifically Par Lindh who formed the Swedish Art Rock Society. I think it also gained a little bit more momentum from the emergence of Radiohead who were suddenly labelled ''Prog'' from nowhere.I think it shocked them but I remember at the time it brought prog much more into the mainstream.One popular publication (Daily Mail I think) even directly compared Radiohead to Yes and Pink Floyd ho ho.
Back tracking slightly , IQ themselves adapted their music when they released Ever in 1993. That was almost a re birth of neo prog in my eyes. Neo prog evolved as a style and as already mentioned most of the bands associated with it are not creating the same style of music nowadays.
Orford is being a tiny bit hypocritical. The connection between Harvest Of Souls and Suppers Ready is very obvious even if apparently only two people are not able to see it! At the time he was upset that IQ didn't get due credit for making such an expansive work. I guess it may have contributed to his retirement but he shouldn't and needn't be so sensitive imo. |
Aye - i'm, having this as possibly the last word on the subject because it covers most things fairly succinctly. The Harvest of souls / Suppers Ready connection is obvious in the finale especially - but the epic still has plenty of original themes in it to be a fine track that I enjoy listening to. Anyway, nobody sl*g.ed Wakeman for the Hall of the Mountain King passage in JTTCOTE......I feel that classic 70's prog themes re-worked and perhaps lengthened (you know how turned on I am by prodigious length ) should be part of the Phase IV symphonic prog movement..... |
Quoting Grieg (Wakeman), Beethoven and Rimsky-Korsakov (Renaissance) is a little different from quoting an existing band but it's not a crime until it's clearly a quote. Otherwise is a copy. Transatlantic quoted Deep Purple in the Whirlwind live, too. Nothing against that. The central part of Marillion's Grendel is more a copy than a quote, but I like that epic so much that I don't care.
Also the final guitar solo of Grendel has been reused on Forgotten Sons and this concerns me more, but they are absolutely the two best Marillion's songs IMO.
In classical music quoting, reinterpreting (variation on somebody else's theme) was normal. In 17th century people was not thinking of copyrights and everybody knows that many big composers have taken inspiration from popular folk. There's am Italian folk song known as "Madama Dore'" which has become the central theme of "I Pini Di Roma" by Ottorino Respighi.
Personally I have sometimes played in cover bands when I was young, and when not doing covers I was aware to be a wannabe of Pink Floyd and Camel, but I was liking their sound so much that I didn't care. The pleasure in hearing my guitar sounding like Latimer's (not properly the same unfortunately) was great. I have never thougth to become a professional player. Probably it's because of that that I have rated the Unicorn "Genesis Soundscape Project" with three stars. If you want to sound exactly as your idols and succeed I don't see anything bad if it's clearly stated.
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I stand with Roger Waters, I stand with Joan Baez, I stand with Victor Jara, I stand with Woody Guthrie. Music is revolution
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M27Barney
Forum Senior Member
Joined: November 09 2006
Location: Swinton M27
Status: Offline
Points: 3136
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Posted: January 18 2013 at 06:20 |
richardh wrote:
brainstormer wrote:
"Neo" just means new. It doesn't mean "psuedo." Maybe
some people are confusing this. |
exactly
for me neo was just a style of prog that was more emotionally grounded and less 'flowery'. However its often thought of as a watered down version of 'real' prog which is wht Orford doesn't like the term. That said the bands were not as talented as the ELP's and Genesis and Yes's of the world. They had to establish themselves but certainly played on the nostalgia associated with prog. About 1983 there was a revival in proper bands generally as people got fed up with MTV mass produced pop where the producers were more important than the so called bands.
the supposed re birth of 'real' prog in the 90's as already stated came from Scandanavia but more specifically Par Lindh who formed the Swedish Art Rock Society. I think it also gained a little bit more momentum from the emergence of Radiohead who were suddenly labelled ''Prog'' from nowhere.I think it shocked them but I remember at the time it brought prog much more into the mainstream.One popular publication (Daily Mail I think) even directly compared Radiohead to Yes and Pink Floyd ho ho.
Back tracking slightly , IQ themselves adapted their music when they released Ever in 1993. That was almost a re birth of neo prog in my eyes. Neo prog evolved as a style and as already mentioned most of the bands associated with it are not creating the same style of music nowadays.
Orford is being a tiny bit hypocritical. The connection between Harvest Of Souls and Suppers Ready is very obvious even if apparently only two people are not able to see it! At the time he was upset that IQ didn't get due credit for making such an expansive work. I guess it may have contributed to his retirement but he shouldn't and needn't be so sensitive imo. |
Aye - i'm, having this as possibly the last word on the subject because it covers most things fairly succinctly. The Harvest of souls / Suppers Ready connection is obvious in the finale especially - but the epic still has plenty of original themes in it to be a fine track that I enjoy listening to. Anyway, nobody sl*g.ed Wakeman for the Hall of the Mountain King passage in JTTCOTE......I feel that classic 70's prog themes re-worked and perhaps lengthened (you know how turned on I am by prodigious length ) should be part of the Phase IV symphonic prog movement.....
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Finnforest
Special Collaborator
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Joined: February 03 2007
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Posted: January 18 2013 at 06:14 |
SaltyJon wrote:
As far as I'm concerned, it's all in good fun. I've heard just about every brand of comment under the sun about my favorites, and I must say people can get creative...I think a little healthy rivalry never hurt anyone.
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Perhaps. And in the collab zone or in areas like the shred where people know each other, I'd agree. In open forum where potential new users may be reading an active prog thread, i think such comments can be unwelcoming. We're trying to attract prog fans, not insult groups of them. I do know people who will not engage here because of the rather prevalent snark factor which is a shame. Neo gets more than their fair share of bash. And my comments are not aimed at you specifically Jon, but the point in general. You treat people well as far as I've seen.
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Warthur
Prog Reviewer
Joined: January 06 2008
Location: London, UK
Status: Offline
Points: 617
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Posted: January 18 2013 at 04:43 |
lazland wrote:
The Canterbury Scene referred to a specific set of artists who emanated from, erm, Canterbury at that time, and was, actually, referred to as such at the time.
That sub-genre should not have accepted any new bands since circa 1976, for the simple reason that no new bands from Canterbury with that particular mindset have started since then. Any Canterbury "copyists", or influenced bands would, surely, belong in Neo? Certainly so, given that we do not accept neo as being a wholly symphonic sub-genre? |
Eeeeh, first off Canterbury even at the time was as much about the specific set of musicians involved as it was about their geographic location, so I don't think it's unfair to include projects like Phil Miller's In Cahoots stuff under the subgenre.
Secondly, there's a plethora of ways in which bands like Cos or Picchio dal Pozzo were very clearly picking up what the Canterbury gang were doing and running with it so including their albums under that subgenre makes sense.
Thirdly, revisionism isn't of itself a bad thing if it helps us understand what was going on better. For most people, there's a clear discontinuity between symphonic prog of the 70s and early-80s neo, and that isn't necessarily untrue just because it's easier to see in retrospect than it was at the time.
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Snow Dog
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Posted: January 18 2013 at 04:35 |
Even is if there ius a connection between harvest and Suppers i don't see why it is releveant. And your swipe at me and Hercules is totally uncalled for. You don't know how many people agree with us but the fact is on this thread we represent 33% of opinion. So don't put me in the ghetto just yet!
Edited by Snow Dog - January 18 2013 at 04:58
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Dean
Special Collaborator
Retired Admin and Amateur Layabout
Joined: May 13 2007
Location: Europe
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Posted: January 18 2013 at 04:26 |
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What?
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richardh
Prog Reviewer
Joined: February 18 2004
Location: United Kingdom
Status: Offline
Points: 28059
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Posted: January 18 2013 at 02:08 |
brainstormer wrote:
"Neo" just means new. It doesn't mean "psuedo." Maybe
some people are confusing this. |
exactly
for me neo was just a style of prog that was more emotionally grounded and less 'flowery'. However its often thought of as a watered down version of 'real' prog which is wht Orford doesn't like the term. That said the bands were not as talented as the ELP's and Genesis and Yes's of the world. They had to establish themselves but certainly played on the nostalgia associated with prog. About 1983 there was a revival in proper bands generally as people got fed up with MTV mass produced pop where the producers were more important than the so called bands.
the supposed re birth of 'real' prog in the 90's as already stated came from Scandanavia but more specifically Par Lindh who formed the Swedish Art Rock Society. I think it also gained a little bit more momentum from the emergence of Radiohead who were suddenly labelled ''Prog'' from nowhere.I think it shocked them but I remember at the time it brought prog much more into the mainstream.One popular publication (Daily Mail I think) even directly compared Radiohead to Yes and Pink Floyd ho ho.
Back tracking slightly , IQ themselves adapted their music when they released Ever in 1993. That was almost a re birth of neo prog in my eyes. Neo prog evolved as a style and as already mentioned most of the bands associated with it are not creating the same style of music nowadays.
Orford is being a tiny bit hypocritical. The connection between Harvest Of Souls and Suppers Ready is very obvious even if apparently only two people are not able to see it! At the time he was upset that IQ didn't get due credit for making such an expansive work. I guess it may have contributed to his retirement but he shouldn't and needn't be so sensitive imo.
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cstack3
Forum Senior Member
VIP Member
Joined: July 20 2009
Location: Tucson, AZ USA
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Points: 7272
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Posted: January 18 2013 at 00:37 |
Josef_K wrote:
I have personally never understood this argument that using old keys makes you a 70s prog rock wannabe.
Using a Mellotron M400 for choirs is as much Genesis ripoff as using 12-string guitars, I don't even see how you can debate that. It simply IS so. And don't tell me the Mellotron had a more characteristic sound than a 12-string guitar, I won't buy that as it simply isn't true.
Using whatever gear you like in order to reproduce a similar sound to that of Genesis/Crimson/Yes or whatever, is of course not original at all though. It's not the gear that defines your style, it's your songwriting and playing.
Therefore, I would further argue that to "re-invent" prog one does not have to change the gear around, in fact that could end up being as uninventive as possible if you lack original song ideas. If you do have original song ideas then your worries are over, you WILL sound original. For me this discussion really is as simple as that. The only addition would be that some song ideas require some gear (Peter Gabriels "Melt" would have been tricky without a reverb unit ^^) so of course the gear defines the style in a way. But I think that you can complete an idea using various gear and the end result will still be as original as in any other gear configuration. |
Good thoughts!
One of the most creative things I'd seen in ages was Bob Fripp's use of guitar synth during the "Thrak" show in Chicago....he used his Fernandes-made black Les Paul copy to trigger Mellotron samples! It was quite remarkable.
So, was that "neo-Prog," or "classical Prog"? As someone said, I also hate labels. Good music is good music.
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HackettFan
Forum Senior Member
Joined: June 20 2012
Location: Oklahoma
Status: Offline
Points: 7951
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Posted: January 17 2013 at 23:08 |
Change the name of the genre or don't change the name. It still is what it is. There's still only one Neo-Prog album so far that I like, and that's the Script, fantastic album as far as I'm concerned. On the other hand, I cringe all the way through Misplaced Childhood, if I can even make it through it. For anyone whose tastes differ the point is the same. I don't think changing the name of the genre will matter a hill of beans as to how much people will like it.
Edited by HackettFan - January 17 2013 at 23:31
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SaltyJon
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Posted: January 17 2013 at 22:57 |
As far as I'm concerned, it's all in good fun. I've heard just about every brand of comment under the sun about my favorites, and I must say people can get creative...I think a little healthy rivalry never hurt anyone.
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Finnforest
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Joined: February 03 2007
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Posted: January 17 2013 at 21:17 |
I find I quite enjoy some of the newer Neo releases, when I have time to listen. It's sad that any band would be ashamed of a genre classification. It's little more than a way to categorize groups so that people have an easier time finding what they're looking for.
I also don't like it when fans of other genres ridicule the Neo....there are surely fans of Neo here who shouldn't have to feel funny about it because other forum users mock the music they like. Just my 2 cents.
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SaltyJon
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Joined: February 08 2008
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Posted: January 17 2013 at 20:06 |
Nogbad_The_Bad wrote:
Every time I see this thread title as the last thread updated on the list of all Forums it reads as:-
"Stop the Neo..", seems right to me.
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brainstormer
Forum Senior Member
Joined: January 20 2008
Location: Seattle, WA
Status: Offline
Points: 887
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Posted: January 17 2013 at 19:12 |
"Neo" just means new. It doesn't mean "psuedo." Maybe some people are confusing this.
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--
Robert Pearson
Regenerative Music http://www.regenerativemusic.net
Telical Books http://www.telicalbooks.com
ParaMind Brainstorming Software http://www.paramind.net
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Nogbad_The_Bad
Forum & Site Admin Group
RIO/Avant/Zeuhl & Eclectic Team
Joined: March 16 2007
Location: Boston
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Points: 20850
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Posted: January 17 2013 at 19:03 |
Every time I see this thread title as the last thread updated on the list of all Forums it reads as:-
"Stop the Neo..", seems right to me.
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com
https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/
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