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JEAN-MICHEL JARRE

Prog Related • France


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Jean-Michel Jarre biography
Jean-Michel André JARRE (born August 24, 1948 in Lyon, France) is a French composer of electronic music. He is the son of Maurice Jarre, a composer of film music, who has written the scores to such films as "Lawrence Of Arabia" and "Dr. Zhivago", among many others.

Jean-Michel JARRE is regarded as one of the pioneers in the electronic music genre, along with artists and bands such as Wendy CARLOS, VANGELIS, KRAFTWERK, Isao TOMITA or TANGERINE DREAM. He is well-known for staging spectacular outdoor concerts of his music, which feature laser displays and fireworks, and three of which appeared in the Guinness Book of Records for their large audiences, often of several million.

Jean-Michel JARRE began studying piano at the age of five, but he abandoned his classical training. During his youth he formed a band called MYSTERE IV. In late 1960s he started experimenting with tape loops, radios and other electronic devices, until, in 1968, he joined the Groupe de Recherches Musicales, under the direction of Pierre Schaeffer, the "father" of the musique concrète, where he was introduced to synthesizers.

His album "Oxygene" launched in 1976 was a big success worldwide, the song "Oxygene Part IV" becoming one of the best-known pieces of electronic music ever.

In 1978, his second album "Equinoxe" was released, followed by a concert in Paris on the Place de la Concorde in Paris in 1979. This concert attracted 1 million people, which was JARRE's first entry in the Guinness Book of Records for the largest crowd for an outdoor concert.

In 1983 he created the album Musique pour supermarchés (Music for supermarkets), which had a print run of only a single copy. JARRE destroyed all the master records from his studio work, allowed a Luxembourg radio to broadcast the album once and auctioned it to raise money for French artists. People recorded the album using their tape recorders while it was broadcasted on the radio, so we can listen to that album, at a very poor quality though (the radio station was an AM station).

In October 1981, JARRE was the first Western pop-artist who was granted to give concerts in the People's Republic of China.

In 1986 NASA and the city of Houston asked him to do a concert to celebrate NASA's 25th anniversary and the city of Houston 150th anniversary. During that concert, astronaut Ronald McNair was to play the saxophone part of JARRE's piece "Rendez-Vous VI" while in orbit on board the Space Shuttle ...
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Oxygene TrilogyOxygene Trilogy
Sony Legacy 2017
Audio CD$19.54
$27.06 (used)
Electronica 2: The Heart of NoiseElectronica 2: The Heart of Noise
sin germany 2016
Audio CD$8.99
$7.61 (used)
Electronica 1: The Time MachineElectronica 1: The Time Machine
sin germany 2016
Audio CD$9.53
$6.10 (used)
Oxygene 3Oxygene 3
Import
Sony Legacy 2017
Audio CD$8.72
$6.75 (used)
EquinoxeEquinoxe
Import
Imports 2014
Audio CD$4.50
$3.50 (used)
OxygeneOxygene
Import
Imports 2014
Audio CD$4.55
$4.72 (used)
Les Chants Magnetiques/Magnetic FieldsLes Chants Magnetiques/Magnetic Fields
Import
Imports 2014
Audio CD$4.50
$6.75 (used)
Right Now on Ebay (logo)
Jean Michel Jarre ?- Equinoxe Disques Dreyfus ?- FDM 83150 Vinyl LP Album USD $19.11 [0 bids]
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8h 39m
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10h 20m
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10h 22m
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12h 37m
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15h 26m
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JEAN-MICHEL JARRE Fourth Rendez-Vous 12 inch 1986 Polydor Disques Dreyfus USD $6.00 Buy It Now 22h 19m
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Jean-Michel Jarre Equinoxe (7115) 12" LP 1978 Polydor POLD 5007 USD $12.27 Buy It Now 1 day
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JEAN-MICHEL JARRE discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

JEAN-MICHEL JARRE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.11 | 22 ratings
Deserted Palace
1973
2.40 | 19 ratings
Les Granges Brûlées (OST)
1973
3.90 | 297 ratings
Oxygène
1976
4.00 | 219 ratings
Équinoxe
1978
3.43 | 112 ratings
Les Chants Magnétiques [Aka: Magnetic Fields]
1981
3.32 | 102 ratings
Zoolook
1984
3.40 | 96 ratings
Rendez-Vous
1986
3.11 | 57 ratings
Révolutions
1988
2.95 | 54 ratings
En Attendant Cousteau [Aka: Waiting For Cousteau]
1990
3.55 | 63 ratings
Chronologie
1993
3.61 | 75 ratings
Oxygène 7-13
1997
2.72 | 36 ratings
Metamorphoses
2000
2.03 | 12 ratings
Interior Music
2001
3.00 | 20 ratings
Sessions 2000
2002
3.06 | 22 ratings
Geometry Of Love
2003
3.11 | 27 ratings
Aero
2004
1.71 | 35 ratings
Téo & Téa
2007
3.34 | 26 ratings
Electronica 1 - The Time Machine
2015
3.03 | 11 ratings
Electronica 2 - The Heart Of Noise
2016
2.85 | 18 ratings
Oxygène 3
2016

JEAN-MICHEL JARRE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.23 | 74 ratings
Les Concerts En Chine
1982
3.31 | 24 ratings
Jean Michel Jarre in Concert: Houston-Lyon
1987
3.22 | 18 ratings
Jarre Live
1989
4.42 | 12 ratings
Les Concerts en Chine, Vol. 1
1992
4.42 | 12 ratings
Les Concerts en Chine, Vol. 2
1994
3.20 | 18 ratings
Hong Kong
1995
3.88 | 8 ratings
Live From Gdansk - Koncert W Stoczni
2005
3.40 | 5 ratings
Printemps de Bourges 2002
2006

JEAN-MICHEL JARRE Videos (DVD, Blu-ray, VHS etc)

4.89 | 9 ratings
The China Concerts
1989
4.86 | 7 ratings
Paris La Defense: A city in concert
1990
4.11 | 16 ratings
Jarre in China
2005
4.36 | 12 ratings
Solidarnosc Live
2005

JEAN-MICHEL JARRE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.61 | 8 ratings
The Essential
1983
3.50 | 6 ratings
Musik Aus Zeit Und Raum
1983
3.56 | 20 ratings
Images: The Best of Jean Michel Jarre
1991
2.14 | 5 ratings
Jarremix
1995
2.80 | 5 ratings
Odyssey Through O2
1998
2.15 | 7 ratings
The Essential
2005
3.17 | 5 ratings
Essentials & Rarities
2011
5.00 | 2 ratings
Essential Recollection
2015

JEAN-MICHEL JARRE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.00 | 5 ratings
La Cage / Eros Machine
1969
2.12 | 6 ratings
Music For Supermarkets
1983
3.20 | 5 ratings
Revolutions [Single]
1988
4.50 | 4 ratings
Oxygene-Destination Docklands
1989
2.80 | 5 ratings
Calypso
1990
4.33 | 3 ratings
Zoolookologie
1991
3.00 | 4 ratings
Chronologie [Remixes]
1993
3.00 | 3 ratings
Chronologie 6
1994
4.40 | 5 ratings
Oxygène 8
1997
4.33 | 3 ratings
Oxygène 10, Pt. 1
1997
4.00 | 2 ratings
Oxygène 10, Pt. 2
1997
4.00 | 2 ratings
Oxygène 10 [4 Track Single]
1997
3.75 | 4 ratings
Rendez-Vous 98 (France 98 World Cup, with Apollo 440)
1998

JEAN-MICHEL JARRE Reviews


Showing last 10 reviews only
 Oxygène 7-13 by JARRE, JEAN-MICHEL album cover Studio Album, 1997
3.61 | 75 ratings

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Oxygène 7-13
Jean-Michel Jarre Prog Related

Review by Progfan97402

4 stars It seems like Jarre is having Mike Oldfield Disease. It's a contest in how many sequels and remakes of a classic album you can do. With Oldfield, it was Tubular Bells (The Orchestra Tubular Bells, Tubular Bells II, Tubular Bells III, the Millennium Bell, Tubular Bells 2003). With Jarre it's Oxygene. So far it hasn't quite as bad as Tubular Bells, but there's the original Oxygene, Oxygene 7-13, Oxygene: New Master Recording, and Oxygene 3.

Oxygene 7-13 was obviously released roughly 20 years after the original. It's been frequently criticized as a rehash. There's no denying he does everything in 1997 to recreate the mood and spirit of the original right down to the rhythms and phased Eminent 310U, but he uses more Mellotron on this album than all his other albums put together (the original Oxygene, as well as Equinoxe had some low key tron choirs, that's it). Some techno elements are present which seem like it hearkens back to Chronologie, his previous album. To me, I like this better than Chronologie, as he wasn't trying to "appeal to the kids" like he did on that one. To ne, Jarre works best when he lets the music do the talking, rather than those overextravagant light shows, where his music frequently suffered in the process. Sometimes his tastes lapse, why else would he record calypso influenced pieces on the "Calypso" part of En Attendent Cousteau (Waiting for Cousteau), or the Latin-influenced "Magnetic Fields Part 5 (The Last Rhumba)". At least with Oxygene 7-13, like the original, the music, not the extravagant light shows, does the talking (actually I know the extravagant light shows only apply live). If you don't mind the music being an obvious rehash, it's actually worth having.

 Oxygène 3 by JARRE, JEAN-MICHEL album cover Studio Album, 2016
2.85 | 18 ratings

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Oxygène 3
Jean-Michel Jarre Prog Related

Review by Progfan97402

3 stars It's easy tp dump on Jarre like Mike Oldfield. Oldfield has a habit of doing so many Tubular Bells sequels and remakes that you get the feeling that it's just done for the money. After all, Tubular Bells was Oldfield's defining album and he has a habit of revisiting it every time his sales start to slump (Tubular Bells II, for example, came right after Heaven's Open, which wasn't exactly a seller, nor exactly a winner with his fans). Jarre is doing the same with Oxygene. There's the original from 1976. Then there's Oxygene 7-13. To be honest, the album had a mixed reaction. Many thought it was just a rehash and should not have been recorded. For me, I actually enjoy the album, and yes, there's no denying it's a rehash, although there's a bit of elements of Equinoxe and the spectre of Chronologie (his previous album) still loomed (the techno influences, for example). Then there's Oxygene: New Master Recording to demonstrate he can recreate the original some thirty years later. Now there's Oxygene 3. I wasn't expecting a whole lot. I didn't bother buying anything he did between 7-13 and this one, so I never got to hear Metamorphoses, Geometry of Love, Teo & Tea, or the two Electronica albums. But then hearing not exactly glowing reviews for those albums made me suspicious. Oxygene 3 is really Oxygene 14-20, as Oxygene 3 sounds like he was revisiting "Oxygene Part 3" from the 1976 original, which is hardly the case. Actually I'm actually quite happy with the album. I can see why it will get dismissed, but to my ears it doesn't totally rehash the original. I hear elements of the original, like the phased Eminent 310, but sonic-wise it would be very out of place on the original. "Part 17" is a more pop-oriented number, he's obviously wanting to record a song in the vein of "Oxygene Part IV" or "Equinoxe Part V". "Part 18" is an ambient piece, at first it sounds a bit on the New Age side. "Part 19" is more rhythmic, while "Part 20" has a rather obvious "Part 6" reference, but by and far, a largely ambient piece. "Part 14" to "Part 16" demonstrates that he wasn't trying to rehash the original. I actually found this album quite enjoyable, despite low expectations. Jarre pretty much had the idea of what Oxygene would sound like in 2016 with how he would approach it now, not in 1976. I won't lie and claim this is just as great as the original, even I couldn't say that for 7-13, but I actually found it quite good. It's no substitute for the original, but then, what is.
 Oxygène 3 by JARRE, JEAN-MICHEL album cover Studio Album, 2016
2.85 | 18 ratings

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Oxygène 3
Jean-Michel Jarre Prog Related

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

3 stars French composer Jean-Michel Jarre hardly needs an introduction, a pioneering artist in the electronic, ambient and new-age styles, responsible for one of the biggest selling albums in those genres with the ground-breaking original `Oxygène' in 1976, a work that was cutting-edge, experimental yet also completely accessible and highly melodic. Along with several other worthwhile releases since then, including an official sequel in 1997 with `Oxygène 7-13', the approaching fortieth anniversary of the original album spurred the artist into creating a third volume, 2016's `Oxygène 3', recorded in exactly six weeks just like the defining first release was in the hope of catching the same fire and inspiration. The results are a decidedly mixed bag, balancing a continuous cross between harmless lightweight electronica that barely lifts above being a pleasant background experience of little depth with more substantial atmospheric and ambient contemplations.

While it's completely unreasonable to have expected `Oxygène 3' to be another innovative release in the manner of the first album, it's a little underwhelming how...anonymous some initial stretches of the album sounds, and often dominated by obnoxious beats that are overly loud and drown out the more interesting aspects of the music. Admittedly the album is not helped by putting its poorest piece, `Oxygène Pt 14', first, a sort of bland, faceless and clichéd electronica number, the kind that hundreds of artists working in the style are putting out these days. But some of those instantly recognisable gentle washes of serene ambient caresses that Jarre is known for slowly emerge around twitching low-key trance-like chilled beats in the more subtle `Pt 15', with some melting synth bleeds and brooding light-industrial machine groaning in the later minutes proving most surprising. Following on, bubbling liquid electronics and weeping strains flitting around moody orchestral-flavoured synth themes that attempt to break out of `Pt 16' are again sadly restrained by lazy dance beats, but the piece is thankfully redeemed by an unexpected gloomier drone in the second half.

The confident `Oxygène Pt 17' that opens the second side offers energetic bouncing beats, an upfront lead electric piano melody and a whirling fanfare-like synth theme, but only once it's out of the way do the really interesting moments of the disc appear. `Pt 18' is a delicate haunting electric piano interlude over ethereal stillness that holds a gentle warmth, `Pt 19' flirts with trance-like beats that attempt to grow in stature but never take hold over inhaling/exhaling breaths and rising/falling Seventies-flavoured keyboard veils, and glitching cut-up organ bursts punctuate the elegant eight-minute closer `Pt 20' (the absolute highlight of the set), as stormy rumbles and fuzzy trickles fuse together with sombre cinematic-styled drones that rise in stirring power and presence.

To its credit, `Oxygène 3' improves on multiple replays (definitely don't dismiss it on one initial underwhelming listen) and is at least frequently melodic, mostly remaining an undemanding and unobtrusive surface-level listen, as well as being thankfully vinyl-length too, a format that suits these kind of albums well and keeps it in line with the previous volumes. Other than appealing to long-time die-hard Jarre followers, there's perhaps not a lot here to inspire a wave of new listeners or much that will impress more casual electronic fans, but a few quietly tasteful and restrained intelligent pieces more befitting of a legend of the above-mentioned genres do emerge, and it makes for a worthwhile addition from the artist.

Three stars.

(Oh, and add a bonus point for the photo of Jarre on the back-cover with the SPECTACULAR hair!)

 Oxygène 3 by JARRE, JEAN-MICHEL album cover Studio Album, 2016
2.85 | 18 ratings

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Oxygène 3
Jean-Michel Jarre Prog Related

Review by Stalvern

2 stars

Sounds more or less like a cross between Oxygène 7-13 and the unfortunate Téo & Téa. There's not much left of the original Oxygène here; sadly, rather than building on it, Jarre has instead diluted it with generic "modern" tones at least ten years out of date. No word on whether or not they're presets, like on Téo & Téa, but either way, they're far below Jarre's standards.

As for the songs themselves, they're barely there. Jarre often contents himself with noodling over a basic groove, and when he reaches further, it's usually to crib from Oxygène 7-13 ("Part 16" and "Part 19") or Chronologie ("Part 17"). The closing track tries to put a big, dramatic finale on the "trilogy", but it hardly rises to the occasion - playing a few arbitrary chords louder and louder and LOUDER isn't actually moving, and the self-mythologizing sample of the original album's "Part 6" really doesn't help.

Let me be clear: This is not a terrible album. Those huge, lovely Oxygène tones are still there to fill up the sound, and apart from a few, uh, jarring lapses of taste (What the HECK is going on at the beginning of "Part 20"?), it all goes down smoothly enough. But when those old-fashioned sounds have to share the mix with chintzy plastic crap straight out of Newgrounds, and when it all exits my mind as easily as it enters, neither of those counts for much. At its best, this just makes me want to listen to Oxygène 7-13 again, and at its worst, it makes me wonder if it's even Jarre I'm hearing in the first place.

 Les Chants Magnétiques [Aka: Magnetic Fields] by JARRE, JEAN-MICHEL album cover Studio Album, 1981
3.43 | 112 ratings

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Les Chants Magnétiques [Aka: Magnetic Fields]
Jean-Michel Jarre Prog Related

Review by Warthur
Prog Reviewer

4 stars On Magnetic Fields, Jean Michel Jarre updates his sound to incorporate the latest new synthesisers and techniques, but adapts this to the general compositional approach he had followed since Oxygene. (Part 5 of the album, for instance, is essentially a somewhat cheesier version of the sort of "easy listening outro" he'd tacked onto the end of both Oxygene and Equinoxe.) As such, it forms the end of a trilogy of works which straddle the last days of the analogue synthesiser era and the dawn of the digital synthesiser era; precisely because of this, it's of interest to anyone with an appreciation of the history of electronic music, and it helps that it's a highly enjoyable album in its own right. I think on balance Equinoxe is the best of the trilogy, but I'd certainly recommend this to anyone who liked the previous two albums.
 Zoolook by JARRE, JEAN-MICHEL album cover Studio Album, 1984
3.32 | 102 ratings

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Zoolook
Jean-Michel Jarre Prog Related

Review by Warthur
Prog Reviewer

4 stars Zoolook is a bit of a divisive album in Jean Michel Jarre's discography, and justifiably so. Of course, this is the point when Jarre shifted towards incorporating more digital synths in his work, but I actually think he does so quite adeptly and tastefully so the division of opinion seems to be about more than just a nostalgia-addled "it's digital therefore it's bad" backlash. At the same time, Jarre incorporates a lot of synthpop influences into his sound and makes extensive use of sampling, especially vocal sampling, to create something which sounds very distinctive from the progressive electronic suites of earlier hit albums.

Some may find that a turn-off; I consider it key to Jarre's successful adaptation to new synthesiser technologies, and consider this a richly evocative cyberpunk-era collection which, in its own way, manages to recapture the majestic sweep of Oxygene and Equinoxe but evoke it on its own terms, rather than repeating the playbook of those albums.

 Electronica 2 - The Heart Of Noise by JARRE, JEAN-MICHEL album cover Studio Album, 2016
3.03 | 11 ratings

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Electronica 2 - The Heart Of Noise
Jean-Michel Jarre Prog Related

Review by admireArt
Prog Reviewer

3 stars From YELLO, Gary Numan, The Orb and Edward Snowden to Cyndi Lauper, Peaches, The Pet Shop Boys and other more contemporary guests like Primal Scream, it is hard not to feel entertained.

Jean Michel Jarre delivers some solo pieces and for the second time invites important or remarkable electronic related colleagues and names this release "Electronica 2: The Heart of Noise", 2016, the sequel to his "Electronica 1: The Time Machine", 2015.

I assume the best way to review this release is as a Various Artists album. For starters, before getting tangled in such a concept, J.M. Jarre, opposite to what one will suspect as his lengthy SOLO discography might suggest, is a perfect team player! ! He can blend as fire to fire to any of his guests' style, no matter if he has never played on those fields and yet imprinting his signature music language in the mix.

Now as the V.A. focus demands, if you do not enjoy, for example The Pet Shop Boys (as myself), well you are not going to get your kicks for starters, unless you accept the V.A. tagging and then maybe you might be in for some surprises. I myself felt happy with the inclusion of YELLO, and extra delighted with their collaboration, but not that amazed with the extraordinary Gary Numan's one (it lacks his usual gloomy "punch') and extremely surprised with the unknown to my ears Jeff Mills', Peaches' or Cristophe's songs and so on.

I also own his first ELECTRONICA and a similar thing happened with it (disappointed with the Tangerine Dream and Pete Townshend collaborations but amazed with the Laurie Anderson's or Massive Attack's one and so on..), therefore in able to truly enjoy both releases you have to accept the idea of listening to some stuff you would usually avoid by rule.

This release is entertaining. Some great stuff (as a couple of his solo pieces included), some perfectly performed, out of my taste, ones and another few of forgettable ones.

I would have preferred to give a single 4 stars rating to both albums if they were one, but separately each deserves ***3 PA stars, on the rise!

 Oxygène 7-13 by JARRE, JEAN-MICHEL album cover Studio Album, 1997
3.61 | 75 ratings

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Oxygène 7-13
Jean-Michel Jarre Prog Related

Review by Warthur
Prog Reviewer

4 stars It was probably inevitable that sooner or later Jean Michel Jarre would be prompted to revisit his breakthrough album Oxygene - particularly in the wake of Mike Oldfield's successful revisiting of Tubular Bells demonstrated that there was an appetite in the "New Age" market for updated revisitations of old themes.

As the title implies, the music here is presented as an organic continuation of the original album, and Jarre manages to skilfully revisit the old stomping ground with instrumentation that doesn't sound too out of place (perhaps a happy side-effect of the original Oxygene sounding so far ahead of its time) and sprinkles on a few more modern electronic influences (including a bit of trance here and there) which refresh the sound of the album whilst keeping its character recognisable. Motifs from the original album come back to play here and there, but there's enough new material to make the album more than a mere exercise in nostalgia.

 Oxygène 7-13 by JARRE, JEAN-MICHEL album cover Studio Album, 1997
3.61 | 75 ratings

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Oxygène 7-13
Jean-Michel Jarre Prog Related

Review by AndyJ

5 stars Jean Michel Jarre's 'Oxygene 7-13' is the 1997 follow-up to the Frenchman's ground breaking 'Oxygene' album. The 7 tracks presented on the album are utterly sublime and near perfect in their execution and composition. Melodic themes develop during the tracks, but never outstay their welcome. Twists and turns occur at the perfect intervals and keep the listener engaged thoughout. In short this is a masterpiece of electronic music.

Its safe to say I have a real soft spot for electronic music and I think of this album as one of the reasons for that. It is hard to compare this to the original work as they were composed and recorded in very different times. 'Oxygene 7-13' does sound much more modern, which of course it is. It is interesting to note, however, that Jean Michel Jarre actually went for a full-on analogue only approach to recording parts 7-13, which of course harks back to the days of 'Oxygene' and 'Equinoxe'.

Musically, we have some stunning soundscapes, up-beat melodic synthesizers and some trance-esque percussive beats at times. I do have to wonder how an album such as 'Oxygene 7-13' can feature on the prog archives, as I don't really consider this progressive, per se. In terms of genre its a far better fit in the chill-out / intelligent dance music camp rather than progressive. But who cares, its still an absolute joyous ride whatever genre it is, and I can't imagine anyone who loves music not loving 'Oxygene 7-13'. Unlike the original 'Oxygene' album, which I think has aged pretty badly, I think parts 7-13 really are a 5-star effort from the electro-wizard that is Jean Michel Jarre. Highly recommended!

 Deserted Palace by JARRE, JEAN-MICHEL album cover Studio Album, 1973
2.11 | 22 ratings

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Deserted Palace
Jean-Michel Jarre Prog Related

Review by siLLy puPPy
Collaborator PSIKE & JR/F/Canterbury Teams

3 stars JEAN MICHEL JARRE was born and raised in Lyon, France and not only was classically trained to play piano but also spent most of his early years under the influences of his musical family (his grandfather was an oboe player and engineer) and also by his early exposure to the famous French street performers that sparked his interest in developing his own unique style of progressively inspired electronic music. In the early 70s JARRE was already gaining attention when he was noticed by Norbert Schmucki to contribute music for a ballet at the Palais Garnier in Paris. As one thing led to another in his musical progressions, he would score the opportunity to record his first album DESERTED PALACE.

This debut album was supposed to be recorded so that it could be used in various television programs, ads and film soundtracks. Basically an all purpose use for anything type of album's worth of material. The material on here is very much in the experimental electronic department but JARRE was taking a different approach even on this first album of his career all the way back in 1972 before his big break with 'Oxygène' four years later. Whereas other contemporary progressive electronic artists of the day were deriving their influence strictly from the Berlin school of psychedelic and trippy weirdness that was partly inspired by lysergic dissonance and otherworldly freak outs by the hands of Klaus Schulze and Tangerine Dream, JARRE was very much in touch with his inner pop star sensibilities and added a highly melodic underpinning to all of his musical edifices, much in the vein of Krautrocker Achim Reichel with his German equivalent 'Die Güne Reise,' however JARRE clearly has his classical influences well on board on DESERTED PALACE and the album comes off as an equal mix of classical inspired rhythms, melodies and ideas mixed with electronic embellishments, timbres and experiments all dressed up in a poppified easily digestible format.

Although this album is hardly a contender for the cream of the crop of JARRE's creative output, all of the elements that would be tweaked and fine-tuned for future use are all present here and this debut release and is an excellent insight into the more sophisticated sound that would come together a few short years later. The melodies are already here, the electronic experiments likewise and the pop sensibilities that often sound like classical tinged proto-synthpop are also on board as well. What IS lacking here is the totally refined weaving of all these styles into the irresistible and undeniably brilliant concoctions that would emerge on 'Oxyg'ne.' While not at that same level of coolness, i find all the tracks on DESERTED PALACE quite listenable and beautifully constructed. This indeed is a fine debut release and maybe not quite to the level of OMG essentialism but nevertheless is for sure a damn fine listen that won't disappoint. 3.5 rounded down

Thanks to ProgLucky for the artist addition.

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