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MASQUERADE

Eyesberg

Neo-Prog


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Eyesberg Masquerade album cover
3.74 | 26 ratings | 4 reviews | 32% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2016

Songs / Tracks Listing

1. Joke On You (5:17)
2. Come And Take A Look At My Life (6:32)
3. Faceless (5:12)
4. Here And Now (4:38)
5. Storm Flood (6:05)
6. Steal Your Thunder (5:21)
7. Wait And See (18:01)
I. Overture
II. The Beginning Of The End
III. Talking To Father Time
IV. I Told You So
V. The Last Demise

Total Time 51:06

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Georg Alfter / guitar, bass
- Norbert Podien / keyboards
- Malcolm Shuttleworth / vocals
With:
- Jimmy Keegan (Spock's Beard) / drums
- Oliver Wenzler / percussion


Releases information

Label: Progressive Promotion Records
Format: CD
November 11, 2016

Thanks to mbzr48 for the addition
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Audio CD$12.04
$12.03 (used)

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EYESBERG Masquerade ratings distribution


3.74
(26 ratings)
Essential: a masterpiece of progressive rock music(32%)
32%
Excellent addition to any prog rock music collection(32%)
32%
Good, but non-essential (32%)
32%
Collectors/fans only (4%)
4%
Poor. Only for completionists (0%)
0%

EYESBERG Masquerade reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Warthur
PROG REVIEWER
3 stars Eyesberg took 34 years to cook up their debut, Blue, but didn't need nearly so long to churn out this successor to the album. It's neo-prog in a style which I'd be inclined to compare to recent Galahad - in that it's got the sort of mild Genesis influences you expect of neo-prog groups of a certain vintage, but greatly updated in terms of the electronic influences they allow to percolate into the music.

It's competently done, but it does rather feel a bit neo-prog-by-numbers at points, and in terms of the lyrical themes they explore the band indulge in the sort of what I think of as "grumpy divorced dad nostalgia" that can plague the neo-prog scene a bit. You know the kind of thing - the sort of sub-Big Big Train griping about how Things Ain't Like They Used To Be (though there's plenty of music from the good old days that reminds us that things weren't so great back then either!). Where I look to neo-prog music for something emotionally engaging - whether that's IQ-style psychedelic excitement, Marillion-esque emotional gravitas, or whatever - Eyesberg instead deliver a lot of rather clueless griping.

Take a case in point: one of the songs starts off with vocalist Malcolm Shuttleworth singing about how social media's terrible and nobody talks anymore. Now, this is a position without credibility (I could go off on a long rant about it, but suffice to say that if you believe people are using social media to the extent of cutting out seeing people in person entirely, I would say that you are either projecting your own boring social isolation onto others or fundamentally misunderstanding how people use it - it's a useful accessory to and facilitator of other interactions, not a replacement for them), but let's set that aside: Facebook launched in 2004, and Twitter launched in 2006. We are dealing here with a social phenomenon which is a decade old; the time when you could pretend to be "with it" and in tune with current issues simply by saying something uninformed and unsupported about social media is well and truly past.

I take issue with this not because I think songs about social media are inherently bad, but I would say that they've been *done already*, and if a band feels the need to do a song about the subject and then entirely fails to say anything new about it beyond some dull platitudes - and, even worse, doesn't even manage to dress up the platitudes in a way I haven't heard a dozen times before - that suggests that they are rather short of ideas. And that's how I'd characterise Eyesberg: they churn out pleasant enough material, I wouldn't rate the album below three stars, but until they start doing something I haven't heard before too many times already they're not going to get beyond three stars.

Review by kev rowland
SPECIAL COLLABORATOR Crossover Prog Team
4 stars Towards the end of 2016 Eyesberg came back with their second album, this time comprising all new songs. There was no use of a drum machine this time, as they managed to secure the talents of Spock's Beard drummer Jimmy Keegan, and this has had a major impact on the music. No longer are the drums just there to keep the beat and provide backbone, this time they have become very much an essential part of the overall sound as Jimmy drives the guys along ? he never has been one to be content with just playing the beat, he knows when not to play, and when to force proceedings. No longer are the band performing as if they were around more than thirty- five years ago (although they were), now it is more of that time being an influence on what they are doing, which is far harder and heavier than last time around.

The debut album would probably be best described as retro prog, but this one is much further into neo prog territory, with a far more abrasive edge, as if they have lost the innocence of the debut and are far angrier. The two albums are quite different in some respects, and very similar in others, with Malcolm's vocals playing a key part in bringing them together, along with Hackett Genesis influences still obvious in this one, although more diluted than in the debut. Of the two I think I prefer the debut, just, but they are both worthy of discovery to any prog lover,

Latest members reviews

3 stars For yet another time I've been alerted by PA to good old German neo-prog... This is what I call pensioner's prog - prog played by 50-somethings for the 50-somethings (not there yet, but close). How can you tell? If the singer sounds like he's from Genesis and laments the effect of social media o ... (read more)

Report this review (#1663639) | Posted by Progrussia | Sunday, December 4, 2016 | Review Permanlink

5 stars EYESBERG burst onto the progressive music scene two years ago with the release of their album BLUE ? a collection of 30-year-old songs that had been re-recorded and revamped using modern technology. BLUE quite rightly received rave reviews and now they are back with the follow-up MASQUERADE ? this ... (read more)

Report this review (#1648225) | Posted by Rayx | Thursday, November 24, 2016 | Review Permanlink

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