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Andrew Chalk

Progressive Electronic

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Andrew Chalk Ghosts Of Nakhodka album cover
4.00 | 2 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2015

Songs / Tracks Listing

1. Blue Bay (01:58)
2. Figures (02:11)
3. Peak Of Mountain (03:53)
4. Neon Glow (02:08)
5. Yaponskoe More (03:33)
6. On Any Day (02:21)
7. Geometrica (02:13)
8. Floating (03:09)
9. Windows And Stars Begin (02:54)
10. Leaving For The Ocean (01:57)
11. Night Descends (01:33)
12. Horse-shoe (01:02)
13. Map Of The World (03:00)

Total Time 32:08

Line-up / Musicians

- Andrew Chalk / electronics

Releases information

Original cassette released Ghosts Of Nakhodka ‎2014(Cass, Ltd, C46- Not On Label (Andrew Chalk Self-Released)
LP, Album, Ltd, Sli: releaseded feb 2015
FORMAT: LP | CATALOG N. FP 024 | YEAR. (2015)

Thanks to admireart for the addition
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Buy ANDREW CHALK Ghosts Of Nakhodka Music

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Over the EdgesOver the Edges
Streamline 2003
$10.74 (used)
Andrew Chalk - The River That Flows Into The SandsAndrew Chalk - The River That Flows Into The Sands
Faraway Press
$24.88 (used)
Over the Edges by ANDREW CHALKOver the Edges by ANDREW CHALK
Over the Edges by Chalk, Andrew (2003-03-18)Over the Edges by Chalk, Andrew (2003-03-18)

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ANDREW CHALK Ghosts Of Nakhodka ratings distribution

(2 ratings)
Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(100%)
Good, but non-essential (0%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

ANDREW CHALK Ghosts Of Nakhodka reviews

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Collaborators/Experts Reviews

Review by admireArt
4 stars A westerner´s post-war view of the mystic East.

Short lived electronic poems, with an impending doom flavor in contrast with intriguing and beautiful passages that are as creative as rich in their melody lines, enhanced by their own briefness, the environments it proposes are intended to transport you to those mysterious lands that us westerners observers still perceive or at least still try to feel as full of wonders and yet as fragile as straw.

Its simplicity, its uncompromising closeness to Central European musical canons of "beauty" as opposed to the slight easterly canons it also approaches, its precise and minimal ALL-ELECTRONIC instrumentation, which does not minimize its creative and expansive songwriting, its original musical language and the curious fact that it was never thought to be released publicly (these songs were privately distributed on tape, last year, by Andrew Chalk himself to his friends and acquaintances, who some ended up selling their gift for a 100 euros on the web) ,add up easily for a memorable aquisition.

****4 "prog-electronic" PA stars!

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