Progressive 80s artists: music ahead of its time |
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progaardvark
Special Collaborator Crossover/Symphonic/RPI Teams Joined: June 14 2007 Location: Sea of Peas Status: Offline Points: 52138 |
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Over the last decade I've come to appreciate the 1980s more than I had in the past. It was mostly from discovering bands in the RIO/Avant-Prog areas, especially Present -- one of my absolute favorites. It's sad that their 2024 release will be their last, but what an album to end a discography with. It likely will be my #1 in my top 20 of 2024 once I finalize my list.
Also a curiosity that came out in that decade: one of the best symphonic prog albums (in my top 10 at least) from Hungary's Solaris, Marsbéli Krónikák. What a debut! It seemed so out of place in 1984.
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i'm shopping for a new oil-cured sinus bag that's a happy bag of lettuce this car smells like cartilage nothing beats a good video about fractions |
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progaardvark
Special Collaborator Crossover/Symphonic/RPI Teams Joined: June 14 2007 Location: Sea of Peas Status: Offline Points: 52138 |
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I guess I was lucky to have two FM radio stations in Philadelphia in the 1980s (I grew up there): 93.3 WMMR and 94.1 WYSP. Both of them called themselves "classic rock stations," but they played a fair amount of prog and without them it might have taken me much longer to eventually discover all that great music. For a time, WYSP used to play 4-5 full albums on Sunday nights. They tended to play more "deep tracks" than WMMR, but both stations were played on my radio almost daily. We had another program on another radio station (I think from the University of Pennsylvania) called Star's End that played electronic prog, like Tangerine Dream, Richard Pinhas (remembering songs from his album Iceland), and Mark Shreeve. Those were broadcast late in the evening on Saturdays and I used to put my headphones on and turn out the lights as it was really spacey stuff. I was lucky. I don't know if other urban areas were as lucky. I'm guessing since you think there was a lack of FM stations, maybe other places missed out on this.
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i'm shopping for a new oil-cured sinus bag that's a happy bag of lettuce this car smells like cartilage nothing beats a good video about fractions |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 15016 |
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As mentioned in the Bruford polls, I think that the Bruford's Earthworks albums of the 80s are very fresh, original, and creative. There was a unique warm use of melodic electronic drumming, and a nice fusion of prog, jazz, and more recent electronic elements with a bit of well dosed free experimentation thrown in. Not sure whether this can be called "ahead of its time" as I don't know of many people who took up this kind of thing later, but it was surely unique. (For some reason not so popular around here.)
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Offline Points: 15474 |
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A couple have already been mentioned but anyway: Djam Karet (USA) - Reflections From The Firepool (1989) Fates Warning (USA) - The Spectre Within (1985) The “Gunesh” Ensemble (USSR) - Looking at the Earth (1984) Iconoclasta (Mex) - Reminiscencias (1985) P.L.J. Band (Gre) - Armageddon (1982) Solaris (HUN) - Marsbeli Kronikak (1984) Voivod (CAN) - Nothingface (1989) |
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quality over quantity, and all kind of PopcoRn almost beyond
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BrufordFreak
Collaborator Honorary Collaborator Joined: January 25 2008 Location: Wisconsin Status: Offline Points: 8338 |
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King Crimson Discipline
* (sound of a microphone being dropped to the floor) * |
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Drew Fisher
https://progisaliveandwell.blogspot.com/ |
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Hosydi
Forum Groupie Joined: December 25 2024 Location: Rolling Hills Status: Offline Points: 47 |
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Jon Hassell/Brian Eno: Fourth World, Vol. 1: Possible Musics (1980)
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meAsoi
Forum Senior Member Joined: December 22 2024 Location: E.U, Status: Offline Points: 267 |
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The 1980 Health and Efficiency EP was positioned between two full-length records by the British experimental rock group This Heat. In stark contrast to their primary albums, this remarkable piece was ahead of its time and appears to have laid the groundwork for a multitude of movements that followed, like indie rock and that funky electronica.
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verslibre
Forum Senior Member Joined: July 01 2004 Location: CA Status: Offline Points: 18125 |
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Group 87 (1980)
Terry Bozzio drums Mark Isham trumpet, electronics Peter Maunu guitar, synth, violin Patrick O'Hearn electric bass, double bass Peter Wolf piano |
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meAsoi
Forum Senior Member Joined: December 22 2024 Location: E.U, Status: Offline Points: 267 |
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Rideau! represents the second album by French ensemble Un Drame Musical Instantané, originally released in 1980. This record stands as a testament to their innovative spirit and is often regarded as ahead of its time. On Rideau!, the music is characterised by its eclecticism and progressiveness, seamlessly transitioning between jazz, electronic music, ambient, and contemporary classical compositions. |
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Hosydi
Forum Groupie Joined: December 25 2024 Location: Rolling Hills Status: Offline Points: 47 |
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The Residents: Commercial Album (1980)
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moshkito
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Hi,
I have a different take on stuff that is (supposedly) ahead of its time. The history of the arts has been about "change" ... and as such we always found different things at all times, that were considered new and ushered a new era for a lot of work ... for me, that was a part of what the arts were, and ARE, about. My concern is that something different, strange and weird comes about ... and all of a sudden it is the thing that supposedly is ahead of its time ... and 50 years later, no one gives a damn ... which is what has happened to what was progressive music, that is now replaced by ProgRock and then is replaced by ProgCopy, and then is replaced by ProgbyDaw, and then replaced by ProgbyNumbers, etc, etc, etc ... I, no longer look at music, or any art, as something that shows us a future that we can not see yet ... some things last long enough, and some don't, thus the ability to think of them as valuable and important goes down a bit. I thought I was a part of the generation that cared, and valued great works ... until one day at Anaheim Stadium, you knew that the place was infested by rats and fanboys, screaming and fighting for a piece of the flying pig ... and the future was forever damaged for me ... it didn't mean a thing at all ... it's almost like the whole thing was a joke ... and none of us want to feel like we were in the wrong place, and liked the wrong music and the wrong band ... the future was NOW ... and it was a horrible site to be in and see ... I was embarrassed, but in that moment, I knew one thing about the future of music, and music sites ... it was going to be controlled by more fan-boys and trolls ... and (sometimes) the really good stuff, or in this case threads or postings, were going to be ignored and not given the pat in the back they deserve ... The only thing we know about "future" is that things change ... and tomorrow some new band, or music shows up that makes us feel that ... and my hope is that we appreciate the effort, but ... I'm not sure that I'm seeing folks ... even here ... talking about it as an art ... it's still all about the favorite this and that ... I don't think we will see another Picasso, or Stravinsky, for at least 50 to 100 years. We, here, at PA, and JMA, at the very least appreciate new music ... and that is a sign for me ... and often you wonder which one will be enjoyed and which one will be ignored. But POPULAR music, specially these days, has not (historically) been ahead of its time, like film and theater were in the 1960's, or jazz was in that same time period ... rock music was behind and did not show up until it looked like everyone had to get ripped on something or other and wear colorful clothing ... and you and I know that was not about a future at all, but a clever commercial play ... that sold a lot ... and the music? Even today, we don't think much of it is worth the price of the album! We enjoyed it, though, because most of the other stuff was copycrap! Edited by moshkito - 15 hours 54 minutes ago at 06:44 |
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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siLLy puPPy
Special Collaborator PSIKE, JRF/Canterbury, P Metal, Eclectic Joined: October 05 2013 Location: SFcaUsA Status: Offline Points: 15327 |
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WATCHTOWER pretty much invented progressive metal in its fully developed stage with its 1985 debut |
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https://rateyourmusic.com/~siLLy_puPPy |
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meAsoi
Forum Senior Member Joined: December 22 2024 Location: E.U, Status: Offline Points: 267 |
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siLLy puPPy
Special Collaborator PSIKE, JRF/Canterbury, P Metal, Eclectic Joined: October 05 2013 Location: SFcaUsA Status: Offline Points: 15327 |
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^ like technical thrash metal can't be
progressive? Have you heard of something being two things
simultaneously? It also has early sprinklings of US power metal. It's
pretty much universally accepted by those who know what they're talking
about that Watchtower's Energetic Disassembly is THEEE first fully
developed metal album that adds progressive elements. The band is
labeled as such everywhere and the reason it's on PA. Sure the second
album is much more progressive and much more interesting but if you
can't hear the progressive elements on this album then you need to do
your homework. |
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https://rateyourmusic.com/~siLLy_puPPy |
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meAsoi
Forum Senior Member Joined: December 22 2024 Location: E.U, Status: Offline Points: 267 |
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