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BOUNDARIES

Jon Anderson

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Jon Anderson Boundaries album cover
3.00 | 1 ratings | 1 reviews | 0% 5 stars

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Singles/EPs/Fan Club/Promo, released in 1982

Songs / Tracks Listing

A1Boundaries (3:18)
B1Much Better Reason (4:25)

Line-up / Musicians

- Jon Anderson / vocals
- Jack Bruce / bass
- Henry Lowther / horn
- David Sancious / keyboards
- Simon Phillips / drums
- Chris Rainbow / vocals
- Dave "Clem" Clempson / guitar
- The Delme Quartet / strings
- John Giblin / bass
- Billy Kristian / bass
- Ronnie Leahy / keyboards
- Dick Morrissey / saxophone
- Morris Pert / drums
- Blue Weaver / keyboards
- Ian Wallace / drums

Releases information

Vinyl 7" Polydor 2059 587 Netherlands

Thanks to Per Köhler for the addition
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BoundariesBoundaries
Polydor
$14.68 (used)


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JON ANDERSON Boundaries ratings distribution


3.00
(1 ratings)
Essential: a masterpiece of rock music(0%)
0%
Excellent addition to any rock music collection(0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

JON ANDERSON Boundaries reviews


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Collaborators/Experts Reviews

Review by Matti
PROG REVIEWER
3 stars When I was 13-14, JON ANDERSON's 1982 album Animation was one of the vinyls of my big brother's and big sister's that I found deep interest in. Actually it can be said that the title track was THE song in which a progressive, multi-part song structure totally fascinated me. This single contains two tracks from that album.

'Boundaries' was perhaps my second fave from it, though far behind. It's a laid-back singalong kind of a song with a pastoral feeling. Acoustic guitar (Dave Cempson) is in a central role, unlike on that album in general. Hey, now I notice for the first time what a respectable host of musicians the album has: Jack Bruce and John Giblin on bass, Morris Pert on percussion, keyboardist David Sancious, trumpetist Henry Lowther, etc...

'Much Better Reason' is more electrified and to some little degree disco-ish song but quite nice, especially for the way it builds up tension that is released in the catchy chorus. Among Jon Anderson's output (post-Olias) these songs represent fairly good average level. Production is good considering it was the hollow early eighties.

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