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Direct Link To This Post Topic: Peter Hammill: Essential Albums?
    Posted: May 01 2010 at 17:27
So recently I've gotten really into Van Der Graaf generator. They're quickly becoming my favorite band ever. They have so many amazing songs and albums.

So I thought I should check out some of Peter Hammill's solo work, since from what I've gathered they seem to usually feature VDGG alumni or friends of the band. 

I aquired The Future Now first, just because the album cover was so awesome. And I enjoyed it quite a bit, although it was a bit uneven.

So what albums would Hammill experts say are essential? of course I'll be looking into the highest rated ones, and Nadir's Big Chance because of it's proto-punk influence. But are there any underrated gems I might be missing out on? Is his later output worth getting into?


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Direct Link To This Post Posted: May 01 2010 at 17:30
Van Der Graaf is my favorite band as well.  I share your sentiments exactly on them.

For Peter Hammill's solo, I'd say Silent Corner and The Empty Stage is the essential album.  A five-star record, even though I can't say that it's quite on par with VDGG's masterpieces.

Chameleon is also definitely worth a look, with "In The Black Room/The Tower" being comparable to the best VDGG epics.


Edited by gottagetintogetout - May 01 2010 at 17:35
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Direct Link To This Post Posted: May 01 2010 at 17:36
Nadir's is the best. None of his others stand up to it
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Direct Link To This Post Posted: May 01 2010 at 19:02
He made a lot of excellent ones, and many of his latter albums are seriously underrated, just because Hammill does not like to play string-puppet for proggers. Try "The Noiise", it is a really refreshing album. "Roaring Forties" is another very underrated album. And of course there is his opera "The Fall of the House of Usher", which is a must-have. Unfortunately it is currently not available, or only at ridiculously high prices from e-bay or the likes.  And by all means get the newer version of it, without the drums and with the violin and lots of other stuff added


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Direct Link To This Post Posted: May 02 2010 at 05:06
I would also add Enter K and The Black Box (which has the epic VdGG-like "Flight")
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Direct Link To This Post Posted: May 02 2010 at 06:57
I've only heard a few of his solo albums, but I really like The Black Box.
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Direct Link To This Post Posted: May 02 2010 at 07:43

Hammill had quite an adventurous career covering many different styles.
So I'll gladly refer you to my 35 something reviews of his albums Big smile

But to save you the effort, here's a short list grouped per style:

'Singer song-writer' albums
Not really singer-song writer but still a focus on ballads, lyrics and vocals.
Chameleon In The Shadow is the one to get here.
Also Over is solid but it divides fans so take care. Same goes for As Close as This.
He did many more ballad stuff in the 90's which generally are bland.
His recent album Clutch is brilliant though. Lots of acoustic guitars, experimental sounds and intense vocals.
Proggy albums
Weird stuff here. Both The Silent Corner and In Camera are interesting and kind of essential.
Usually those albums are very appreciated by VDGG fans.
Experimental albums
The Future Now is the best here for me. Ph7 is a forgotten gem and many people like Black Box, but I find it uneven at best.
Rocking Albums
Nadir obviously, but I also love the early 80's albums very much. Patience first, followed by Enter K and Sitting Targets
'Midi' Albums
About everything from 1986-2000. Plastic synth sounds, drum computers and weak songwriting.
Avoid at all cost. If you want to check it out anyway, Incoherence from 2006 might be your safest bet.

That, for a 'short' introduction. Tongue


Edited by Bonnek - May 02 2010 at 07:47
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Direct Link To This Post Posted: May 02 2010 at 08:04
Chameleon (if a little lighter in terms of production), Silent Corner and In Camera are utterly brilliant, and much as I love a lot of his other stuff, those probably remain the finest he's ever done. Loops And Reels is worth getting if you really enjoy the most experimental stuff off those. Patience and Nadir's Big Chance are his quintessential rock albums, in my opinion. Fall Of The House of Usher is a very fine album indeed and the 1999 version (I've yet to hear the other) is probably my favourite from the last load.

A Black Box is pretty highly regarded; I personally prefer a couple of the songs on there in other versions (Loops and Reels of In Slow Time, The Margin + of Flight). The Margin + is a fairly solid summary of his earlier 80s stuff, though takes a little getting used to... has a lot of very fine versions... esp. The Sphinx In The Face, Modern and If I Could.

Over is pretty divisive... I think it's still one of his best, and more or less flattens the other late 70s stuff.
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Direct Link To This Post Posted: May 02 2010 at 08:10
Quote He made a lot of excellent ones, and many of his latter albums are seriously underrated, just because Hammill does not like to play string-puppet for proggers. Try "The Noiise", it is a really refreshing album. "Roaring Forties" is another very underrated album. And of course there is his opera "The Fall of the House of Usher", which is a must-have. Unfortunately it is currently not available, or only at ridiculously high prices from e-bay or the likes.  And by all means get the newer version of it, without the drums and with the violin and lots of other stuff added


Usher is certainly amazing, I was lucky enough to get a second hand copy for a fiver recently. Wouldn't really agree r.e. The Noise (which I thought was a bit Nadir-lite...) or Roaring Forties (though I've only just got that, admittedly)... most of his later albums have at least a gem or two on them, though.
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Direct Link To This Post Posted: May 03 2010 at 09:36
I got the 1999 versionof "Usher" cause Baldfriede so strongly recommended it (again and again) and somehow I'm a bit disapointed. I feel it is a bit weak musicaly (sorry baldfriede but that's my thoughts).
 
From those I know I would recomend :
 
1. The silent corner and empty stage
2. Chameleon in the shadow of night
3. Over
4. Loops and reels
 
There are other good albums and good tracks even in not very great albums but these 4 I find to be the best.
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Direct Link To This Post Posted: May 03 2010 at 09:49
Originally posted by omri omri wrote:

I got the 1999 versionof "Usher" cause Baldfriede so strongly recommended it (again and again) and somehow I'm a bit disapointed. I feel it is a bit weak musicaly (sorry baldfriede but that's my thoughts).
 
From those I know I would recomend :
 
1. The silent corner and empty stage
2. Chameleon in the shadow of night
3. Over
4. Loops and reels
 
There are other good albums and good tracks even in not very great albums but these 4 I find to be the best.

Interesting. Can you specify what you consider to be weak about that album? It is in my opinion one of the three best prog albums ever made.


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Direct Link To This Post Posted: May 04 2010 at 05:58
Originally posted by BaldFriede BaldFriede wrote:

Originally posted by omri omri wrote:

I got the 1999 versionof "Usher" cause Baldfriede so strongly recommended it (again and again) and somehow I'm a bit disapointed. I feel it is a bit weak musicaly (sorry baldfriede but that's my thoughts).
 
From those I know I would recomend :
 
1. The silent corner and empty stage
2. Chameleon in the shadow of night
3. Over
4. Loops and reels
 
There are other good albums and good tracks even in not very great albums but these 4 I find to be the best.

Interesting. Can you specify what you consider to be weak about that album? It is in my opinion one of the three best prog albums ever made.
 
I'm not sure my musical knowledge or my English are good enough to give an educated  explanation but that's a fair question and I'll try to give a fair answer. In many of the tracks of the album (29 if I'm correct) there's one very simple melody (a bit like melodies in action movies) and a singing with a low voice and both serves the aim of creating dark atmosphere (like something bad is about to occur) but the melody seems not going anywhere so all I am left with is that atmosphere. It ain't that bad but I do expect much more from Hamill. Comparing it to a song like "Time heals" that has several different musical chapters, of different musical styles, great lyrics and strong emotions makes "Usher" loose in every parameter. I hope what I wrote is clear. Anyway, it is your right to think else and that's fine with me.
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Direct Link To This Post Posted: May 04 2010 at 06:58
5 reccomended albums for a VdGG-fan:

1. The silent corner and empty stage
2. Over
3. In Camera
4. A Black Box
5. Chameleon in the shadow of night (although a little uneven)

No fan of Nadir or Usher.


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Direct Link To This Post Posted: May 07 2010 at 08:18
Originally posted by omri omri wrote:

Originally posted by BaldFriede BaldFriede wrote:

Originally posted by omri omri wrote:

I got the 1999 versionof "Usher" cause Baldfriede so strongly recommended it (again and again) and somehow I'm a bit disapointed. I feel it is a bit weak musicaly (sorry baldfriede but that's my thoughts).
 
From those I know I would recomend :
 
1. The silent corner and empty stage
2. Chameleon in the shadow of night
3. Over
4. Loops and reels
 
There are other good albums and good tracks even in not very great albums but these 4 I find to be the best.

Interesting. Can you specify what you consider to be weak about that album? It is in my opinion one of the three best prog albums ever made.
 
I'm not sure my musical knowledge or my English are good enough to give an educated  explanation but that's a fair question and I'll try to give a fair answer. In many of the tracks of the album (29 if I'm correct) there's one very simple melody (a bit like melodies in action movies) and a singing with a low voice and both serves the aim of creating dark atmosphere (like something bad is about to occur) but the melody seems not going anywhere so all I am left with is that atmosphere. It ain't that bad but I do expect much more from Hamill. Comparing it to a song like "Time heals" that has several different musical chapters, of different musical styles, great lyrics and strong emotions makes "Usher" loose in every parameter. I hope what I wrote is clear. Anyway, it is your right to think else and that's fine with me.

the melodies are rarely simple;an exception are some of the appearances of Madeline Usher, when she is in a trance, and then the melody is deliberately simple and repetitive to illustrate that trance. else the melodies are quite complex, with lots of key changes. and there is a lot of polyphonic singing; these parts are DEFINITELY not simple


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Direct Link To This Post Posted: May 09 2010 at 10:42
Originally posted by BaldJean BaldJean wrote:

Originally posted by omri omri wrote:

Originally posted by BaldFriede BaldFriede wrote:

Originally posted by omri omri wrote:

I got the 1999 versionof "Usher" cause Baldfriede so strongly recommended it (again and again) and somehow I'm a bit disapointed. I feel it is a bit weak musicaly (sorry baldfriede but that's my thoughts).
 
From those I know I would recomend :
 
1. The silent corner and empty stage
2. Chameleon in the shadow of night
3. Over
4. Loops and reels
 
There are other good albums and good tracks even in not very great albums but these 4 I find to be the best.

Interesting. Can you specify what you consider to be weak about that album? It is in my opinion one of the three best prog albums ever made.
 
I'm not sure my musical knowledge or my English are good enough to give an educated  explanation but that's a fair question and I'll try to give a fair answer. In many of the tracks of the album (29 if I'm correct) there's one very simple melody (a bit like melodies in action movies) and a singing with a low voice and both serves the aim of creating dark atmosphere (like something bad is about to occur) but the melody seems not going anywhere so all I am left with is that atmosphere. It ain't that bad but I do expect much more from Hamill. Comparing it to a song like "Time heals" that has several different musical chapters, of different musical styles, great lyrics and strong emotions makes "Usher" loose in every parameter. I hope what I wrote is clear. Anyway, it is your right to think else and that's fine with me.

the melodies are rarely simple;an exception are some of the appearances of Madeline Usher, when she is in a trance, and then the melody is deliberately simple and repetitive to illustrate that trance. else the melodies are quite complex, with lots of key changes. and there is a lot of polyphonic singing; these parts are DEFINITELY not simple
 
Hey, you are 2 and I'm only 1. this is not what I call a fair fight !
As I said, my English is not good enough probably. I think the phrase "the melody is not going anywhere" is more explaining then the term "simple".  It seems to me (and I'm not a musician so I probably do not know the right deffinitions) that most of tracks have one musical chapter (maybe a polyphonic one. what do I know ?) and it gives me a feeling like nothing is going on.
As I said, I might need to hear it few more times and it is not bad. The thing is that as a lover of VDGG and Hamill's solo work I was expecting a lot from this album (especially cause your "other significant" recommended it so strongly so many times and her love to Hamill and her knowledge about him is well known). So, it may be a case of high expectations that leads to disappointment.
Off topic, I am still waiting for you to answer my question - If we substitute the term "Folk" by "Ethnic prog" (which I support) what would we call the sub-sub-genre "Acid folk" ?
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Direct Link To This Post Posted: May 09 2010 at 10:45

Over  is really good (and probably my personal fav, but only because I connect to it really well) but I'd probably recommend Silent Corner and the Empty Stage because it is the most like VDGG Smile

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Direct Link To This Post Posted: May 09 2010 at 16:09
I think ''In Camera'' is a pretty good album and quite close to VDGG sound in some aspects.
''Sitting targets'' is not as good - that is how far I have gone...
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Direct Link To This Post Posted: May 10 2010 at 19:38
Must haves:
 
Chameleon
Silent corner
Over
PH 7
Patience
The love songs
Out of water
Fireships
Roaring forties
 


Edited by XunknownX - May 10 2010 at 19:39
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Direct Link To This Post Posted: May 10 2010 at 19:43
..oh, as for "Usher", it just doesn't work - skip it.
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Direct Link To This Post Posted: May 10 2010 at 20:01
Hi,
 
Silent Corner and Empty Stage is a definite.
 
After that I would say that Over is important, but I'm also particular to an album that not many have heard that apparently had release issues ... Skin. It is a very nice album and very strong, and the last 2 cuts specially (for me) resonate really well and powerfully. 4 Pails of water ... and a ... it's just so well spoken/sung that it is hard not to think, how nice this is.
 
I really do not have a least favorite at all ... I listened to Black Box the other day and enjoyed it just fine. I listened to Out of Water (that last cut still is one of my favorites of all the PH songs btw!) and liked it fine. Some don't like Nadir's Big Chance. I do!
 
In general, when he is more experimental and out there trying different things Peter Hammill stands out better than most. My biggest issue with the current VDGG thing? It sounds tired and the same. It has none of the power that H to He, or Pawn Hearts, or Godbluff gave us ... not even close. It's not resonating as strongly as before. I know Peter, that you like to get around, but give yourself a break dude! Enjoy some relaxation and time off and a sunset or sunup for a change!
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