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Direct Link To This Post Posted: January 04 2015 at 10:07
Originally posted by brainstormer brainstormer wrote:

I don't get all this Miles Davis worship in some prog rockers.
Why him?  I like Sun Ra much more and even had a good
contact experience with the Sun Ra arkestra when they
came to Seattle.  Left me with a feeling they were spiritual
people.  

Yeah Sun Ra is great! I love some of his music too.

I think the reason Sun Ra is not so well know is that the record labels he was on were not as powerful as the record labels that artists like Miles Davis were on. Miles Davis was on Columbia records so he had their marketing and distribution power behind him. I think most of Sun Ra's albums came out on much smaller labels without much marketing or distribution muscle.

Incredibly, LADY GAGA sampled Sun Ra on one of the tracks on her album ARTPOP. Sun Ra is even given a co-writing credit on it. Unfortunately it's not a good track, just typical generic modern electronic pop.
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Direct Link To This Post Posted: January 05 2015 at 12:33
Miles Davis was the innovator of the Jazz-Rock/Fusion genre and by definition that's definitely progressive, representing a valid sub-genre at PA. The somewhat patronizing term "Proto-Prog" is not really apt when applied to Miles.

Well, not yet, but give it a few decades and people yet to be born may view the entire list on PA as "Proto".
Come to think of it, Classical music wasn't called "classical" at the time, but may have been seen as something new, ergo, progressive.
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Direct Link To This Post Posted: January 05 2015 at 13:09
Originally posted by Anon-E-Mouse Anon-E-Mouse wrote:

Miles Davis was the innovator of the Jazz-Rock/Fusion genre.


No, he was not. He really was not. He was influenced heavily by a host of such artists (Ginger Baker and contemporaries come to mind), but Davis was, in essence, a jazz artist who got into the spirit of jazz rock of the mid to late sixties.
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Direct Link To This Post Posted: January 05 2015 at 15:28
Originally posted by lazland lazland wrote:

Originally posted by Anon-E-Mouse Anon-E-Mouse wrote:

Miles Davis was the innovator of the Jazz-Rock/Fusion genre.


No, he was not. He really was not. 
Yes, he was. He really was. Of course he was. How is it possible to claim otherwise?

in 1968-1970 (+-) Joe Zawinul, Wayne Shorter, Airto Moreira, Herbie Hancock, Bennie Maupin, John McLaughlin, Billy Cobham, Chick Corea, Tony Williams, Lenny White, Larry Young mm... contributed to Miles Davis on Miles own handful of pioneering Jazz Rock Fusion classics albums that shaped the sound on every single band these artists started in the beginning of the 70's - Weather Report, Return to Forever, Mahavishnu Orchestra, Herbie Hancock Mwandishi Sextet, Tony Williams Emergency... = he shaped the sound of Jazz Rock Fusion.

Of course when Miles himself changed his musical direction he was inspired by some rock artists (mainly Grateful Dead, Jimi Hendrix, Sly and the Family Stone...) but in the story of Jazz Rock Fusion Ginger Baker is a footnote compared to this giant.
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Direct Link To This Post Posted: January 05 2015 at 15:41
Originally posted by lazland lazland wrote:

Originally posted by Anon-E-Mouse Anon-E-Mouse wrote:

Miles Davis was the innovator of the Jazz-Rock/Fusion genre.


No, he was not. He really was not. He was influenced heavily by a host of such artists (Ginger Baker and contemporaries come to mind), but Davis was, in essence, a jazz artist who got into the spirit of jazz rock of the mid to late sixties.
 
He was not THE innovator.  He was AN innovator.  And his acceptance of the genre opened the door for a flood of other jazz musicians to play fusion.  And he was damned good at it himself.
Trust me. I know what I'm doing.
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Direct Link To This Post Posted: January 05 2015 at 15:51
Originally posted by Saperlipopette! Saperlipopette! wrote:

Originally posted by lazland lazland wrote:

Originally posted by Anon-E-Mouse Anon-E-Mouse wrote:

Miles Davis was the innovator of the Jazz-Rock/Fusion genre.


No, he was not. He really was not. 

Yes, he was. He really was. Of course he was. How is it possible to claim otherwise?
<span style="color: rgb51, 51, 51; font-family: 'Helvetica Neue', Arial, sans-serif; line-height: 1.4;">
</span>
[COLOR=#333333" face="Helvetica Neue, Arial, sans-serif]<span style="line-height: 1.4;]in 1968-1970 (+-) Joe Zawinul, Wayne Shorter, Airto Moreira, Herbie Hancock, Bennie Maupin, John McLaughlin, Billy Cobham, Chick Corea, Tony Williams, Lenny White, Larry Young mm... contributed to Miles Davis on Miles own </span>handful<span style="line-height: 1.4;] of pioneering Jazz Rock Fusion classics albums that shaped the sound on every single band these artists started in the beginning of the 70's - Weather Report, Return to Forever, </span>[/COLOR]<span style="line-height: 1.4;">Mahavishnu Orchestra, Herbie Hancock </span><span style="font-size: small; color: rgb51, 51, 51; font-family: 'Helvetica Neue', Arial, sans-serif; line-height: 1.4;">Mwandishi Sextet, Tony Williams Emergency... = he shaped the sound of Jazz Rock Fusion.</span>
<span style="font-size: small; color: rgb51, 51, 51; font-family: 'Helvetica Neue', Arial, sans-serif; line-height: 1.4;">
</span>
<span style="font-size: small; color: rgb51, 51, 51; font-family: 'Helvetica Neue', Arial, sans-serif; line-height: 1.4;">Of course when Miles himself changed his musical direction he was inspired by some rock artists (mainly Grateful Dead, Jimi Hendrix, Sly and the Family Stone...) but in the story of Jazz Rock Fusion Ginger Baker is a footnote compared to this giant.</span>


My dear Chap, Anyone is able to make their case by merely copying and pasting something to "prove" their argument.....Edited by Mr Laz to be a little bit more polite. It is 2015 after all.........

Miles Davis was a jazz artist. He started being a jazz artist about ten years before Elvis discovered that women wet themselves over the size of his particulars in tight trousers. There is nothing that anyone can say, or do, that can change that irrefutable fact. About twenty years after he started shaking his trumpet, so to speak, he became influenced by a particular set of heavily jazz influenced artists who also loved playing the blues and rock 'n roll. He went on to make some classic fusion albums, which are, rightly, beloved by those who appreciate such things (I don't, but there is no accounting for taste, eh?).

He did not, though, shape this particular sound. He loved it, took a great deal from it, and added his own particular bent to it to shape said influential classic albums. Such a talent, though, does not make him THE innovator. It makes him, at best, one of them.

Edited by lazland - January 05 2015 at 15:56
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Direct Link To This Post Posted: January 05 2015 at 21:19
Originally posted by lazland lazland wrote:

Originally posted by Saperlipopette! Saperlipopette! wrote:

Originally posted by lazland lazland wrote:

Originally posted by Anon-E-Mouse Anon-E-Mouse wrote:

Miles Davis was the innovator of the Jazz-Rock/Fusion genre.


No, he was not. He really was not. 

Yes, he was. He really was. Of course he was. How is it possible to claim otherwise?
<span style="color: rgb51, 51, 51; font-family: 'Helvetica Neue', Arial, sans-serif; line-height: 1.4;">
</span>
[COLOR=#333333" face="Helvetica Neue, Arial, sans-serif]<span style="line-height: 1.4;]in 1968-1970 (+-) Joe Zawinul, Wayne Shorter, Airto Moreira, Herbie Hancock, Bennie Maupin, John McLaughlin, Billy Cobham, Chick Corea, Tony Williams, Lenny White, Larry Young mm... contributed to Miles Davis on Miles own </span>handful<span style="line-height: 1.4;] of pioneering Jazz Rock Fusion classics albums that shaped the sound on every single band these artists started in the beginning of the 70's - Weather Report, Return to Forever, </span>[/COLOR]<span style="line-height: 1.4;">Mahavishnu Orchestra, Herbie Hancock </span><span style="font-size: small; color: rgb51, 51, 51; font-family: 'Helvetica Neue', Arial, sans-serif; line-height: 1.4;">Mwandishi Sextet, Tony Williams Emergency... = he shaped the sound of Jazz Rock Fusion.</span>
<span style="font-size: small; color: rgb51, 51, 51; font-family: 'Helvetica Neue', Arial, sans-serif; line-height: 1.4;">
</span>
<span style="font-size: small; color: rgb51, 51, 51; font-family: 'Helvetica Neue', Arial, sans-serif; line-height: 1.4;">Of course when Miles himself changed his musical direction he was inspired by some rock artists (mainly Grateful Dead, Jimi Hendrix, Sly and the Family Stone...) but in the story of Jazz Rock Fusion Ginger Baker is a footnote compared to this giant.</span>


My dear Chap, Anyone is able to make their case by merely copying and pasting something to "prove" their argument.....Edited by Mr Laz to be a little bit more polite. It is 2015 after all.........

Miles Davis was a jazz artist. He started being a jazz artist about ten years before Elvis discovered that women wet themselves over the size of his particulars in tight trousers. There is nothing that anyone can say, or do, that can change that irrefutable fact. About twenty years after he started shaking his trumpet, so to speak, he became influenced by a particular set of heavily jazz influenced artists who also loved playing the blues and rock 'n roll. He went on to make some classic fusion albums, which are, rightly, beloved by those who appreciate such things (I don't, but there is no accounting for taste, eh?).

He did not, though, shape this particular sound. He loved it, took a great deal from it, and added his own particular bent to it to shape said influential classic albums. Such a talent, though, does not make him THE innovator. It makes him, at best, one of them.
You said he is not prog now here this interesting thought Lazland what you said above and I quote "He did not, though, shape this particular sound. He loved it, took a great deal from it, and added his own particular bent to it to shape said influential classic albums. Such a talent, though, does not make him THE innovator. It makes him, at best, one of them."
(lol love the crotch Elvis reference hahaha btw haha!)
No band today I can think of could be an innovator, all has been done and experimented before, however this does not mean they should not be in the prog genre.
Miles did beyond what any artistc at the time did, he embraced the new rock era added his Jazz skills and infused additional prog elements which were never done before by any artist at the time, jazz/classical/prog or rock. His music "progressed" and if this is not considered prog, we might as well consider all prog genre redundant as there is no such band or artist today that is innovate.
Big hug to you, Lazland Hug


Edited by Kati - January 05 2015 at 21:20
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Direct Link To This Post Posted: January 05 2015 at 21:21
Originally posted by Evolver Evolver wrote:

Originally posted by lazland lazland wrote:

Originally posted by Anon-E-Mouse Anon-E-Mouse wrote:

Miles Davis was the innovator of the Jazz-Rock/Fusion genre.


No, he was not. He really was not. He was influenced heavily by a host of such artists (Ginger Baker and contemporaries come to mind), but Davis was, in essence, a jazz artist who got into the spirit of jazz rock of the mid to late sixties.
 
He was not THE innovator.  He was AN innovator.  And his acceptance of the genre opened the door for a flood of other jazz musicians to play fusion.  And he was damned good at it himself.
Bounce, bounce, happy bounce! Yay! You rule, Evolver Big smileClapHug
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Direct Link To This Post Posted: January 05 2015 at 21:28
This is just to refresh ones mind, progressive, unique even to date ClapThumbs UpApprove hugs
Miles Davis - Bitches Brew (1/3) https://www.youtube.com/watch?v=dc7qiosq4m4
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Direct Link To This Post Posted: January 05 2015 at 21:31
Originally posted by Kati Kati wrote:

This is just to refresh ones mind, progressive, unique even to date ClapThumbs UpApprove hugs
Miles Davis - Bitches Brew (1/3) https://www.youtube.com/watch?v=dc7qiosq4m4
Whooohahaaa!!!!!!! Billiant, listening again right now! And aaaahhhhh yes jajaja yep ahum dada oui si sim sim yes! ClapThumbs UpApproveHeart
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Direct Link To This Post Posted: January 05 2015 at 21:38
Classic and even avant garde Jazz always has the tum, tum tum, double bass sound constantly, plus (but nothing wrong with what I say next) lead and response, that is Jazz to me, the artist referred on this topic above is also progressive and does not fit only into the typical jazz mould.
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Direct Link To This Post Posted: January 06 2015 at 07:09
Originally posted by lazland lazland wrote:

Originally posted by Anon-E-Mouse Anon-E-Mouse wrote:

Miles Davis was the innovator of the Jazz-Rock/Fusion genre.


No, he was not. He really was not. He was influenced heavily by a host of such artists (Ginger Baker and contemporaries come to mind), but Davis was, in essence, a jazz artist who got into the spirit of jazz rock of the mid to late sixties.


bingo..

IMO the true innovator of the form, and the womb for all this was Graham Bond and his Organization. Which was a who's who of the masters and innovators of Jazz-Rock/Fusion.


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Direct Link To This Post Posted: January 06 2015 at 07:28
Originally posted by micky micky wrote:

Originally posted by lazland lazland wrote:

Originally posted by Anon-E-Mouse Anon-E-Mouse wrote:

Miles Davis was the innovator of the Jazz-Rock/Fusion genre.


No, he was not. He really was not. He was influenced heavily by a host of such artists (Ginger Baker and contemporaries come to mind), but Davis was, in essence, a jazz artist who got into the spirit of jazz rock of the mid to late sixties.


bingo..

IMO the true innovator of the form, and the womb for all this was Graham Bond and his Organization. Which was a who's who of the masters and innovators of Jazz-Rock/Fusion.


Stern Smile I said all I had to say about this topic really, reading this above makes me numb and stunned to be honest. No comment.
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Direct Link To This Post Posted: January 06 2015 at 07:35
hah Numb and Stunned.  I do have that effect on people it seems

That is what you get for bumping dead threads darlin' LOL
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Direct Link To This Post Posted: January 06 2015 at 09:58
Of course, British Blues-Rock, R&B of the late 60s was essential in laying the foundations. It was however, Miles Davis, a Jazz musician, who - acting as a catalyst - actually created the fusion between Jazz and Rock. It needed a competent Jazz maestro to achieve that. Many of those British artists hold Miles Davis in high esteem as the teacher/innovator - not the other way around.
  
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Direct Link To This Post Posted: January 06 2015 at 10:57
Originally posted by lazland lazland wrote:


My dear Chap, Anyone is able to make their case by merely copying and pasting something to "prove" their argument.....Edited by Mr Laz to be a little bit more polite. It is 2015 after all.........
All I copied was those names of the artists involved and not my opinions. It more effective that way and I would just spell them all wrong as I'm unlike yourself not a dear chap with english as my first language. The words and opinions are my own. 

I don't think you know the Jazz Rock Fusion genre well enough if you don't acknowledge the line from Miles late 60'albums to Weather Report, Return to Forever, Mahavishnu Orchestra etc... as the essential one. It can easily be compared with the importance of King Crimsons In the Court... for what we came to know as prog rock. Yes, although we know there's more than just one album that defines it and that Moody Blues, Pink Floyd etc.. released some proggy albums before KC's debut, most of us agrees that its a starting point of sorts. Do you want to come dragging with Elvis making women wet long before 21ts Century Schizoid Man? I know you as a lover of neo prog. Have you actually listened to electric Miles and what came after?
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Direct Link To This Post Posted: January 06 2015 at 11:03
Originally posted by Saperlipopette! Saperlipopette! wrote:

Originally posted by lazland lazland wrote:


My dear Chap, Anyone is able to make their case by merely copying and pasting something to "prove" their argument.....Edited by Mr Laz to be a little bit more polite. It is 2015 after all.........

All I copied was those names of the artists involved and not my opinions. It more effective that way and I would just spell them all wrong as I'm unlike yourself not a dear chap with english as my first language. The words and opinions are my own. 

I don't think you know the Jazz Rock Fusion genre well enough if you don't acknowledge the line from Miles late 60'albums to Weather Report, Return to Forever, Mahavishnu Orchestra etc... as the essential one. It can easily be compared with the importance of King Crimsons In the Court... for what we came to know as prog rock. Yes, although we know there's more than just one album that defines it and that Moody Blues, Pink Floyd etc.. released some proggy albums before KC's debut, most of us agrees that its a starting point of sorts. Do you want to come dragging with Elvis making women wet long before 21ts Century Schizoid Man? I know you as a lover of neo prog. <span style="line-height: 1.4;">Have you actually listened to electric Miles and what came after?</span>


Okay, this will probably be my last word on the subject, as I seriously do not want this to descend into a personal thing.

Yes, I have listened to electric Davis. I am not a fan, but you do not need to be in order to know about something, or to appreciate its importance.

The point I was making in my original post was that Miles Davis was not THE SOLE innovator of jazz fusion - he was one of them, albeit quite an important one. I quite clearly did not make myself clear enough, the worst thing about tapping out a response, rather than actually talking to someone.

Are we able to agree on that and put this to bed?
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Direct Link To This Post Posted: January 06 2015 at 11:50
Originally posted by lazland lazland wrote:

 
Are we able to agree on that and put this to bed?
You can re-read your post and notice that you were far from clear enough if what you meant to write is what you wrote in this post. I can easier agree with this although you underestimate the impact Miles had. 

I think you need to know a lot about the music you have strong opinions about on PA if you want people to agree with you "and put this to bed". 



Edited by Saperlipopette! - January 06 2015 at 11:57
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Direct Link To This Post Posted: January 06 2015 at 11:55
Originally posted by Anon-E-Mouse Anon-E-Mouse wrote:

Of course, British Blues-Rock, R&B of the late 60s was essential in laying the foundations. It was however, Miles Davis, a Jazz musician, who - acting as a catalyst - actually created the fusion between Jazz and Rock. It needed a competent Jazz maestro to achieve that. Many of those British artists hold Miles Davis in high esteem as the teacher/innovator - not the other way around.
  

Hear, hear! 

 Of course Miles is the innovator and not the other way around. I thought everyone knew.
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Direct Link To This Post Posted: January 06 2015 at 12:05
Here's something pertinent about proto-fusion: Georgie Fame and his Blue Flames, and Bruce and Baker's Graham Bond Organisation were the root of the style.

Their shared guitarist?

John McLaughlin.

He would take his ever jazzy yet ever rockin' - and blues rockin', at that - guitar to both Miles's late '60's band, and to Tony Williams's Lifetime, two of the biggest early innovators.

Perhaps it is McLaughlin who was always the single biggest innovator of the whole style.
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