WalterDigsTunes wrote:
Captain Beyond's debut album... hmm. I've listened to this time and time again. I've tried to spot the progressive aspects. I've really tried. To me, its just a slightly psychedelic 70s blues rock album. A decent enough listen, but it just doesn't set my world on fire 
Kudos for bringing it up, though. Hopefully folk will give it a spin because of this thread.
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OK, the prog aspect of this lies in the following....
1. Composition. This is like a well composed symphony, with recurring themes and interesting modifications of them. This was released in the same year as Close To The Edge, which is probably most significant for it's raising the bar on composition in the classical manner. Captain Beyond may not have as great material as Yes does (who does, however?) and may approach it in a completely different manner, but if you were grading this just on composition, CB would win the contest. Seriously.
2. Sound. Unlike the other two CB albums, the debut was entirely composed by the drummer and the music is driven by the drummer and usually the bass player. That frees up Reinhardt for a lot of interesting experimentation and he makes FULL use of the opportunity. There are parts in here where you could swear that he was playing violin. There are parts in here where you could swear he was playing a synth. The guy's versatility really is shown off to the max here, and very little of it is traditional blues rock, like you describe.
3. Technical Mastery. As touched on in the previous point, the technical mastery on this album is awesome. Both Reinhardt and Caldwell show off their skills early and often. Some of the drum parts just make you want to orgasm. And Dorman's ability to play off of what Caldwell is doing shows you that he is no slouch either.
4. Style. What a combination! Hard rock + Psychedelic rock + Prog. I've listed them in the order that you will notice them, but the Psychedelic element is nearly as prominent as the Hard Rock, and the pure Prog isn't really that far behind. If ir weren't for the dominance of the Hard rock, I'd put this in eclectic prog.
In short, this album definitely is prog. I will be the first to admit that it's not the proggiest, but (especially for it's time) it represents a welcome edition to the discography of prog.