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PERHOSNIITTY

Esa Kotilainen

Progressive Electronic


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Esa Kotilainen Perhosniitty album cover
2.10 | 2 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2013

Songs / Tracks Listing

1. Metsäretki (4:07)
2. Perhosniitty (5:05)
3. Maitoreissu (4:56)
4. Yöllinen Ratsastus (4:09)
5. Vuono Sininen (5:34)
6. Fossiili (2:50)
7. Napatanssija (2:57)
8. Pihakeinu (4:27)
9. Syksyn Taikaa (3:49)
10. Vieno Tuuli (4:01)

Bonus tracks:
11. Equus I - Dysartin Teema (5:27)
12..Equus II - Alanin Teema (5:24)
13. Equus III - Yöllinen Ratsastus (4:02)

Total time 57:37

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Esa Kotilainen / accordeons, mini-moog, mellotron
- Peter Lerche / guitars
- Eerik Siikasaari / bass
- Anssi Nykäne / drums, percussion

Releases information

Running Moose PRECD035 (2013)

Composed, arranged, recorded, mixed and produced by Esa Kotilainen at Musapaja Studios, Kuusankoski

Thanks to Matti for the addition
and to NotAProghead for the last updates
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PerhosniittyPerhosniitty
Import
Presence Records
Audio CD$19.99


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ESA KOTILAINEN Perhosniitty ratings distribution


2.10
(2 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(50%)
50%
Good, but non-essential (0%)
0%
Collectors/fans only (50%)
50%
Poor. Only for completionists (0%)
0%

ESA KOTILAINEN Perhosniitty reviews


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Collaborators/Experts Reviews

Review by Matti
PROG REVIEWER
2 stars Sigh... Esa Kotilainen has a unique history as one of the leading keyboard players in the Finnish popular music scene (he has played on dozens of artists' albums from Wigwam to Hector), and as a solo artist he's best remembered for his debut album Ajatuslapsi, which is very esoteric electronic progressive music. I haven't heard his later recordings which, if I understood, are also more or less experimental, inspired by factories or deep frost or whatever. Now, what do I get with his latest offering? Instrumental easy-listening music with a steady rhythm, starring an accordeon! Rather similar to some of Anssi Tikanmäki's music, but less powerful in imagery or melodies.

Tracks like 'Fossiili' are even irritating and monotonous. I wonder if an average accordeon-music listener will enjoy this either, because apart from a couple of nostalgic tunes, it's not exactly typical in that field at all. That is, not very danceable (perhaps a virtue in our context), but nothing special instead either, to grab the listener. Some close-to-the-nature kind of a person could use this album as a background music to some creative doings. Only few tracks are more enjoyable; 'Vuono Sininen' (Fjord Blue) has a nice laid back, by-the-lakeside atmosphere, and drummer Anssi Nykänen's contribution sounds good before the percussion-free, meditative section that gets a bit boring.

Here and there one hears interesting originality in handling the accordeon and adding some light moog or mellotron, but the compositions are rather half-baked. Overall, simply forget this one, even if you're among the seemingly few PA members who have found Kotilainen's former works fascinating.

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