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ARGENT

Crossover Prog • United Kingdom


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Argent biography
Heavy Progressive Rock


Eighteen months after keyboard virtuoso Rod ARGENT left the famous sixties band The ZOMBIES, their single "Time Of The Season" from their last album "Odyssey & Oracle" topped the US charts and sold one million copies! There was a hugh demand to re-group The ZOMBIES but Rod ARGENT preferred to form his own band to make more progressive music. He recruted bass player John Rodford, drummer Bob Henritt and guitarist Russ Ballard and called the quartet ARGENT.

Under this name they released the eponymous debut album "Argent" in '70, the song "Liar" became a USA hit and was covered by THREE DOG NIGHT. With the next albums "Ring Of Hands" ('71) and "All Together Now" ('72) ARGENT gained more appreciation and the single "Hold Your Head Up" became a smash hit all over the world. The following album "In Deep" and single "God gave Rock 'N' To You" charted good but the increasing musical problems between Rod ARGENT and Russ Ballard finally escalated after the next album "Nexus" ('74): Russ wasn't pleased at all with Rod's synthesizer escapades, he liked the shorter and more catchy rocksongs. In '74 Russ departure was a fact but without hard feelings. Later that year ARGENT released the double-live record "Encore". Russ was replaced by multi-instrumentalist John Grimaldi and guitarist/vocalist John Verity. Rod was so excited about this new ARGENT that he refused an offer to join YES after WAKEMAN's departure! In '75 ARGENT made the album "Circus" but despite good critics the sales were poor. In '76 ARGENT released the disappointing LP "Counterpoints", ARGENT took his conclusions and broke up his band.

The early ARGENT made catchy heavy progressive rock with powerful organplay by Rod ARGENT. Their most progressive and acclaimed album is "Nexus": the Hammond organ has almost dispappeared in favor of the Fender Rhodes - and Hohner electric piano, the Mellotron, Grand piano and the famous Moog synthesizer. The album shows great sense of dynamics and splendid shifting moods: lush symphonic, slow and dreamy and fluent and powerful with strong electric guitar and tasteful keyboard play. In '95 their was the release of a great live album titled "In Concert" (on the Windsong label) including most of their best songs, superior to the rather excellent live album "Encore" ('74).
- Erik Neuteboom

Not wanting to destroy a good band, but Argent were never groundbreaking and uncovered new areas of musical exploration: they were simply followers of a movement and added to the sheer mass of excellent albums of those years (70's) and had a lot more commercial success than other band who had more talent (Audience, Comus, etc.....) but always remained somewhat of a second-league act (as opposed to the prog giants). Is it normal that Argent had more commercial success at the time than Caravan, Gentle Giant and others? Nowadays, of course, it seems that Caravan and Argent are regarded with more lucidity and to their more proper artistic value.

Russ Ballard's solo career would take a while to develop, but he was also writing songs for other artistes as well. But one would have to wait for 79's Barnett Dog to find a real good reason for his departure: a strong album filled with solid dramatic RnR lyrics and a widely heard single On The Rebound. His next album Into The Night is probably his best album though, with some very good and diverse songwriting.

While John Verity would go on to form his own band for two albums, Rod Argent will return to his side business of music equipment (he can still be seen in his Denmark street shop in Soho, when not touring with the reformed Zombies) and concentrated on studio work (including The Who) before releasing a solo album Moving Home in 79 (with many star friends) then the Masquerade musical in 82, then worked with Closseum's Hiseman and Barb Thompson on the jazzy Siren Song (83), and then movie scores and new age albums (Red House in 88) and production work (Tikaram in the 90's). He tours now and again with the re-formed The Zombies and plays some Argent tunes in the sets, with his cousin Rodford on bass.
- Hugues Chantraine


DISCOGRAPHY:
Albums:
1970 - Argent (CBS 63781)
1971 - Ring Of Hands (Epic EPC 64190)
1972 - All Together Now (Epic EPC 64962)
1973 - In Deep (Epic EQ 31295/Q 65475)
1974 - Nexus (Epic EPC 65924)
1974 - Encore (dbl) (Epic EPC 88063)
1975 - Circus (Epic EPC 80691)
1975 - Counterpoint (RCA RS 1020)
1978 - Moving Home (MCA MCF2854) - (Rod Argent solo)
1995 - In Concert (Windsong WINDCD 067) - (CD)
1997 - The BBC Sessions 1970-73 (BBC Worldwide Music/Strange Fruit SFRSCD039) - (CD)

Compilations:
1976 - Best Of Argent (Epic EPC 81321)
1978 - Hold Your Head Up (Embassy 31640)
1984 - Anthology: The Best Of Argent (Epic EPC 3257)

: : : Erik Neuteboom, The NETHERLANDS : : :
Fan & official Prog Archives collaborator

Argent official website

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Hold Your Head UpHold Your Head Up
SBME SPECIAL MKTS. 2000
Audio CD$3.87
$3.84 (used)
All Together NowAll Together Now
Import
Esoteric 2012
Audio CD$10.78
$15.83 (used)
Encore / ArgentEncore / Argent
Import · Remastered
Bgo 2017
Audio CD$10.97
$10.95 (used)
God Gave Rock N Roll to You: Greatest HitsGod Gave Rock N Roll to You: Greatest Hits
Import
Camden International 2010
Audio CD$3.63
$4.01 (used)
In DeepIn Deep
Collectables 1999
Audio CD$10.32
$10.00 (used)
Greatest - The Singles CollectionGreatest - The Singles Collection
Varese Vintage 2008
Audio CD$9.07
$7.87 (used)
Right Now on Ebay (logo)
LP "ARGENT" COUNTERPOINTS 1976 UNITED ARTISTS UA-LA560 ARGENT PHIL COLLINS GC USD $0.99 [0 bids]
USD $3.49 Buy It Now
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Inside Argent: A Critical Review by Argent (CD, Apr-2005) NEW USD $19.99 Buy It Now
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ARGENT Hold Your Head Up 1978 UK Embassy CBS 31640 USD $8.99 Buy It Now
ARGENT ZOMBIES Japan 2002 FACTORY SEALED NEW CD+Obi HOLD YOUR HEAD UP - BEST OF USD $79.99 Buy It Now
Monique Argent : Moonfall CD USD $4.99 Buy It Now
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ROD ARGENT Silence 7" VINYL UK Mca 1978 B/W Recollection (Mca403) USD $4.10 Buy It Now
ARGENT God Gave Rock And Roll To You 7" VINYL UK Epic 1973 Hall Of Fame Reissue USD $6.51 Buy It Now
ARGENT Encore DOUBLE LP VINYL UK Epic 1974 11 Track Double In Gatefold Sleeve USD $12.97 Buy It Now
ARGENT God Gave Rock And Roll To You 7" VINYL UK Epic 1973 Orange Label Design USD $5.47 Buy It Now
ARGENT God Gave Rock And Roll To You 7" VINYL UK Epic 1973 B/W Christmas For USD $6.51 Buy It Now
ARGENT/BOND Hold Your Head Up/dancin' 7" VINYL US Hit Tunes 1974 Split Reissue USD $4.10 Buy It Now
ARGENT Hold Your Head Up 7" VINYL Dutch Epic 1971 B/W Closer To Heaven USD $19.82 Buy It Now
ROBERT HOWES AND ROD ARGENT Into The Sun 7" VINYL UK Honey Bee 1989 Theme Music USD $5.47 Buy It Now
ARGENT It's Only Money Part 2 7" VINYL UK Epic 1973 4 Prong Label Design USD $5.47 Buy It Now
ARGENT Thunder And Lightning 7" VINYL UK Epic 1974 Promo B/W Keeper Of The USD $6.51 Buy It Now
ARGENT Thunder And Lightning 7" VINYL German Epic 1974 B/W Keeper Of The Flame USD $6.51 Buy It Now
ARGENT It's Only Money Part 2 7" VINYL UK Epic 1973 Solid Label Design USD $4.10 Buy It Now
ROD ARGENT Silence 7" VINYL UK Mca 1978 Demo B/W Recollection (Mca403) Writing USD $6.51 Buy It Now
COOL JERKS Comme L'argent Secret 7" VINYL French Larsen 2006 3 Track B/W Le USD $6.51 Buy It Now
ARGENT Keep On Rollin' 7" VINYL UK Epic 1974 Has Dj Writing On Label B/W I Am USD $5.47 Buy It Now
ARGENT Keep On Rollin' 7" VINYL UK Epic 1974 B/W I Am The Dance Of Ages USD $6.51 Buy It Now
ARGENT Tour Programme TOUR PROGRAMME UK 1975 16 Page Tour Programme With Ticket USD $26.67 Buy It Now
ARGENT-original 1972 British rockers' "Hold Your Head Up" 45- VG++ USD $1.99 [0 bids]
The Second Frames 1989 Sampler CD Jazz New Age Rod Argent Ian Carr Mark Wood USD $1.03 [0 bids]
ARGENT/RING OF HANDS NEW CD USD $19.55 Buy It Now 39m 49s
ARGENT & WHITE 45 EPC 7563 RARE SINGLE 7" INDIA INDIAN 45 rpm VG- USD $56.88 Buy It Now 1h 28m
MUSIC NOW #45 ARGENT SMOKEY ROBINSON GRAHAM BOND REGGAE TOP 25 CHARTS JACK GOOD USD $15.66 Buy It Now 1h 33m
Various Artists - Tribute to Madonna: Express Yourself / Various [New CD] Argent USD $7.13 Buy It Now 1h 55m
Colin Blunstone - Rod Argent - The Zombies - As Far As I Can See CD USD $3.90 [0 bids]
4h 12m
ARGENT PICTURE ARTICLE ORIGINAL ADVERT 16 X 12" POSTER SIZE 23 MAR 1974 USD $16.95 Buy It Now 4h 34m
Argent / It's Only Money Part 2 / Original 1973 UK Epic 7" single USD $9.12 Buy It Now 4h 48m
Rod Argent Red House rare 1988 1st press Zombies CD MMC 1012 UK 1988 USD $9.12 Buy It Now 6h 11m
Joshua Kadison Painted Desert Serenade CD Rod Argent EX 1993 SBK USD $1.99 Buy It Now 7h 22m
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7h 51m
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Zombies : Singles As and Bs (2 x CDs) (2011) Best LOWEST Argent Blunstone USD $9.77 Buy It Now 11h 48m
Argent - Counterpoints (RCA RS 1020) (Rod Argent) (UK) ('75) USD $19.99 Buy It Now 11h 50m
WILD CONNECTIONS LP / DEEP GREEN 12" JOB LOT PHIL COLLINS GARY MOORE ROD ARGENT USD $9.12 Buy It Now 11h 52m
ARGENT Ring of Hands LP 1970 Epic Records Canada E-30128 Prog Blues Rock Canada USD $10.02 Buy It Now 12h 51m
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Intergalactic Touring Band 1977 Progressive Rock Rod Argent Arthur Brown NM USD $7.00 Buy It Now 13h 17m
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14h 16m
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COLIN BLUNSTONE - Journey - Epic EPC 65805 - 1974 - Rod Argent; Pete Wingfield USD $3.26 [0 bids]
14h 36m
ARGENT RING OF HANDS LP SS STILL SEALED E 30128 EPIC PROG GATEFOLD CANADA USA USD $23.93 Buy It Now 14h 48m
Argent-Nexus-CBS plus lyric sheet free UK post USD $15.14 Buy It Now 16h 2m
Argent Rus Ballard Interview/article UK ZigZag Clipping 1974 USD $13.05 Buy It Now 16h 15m
ARGENT NEXUS ORIGINAL 1974 RADIO PROMO EXCELLENT VINYL USD $10.99 Buy It Now 16h 48m
Pop Rock Russ Ballard "At The Third Stroke" 1978 CAN LP Argent lead vocal/guitar USD $5.99 Buy It Now 18h 51m
Radio Show: FLASHBACK! 7/31/00 TOM PETTY, PRETENDERS, ALICE COOPER, ELO, ARGENT USD $28.99 Buy It Now 22h 11m
ARGENT Encore Live Epic 1974 2LP God Gave Rock and Roll To You Hold Your Head Up USD $19.99 Buy It Now 23h 22m
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RCA RL 25413 Pastourelle Rod Argent Julian Lloyd Webber 1982 NM/VG Gatefold USD $13.04 Buy It Now 1 day
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the zombies (Argent/Blunstone) time of the season /she's not rare 2 track cd USD $5.21 Buy It Now 1 day
RUSS BALLARD Self Titled 1999 Renaissance Records CD 70s Oldies Rock Argent 1974 USD $20.38 Buy It Now 1 day
ROD ARGENT, MOVING HOME, LP 1978 UK 1ST PRESS A1/B1 EX-/EX INNER/SL LAMINATED/SL USD $7.62 Buy It Now 1 day
Argent Climax Chicago Duffy Power Rainbow Theatre show ad Time Out cutting 1971 USD $13.05 Buy It Now 1 day
Argent All Together Now LP advert Time Out cutting 1972 #2 DEF USD $13.05 Buy It Now 1 day
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RESCUE-13 TRACK CD THEME MUSIC FROM RESUE-1989-ROBERT HOWES AND ROD ARGENT USD $9.52 Buy It Now 1 day
Argent UK Press Kit March 1975 USD $13.05 Buy It Now 1 day
Argent CBS 'Encore' UK Press Kit October 1974 USD $13.05 Buy It Now 1 day
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DISC AND MUSIC ECHO APRIL 8 1972 JOE COCKER STRAWBS JONATHAN KELLY ARGENT USD $19.56 Buy It Now 1 day
ARGENT GOD GAVE ROCK AND ROLL TO YOU 45 ORIG 1973 EPIC 5-10972 EX+ USD $4.99 Buy It Now 1 day
1974 ARGENT OFFICIAL SOUVENIR TOUR BROCHURE - PROGRAMME USD $13.04 Buy It Now 1 day
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ARGENT discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

ARGENT top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.20 | 59 ratings
Argent
1970
3.23 | 61 ratings
Ring Of Hands
1971
3.51 | 74 ratings
All Together Now
1972
3.41 | 68 ratings
In Deep
1973
3.61 | 76 ratings
Nexus
1974
3.33 | 55 ratings
Circus
1975
3.11 | 36 ratings
Counterpoints
1975

ARGENT Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.49 | 23 ratings
Encore: Live In Concert
1974

ARGENT Videos (DVD, Blu-ray, VHS etc)

2.91 | 3 ratings
Inside Argent
2005

ARGENT Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.79 | 11 ratings
The Argent Anthology: A Collection Of Greatest Hits
1976
3.00 | 1 ratings
Hold Your Head Up
1978
2.08 | 5 ratings
Argent - The Complete BBC Sessions
1997
2.98 | 5 ratings
Argent/ Ring Of Hands
2000

ARGENT Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

ARGENT Reviews


Showing last 10 reviews only
 Encore: Live In Concert by ARGENT album cover Live, 1974
3.49 | 23 ratings

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Encore: Live In Concert
Argent Crossover Prog

Review by ExittheLemming
Prog Reviewer

4 stars Brown Dwarfs, Zombies and Holey Guitars

Once Upon a Time in a far and distant land, there were no double live albums available on which simple fisher folk could fritter the pittance they earned from their wearying, malodorous and dispiriting labours. So it came to pass that the sovereign decreed that forever hence, any minstrel capable of selling out the local tavern on a wet Tuesday night when there's footie on the telly, could peddle to his followers, a souvenir of this merriment via the mystical sorcery of the Mobile Recording Unit. The rawk demographic were particularly ripe for exploitation in this regard, seeing as how most Mud and Rubettes fans wouldn't be shelling out just to hear different solos from the ones that appeared on the 45 rpm versions of Lonely this Christmas or Sugar Baby Love

Two years prior to the (frankly baffling) success of Frampton Come Alive, Argent embarked upon a UK tour in support of their Nexus album. As the latter is maybe the prog friendliest of their entire discography, there is much to embrace and cherish here from a rather unjustly neglected association. The gestation of Argent is a very tidy fit for the lineage of so much 1st Gen Prog in the early 70's: From pale R'n'B standards via gaudy psychedelic chamber Pop to caped armadillos firing flamethrowers through dry ice in less than a decade. All kidding aside, Argent never strayed too far from their roots and this is maybe why they seem considerably more grounded than some of their codpiece donning contemporaries. When inhabiting the boogie piano grunt of something like Keep on Rolling you sense in their palpable revelry that unlike an ELP or a Yes, Argent ain't slumming it to appease a fan base starved of less lofty aesthetics. This was a band who had served their apprenticeships with Adam Faith, The Mike Cotton Sound, the Roulettes, Unit 4 + 2, and the Zombies. Circa '74, Argent appeared to be riding the slipstream created by two hit singles (Hold Your Head Up and God Gave Rock and Roll to You) However, album sales were always modest e.g. their highest charting album was All Together Now at #13 in the UK (#23 in the US) As much as we might wish it otherwise, charting singles have never been testimony to the didactic power of progressive music i.e. most of the punters who bought the singles couldn't be persuaded into taking a punt on an Argent album.

When you consider the relative career paths of both the Zombies and Argent, a telling disparity starts to emerge. Although both bands split due to lack of sustainable success, the Zombies' Oracle and Odessey (sic) continues to gather posthumous critical acclaim which prompted a reunion tour and album in 2015, while Argent have almost disappeared entirely from the popular consciousness. Most critters of a certain vintage can sing along to their two hits but very few can name the band who composed and performed them. Rod and Co are fast becoming the potential subject of a tricky tie breaker in a pub quiz and that's a shame as their music will continue to stand the test of time long after the inebriated contestants have left the tavern. Like Greenslade, Barclay James Harvest, Procul Harum and Camel, Argent seem destined to forever belong among Prog's Brown Dwarfs (not big enough to become stars)

By the time Encore landed on the shelves in 1974 singer, songwriter and guitarist Russ Ballard had already departed which left Argent in something of a quandary. It seems entirely plausible that this release would have bought the band some valuable time to plan their next move and recruit a replacement. They ended up hiring TWO new members but that's another story and maybe indicative of Ballard's unheralded talents. The reasons for Russ leaving are obscure but whether it was a case of him believing not enough of his songs made the albums or he wanted them to move in a more pop direction, there was no way this ensemble were ever going to sanction subsequent material in the vein of Since You Been Gone (Rainbow) or So You Win Again (Hot Chocolate) Russ has gone on to write over 40 hit songs for a variety of artists. The only one I would unreservedly endorse however is I Don't Believe in Miracles for Colin Blunstone which is included here in a tasteful piano setting which builds slowly to a dramatic climax featuring layered harmony vocals and Mellotron strings.

The Coming of Kohoutek is probably my favourite Argent number ever and would be an unflaggingly brilliant opening salvo in anyone's live set. It's an instrumental in three seamless sections based entirely on Lizst's Totentanz (Dance of Death, which is in turn sourced from the Gregorian plainchant melody Dies Irae) That description sounds 'dusty academics' but rest easy padre, it's a riot of rhythm, timbre and unfettered gusto which will have those stifling vestments swishing vigorously in the aisles for years to come. The original unadorned theme is stated on Mellotron at the outset before Rod subsequently manipulates this melodic fragment into all manner of unlikely outcomes with stylistic treatments from shuffle rock, astringent organ dissonance, classical piano and Moog soloing as if performed by an ADD dervish snorting coffee straight from the jar. This seething energy is all the while buttressed by an ingeniously pliant Henrit/Rodford rhythm section that still makes room for Ballard's tasteful guitar interjections in a busy and ever changing arrangement. I wouldn't be surprised if this track could increase any mammal's sperm count all told. BTW The inspiration for the title must have been the comet identified by Lubos Kohoutek which flew very close to the earth in 1973.

God Gave Rock and Roll to You is one of those songs that provokes some pretty extreme reactions irrespective of the listener's religious orientation. From a musical perspective, there is very little not to like about a naggingly addictive tune that carries the faintest sway of a gospel spiritual wedded to a mock bombastic intro which is transparently tongue in cheek and great fun all round. Like their other smasheroonie Hold Your Head Up this also has the type of chorus that I'm surprised more football fans haven't assimilated into a terrace anthem similar to their appropriation of Give Peace a Chance. The lyrics aren't even remotely preachy either:

You don't have money or a fancy car And you're tired of wishin' on a falling star You gotta put your faith in a loud guitar

You can take a stand, or you can compromise You can work real hard or just fantasize But you don't start livin' 'till you realize

The foregoing is hardly the stuff of right wing conservative fire and brimstone evangelism now is it?

To my ears, Ballard's guitar drifts a wee bit out of tune on this number and although discernible it doesn't really spoil an otherwise boisterous version of a very finely crafted song. The cover art would suggest that Russ was using his distinctive 'Holey Emmenthaler Frankenstein' guitar at this time which had a Stratocaster body through which several holes had been drilled and was joined to a Telecaster neck. I'm not a guitar tech by any stretch but wouldn't such an ungodly combination make the instrument susceptible to intonation issues? There are further traces on Encore that this may have been the case but like I said before, it's practically unnoticeable and doesn't impinge on the music. It's also easy to forget that on stage digital tuners weren't a luxury available to anyone in 1974. Russ Ballard is a very underappreciated guitarist who clearly thinks very carefully about note choice, tone and timbre in his understated but unerringly appropriate parts. Listen to how he slyly quotes from the riff to Money (That's What I Want) during It's Only Money. That level of subtlety and wit is all too rare in a realm of head banging idolatry.

So, were Argent Christians then? Music from the Spheres has some Spinal Tap panto operatic gravitas re:

All around the world the people trembled 'God, save us from the Devil' - was their prayer But I can't be afraid.

Ballard also now has a son called Christian which is hardly compelling evidence (although a son called Beelzebub would have been a worry for the registrar) Russ also doesn't seem to have aged in the slightest since this recording was made. If you look at him now aged 71 he appears almost untarnished by the ravages of time. What sort of diabolic Faustian pact has he brokered with Mephistopheles to account for this everlasting youth?, Another glance at the cover art reveals Rod Argent wearing a crucifix big enough to invite soft tissue damage but in short: who cares?. The music doesn't suffer either way. For the sake of clarity, your reviewer is a lapsed atheist (READ: pussy agnostic)

Those of you like myself who are older than some forests and mountain ranges will recall that the original vinyl LP version of this album was sullied by the very loud electrical hum from the bands backline amps which intruded on some of the quieter passages e.g. Rod's exquisite piano solo in Kohoutek. Thankfully those clever boffins from BGO Records have used their noise reduction algae ridding thingy on the remastered CD version and the pesky hissy dragon has been banished from the kingdom forever. There is a raw energy and infectious excitement captured here that for me, makes Encore a much more enjoyable listening experience than either Welcome Back My Friends or Yessongs.

Rod Argent could more than hold his own in the company of Emerson, Wakeman, Moraz et al and the compelling evidence is in abundance on this recording where he is as equally supportive as an accompanist as he is virtuosic a soloist on piano, organ, Moog or 'Tron.

Most of the band's best work is included here and what niggles I have are very few and far between. The only blemishes that cause me to shave off a star are as follows:

Hold Your Head Up is played too fast to the point of slapstick. Having gigged in pub bands in my 20's I know that the sinking of a few ales wedded to the adrenaline rush of live performance can give rise to unscheduled hikes in tempo. Here the tune just sounds as rushed and lacking in groove as that of Hoedown from Welcome Back My Friends which also represents another hollow victory for accuracy over feel. We can forgive ingratiating quotations from We'll Keep a Welcome in front of an appreciative Welsh audience from Swansea certainly but at over 10 minutes the lads are guilty of milking their cash cow into the abattoir.

I am the Dance of Ages gets bo-toxed from a modest 4 minutes on the studio original to just not very shy of 10 stamina sapping ones and loses much of its impact as a result. It still retains its endearing winking pomp but like many successful short stories, doesn't work when stretched into a novel

Although they never had the grandiose breadth of ELP, the sophisticated compositional stretch of Yes or the theatrical allure of Genesis, Argent never put out a single turkey during their 8 album career and avoided entirely disappearing up their own backsides during some orchestral manoeuvres in the dark (Works) or recounting a mystical pilgrimage to your own navel (Topographic Oceans)

Conflicts arising from striking a balance between lyrical hooks and instrumental substance were the battle ground of many Prog bands and the Rod/Russ dichotomy at the heart of Argent was perhaps mirrored by the same pivotal relationship that existed between Keith/Greg in ELP. There was nothing particularly original about Argent, a group whom cynics might say abandoned the Zombies sublime baroque pop of the first 3 albums and jumped aboard Prog's shiny new speeding bandwagon. That seems in retrospect, gratuitously harsh and as someone who adores both the Zombies and Argent, I can heartily recommend the first three albums to lovers of the former and the remainder, to lovers of all music that values the memorable above memorabilia.

 All Together Now by ARGENT album cover Studio Album, 1972
3.51 | 74 ratings

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All Together Now
Argent Crossover Prog

Review by SteveG

2 stars "Man, what a drag!" as I recall my brother's reaction after hearing the album All Together Now by ex Zombie leader Rod Argent's namesake band for first time back in 1972.

Was it really that bad? Let's listen again and see. Mmm...the album starts off with that killer song Hold Your head Up that features a blistering organ solo from Mr. Argent in it's six minute album form. So far, so good, but the second cut Keep On Rolling with it's boogie woogie piano sounds like filler. Ok, maybe the third track Tragedy will bring the album back into focus as it features more heavy bass and organ. No, it just doesn't quite come together as the vocals are annoying. I think you're starting to get the picture without my having to describe the shortcomings of the following songs Dance Ages, Be My Lover, Be My Friend and Dynamo. However, the album does end with a semi prog four song instrumental suite titled Pure Love, which, while very good, can't save the album.

Rod Argent was a hit songwriter and knew a world wide smash when he wrote one. Just as he did when he wrote Time Of The Season for the Zombies. And hit songs, or even one hit song, sells albums. Millions of albums in the seventies, especially in the US.

So, with only one really significant standout song, All Together Now really is a drag.

Amen, brother.

 All Together Now by ARGENT album cover Studio Album, 1972
3.51 | 74 ratings

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All Together Now
Argent Crossover Prog

Review by Progfan97402

3 stars Argent is hardly new to me, although I am way too young to caught them when they existed as I was born in 1972, I first remembered hearing "Hold Your Head Up" in 1988 when I was 15 and loving it, but it took me a year later to get some info on this group (at the same time I knew of the Zombies, so I figured Argent was Rod Argent's post-Zombie project). It took me until quite recently to buy any Argent albums because I knew they had to be very inconsistent, and from listening to All Together Now, which includes the famous hit, I was proven right, it is very inconsistent. A lot of blame goes between the division of Russ Ballard and Rod Argent with Chris White, with the more adventurous and often proggy material going to Argent and White. The album starts off with the famous hit, which isn't Russ Ballard (a couple websites credited this song to Ballard, which is incorrect), but Argent and White, which isn't too surprising, this song is just too proggy for anything Ballard to come up with. A wonderful piece of prog rock that became an FM rock classic. I especially dig those extended organ solos, which was the same way I felt at 15 years old (at that time I didn't know what progressive rock was, but turned out a lot of the music I liked, even then, was progressive rock, just didn't realized that until a little later on).

The rest of the album, well, it's all over the place. "Keep On Rollin'" is just plain awful, '50s style rock and roll boogie is just so out of place on an album, especially since the previous song was a prog rock masterpiece. Strangely it was Argent and White responsible for this disaster, so it's a big surprise that Ballard gives us a great rock piece, "Tragedy". Might not be prog, but still a great rock number. The prog tendencies are kept to a minimum, since this is Ballard's song. A great piece of heavy rock. Argent and White gives us "I Am the Dance of Ages", which is a sorta heavy prog number, but Ballard's "He's a Dynamo" is as bad as it sounds. When people speak of bad Argent songs, Ballard is often to blame, and this song (to me) is one of them (after hearing my share of Argent albums, I've come to the conclusion there are Argent/White songs I like and those I don't, and same goes for Russ Ballard, who gets little love in the prog community). "Pure Love" is a prog suite, which is obvious who wrote it (Argent/White), which is how not to do a prog suite. It starts off actually quite good, with great organ passages, but it seemed they wimped out towards the end when the vocals kick in, instead of doing something grand or simply mindblowing to end it. At least Argent did a much better suite on Nexus with "The Coming of Kohoutek", even if were disguised as three separate songs (and surprisingly, it was a full-blown symphonic prog piece).

Argent has certainly done better albums than this, like their debut (very good, even if it's not particularly progressive) or Nexus ("The Coming of Kohoutek" suite is full-on symphonic prog, something Argent never done before, with lots of great Moog, organ, and Mellotron), so you'd probably should try those albums first. As for All Together Now, it gave them commercial success they never had before, but not a favorite, but still has good material to warrant three stars.

 Nexus by ARGENT album cover Studio Album, 1974
3.61 | 76 ratings

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Nexus
Argent Crossover Prog

Review by apps79
Special Collaborator Honorary Collaborator

4 stars Named after keyboardist Rod Argent, this English Rock group from Saint Albans, Hertfordshire came to birth out of the death of the legendary The Zombies, where Argent played along with bassist Chris White, who followed him with songwriting-only credits in this new effort.The original line-up comprised also of Russ Ballard on vocals, guitar and piano, Jim Rodford on bass and vocals and Robert Henrit on drums, piano and vocals.Argent produced four albums for Epic Records between 1970-73 (''Argent'', ''Ring of hands'', ''All together now'' and ''In deep''), the most succesful period of the band with several hits on a pure Rock direction and slight progressive vibes.When Bullard left in order to become a solo artist, John Verity and John Grimaldi entered the picture on guitar and voices and the band shifted towards a more progressive sound, starting with ''Nexus'' in 1974, another release on Epic.

At this point Argent not only flirted with Progressive Rock, but they were definitely among the most versatile bands of the style, throwing Classical, Jazz and Heavy/Psych elements in the mix.I'd dare to say that they were one of the most American-sounding British bands, they sounded closer to STARCASTLE, ETHOS or KANSAS than, to say, Genesis or King Crimson, although they had some evident E.L.P. and YES influences.The 9-min. excellent three-part opener was representative of the direction they had taken, this was a maniftest of keyboard-based Prog Rock with strong symphonic orchestrations, highlighted by a talented Rob Argent and his alternating organ, piano, Mellotron and synth parts, switching tempos and climates and offering one of the best pieces ever written by the quintet.The rest of the album is a bit more diverse, featuring some rockin' themes, the rise of an obvious jazzy influence with lots of electric piano and, still, some dominant symphonic flavors.Plenty of bombastic and dramatic instrumental sections, a combination of Fusion stylings and Classical-drenched keyboard showering and some Hard Rock-in' tunes in the process are all welcome characteristics of Argent's new proposal.Vocals are mostly inspired by YES' pompous lines, but the music comes as a mixture of organ-smashing themes, dark Mellotron and quirky synthesizers for a very dense and convincing sound.

Absolutely satisfying work of Symphonic Rock/Fusion with Argent shining behind an emphatic keyboard palette.Somewhere between YES, KANSAS, PENTWATER and ETHOS.Highly recommended.

 Counterpoints by ARGENT album cover Studio Album, 1975
3.11 | 36 ratings

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Counterpoints
Argent Crossover Prog

Review by Progfan97402

4 stars Another one of those maligned albums I can't understand why it gets such negative reviews. This was Argent's second (and final) post-Ballard studio album, and to many Argent should have packed it in with the departure of Ballard. I actually find Counterpoints quite enjoyable. The band moved to RCA from Epic, and on United Artists in the United States. I guess many didn't like how Argent was going the Mahavishnu route, it seems that guitarist John Grimaldi worshipped at the alter of John McLaughlin. If you remove the vocals on this album, a good portion would pass for Mahavishnu (if it weren't for the lack of violin). Phil Collins appears on some of the cuts, but I really don't know which ones, apparently Rob Henrit went ill during the session. I also seen comparison to Brand X, probably due to the presence of Phil Collins (at this point, Brand X was beginning to work on their debut). Rod Argent's Hammond organ seemed to have vanished by this point, in favor of electric piano, Moog, and even some Mellotron. "Rock & Roll Show" harkens back to the more rock and roll sound of the earlier Argent. I really get a kick off "Time", I call it the "S**t Hits the Fan" song, because that line appears several times. The only song I didn't care for it "Road Back Home", it's just a boring soft rock song with little creativity and too repetitive and drags on too long, and Rod Argent's Mellotron doesn't help save it. I guess being around my share of fusion, well-known and obscure, that I have no trouble adapting to this. Better than I thought it would be, I spent next to nothing for my LP copy.
 Nexus by ARGENT album cover Studio Album, 1974
3.61 | 76 ratings

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Nexus
Argent Crossover Prog

Review by Progfan97402

4 stars The name Argent is hardly new to me. In the late '80s, in my teens, I would frequently hear "Hold Your Head Up" on a local classic rock station, and fully aware of Rod Argent's career in The Zombies. But I had been resistant in buying their albums until recently. Probably because inconsistency seems to be a major understatement to a lot of their work. I bought All Together Now and that's plain to show. There's some excellent material, including the classic "Hold Your Head Up" and "Tragedy", at the same time some rock and roller type of material that seriously clashes. It shows they're not the most progressive of bands, and Russ Ballard was the least interested in that, while Rod Argent probably would have wanted to go full-on ELP if it weren't for his other bandmates, particularly Russ. Now I went and got Nexus. "The Coming of Kohoutek" is really a three piece suite disguised as three songs. Wow! They actually go full-on symphonic prog. Here they take on a Moog and Mellotron drenched version of the medieval hymn "Dies Irae" with some ELP-like moves. Amazing piece of music that even if you're scared away by a lot of Argent's other music, you will love this! None of the rest of the album is in that full-on symphonic prog natures of that title track. "Love" is the next piece. This is a Russ Ballard piece, and I really think it's a pretty lame song, the presence of Mellotron certainly doesn't help. "Music For the Spheres" is luckily an improvement, and I do enjoy "Thunder and Lightening" and "Keeper of the Flame". "Man of All Reasons" has a bit of a Yes thing going on, while the last piece "Gonna Meet My Maker" has that rocking gospel feel to it. While there's still that schism between the Rod Argent/Chris White and Russ Ballard team of songwriting, it sounded like they were attempting to make some more compromise, unfortunately Russ Ballard left after this album (he obviously felt more comfortable with radio-friendly material), leaving Rod Argent clearly in charge. No Nexus isn't in danger of making my "all time favorites" list any time soon, I find it rather enjoyable.
 Counterpoints by ARGENT album cover Studio Album, 1975
3.11 | 36 ratings

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Counterpoints
Argent Crossover Prog

Review by yesstiles

5 stars What a treat it was discovering this album 38 years after its release. It's a wonderful blend of fusion and jazzy prog rock. The first side is more fusiony and exciting. The second side however is where the real charm is. Except for the faux-rocky "Rock N' Roll Show ," Rod has crafted a sweet blend of melodic prog here. Great chord progressions and clever melodic verses shine. And I absolutely love the Fender Rhodes that "The Road Back Home" is soaked in. I wish it would go on forever. I really like Rod's voice on this album. Great guitar work too. What a shame this is where Argent ended.
 Ring Of Hands by ARGENT album cover Studio Album, 1971
3.23 | 61 ratings

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Ring Of Hands
Argent Crossover Prog

Review by Dark Nazgul

3 stars Argent vs. Ballard, act two.

After the experience with the Zombies in the Sixties, Rod Argent founded his own band trying to play more complex music, closer to progressive rock style. "Ring of Hands", published in 1971, is the band's second album. Argent can also count on the help of Russ Ballard, guitarist and composer that will became famous in the 80s with the worldwide hit single "Voices".

This is an album with highs and lows, enjoyable especially in the first part. It contains Lothlorien, one of my favorite prog songs ever, some other great song, but also others mediocre. It is basically a record featuring Hammond organ and piano, masterfully played by Rod Argent: almost all the solo parts are performed by these instruments and the guitar of Ballard remains largely in the background. Without any doubt the clash of styles between the two main authors is not very positive for the band: while Argent tryies to give the songs a progressive mark, with complex instrumental arrangements, changes of pace and refined vocal parts, Ballard prefers simpler and more rockin' songs, mainly based on guitar riffs. The result is a record without homogeneity, and a bit of disorientation is inevitable when you listen to this album: the question is, what kind of stuff I'm listening to? Now, a short analysis of the nine songs of the album:

Celebration. One of the more accessible songs (despite being written by Argent!) and based on pleasing harmonies. Simple and catchy, structured around a piano melody, it's a fine start. Rating: 7/10.

Sweet Mary. The song hated by purists of prog music. It is an ordinary and obvious blues, but this does not necessarily mean it's disappointing. All in all, I find that in the context of the album this song is pleasant. Rating 6/10.

Cast Your Spell Uranus. The lyrics are a bit strange, maybe a little 'anchored in those years, I think. However this is an excellent song, which begins with strange dissonances and frantic piano accompaniment. It is the first song of the album composed by Ballard. Rating 8/10.

Lothlorien. The masterpiece of the album, the longest song and definitely the closest to the canons of progressive rock, with symphonic interludes, and some jazzy sections, with the Hammond organ in evidence. The title refers of course to "The Lord of the Rings". Rating 10/10.

Chained. A classic rockin' number, according to Ballard's style, but well refined, especially for the great use of backing vocals. One of the best songs of the album. Rating 8/10.

Rejoice. Now...the painful notes. This is a gentle song with voice and piano, rather soppy and banal, introduced by a church organ solo. To give an idea, is vaguely reminiscent of the slow songs, for voice and piano, played by Freddy Mercury and Queen. The final part, preceded by unbearable choirs, reprise the organ intro. Rating: 4/10.

Pleasure. In my opinion the worst song on the album. The falsetto voices are terrible, and the backing vocals are really annoying. I still remember the Queen, in their worst. The symphonic interlude in the middle of the song is perhaps the only decent thing. Rating: 3/10.

Sleep Won't Help Me. Though the vocals are still disappointing and the chorus a little dull, is a piece with an original and captivating arrangement. The first time you hear may be indigestible. With successive plays it's better. The initial pace reminds me a little bit '"Come Together" by the Beatles, while in the middle interlude the organ sound is pretty identical to "Riders Of The Storm" by The Doors. Rating 6/10.

Where Are We Going Wrong. A pure and simple rock song based on a guitar riff by Ballard. Reminds me The Who very much (and Ballard seems...Daltrey). All in all, is mediocre and the worst of the songs written by the guitarist. Rating 5/10

In conclusion, we are certainly not in front of a masterpiece, but "Ring Of Hands" is still a good album, perhaps not very progressive and certainly with some flaw, but still enjoyable.

Final rating: 6/10.

Best song: Lothlorien

 Inside Argent by ARGENT album cover DVD/Video, 2005
2.91 | 3 ratings

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Inside Argent
Argent Crossover Prog

Review by Easy Livin
Special Collaborator Honorary Collaborator / Retired Admin

3 stars A forgotten Nexus

The "Inside" series of DVDs has covered a commendable diversity of prog (and other) bands over the last 10 years or so. Rare footage is obtained and laced together with critical commentary to form a useful overview of the band concerned. The overall quality of the final product varies a lot though, largely depended on the chosen critics and their awareness of that band. When the thoughts of members of band and those close to them are added, the product takes on greater credibility, such as the first of the "Inside Pink Floyd's" and the two dedicated to Uriah Heep.

Unfortunately, "Inside Argent" desperately lacks informed contributors, with just four people, none of who have any association with the band, leading us through their history from inception to the "Encore" album in 1974. The footage, which captures the band well, is primarily taken from two sessions recorded for television. One of these disappoitnly sees music from Argent's studio albums being overlaid onto the video (and not always the right music for the right video), but the Granada TV footage is warts and all live.

My main criticism of the commentary here is that it concentrates far too much on the isolated tracks chosen (of necessity from the footage available) to represent the albums. The first album for example contained the wonderful "Dance in the smoke", a track which appeared on the huge selling sampler "Fill your head with rock" and effectively broke the band. This however is completely ignored along with "Lonely hard road" and many others. Likewise, the minor hit "Celebration" from the second album is not mentioned, and the two part "It's only money" from "In deep" appears not to exist either.

As a result, the albums are not reviewed as a whole, but almost exclusively on the basis of tracks which are in some cases are totally unrepresentative of that album. The worst example of this is "All together now", an album which took so long to bring together Rod Argent suggested to a music magazine at the time should have been called "Sorry to keep you waiting". That album contained the four part Rod Argent prog epic "Pure love" and the Russ Ballard masterpiece "Tragedy" (not the Bee Gees song!). Instead though, the fun track "Keep on rolling" (a sort of "Are you ready Eddy") is dissected and used to belittle the whole album. Ballard's salute to Rod Argent "He's a dynamo" is also ignored. Incidentally, no mention is made by any of these experts of Russ Ballard liking for one word song titles which form the dynamic hook in songs such as "Liar" and "Tragedy".

While Bob Carruthers clearly has a genuine liking for some of the band's later work, his complete dismissal of the early albums seems over harsh. As usual, Michael Heatley seems to be on a different planet, thus resorting once again to the painfully obvious and the unintentionally amusing; "Rod Argent was influenced by keyboard players such as Rick Wakeman in early Yes, although I don't think Wakeman was in Yes at that time". There are also conflicting accounts of the band's history, for example Malcolm Dome says the band was not happy with "Hold your head up" being edited by the record company and becoming a hit single, Heatley says they were delighted.

Quite why the "Nexus" album is completely overlooked is perhaps the biggest mystery. It was released in the same year as "Encore" (the history of which come first is inconclusive as far as I can see, but over half of "Nexus" appears on "Encore") and was to be the final album recorded by the original line up. The departure of Russ Ballard is discussed, so surely "Nexus", by far the band's most progressive album, deserved inclusion.

On the plus side, the three "Music study cases" turn out to be full live performances of three songs, one from each of the first three albums, something of a rarity for this series. I can only assume they are called "music studies" for copyright reasons.

In all, since available visual recordings of this unfairly forgotten band is very hard to come by, this DVD is so much better than nothing at all. In terms of the "Inside.." series though, it is a shoddy addition which could easily have been so much better.

 All Together Now by ARGENT album cover Studio Album, 1972
3.51 | 74 ratings

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All Together Now
Argent Crossover Prog

Review by ozzy_tom
Prog Reviewer

4 stars It's very difficult to choose the best album of this band. All of their LPs (especially from classic period 1971-1974) include fantastic prog gems, but also some amount of pop/ (pseudo) hard rock stinkers usually composed by Russ Ballard. However if I had to pick up one, particular record from their discography it would be "All Together Now":

1. "Hold Your Head Up" - album starts with this real classic of heavy prog genre. Organ drenched tune with memorable rythm and melody (but not popish!) makes this composition a fantastic opener and one of the best song in Argent's catalog. Organ solo in the middle is perfectly long and truly splendid in the best tradiditon of Jon Lord or Vincent Crane.

2. "Keep On Rollin'" - first awful filler of this record. Piano-oriented woogie-boogie. Avoid as a plague!

3. "Tragedy" - after miserable previous track Argent serves as another classic heavy rock tune. Very good, catchy - almost heavy metal-like -screaming vocals and of course lots of roaring Hammonds delivered by master Rod including another perfect solo.

4. "I Am the Dance of Ages" - definitely one of my favorite song of this band. Really hypnotizing melody which give me shivers everytime I listen to it. And this monotonous (but at the same time very captivating!) march/funeral-like drums... Organ "noodling" in the middle of the song build great atmosphere. This song has less than 4 minutes, but when you listen to this, it sounds like 10+ minutes epic ! (of course it's a compliment for progheads like me :-).

5. "Be My Lover, Be My Friend" - mainly straightforward hard rock composition which can't be distinguish from so many similar songs played in 70' by classic rock bands. However this track includes one of the best organ solos from band's leader which saves it from medicority. (BTW it's quite typical situation for Argent. The same phenomena you can observe in such songs as "Cast Your Spell Uranus" or "Pleasure" from their previous album "Ring of Hands").

6. "He's a Dynamo" - second serious bump of the album. Stupid rock'n'roll song with simple piano, which would be a filler even in some early 60' R&B record.

7. "Pure Love (Fantasia/Prelude/Pure Love/Finale)" - after previous horrible (but fortunately short) stinker Argent presents us my favorite composition: 13 minutes, 4 parts suite "Pure Love" which sounds like a beatiful hommage to all great organ players. This epic starts with fabulous section of dreamy church-like organ playing (but I suppose it's still Hammond organ, maybe without Leslie cabinet this time?). Seems to be tribute to J.S. Bach! However after 5 minutes drums join and music turns into The Nice/ELP/Triumvirat direction. Perfect! "Pure Love" sequence seems to be out of place here with it's more simple rock'n'roll attitude. But hey, I still like it here. Mixing more straightforward rock patterns with symphonic prog is a trademark of this band after all! Anyway "Finale" ends the suite with another magnificent, powerful organ performence. Real gem of this album and this band's discography in general.

To summarize: 3rd Argent's album contains 4 fantastic tracks, 1 good but not essential hard rock song with phenomenal organ solo and 2 absolutely horrible farts. (Anyway still big improvement after "Ring of Hands" which had much bigger amount of medicore songs and only few really prog tracks.)

By the way, it's a must-have album for Hammond organ lovers! 4,5 stars for me.

Thanks to ProgLucky for the artist addition.

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