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M.A.D. (MADNESS AND DESPAIR)

Toxic Smile

Progressive Metal


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Toxic Smile M.A.D. (Madness and Despair) album cover
4.00 | 12 ratings | 1 reviews | 17% 5 stars

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Studio Album, released in 2000

Songs / Tracks Listing

1. Arirang
2. Nothing to Believe
3. The Crown
4. Hate Me
5. Toxic Smile
6. ?0815
7*. Burning
8. Madness and Despair
9. Rollercoaster
10*. Could It Be
11. Autumn Leaves II

Total Time 57:56

* - not on 2001 and 2011 reissues


Tracks on 2001 and 2011 reisuues:
1. Nothing To Believe (4:47)
2. Madness And Despair (7:24)
3. Rollercoaster (4:40)
4**. Daydream (5:00)
5. Toxic Smile (4:45)
6. ?0815 (Instrumental) (4:40)
7**. Owner Of A Lonely Heart (5:06)
8. The Crown (4:15)
9. Hate Me (2:50)
10. Arirang (12:44)
11. Autumn Leaves II (live) (6:25)

Total time 62:36

** - not on original (2000) CD

Line-up / Musicians

- Larry B. / vocals
- Uwe Reinholz / guitars
- Robert Brenner / bass
- Marek Arnold / keyboards
- Daniel Zehe / drums

Releases information

CD F.act-records (October 2000, Germany)

CD BMG (2001, Korea, different tracks' order, artwork and total length, 2 different tracks)
CD Progressive Promotion Records PPR CD 004 (2011, Germany, reissue of 2001 BMG Korea CD, Limited edition of 500 copies)

Thanks to bonnek for the addition
and to NotAProghead for the last updates
Edit this entry

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I'm Your SaviourI'm Your Saviour
CD Baby 2011
$12.28
$11.68 (used)
FarewellFarewell
CD Baby 2015
$14.48
$9.99 (used)
I'm Your Saviour by Toxic Smile (2011-05-04)I'm Your Saviour by Toxic Smile (2011-05-04)
CD Baby
$36.99
Overdue Visit Ep by Toxic Smile (2009-06-16)Overdue Visit Ep by Toxic Smile (2009-06-16)
CDBY
$44.00
$1,049.90 (used)
M.A.D. by TOXIC SMILE (0100-01-01)M.A.D. by TOXIC SMILE (0100-01-01)
Progressive Promotion Records
$23.39
77
CD Baby 2016
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TOXIC SMILE M.A.D. (Madness and Despair) ratings distribution


4.00
(12 ratings)
Essential: a masterpiece of progressive rock music(17%)
17%
Excellent addition to any prog rock music collection(75%)
75%
Good, but non-essential (0%)
0%
Collectors/fans only (8%)
8%
Poor. Only for completionists (0%)
0%

TOXIC SMILE M.A.D. (Madness and Despair) reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by kev rowland
SPECIAL COLLABORATOR Crossover Prog Team
4 stars I have been having quite a few conversations with keyboard/sax player Marek Arnold about his various musical outlets, and he recently provided me with access to virtually everything that has been released by Toxic Smile. Prior to this I had only heard their fourth album, '7' (which was their seventh overall release), so I was looking forward to this and jumped into the task with relish. For those who haven't come across them before, the band started as a collaboration between Marek, drummer Daniel Zehe and guitarist Uwe Reinholz in early 1996 when they were still students, really coming together as unit two years later when they were joined by singer Larry B. 'M.A.D' was their debut album, released in 2000, but what I am playing is the 2011 reissue which contains two additional songs, one of which is a cover (more of that later).

Musically these guys are at the intersection of prog metal, heavy prog, symphonic, crossover, neo-prog and more straightforward hard rock. At times they are reminiscent of classic Saga, at others Dream Theater, while IQ have also had an impact, as has Steve Howe. What really ties this all together is the way that Marek and Uwe are joined at the hip, while bassist Robert Brenner is incredibly important to the overall mix with a strong warm bass that can be sat quietly at the back or also provide touches right at the front to provide a completely different and unexpected emphasis. The music swirls, it moves, it switches and loops like a rollercoaster, and right at the very front of this is Larry B., totally in control. He can be emotional, he can be rough and raw, or pure and melodic. The only time he comes unstuck is when the band play 'Owner Of A Lonely Heart'. While the arrangement is interesting (I personally would have stuck with the harder riffs they used in the introduction), Larry is singing at the very limit of his range and has to go into falsetto. It would have been more interesting if they had moved away from trying to replicate Anderson and instead did something in a lower register to provide a harshness.

But, that and the sound quality of the snare drum are the only low points of what is a great debut album, and I find it strange that it has taken nearly twenty years for me to come across it and that there isn't a single review of it on ProgArchives! Well, both of these issues have been rectified now. Well worth investigating.

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