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PEARL MOON

Inner Light Orchestra

Eclectic Prog


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Inner Light Orchestra Pearl Moon album cover
3.68 | 12 ratings | 3 reviews | 17% 5 stars

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Studio Album, released in 2012

Songs / Tracks Listing


1. Boogie Night (9:18)
2. Winds Of Oya (7:10)
3. Lamentation of Ancestress (9:17)
4. Summer Days, Summer Nights (12:46)
5. Domestic Spirits (11:30)

Total Time 50:01

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians


- Samuel Leminen / guitars
- Kimmo Dammert / bass
- Ville Vaatainen / drums
- Heikki Puska / guitar
- Antti Lauronen / ney, flute, saxophone
- Janina Lehto / flute
- Jukka Gustavson / organ
- Jenni Sademies / saw

Releases information

ATA-002

Thanks to historian9 for the addition
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INNER LIGHT ORCHESTRA Pearl Moon ratings distribution


3.68
(12 ratings)
Essential: a masterpiece of progressive rock music(17%)
17%
Excellent addition to any prog rock music collection(50%)
50%
Good, but non-essential (25%)
25%
Collectors/fans only (8%)
8%
Poor. Only for completionists (0%)
0%

INNER LIGHT ORCHESTRA Pearl Moon reviews


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Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
4 stars While neither the band nor their label has an internet presence, other sources have revealed to me that the Finnish band INNER LIGHT ORCHESTRA is a constellation of musicians otherwise active in bands such as Hidria Spacefolk, Uzma and Wasami. "Pearl Moon" is their debut album, recorded from 2008 to 2010, and finally released in November 2012.

Inner Light Orchestra has produced an intriguing debut album with "Pearl Moon". Their chosen stylistic expression is one hard to place within a specific, but as psychedelic oriented arrangements dominate a taste for material of that kind will be needed to be able to enjoy this instrumental production. As will a taste for 70's oriented hard rock and occasional flurries into fusion and folk oriented territories. As for who this album will appeal to, I'd guess that those who have albums by the Allman Brother Band side by side with classic Santana in their collection might be something of a key audience, especially those amongst that group who also tend to enjoy psychedelic rock.

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
3 stars 3.5 stars really!!!

I'm not exactly sure how and when and why Uzva just disappeared, but three of the members of its last incarnation found their way into this ILO project, including leader Puska, hornman Lauronen and drummer Vaatainen (sorry for the missing '''). One better not look too hard for the Uzva sound in this project: gone are the folk and jazz influences (though the sax interventions are still jazzy), because we're definitely in a rockier but entirely instrumental musical world where one may also pick up a few psych-reggae slant that may get you thinking about Ozric Tentacles and at times a bit of Gong. Though recorded throughout the 08 to 10 era, this album only saw the light of day in 12, but there is little doubt that the excellent autumnal artwork wasn't responsible for the delay.

The energetic rock cum fusion is relatively even throughout the five tracks of the album, ranging from 7 to almost 13-mins, and the double guitar attack does give it a harder edge than one might have suspected ex-Uzva members would've indulged in. Don't get me wrong, though: we never reach metallic proportions either, and Lauronen's sax parts have a definite funk/jazz slant. One could fear that the music is a bit samey throughout the album's 50 minutes, but there are a few friends r-that give a helping hand, including a superbly blonde flautist on the closing Spirits and Jukka Gustavson's Hammond on Ancestress or even a saw on Winds Of Oya. As a matter of fact, the album goes crescendo in intensity and Domestic Spirits really rocks your socks off with some slight Gong-esque hints.

Hopefully, this isn't the last thing we'll hear from this project, because based on the solid grounds, there is plenty of possibilities offered to them. Definitely worth keeping an eye out in their direction, if you ask me.

Review by Matti
PROG REVIEWER
4 stars This is the only release from I.L.O. (by the way, "ilo" means joy in Finnish!). The instrumental group - which I would actually rather label as Jazz-Rock/Fusion than Eclectic Prog - is led by guitarist-composer Samuel Leminen (formerly of WASAMI; no idea what kind of a band it is). One track, 'Boogie Nights', he wrote together with Heikki Puska, the guitarist-composer of the excellent and sadly bygone prog act UZVA. These two guys share the guitar duties, curiously mixed into the left and right channel separately. Also saxophonist-flautist Antti Lauronen served formerly in Uzva, and the bassist Kimmo Dammert is known from the Space Rock band HIDRIA SPACEFOLK.

I'm really fond of the drawn cover art by Antti Silvekoski! It reminds me of the early 70's heydays of the album cover art in progressive rock especially. This is a very justified allusion, since the music too reflects the vintage Finnish jazz-rock oriented prog such as PEKKA POHJOLA, TASAVALLAN PRESIDENTTI, JUKKA TOLONEN and WIGWAM.

In the opener 'Boogie Nights' the reggae-ish beat is luckily only a starting & returning point for an uplifting and unquestionably progressive 9-minute Fusion ride. At first I thought it to be my least fave of the five tracks, but in fact it has much more spirit than the guitar-emphasized 'Winds of Oy'. Soprano saxophone is perhaps the other key instrument in the album's overall sound besides electric guitar. The third track 'Lamentation of Ancestress' features the Hammond organ of legendary JUKKA GUSTAVSON (ex-WIGWAM) and is the definitive highlight. In the beginning the introspective melodies are built slowly in a Pekka Pohjola style, and after the Hammond gradually takes a bigger and bigger role, the playing is filled with sheer joy and the listener is totally charmed with this very vintage sounding composition.

The nearly 13-minute 'Summer Days, Summer Nights' gets in my opinion a bit boring in its jam-like stretched structure, but surely it's not without joy and power either. The final number 'Domestic Spirits' starts delicately with acoustic guitar and flute, but the folky flavour gives way to a fuller jazz- rock sound led by strong electric guitars. The high-pitched flute struggles along until the more harmonious end.

Many connoisseurs of [Finnish] vintage prog will be delighted by this jazzy, happy music. There are wonderful highlights but also some less interesting, jam-approaching stuff lacking of impressive melodies. Another negative remark is that the arrangements are not as colourful and many-sided as on the albums of UZVA for example. Anyway, a warmly recommendable addition in the prog- listeners shelf somewhere near the classics of the artists and bands mentioned.

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