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Topic ClosedCrossover Prog vs. Neo-Prog

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Poll Question: Which of these sub-genres do you prefer?
Poll Choice Votes Poll Statistics
51 [68.00%]
24 [32.00%]
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Neue regel View Drop Down
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Direct Link To This Post Posted: December 04 2010 at 10:59

Definitely Neo-prog.

Marillion is better than every crossover prog band ever existed.


Not to add Arena, Pallas, Pendragon and few more greats

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Moogtron III View Drop Down
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Direct Link To This Post Posted: December 04 2010 at 14:23
Neo prog: I like the big names of British neo prog of the 1980's and early 1990's, basically. Marillion, IQ, Pallas, Twelfth Night, Pendragon, and some more bands with Clive Nolan in it like Shadowland and Casino.
 
Cross over: I really have to see which artists are in it. Seeing the most popular albums, I only like Mike Oldfield a lot. I have to scroll down to the end, to the list of artists in alfabetic order to see who's in it. Well, what do artists likeTony Banks, Barclay James Harvest and Björk have in common? The correct answer is: they are all filed under "B". Okay, they're all cross over prog, according to the site. I like them all, another thing that they have in common. Just hard to see them as in one style, and to let them compete with the neo bands, which seem to have much more in common. Hard to give an answer.
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aapatsos View Drop Down
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Direct Link To This Post Posted: December 04 2010 at 15:03
I do not consider crossover a separate sub-genre. It looks like a pool where you throw bands in which you can not categorise under other genres: for example, I can not see how Nine Inch Nails, Haggard, Mike Oldfield and Presto Ballet can belong in the same sub-genre.

I do enjoy quite a lot of bands under neo and this gets my vote (particularly Arena)
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Direct Link To This Post Posted: December 04 2010 at 16:19
I think a lot of the artists accepted into crossover and prog related and I suppose neoprog could should be transferred into other subs.  Don't hold your breath though because you might turn blue.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: December 04 2010 at 17:46
Originally posted by Moogtron III Moogtron III wrote:

what do artists likeTony Banks, Barclay James Harvest and Björk have in common? The correct answer is: they are all filed under "B". Okay, they're all cross over prog, according to the site...

LOL

... but that's all they have in common. I even do not like them all. Also to see Supertramp and Björk in one sub genre makes me cringe. Ouch

Originally posted by aapatsos aapatsos wrote:

I do not consider crossover a separate sub-genre. It looks like a pool where you throw bands in which you can not categorise under other genres

Exactly my thoughts.

As for the poll: I think I'll have a drink over it...Beer
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treebeard View Drop Down
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Direct Link To This Post Posted: December 07 2010 at 02:30
No tthat I am too familiar with what is classified as Neo prog but fo rme if this includes bands such as the Flower Kings, or Frost, or Porcupine Tree or The Tangent or No Man or Spocks Beard or Beardfish or Phideaux then I am all for Neoprog....
oh yes and Marillion, but only just..........
 
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Chris S View Drop Down
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Direct Link To This Post Posted: December 07 2010 at 02:32
^.....treebeard, did you nod off again?Big smile
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ferush View Drop Down
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Direct Link To This Post Posted: December 08 2010 at 15:25
Neo-Prog
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Direct Link To This Post Posted: December 08 2010 at 15:29
Crossover. Little Neo has ever interested me, yet.
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claugroi View Drop Down
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Direct Link To This Post Posted: December 08 2010 at 20:06
With Supertramp, The Moody Blues, Alan Parsons Project, Mike Oldfield and Peter Gabriel, among others, I have to go with Crossover Prog.
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rod65 View Drop Down
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Direct Link To This Post Posted: December 09 2010 at 16:12
Neo-Prog for me. Though I have loved Hodgson-era Supertramp for since childhood and will listen to anything Touchstone releases, Neo-Prog is the genre that has meant the most to me over recent years. It is Neo-Prog, in fact, that drew me back onto the exploration of progressive rock as a whole, after years and years of listening to the classics and not knowing that prog was even still being made. The genre as a whole has my gratitude for that.
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