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LONELY ROBOT

Crossover Prog • United Kingdom


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Lonely Robot biography
LONELY ROBOT is a British Crossover Prog solo project from journeyman guitarist John MITCHELL. MITCHELL joined the progressive scene as the guitar player for supergroup ARENA in 1997. He had a big set of shoes to fill as he replaced outgoing Keith MORE (ASIA) but has done more than adequately remaining a mainstay with the band throughout their heyday, holding his own while trading solos off with prog legend Clive NOLAN (PENDRAGON). While maintaining his commitment to ARENA, MITCHELL continued to build his prog resume with THE URBANE, John WETTON (ASIA, KING CRIMSON), KINO, FROST*, IT BITES and most recently GALDALF'S FIST. In addition to his impressive guitar work, MITCHELL was also the lead singer for KINO and IT BITES.

In 2014, MITCHELL decided it was time to do his own project. On the Inside Out record label's announcement, MITCHELL stated:

''I'd long thought about doing an album where I could have total control from start to finish with the music, lyrics, production, and choosing who I wanted to contribute - expanding from the idea of just a solo album. Musically, this album is very proggy, but more about atmosphere than technical expertise, inspired by my love of science fiction and interest in the evolution of the human race.''

His first album under the LONELY ROBOT moniker, ''Please Come Home'' was released in February 2015 and features a series of prog notables including standing drummer Craig BLUNDELL (Steven WILSON touring band, FROST*). The album also features guest appearances by Nick BEGGS (KAJAGOOGOO, Steven WILSON), Nik KERSHAW, Steve HOGARTH (MARILLION), Heather FINDLAY (MOSTLY AUTUMN) and Jem GODFREY (FROST*). MITCHELL's earthy voice is reminiscent of his time singing for IT BITES while the music is more akin to his work with FROST* and ARENA. Fans of MITCHELL's other bands as well as fans of atmospheric somewhat poppy prog may enjoy LONELY ROBOT.

::Roland113::

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The Big DreamThe Big Dream
Import
Imports 2017
Audio CD$6.81
$12.97 (used)
Please Come HomePlease Come Home
Import
Imports 2015
Audio CD$7.41
Big Dream (Bonus Track)Big Dream (Bonus Track)
Import
BELLE ANTIQUE 2017
Audio CD$19.99
Please Come Home by Lonely RobotPlease Come Home by Lonely Robot
Imports
Audio CD$35.55
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LONELY ROBOT discography


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LONELY ROBOT top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.54 | 51 ratings
Please Come Home
2015
3.72 | 36 ratings
The Big Dream
2017

LONELY ROBOT Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

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LONELY ROBOT Reviews


Showing last 10 reviews only
 Please Come Home by LONELY ROBOT album cover Studio Album, 2015
3.54 | 51 ratings

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Please Come Home
Lonely Robot Crossover Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

3 stars Lonely Robot is the project name for a solo work by British musician John Mitchell, well known in prog circles for his association with a wide range of progressive acts such as Arena, It Bites, Kino and Frost*. An exceptional guitarist as well as having one of the most charismatic voices in modern prog, Mitchell also frequently displays a strong ear for keen melodies, and that quality shines through much of `Please Come Home'. Ambitious rock is the order of the day here over full-blown progressive epics, but there's plenty of unpredictable diversions to keep things interesting. As well as the album featuring Kajagoogoo/Steven Wilson Band musician Nick Beggs on bass, Marillion's Steve Hogarth, ex-Mostly Autumn's Heather Findlay, the lovely Kim Seviour of Touchstone and other modern prog notables all make standout contributions as well.

Despite retaining Mitchell's catchy choruses, winning harmonies and overall usual accessible arrangements, `Please Come Home' instantly stands apart from his work with It Bites by incorporating plenty of aggressive blasts of heavy electric guitar, often making it perhaps his hardest hitting work to date. With recurring science fiction themes peppering the narrative, the album throws up gutsy sleek rockers like `God vs Man', as well as atmospheric pop with `The Boy in the Radio', `Oubliette' and `Construct/Obstruct'. The melancholic and brooding `Are We Copies?' almost channels Polish prog-metal kings Riverside, and the stark piano, moody guitar soloing and pulsing bass of `A Godless Sea' instantly reminds of Arena. There's even welcome shorter instrumentals with the bombastic Ayreon-like symphonic `Airlock' and a sweet fragile lullaby `The Red Balloon' to close on.

There's a few exceptional standout moments on the disc as well. Steve Hogarth offers delicate piano on `Why Do We Stay', a classy ballad which could have come straight off the last few Anathema albums, John's warm raspy tones complimented by Heather Findlay's silken voice. The sombre yet uplifting ballad `Humans Being' with its soaring chorus could have easily fit on Mitchell's Kino album from 2005. But the real highlight is the eight minute `Lonely Robot'. The longer running time means the track moves through several different passages, incorporating everything from repeated chiming guitar Coldplay-like jangling radio friendly verses , a crunchy pop-perfection chorus, drifting ambient piano interludes, dreamy electric guitar ruminations and even latter-day Porcupine Tree heavy outbursts.

Fans of the diverse range of sounds found on the later Anathema and Porcupine Tree albums, bands like the Pineapple Thief, Sound of Contact, and Mitchell's own version of the band It Bites should find much to appeal to them here, as the Lonely Robot project shares a similar focus on strong accessible melodies front and center over prog-rock showboating. The last two It Bites albums `The Tall Ships' and `Map of the Past' are probably just that little bit stronger and will likely be returned to more often, but `Please Come Home' is still an ideal purchase for those who fondly remember that above mentioned Kino album, lovers of melodic prog in general, and any fans of the talented Mr Mitchell.

Three and a half stars.

Thanks to evolver for the artist addition.

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